Showing posts with label Frank Zappa. Show all posts
Showing posts with label Frank Zappa. Show all posts

Sunday, August 22, 2021

Sunday Session: August 22, 2021

John Coltrane
Here's this week's roundup of various music-related items of interest:

* Former Police Guitarist Andy Summers Reminisces On Montserrat Sessions In ‘Under The Volcano’ (Forbes.com)
* Angry concert-goer files complaint with Ohio Attorney General after missing James Taylor-Jackson Browne show at Blossom (Cleveland Plain Dealer)
* Highest Trane: John Coltrane’s World-Building Ascension (Jazz Times)
* Under The Volcano Review: Inside George Martin’s Musical Paradise (DenOfGeek.com)
* The Bad Plus Reformulates Again, Now as a Quartet with Ben Monder and Chris Speed (WBGO)
* A Guide to Free Jazz Drumming on Bandcamp (Bandcamp.com)
* At an Old Juke Joint in Mississippi, the Blues Are Alive (Smithsonian)
* If you take all the world’s emotions and put them into one sound, it’s Sérgio Mendes (San Diego Union Tribune)
* The Most Influential Pop-Rock Band Ever? The Monkees! (Vanity Fair)
* The history of electronic music is inside a warehouse in Harleysville, Pa. (WHYY)
* The Light At The End of The Tunnel is Fading (Offbeat)
* Meet the archivist who saved the historic footage that became ‘Summer of Soul’ (Los Angeles Times)
* How Respect Uses Design to Illuminate the Story of Aretha Franklin (Architechtural Digest)
* Marc Ribot Makes the Case for Loud Music (LitHub.com)
* Larry Harlow, Iconic Salsa Musician And Producer, Has Died At 82 (NPR)
* First Live Steely Dan Album in 25 Years Just Days Away (Guitar Player)
* Frank Zappa: ”I think my playing is probably more derived from folk music – Middle Eastern music, Indian music, stuff like that” (Guitar World)
* My musician friends in Afghanistan are hiding their musical instruments in fear of the Taliban: Young Afghan composer Arson Fahim (IndiaTimes.com)
* Country singer Tom T. Hall dies; wrote ‘Harper Valley PTA’ (Associated Press)
* ‘They deserve a place in history’: music teacher makes map of female composers (The Guardian)
* White out! Tony Herrington calls time on the monoculture that is the experimental sound and music industry (The Wire)
* The World's Most Famous Violins Were Treated With a Secret Chemical Mix, Study Shows (ScienceAlert.com)
* Philip Glass on Artificial Intelligence and Art (Auderdy.com)

Sunday, August 01, 2021

Sunday Session: August 1, 2021

Billie Holiday
Here's this week's roundup of various music-related items of interest:

* Charles Mingus: An Essential Top Ten Albums (AllAboutJazz.com)
* Laura Nyro: the phenomenal singers’ singer the 60s overlooked (The Guardian)
* Buddy Guy: “When you pick up a guitar, you have something of your own even if you don’t realize it” (Guitar World)
* The United States vs. Billie Holiday vs. the Truth (Jazz Times)
* Fire Music Documentary to See National Release (Jazz Times)
* Ryan Adams, Shunned by the Music Business and ‘Scared,’ Pleads for Labels to Rescue His Career (Variety)
* This Is Your Brain On Vinyl, and Other Tales From Obsessive Collecting in the Pandemic (Jezebel.com)
* BREAKING NEWS: Three major music venues in New Orleans will require vaccination cards or negative Covid tests for entry (Offbeat)
* John Pizzarelli’s Ode to Pat Metheny (DownBeat)
* Dee Dee Bridgewater Returns to Rome (DownBeat)
* Low Fidelity: Vintage Vinyl and The Precarious State of the Indie Record Store (DecibelMagazine.com)
* Jim Keltner: A Before & After Listening Session (Jazz Times)
* Blues guitar legend Buddy Guy looks back on a special career (Associated Press)
* Fred Rzewski’s Classical Call To Arms (Bandcamp.com)
* (Back) In The Club: Jazz United Considers the Return of Live Concerts (WBGO)
* A Beginner’s Guide to Frank Zappa (Guitar Player)
* A Guide to the Late Recordings of Experimental Vocalist Linda Sharrock (Bandcamp.com)
* Do You Hear What I See? (New Music Box)

Sunday, February 14, 2021

Sunday Session: February 14, 2021

Chick Corea
Here's this week's roundup of various music-related items of interest:

* Show's over for British roadies as Brexit blocks European music tours (MSN.com)
* Trane '63: A Classic, A Challenge, A Change (WFIU)
* Mary Wilson, longest-reigning original Supreme, dies at 76 (Associated Press)
* Music wars on Valentine’s Day: when your partner hates your record collection (London Jazz News)
* The Idea of the Blues: It’s Time for Chicago to Capitalize on the Heritage that Changed the Course of Music (NewCity.com)
* Ivo Perelman’s Massive Oeuvre (DownBeat)
* Harvey Brooks: View From The Bottom (Blues.gr)
* Sonny Rollins: “Musicians can live a charmed life” (Uncut.co.uk)
* International Anthem's Celebratory Approach Is Breaking Boundaries (ClashMusic.com)
* New Orleans avant-jazz saxophonist Kidd Jordan improvises his way to $50K fellowship (NOLA.com)
* Composer Anthony Davis Imagines His Freedom (San Francisco Classical Voice)
* The Hidden Legacy Of The Pointer Sisters, Genre-Busting Pioneers Of Message Music (NPR)
* Ancient shell horn can still play a tune after 18,000 years (Associated Press)
* Terri Lyne Carrington is the definition of Black Girl Magic (Associated Press)
* Trumpeter Rob Mazurek May Have Made Marfa’s Great Cosmic Jazz Album (Texas Monthly)
* Arbors Records Puts Art First (DownBeat)
* Black Women Who Shaped Rock & Roll (Rolling Stone)
* Chick Corea, Jazz Fusion Pioneer, Has Died Of Cancer At 79 (NPR)
* Impulse! Records Marks a 60th Anniversary, and a Creative Legacy, with Music Old and New (WBGO)
* Chronology: McCoy Tyner, Sideman (Jazz Times)
* Gretchen Parlato In Bloom (DownBeat)
* Todd Rundgren Reacts to Latest Rock Hall Nomination: 'I Don't Care About It' (Billboard)
* Nubiyan Twist: Real Life Stories (Jazz Times)
* Brexit is destroying music. Why has the government let this happen? (The Guardian)
* Brilliant, broke and wilfully annoying: the sad legacy of Frank Zappa (Sydney Morning Herald)
* Milford Graves: jazz drummer dies aged 79 (The Guardian)
* The Checkout: Steve Gadd Remembers When Chick Corea Gave Him a Lesson On the Drums (WBGO)
* Milford Graves, Pioneering Jazz Drummer and Polymath, Dies at 79 (Pitchfork.com)

Sunday, January 17, 2021

Sunday Session: January 17, 2021

Kenny Garrett
Here's this week's roundup of various music-related items of interest:

* Alan Pasqua, the go-to keyboard wiz for jazz and rock legends, on Bob Dylan, Carlos Santana and Peter Erskine (San Diego Union Tribune)
* From Chuck Berry to Muddy Waters: 15 of Keith Richards’ favourite songs (FarOutMagazine.co.uk)
* The Insular Jazz of Lockdown Rediscovers a Pioneering Sounds of the Past (PopMatters.com)
* Geri Allen and ‘The Printmakers’ (1985) – by Rick Simpson (London Jazz News)
* Punk rocker Adam Ant lived in Pikeville, Tennessee, and left boxes of stuff behind (Chatanooga Times Free Press)
* Dr. Anthony Fauci Says Live Music Could Be Back This Fall (Stereogum.com)
* A Q&A with saxophonist Kenny Garrett (SFJAZZ.org)
* Equal At Last? Women In Jazz, By The Numbers (NPR)
* Charles Lloyd’s Dynamic Pandemic Year (DownBeat)
* ‘Like many African American musicians, Sun Ra fantasised about Africa,’ says writer Joseph Ghosn (TheAfricaReport.com)
* 2020: A Jazz Reckoning (San Francisco Classical Voice)
* Capitol Studios Shutters Its Mastering Division (Variety)
* Marion Brown's musical portrait of Georgia (BitterSoutherner.com)
* Let it rain: Bobby Few 1935–2021 (The Wire)
* Sony takes wraps off secret Unreal Engine project, unveils new subsidiary: Sony Immersive Music Studios (MusicBusinessWorldwide.com)
* LIFE AS A COSMOPOLITAN: GIRLS GONE GO-GO, NYC, 1977-‘82 (PleaseKillMe.com)
* Howard Johnson 1941–2021 (Jazz Times)
* In A Cultural Landscape Beset With Loss, This Community Music Studio Is Expanding (WBUR)
* Two Coltrane Classics Reimagined, 21st Century Electric Style (RockAndRollGlobe.com)
* DON VAN VLIET AND FRANK ZAPPA: TWO PEAS IN A MISSHAPEN POD (PleaseKillMe.com)
* Teodross Avery Recruits Stellar Cast To Salute Monk (DownBeat)
* O brothers: drummers Brian and Brady Blade (Oregon Public Broadcasting)
* Sylvie Courvoisier Is a Serious Player (Jazz Times)
* John Coltrane, Out Of Obscurity (DownBeat)

Sunday, December 27, 2020

Sunday Session: December 27, 2020

George Coleman
Here's this week's roundup of various music-related items of interest:

* Three Reissues That Illuminate South African Jazz During Apartheid (Discogs.com)
* How Branford Marsalis Found Ma Rainey’s Sound (Vanity Fair)
* Har Mar Superstar's Latest Gig: Mail Carrier (MSPMag.com)
* Tenor Sax George Coleman Shines On Newly Released Live Record, 'In Baltimore' (NPR)
* New Releases from Sonny Rollins and Charles Mingus Reveal Crucial Conceptions of Political Art (The New Yorker)
* The Best Shot We Have To Play Live Music Again: News From The COVID Frontline (Offbeat)
* ‘The New Thing’: The Subversive Bridge From Bop To Free Jazz (UDiscoverMusic.com)
* Congress Passes Covid-19 Relief Bill With Funding for Live Music Venues (Rolling Stone)
* Kids Became A&R's 'Secret Weapon' In a Work From Home Year (Billboard)
* Listening to the Joy in James Baldwin’s Record Collection (Hyperallergic.com)
* The Importance Of Mary Halvorson’s Recordings During The Pandemic Year (DownBeat)
* The Royal Bopsters Keep Their Group Identity Alive (Jazz Times)
* When Will Live Music Return? (Rolling Stone)
* Thelonious Monk: An Alternative Top Ten Albums Of Deep And Staggering Genius (AllAboutJazz.com)
* Can a trippy VR film bring classical music to a new generation? (The Guardian)
* Dayna Stephens Fulfills Long-Held Dreams (DownBeat)
* 'Jazz is just a reflection of life': The musical genius of Jerry Granelli (CBC)
* Sonny Rollins: Bright Moments (Jazz Times)
* Ma Rainey’s Moment: The Mother Of The Blues Gets Her Due (Slate.com)
* R.I.P. Leslie West, Legendary Mountain Frontman Dies at 75 (ConsequenceOfSound.net)
* “Music is my way of being in the world”: remembering “Blue” Gene Tyranny (The Wire)
* Frank Zappa’s 10 greatest albums of all time (FarOutMagazine.co.uk)
* Holiday Shopping Sends Vinyl Album Sales Soaring to Another Record Week (Billboard)
* Modern Hollywood Discovers Its Jazz ‘Soul’ (The Nation)
* When Sonny Rollins Went Dutch (DownBeat)
* A Bessie Smith Christmas (Jazz Times)
* Paul McCartney: read the exclusive track-by-track story of ‘McCartney III’ (NME.com)
* Music made 2020 better, but we failed to make 2020 better for musicians (TechCrunch.com)

Sunday, December 13, 2020

Sunday Session: December 13, 2020

Branford Marsalis
Here's this week's roundup of various music-related items of interest:

* Revisit a Vibrant San Francisco Music Scene in Harlem of the West (San Francisco Classical Voice)
* The Treasure in Frank Zappa’s Secret Subterranean Vault (The New Yorker)
* Bob Dylan sells his entire catalog of songs to Universal (CNN)
* Paul McCartney opens up about friendship with John Lennon in new interview (NME.com)
* Matthew Shipp at 60 (CliffordAllen.me)
* How John Coltrane Introduced the World to His Radical Sound in the Groundbreaking Recording of “My Favorite Things” (OpenCulture.com)
* Knocking Down Barriers: An Interview with Abdul Wadud, 1980 (PointOfDeparture.org)
* 'Sittin' In: Jazz Clubs of the 1940s and 1950s' Opens a Portal to the Past, and a Dialogue (WBGO)
* Wait, Bob Dylan Owned ‘The Weight’? An Explainer (Rolling Stone)
* There Goes the Neighborhood: What really caused the decline of 18th & Vine (ScalawagMagazine.org)
* Meet säje, the vocal supergroup thriving on female empowerment (Jazz.fm)
* ‘Mostly Hard Times’: How the City’s Few Jazz Clubs Are Hanging On, Barely (Curbed.com)
* Whit Dickey on the Path to Wisdom (Jazz Times)
* Jazz City: The Once — and Future — Sound of Memphis (Memphis Flyer)
* Ukulele Ike, a.k.a. Cliff Edwards, Sings Again (Jazz Times)
* Tough Times for Jazz Promotion (Interview No. 5 with Wendy Kirkland of Chesterfield Jazz Club) (London Jazz News)
* 82% of Musicians Earn Less Than $270 a Year From Spotify and Other Music Streaming Music Platforms, Study Finds (DigitalMusicNews.com)
* The New Vocabulary of Funkadelic (1970) (AquariumDrunkard.com)
* 'I'm a song catcher': 60 years of Arhoolie Records, the label for a lost America (The Guardian)
* Mary Lou Williams, Writ Large (DownBeat)
* Branford Marsalis on the Music of ‘Ma Rainey’s Black Bottom,’ and Chadwick Boseman’s Performance (Variety)
* George Benson Innovates, Crafts Pop Hits (DownBeat)
* Concert Industry Lost $30 Billion in 2020 (Variety)
* Our Revels Now Are Ended (The American Scholar)
* Joni Mitchell: “I know what I want and I’m not afraid to stand up for it” (New Statesman)
* He's the Leader: An Interview with Aretha's "Main Man" Fonzi Thornton (PopMatters.com)
* “Then there was the time I was buried in a hole”: Phil Minton at 80 (The Wire)
* Berkeley jazz clarinetist marks the days of pandemic in ‘Plague Diary’ (San Francisco Chronicle)
* Charley Pride, Pioneering Black Country Singer, Dead at 86 (Rolling Stone)

Sunday, November 29, 2020

Sunday Session: November 29, 2020

Maria Schneider
Here's this week's roundup of various music-related items of interest:

* 'The Last Shall Be First': A Lost Chapter Of Gospel, Saved From Extinction (NPR)
* Ntozake Shange on Sun Ra and How She Came to Have Her Name (LitHub.com)
* Jazz Composer Maria Schneider Takes on the "Data Lords" in Song (PopMatters.com)
* Nile Rodgers on ‘A Love Supreme’: ‘It Felt Like I Was Getting a Look Into Coltrane’s Soul’ (Rolling Stone)
* Excluded, Penalized, Indebted, Harassed: A Study of Systemic Discrimination Against Women in Opera (MiddleClassArtist.com)
* JT Video Premiere: Sonny Rollins in Holland Mini-Documentary (Jazz Times)
* Calming monkeys with piano music is harder than you think (CNN)
* Veronica Swift’s Unconventional Turns (DownBeat)
* A Tense New Classical Work Bottles The Feeling Of A Police Stop (NPR)
* Chops: Drummers Go Off the Grid (Jazz Times)
* 'I thought ours was better': Keith Richards on recording a Beatles song, solo work and new Rolling Stones (USA Today)
* I'm a sound technician. Losing my hearing was devastating (CBC)
* Jeff Gold – ‘Sittin’ In – Jazz Clubs of the 1940s and 1950s’ (London Jazz News)
* 'Frank didn't adhere to any movements': behind the Zappa documentary (The Guardian)
* Buddy Bolden, Known As ‘The Father Of Jazz’ Honored In New Opera (WABE)
* Chick Corea: Accomplishing the goal of art (BBC)
* Warner is signing double the number of artists via AI-driven A&R tool Sodatone than it did last year. Now, it’s hired a global head of Data Science. (MusicBusinessWorldwide.com)
* The legend of Yahya Abdul-Majid (CapitalBop.com)
* The Checkout: Meet Laura Perrudin, A French Harpist with a Jagged Edge (WBGO)
* All doom and boom: what’s the heaviest music ever made? (The Guardian)
* Zev Feldman of Resonance Records (‘Bill Evans Live at Ronnie Scott’s’) (London Jazz News)
* 'People in their 40s were crying': the sad final days of New York's coolest record store (The Guardian)
* How old, ambient Japanese music became a smash hit on YouTube (ArsTechnica.com)
* Charles McPherson Turns to Ballet (Jazz Times)
* Branford and Wynton Marsalis Are Keeping New York's Jazz Scene Alive (Town and Country)
* 'I will remember this for the rest of my life': John Fogerty on rerecording classic songs with his kids (USA Today)

Wednesday, October 28, 2020

Local premiere of Black Artists Group documentary among music films at 2020 St. Louis International Film Festival

A long-awaited documentary about St. Louis' Black Artists Group (BAG) will make its local debut at the 2020 St. Louis International Film Festival, which will take place online from November 5-22.

Directed by Bryan Dematteis and co-produced by St. Louis native, trumpeter, arts impresario, and former BAG member George Sams, The Black Artists’ Group of St. Louis: Creation Equals Movement is described in the festival's program like this:
"The Black Artists’ Group of St. Louis (BAG) formed in the late 1960s as an arts collective devoted to raising Black consciousness, battling social injustice, and exploring the far reaches of experimental performance. Beyond St. Louis, BAG’s musicians became influential in Europe and in New York, where members helped to found the Loft Jazz scene.

Locally, the group’s spirit lives on in the many St. Louis musicians who cut their chops learning to play in BAG’s community arts classes. Among those featured in the film are Lake, Hemphill, Charles “Bobo” Shaw, Malinke Elliott, Hamiet Bluiett, J.D. Parran, Portia Hunt, Shirley LeFlore, George Sams, Percy Green II, Patricia Cruz, Ben Looker, and Dennis Owsley."
Dematteis, Sams, and founding BAG members Malinke Elliott and Oliver Lake also have recorded a Q&A session, which will be available to watch online following screenings of the film.

For more information on how to purchase access and stream The Black Artists' Group of St. Louis: Creation Equals Movement, go here.

(Earlier this year, StLJN ran a series of six "Saturday Video Showcase" posts highlighting the work and musical legacy of various BAG members: Part 1, 2, 3, 4, 5 and 6.)

Other music-related films that will be screening as part of SLIFF this year include:

Zappa: Directed by former St. Louisan Alex Winter (Bill in the Bill & Ted... movies), this documentary about the late guitarist and composer "had unfettered access to the Zappa family trust and its vast trove of archival footage." It includes interviews with Frank Zappa’s widow, the late Gail Zappa, plus former sidemen such as Mike Keneally, Ian Underwood, Steve Vai, Bunk Gardner, Scott Thunes, Ruth Underwood, Ray White, and more.

River City Drumbeat: A documentary about Louisville, KY music educator Edward “Nardie” White and the after-school community drum corps he has led for nearly 30 years.

The Oratorio: Co-Directed by former St. Louisan Mary Anne Rothberg and Martin Scorsese, this documentary tells "the story of an 1826 performance that forever changed America’s cultural landscape with the introduction of Italian opera to New York City."

The Sit-In: Harry Belafonte Hosts "The Tonight Show": A documentary that recounts how for one week in 1968, Belafonte "took a predominantly White institution and transformed it into a multicultural and political experience," featuring Black guests from entertainment, politics, and more.

The Ballad of John Henry: A documentary by St. Louis-based filmmaker Matthew Rice "provides a fresh perspective on the song and folk tale by exploring a myriad of related subjects."

Sunday, July 05, 2020

Sunday Session: July 5, 2020

Freddy Cole
Here's this week's roundup of various music-related items of interest:

* John Scofield Honors Steve Swallow on New Album (Jazz Times)
* Revisiting the lost recording of Pink Floyd jamming with jazz violinist Stephane Grappelli on ‘Wish You Were Here’ (FarOutMagazine.co.uk)
* Identifying a melody by studying a musician’s body language (News.MIT.edu)
* Freddy Cole, Singer Who Eluded the Shadow of His Brother Nat "King" Cole, Has Died at 88 (WBGO)
* How Jazz Is Coping with COVID-19 (Jazz Times)
* Pixar’s Upcoming “Soul” May Have a Problem: No Actual Soul Music, Most of the Artists Included So Far Are White (ShowBiz411.com)
* Spike Lee and Terence Blanchard Talk Scoring to Picture on ‘Da 5 Bloods’ (Watch) (Variety)
* In conversation with saxophonist Kamasi Washington (Bay State Banner)
* Making Music With Brain Waves And Heartbeats (AEON.co)
* Making A New Kind Of Scene: New York City's Five Spot (WFIU)
* Societal Reckoning Over Racism Encompasses The Jazz Community (DownBeat)
* Jacques Coursil 1938–2020 (The Wire)
* The car radio turns 90 this year. Here’s how it all came about (AJournalOfMusicalThings.com)
* 48 Hours With Backpack Jazz Producer Kassa Overall (Oregon Public Broadcasting)
* Who in their right mind would go to a "herd immunity" music festival? (Mic.com)
* Full Spectrum: Derrick Hodge Sees Endless Possibilities In Music (DownBeat)
* Reflections on unlocking live music by Tony Dudley-Evans (London Jazz News)
* Thurston Moore: Into the Out World (Jazz Times)
* The Kosmische Path Less Traveled: Nine Krautrock Rarities to Know (Bandcamp.com)
* Can the music take flight again? (Financial Times)
* Eddie Henderson On Maturity And Revisiting Bop Standards (DownBeat)
* The Short and Curious Life of Wade Legge (Buffalo Rising)
* Experiment Without Inhibition: A Celebration of Anthony Braxton (River Cities Reader)
* Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums (AllAboutJazz.com)
* A Conversation with Zappa, Vol. 1 (American Songwriter)
* An encounter with Keith Tippett (The Wire)
* With YouTube Music, Google is holding my speakers for ransom (Ars Technica)
* Georgia Anne Muldrow Finds ‘The Sound Of Mixed Emotions’ (DownBeat)
* The Summer Of ’70: What Was It Good For? Absolutely…American Top 40 (RadioInsight.com)
* Musicians and Composers Respond to a Chaotic Moment (The New Yorker)
* Plunge into the world of Sun Ra and the Outer Space Visual Communicator (CDM.link)
* Five Black Jazzworld Figures Detail How Racism Impacts The Industry (DownBeat)

Sunday, January 19, 2020

Sunday Session: January 19, 2020

Gregory Porter
Here's this week's roundup of various music-related items of interest:

* Beatles' Abbey Road tops US bestselling vinyl LPs of the 2010s (The Guardian)
* Gary Clark Jr.: "Music is my religion" (CBS News)
* Jason Moran is making jazz history. Don’t miss it.  (Washington Post)
* “If You’re in the Song, Keep on Playing”: An Interview With Pharoah Sanders (The New Yorker)
* Jonathan Kreisberg: A Spirit Captured in Constant Motion (AllAboutJazz.com)
* A music artist says Apple Music pays her 4 times what Spotify does per stream, and it shows how wildly royalty payments can vary between services (Business Insider)
* The Sound and Myth of Charlie Parker at 100 (DownBeat)
* Jazz singer Gregory Porter is an ex-lineman with a blues-infused soul (TheUndefeated.com)
* Umbria Goes Pop (DownBeat)
* The Past Year, And Decade, In Music Listening: Video Rules, The Boy's Club Remains (NPR)
* New remastered Charlie Parker box set coming this February (JazzFM.com)
* Spotlight: Capitol Records Architect Louis Naidorf Sets the Record Straight on Myth of Tower's Iconic Design (Billboard)
* How Chicago Label International Anthem Is Rewriting the Rules of Jazz (Pitchfork)
* For Its Fifth Collection, Newvelle Issues Material From Staaf, Douglas (DownBeat)
* Telstar: The Song, And The Future That Never Was (PleaseKillMe.com)
* Alex Winter’s Frank Zappa Doc ‘Zappa’ Premieres at South by Southwest (Rolling Stone)
* Watch a Video For "Revival," the Lead Single From Gregory Porter's Forthcoming Album (WBGO)
* New Orleans Jazz & Heritage Festival Announces 2020 Lineup (Jazz Times)
* Jazz pianist Kris Davis on pushing the boundaries of the piano (CBC Radio)
* Andrew Cyrille Lays His Declaration of Musical Independence on UT (Austin Chronicle)
* Inspired by John Cage, an Italian Collector Commissioned Leading Artists to Transform Pianos Into Weird and Wonderful Sculptures—See Them Here (ArtNet.com)

Sunday, January 05, 2020

Sunday Session: January 5, 2020

John Coltrane
Here's this week's roundup of various music-related items of interest:

* Prospecting for Musical Ghosts Along Lost Highways and Byways (Texas Highways)
* Five music-tech forecasts that misfired in 2019 (Patreon.com)
* Why Philip Glass was still driving a cab in his 30s (PRI.org)
* ‘The Hot Rats Sessions’ offers a window into how Frank Zappa used a recording studio (DangerousMinds.net)
* Sacred Blue: Jazz Goes To Church In the 1960s (Indiana Public Media)
* Jeremy Pelt Digs into the Canon (DownBeat)
* John Coltrane Talks About the Sacred Meaning of Music in the Human Experience: Listen to One of His Final Interviews (1966) (OpenCulture.com)
* In Memoriam: Jazz Artists We Lost in 2019 (JAZZIZ)
* Neil Innes: Monty Python songwriter dies aged 75 (BBC)
* With state Polka Hall of Fame in its death throes, can polka music itself be far behind? (Green Bay Press Gazette)
* Dee Alexander Interprets Billie Holiday on Delmark Outing (DownBeat)
* Linda Shaver-Gleason: Exit Interview with a Public Musicologist (NationalSawdust.org)
* The History of the Fisheye Photo Album Cover (OpenCulture.com)
* The Decade in Rock That Rock Fans Hated (Jezebel)
* Storied North Carolina Festival Offers Vibrant Jazz Jams (DownBeat)
* Bass legend Carol Kaye blasts ‘Mrs. Maisel’ homage as ‘slander’ (New York Post)
* Beijing unveils plans to become ‘international music capital’ in 5 years (InkstoneNews.com)
* Why We Keep Sending Music to Extraterrestrials (Slate)
* Saxophonist Melissa Aldana on Her First Grammy Nod, and Her Album 'Visions' (WBGO)
* Jack Sheldon 1931-2019 (Jazz Times)
* The Curved Air of Tomeka Reid (JazzDaGama.com)
* Geometry sings the blues in Indian-American mathematician's radical new music system (FirstPost.com)
* Lost in muzak: how ambient became cool (The Guardian)

Sunday, December 15, 2019

Sunday Session: December 15, 2019

Coleman Hawkins
Here's this week's roundup of various music-related items of interest:

* Shush... and enjoy the music: how listening bars have hit the right note (The Guardian)
* The Jewish Music of Woody Guthrie - The Klezmatics Interview (SFJAZZ.org)
* We Jazz Festival Depicts the Evolving World of Finnish Jazz (DownBeat)
* Inside the Rebirth of Capricorn Sound Studios, Ground Zero for Southern Rock (Rolling Stone)
* 'Death metal rarely works': how restaurateurs choose the perfect dinner playlist (The Guardian)
* The Whitefish Review Interview: Huey Lewis (WhitefishReview.org)
* ECM: Birth Of A Label (IndianaPublicMedia.org)
* How Moondog Captured the Sounds of New York (The New Yorker)
* Interview: Brian Eno On Music, Art and Astronauts (HotPress.com)
* Music collectors seek out rare albums not available on streaming (TheConversation.com)
* Why Davina & The Vagabonds Finally Recorded at a World-Class Studio (DownBeat)
* Jazz Wars in the ’70s (VillageVoice.com)
* Quincy’s Danilo Perez leads a celebration of jazz (Quincy Patriot Ledger)
* These Musicians Were 'Canceled,' But People Kept Listening (Jezebel.com)
* Coleman Hawkins: Fifty Years Gone, A Saxophone Across Time (AllAboutJazz.com)
* TV and Film Composers Say Netflix, Other Streaming Services Insist on Buying Out Their Music Rights (Hollywood Reporter)
* T.K. Blue Explores the Legacy of Randy Weston (DownBeat)
* The Deceptive Ease Of Cole Porter: In-Depth With Harry Connick, Jr. (NPR)
* The Pretenders' Chrissie Hynde Goes For Jazz Karaoke On 'Valve Bone Woe' Covers (NPR)
* Discovery Networks Corners Composers in Music Royalties Battle (Variety)
* No Matter the Coast, Bill Frisell’s Guitar Sings (DownBeat)
* 'He was a musical warlock': reflecting on Frank Zappa's greatest album at 50 (The Guardian)
* 15 sounds people under 40 won’t recognize — but will trigger instant memories if you’re 50+ (Considerable.com)
* Van Morrison: “I’m current – I’m always current” (Uncut)
* Jacob Collier: Live from His Room (Jazz Times)

Sunday, October 20, 2019

Sunday Session: October 20, 2019

Nat "King" Cole
Here's this week's roundup of various music-related items of interest:

* Remembering the Weirdest Album Launch Stunts of the 2010s (Pitchfork.com)
* Frank Zappa Marks 50th Anniversary of ‘Hot Rats’ With Massive Reissue (Rolling Stone)
* Jazz legend John Surman on a well-travelled career and why he's angry about Brexit (Irish Examiner)
* “It Was Beyond My Wildest Dreams” Pianist Ahmad Jamal Recalls ‘At The Pershing’ (UDiscoverMusic.com)
* Percussionist Adam Rudolph Crafts a Tapestry of Sounds (DownBeat)
* Diverse Curation Sustains Belgrade Jazz Festival (DownBeat)
* Art Blakey: Praise the Messenger (Jazz Times)
* Rock & Roll Hall of Fame Reveals 2020 Nominees: Soundgarden, Whitney Houston & More (Billboard)
* Steve Miller cracked the code of 1970s radio. But he’s still raging against the music industry (Washington Post)
* Why Everything Is Getting Louder (The Atlantic)
* What will a music company look like in 2025? (MusicBusinessWorldwide.com)
* INTERVIEW: Morton Subotnick And Lillevan (TheQuietus.com)
* Finalists Announced in 8th Annual Sarah Vaughan International Vocal Competition (DownBeat)
* Why MLK Believed Jazz Was the Perfect Soundtrack for Civil Rights (JStor.org)
* Before & After: Leon Parker (Jazz Times)
* Oscar nom, opera at the Met, a move to L.A.: New Orleans trumpeter Terence Blanchard's big year (NOLA.com)
* What lost photos of Blue Notes say about South Africa’s jazz history (TheConversation.com)
* How ‘Almost Famous’ Foretold the Future of Music Journalism (TheRinger.com)
* The Transformative Power of Nat ‘King’ Cole (DownBeat)
* An actual bear broke into a woman’s house and started playing piano (ClassicFM.com)
* Matana Roberts’s Memphis (ThisIsEarhart.com)
* The Tragic Story of America’s First Black Music Star (Smithsonian)
* ECM Records: Curating A New World Of Music (SFJAZZ.org)
* Ronnie Scott’s at 60 (TheBlueMoment.com)
* Humanity is Not an Algorithm: What We Lose with WNYC’s Cancellation of New Sounds (ICareIfYouListen.com)
* How Liverpool’s first girl band dubbed ‘the female Beatles’ had run-in with John Lennon (Express.co.uk)

Sunday, June 30, 2019

Sunday Session: June 30, 2019

Dave Bartholomew
Here's this week's roundup of various music-related items of interest:

* In Memoriam: Dave Bartholomew (WWOZ)
* Dave Bartholomew, A Father Of Rock And Roll, Dead At 100 (NPR)
* Paul McCartney opens up about Abbey Road, the Beatles' breakup in wide-ranging interview (CBS News)
* Spotify: We ‘overpaid’ songwriters and their publishers in 2018, and we would like our money back (MusicBusinessWorldwide.com)
* The hologram concert revolution is here, whether you like it or not: Meet the company touring Whitney Houston and Buddy Holly (Fast Company)
* Tacuma and The Last Poets Move Beyond the Nation’s Combative Moment (DownBeat)
* Pro Audio Weighs the Troubles with Tariffs (Pro Sound News)
* The music industry is tackling streaming fraud with a pointless ‘Code’. It won’t work… but these ideas might (MusicBusinessWorldwide.com)
* 'Frank Zappa Coloring Book' to Be Released in November (Hollywood Reporter)
* Scenes From The Life Of A Young Jazz Musician (AllAboutJazz.com)
* This Drum Company Has Hardly Changed Since Lincoln Was President. Now It Serves the World's Best Musicians (Inc)
* Tony Bennett Boldly Delivers Imaginative Set at Ravinia (DownBeat)
* Riding high with Stanley Clarke (Jerusalem Post)
* No Cliches Allowed: Guitar Innovator Mary Halvorson Forges a New Way Ahead (SFJAZZ.org)
* Universal Music Group Archivist: Vault Fire Damage 'Surprisingly Overstated,' But Any Loss Is 'Painful for Us' (Billboard)
* A Beginner’s Guide to the epic music of King Crimson (TrebleZine.com)
* Took You By Surprise: John and Paul’s Lost Reunion (Longreads.com)
* Sadao Watanabe, Japan's godfather of jazz, passes on his wisdom (Japan Times)
* Searching for Scrapper Blackwell, the Most Popular Bluesman You've Never Heard (GuitarWorld.com)
* College music department resurrects long-lost funk music (Associated Press)
* Jenny Scheinman on Risk, Adventure and Starting a New Band with Allison Miller (DownBeat)
* Terence Blanchard on How Dr. John Captured the Sound of New Orleans (Time)
* Sound Hounds: How One Research Team Is Helping Preserve the Acoustics of Historic Places (SavingPlaces.org)
* Saying goodbye to Dr. John: Mac Rebennack’s memorial (Offbeat)
* The Accidental Beatle (Slate)
* British jazz gets a chance to shine at Glastonbury (The Guardian)

Sunday, May 12, 2019

Sunday Session: May 12, 2019

Pharoah Sanders
Here's this week's roundup of various music-related items of interest, drawn from StLJN's inboxes, newsfeeds, and assorted other sources:

* The Resurrection of Buddy Bolden (DownBeat)
* Music Sermon: The Quiet Storm Is Still Brewing (Vibe.com)
* Frank Zappa: making a jazz noise (Jazz Journal)
* Bill Frisell is on the hunt for the next musical epiphany (Guitar.com)
* Preserving The House Of A Pioneering Musician — Who We Will Never Hear (NPR)
* The Blues Trail Is A Soulful Sojourn Into Mississippi’s Past (Uproxx.com)
* Wynton Marsalis Chooses His Top 50 Essential Jazz Recordings (Jazz.org)
* ‘New Bottle Old Wine’: The Gil Evans Classic That Gets Better With Age (UDiscoverMusic.com)
* There’s a Musician’s Union. Many Musicians Are Unaware — or Unable to Join (Rolling Stone)
* Herbie Hancock Aims Jazz Day All-Star Concert Towards A World In 'Turmoil' (NPR)
* David Crosby Doubles Down (Shepherd Express)
* Sly and The Family Stone’s ‘Stand!’ Turns 50 | Anniversary Retrospective (Albumism.com)
* Tucked away in Southwest Baltimore: The low-key cool jazz club of your dreams (BaltimoreBrew.com)
* Drummer Terri Lyne Carrington Talks Berklee Institute of Jazz, Gender Justice: 'Gender Equity Is Everybody's Work' (Billboard)
* Barkan, Wiedmaier Team for Keystone Korner Baltimore (DownBeat)
* Joey DeFrancesco and Pharoah Sanders: Meeting of the Spirits (Jazz Times)
* After 50 Years, Inclusive, Locally Focused Spirit of NOLA Festival Persists (DownBeat)
* New Study Finds 73% of Independent Musicians Suffer From Symptoms of Mental Illness (Billboard)
* Before & After: Lewis Porter (Jazz Times)
* Hearing the “Bo Diddley Beat” in Everything (Soundfly.com)
* 50 Years of Jazz Fest: Mickey Hart’s Ghosts of Congo Square (Relix)
* My father recorded young Bob Dylan: How the historic "Minneapolis Party Tape" was made (Salon.com)

Sunday, March 31, 2019

Sunday Session: March 31, 2019

Matthew Shipp
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Jazz in Troubled Times: Watson Professor, WSJ contributor Larry Blumenfeld Riffs on ‘Relevance, Resonance’ of Jazz Culture (Syr.edu)
* Bootsy Collins: The Warner Bros. Era (CultureSonar.com)
* 1918-2018: 20 works that defined a century (Classical-Music.com)
* Michael Wolff’s Miraculous Turn (DownBeat)
* 30 Years of 'Nick of Time': How Bonnie Raitt's 'Underdog Record' Swept the Grammys & Saved Her Career (Billboard)
* The Art Ensemble of Chicago on the Past and Future of Their ‘Great Black Music’ (Rolling Stone)
* Carla Bley Plays the Big Band With Her Hands (Westword)
* Pianists Born 100 Years Ago Prove: There's No One Way To Play Jazz (NPR)
* How the music of 1950’s Cuba revolutionized the sound of young Senegal (QZ.com)
* Carla Bley Stretches Out at Big Ears (DownBeat)
* Signature Moves - A brief conversation with underground jazz piano great Matthew Shipp (RockAndRollGlobe.com)
* Resonance Records to Release Archival Recordings by Wes Montgomery, Bill Evans (Jazz Times)
* DJs of the Future Don't Spin Records—They Write Code (Wired)
* Big Ears Festival 2019: The Best (Echoes.org)
* The best decade for pop music has been revealed – according to science (NME.com)
* Frank Sinatra And Elvis Presley: When The Chairman Met The King (UDiscoverMusic.com)
* The Brotherhood of Alfredo Rodríguez and Pedrito Martinez (DownBeat)
* The Eclectic Artistry of Gary Lucas (Van Wyck Gazette)
* How the Music of Hawaiʻi’s Last Ruler Guided the Island’s People Through Crisis (Smithsonian)
* Downtown Music Acquires CD Baby Owner AVL Digital Group (Price Tag: $200 Million) (DigitalMusicNews.com)
* ‘What The F*** Is Happening Right Now’: A Look At ‘The Bizarre World Of Frank Zappa’ (Pollstar.com)
* Aaron Diehl: paradox at the piano (Rochester City Newspaper)
* Jazz Guitarist Joe Morris: Enhance the Risk (Premier Guitar)
* Jazz Duo Explores the Intersection of Math and Music (Flagpole)

Sunday, February 17, 2019

Sunday Session: February 17, 2019

Herbie Hancock
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Pop Hits Were Really Slow (Again) in 2018 (Rolling Stone)
* Daversa, Blanchard, Salvant Win Grammys (DownBeat)
* The Spectacular Failure of the World's Only Hard Rock Theme Park (Vice.com)
* Details of "Bizarre World of Frank Zappa" Hologram Tour Announced (Guitar Player)
* Huey Lewis battles through a hearing loss nightmare (San Francisco Chronicle)
* 2019 Grammy Awards: Why I'm using my nomination to speak out about sexism in the world of jazz (NBC News)
* ‘In jazz, the piano gets to do what guitars get to do in rock’ (Irish Times)
* The Final Days of EMI: Selling the Pig by Eamonn Forde – review (The Guardian)
* Students in Kazakhstan just built a BANANA piano – and it’s rather appealing (ClassicFM.com)
* Alice Coltrane’s spiritual jazz, 1968-1971 (MusicAficionado.com)
* Minneapolis festival honors Pulitzer-winning jazz great Henry Threadgill: 'Discovery is the greatest thing' (Minneapolis Star-Tribune)
* A two-day Walker festival celebrates composer-bandleader Henry Threadgill (City Pages)
* Q&A with Rudresh Mahanthappa: A Jazz Festival Grows in Princeton (Jazziz)
* Herbie Hancock, coming to Clearwater, talks about working with Kendrick Lamar and his big Grammy upset (TampaBay.com)
* Extraordinary Popular Delusions play free jazz two centuries deep (Chicago Reader)
* People Laughed When This Philly Lawyer Sued Led Zeppelin. Nobody’s Laughing Now. (PhillyMag.com)
* A day in the life of Emily Lazar, Grammy-winning mastering engineer (CBCMusic.ca)
* Who’s Hazel Scott? (Unsung Women of Jazz #11) (CurtJazz.com)
* How Talking Heads and Brian Eno Wrote “Once in a Lifetime”: Cutting Edge, Strange & Utterly Brilliant (OpenCulture.com)
* Blue Note Records, 80 years on – A brief History (Jazz in Europe)
* Church of St. John Coltrane Marks 50 Years, Sets Fundraiser (DownBeat)
* Oscar-Nominated Terence Blanchard On 30 Years Of Jazz And Film Scoring For Spike Lee (NPR)
* Pop, Prince and Black Panthers: the glorious life of Chaka Khan (The Guardian)
* Edition Festival a Celebration of Anthony Braxton’s Oeuvre (DownBeat)
* Scam Season Comes for the Orchestra (Vulture.com)
* Ken Nordine, 'Word Jazz' Creator, Dies at 98 (KQED)