Showing posts with label Herbie Hancock. Show all posts
Showing posts with label Herbie Hancock. Show all posts

Sunday, July 25, 2021

Sunday Session: July 25, 2021

Terri Lyne Carrington
Here's this week's roundup of various music-related items of interest:

* The Strange Magic Of YouTube's '80s Remix Culture (NPR)
* Meet Terri Lyne Carrington (AllAboutJazz.com)
* Summer of Soul review – the best concert film ever made? (The Guardian)
* What Will Happen to My Music Library When Spotify Dies? (The Atlantic)
* The Sounds of Healing (ReasonsToBeCheerful.world)
* Pressing issues: vinyl revival held back by production capacity, Brexit and more (The Guardian)
* NEA Names Its 2022 Jazz Masters: Hart, Clarke, Wilson And Harrison (NPR)
* Billy Gibbons: storyteller, hot sauce merchant, lover of public transport (LouderSound.com)
* A Guide to the Early Music of John Coltrane on Prestige Records (Bandcamp.com)
* Are You Relivin’ the Years?: How Steely Dan Became a Cult Favorite for Millennials (TheRinger.com)
* The Essential Herbie Hancock (San Francisco Classical Voice)
* Thelonious Monk Estate Says Biopic Starring Yasiin Bey Is Unauthorized (Pitchfork.com)
* Yasiin Bey says he won’t play jazz legend Thelonious Monk in biopic since family disapproves (NME.com)
* Jazz Night's Favorite Grooves Of 2021, So Far (NPR)
* Funkadelic's 'Maggot Brain' At 50: R&B, Psychedelic Rock And A Black Guitarist's Cry (NPR)
* ‘My strength isn’t looking at a computer screen. I wouldn’t join the music business today, because I don’t want to be a typist.’ (MusicBusinessWorldwide.com)
* From Soldier to Jazz Giant: The Life of Billy Bang (Bandcamp.com)
* Christone 'Kingfish' Ingram Reflects On Leaving – And Sharing – '622' (NPR)
* The greatest keyboard players of all time, revealed (MusicRadar.com)
* Monterey Jazz Festival Quickly Sells Out Despite No Vaccination Requirements (DigitalMusicNews.com)

Saturday, July 17, 2021

StLJN Saturday Video Showcase:
Herbie Hancock's Harvard lectures



Each year since 1925, Harvard University selects a well-known artist to deliver what are called the Norton lectures, named for Charles Eliot Norton, a celebrated professor, university president, and editor of the Harvard Classics. During their tenure, each selected artist delivers six public talks on topics of their choosing, and in 2014, the lecturer was none other that Herbie Hancock, the celebrated pianist, composer, and bandleader.

Hancock's lectures were documented on video, and now you can see all of them right here. The titles of the six talks, in order, are "The Wisdom Of Miles Davis," "Breaking The Rules," "Cultural Diplomacy And The Voice of Freedom," "Innovation And New Technologies," "Buddhism And Creativity" and "Once Upon A Time." All together, the lectures offer a rare opportunity to "go deep" with one of the most forward-thinking and influential musicians of our time.

You can see the rest of today's videos after the jump...

Sunday, July 04, 2021

Sunday Session: July 4, 2021

Sun Ra
Here's this week's roundup of various music-related items of interest:

* Congressmen Introduce American Music Fairness Act to Compel Radio to Pay Royalties on Recorded Music (Variety)
* Experimental Musicians Turn to Multimedia Art During the COVID-19 Pandemic (TheRoadToSound.com)
* Jon Hassell, avant garde US composer, dies aged 84 (The Guardian)
* How Sun Ra Taught Us to Believe in the Impossible (The New Yorker)
* Anitta, ‘The Girl From Rio,’ on Interpolating the Classic ‘Ipanema’ Melody for a U.S. Pop Breakthrough (Variety)
* Burton Greene, Pioneering Free Jazz Pianist, Dies at 84 (WBGO)
* Zenón Finds Light in Ornette (DownBeat)
* 20-Year-Old Pi Recordings Builds Path from Past to Future (DownBeat)
* The pop star versus the playlist (Vox.com)
* Spotify Executive Calls Artist ‘Entitled’ for Requesting Payment of One Penny Per Stream (DigitalMusicNews.com)
* Elk Live promises next-gen remote collaboration: “play music together like you’re in the same room” (MusicRadar.com)
* The Smithsonian Institution to release 129-song anthology of rap music (NME.com)
* Queen are making £100,000 a day from ‘Bohemian Rhapsody’ biopic (NME.com)
* Rock sideman Earl Slick: ‘Bowie had gone levels into insanity’ (The Guardian)
* Less Than 5% of Pandemic Relief Funds for Nightlife Venues Have Been Distributed. Owners Fear the Show Might Not Go On (Time)
* “Blue” Gene Tyranny Was Texas’s Greatest Piano Prodigy (Texas Monthly)
* Herbie Hancock’s favourite books of all time (FarOutMagazine.co.uk)
* Nels Cline: "I had no desire to gyrate and hump my amplifier and set my guitar on fire – I wanted to take a modest path" (Guitar World)
* A Conversation with Mr. Ron Carter (BassMusicianMagazine.com)

Sunday, May 09, 2021

Sunday Session: May 9, 2021

Gary Bartz
Here's this week's roundup of various music-related items of interest:

* Why stars should think twice before calling out their critics (The Guardian)
* Vin Diesel, Arthur Russell and Me (PleaseKillMe.com)
* Earliest Jazz Fest tapes discovered after 20-year quest: Historic performances are heard again (NOLA.com)
* Freda Payne: Coming Back to Jazz (Jazz Times)
* T.S. Monk Talks Activism, Jazz, 80s Funk And Keeping His Father’s Legacy Alive (Black Enterprise)
* In the Groove with Joshua Redman: A Conversation With the Acclaimed Jazz Artist (BMI.com)
* Is CD-quality music streaming about to go mainstream? (TechHive.com)
* The Brilliant Stupidity of Robert Palmer’s 1986 No. 1 Hit, ‘Addicted to Love’ (Variety)
* The Song That Sold America to a Generation of Asian Immigrants (The Atlantic)
* How the Internet Archive Has Digitized More than 250,000 78 R.P.M. Records: See the Painstaking Process Up-Close (OpenCulture.com)
* Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word (AllAboutJazz.com)
* How Norman Granz Revolutionized Jazz for Social Justice (Smithsonian)
* Listening In: Leni Stern, High-Flying Bird (BrooklynRail.org)
* Los Lobos Detail New Covers Album ‘Native Sons’ & Share Singles (Jambase.com)
* The Case Against the Eagles (TheRinger.com)
* Gregory Porter Gets Cooking Beyond the Bandstand with a New Show, The PorterHouse (WBGO)
* Skerik Talks About the New Album From Garage A Trois, and the Hope of Post-Pandemic Touring (WBGO)
* Camille Thurman: Before & After (Jazz Times)
* Herbie Hancock reveals details of new album (PlanetRadio.co.uk)
* Aaron Neville announces official retirement (Offbeat)
* Live Nation Weathers Rough Quarter as Concert Business Slowly Rumbles Back to Life (Variety)
* Tower of Power Celebrates 50 Years Together (Jazz Times)
* Inside look: How the freewheeling Alex Chilton, Hi Rhythm collaboration happened (Memphis Commercial Appeal)
* How Billy Gibbons Wrote ZZ Top's “La Grange“ (Guitar Player)
* Mary Halvorson: Melt the Frame (Stereophile)
* Lloyd Price, R&B Pioneer Known as ‘Mr. Personality,’ Dies at 88 (Variety)
* The Lost Recordings Of Hasaan Ibn Ali Reveal A Legend Just Getting Started (NPR)

Sunday, April 11, 2021

Sunday Session: April 11, 2021

Esperenza Spalding
Here's this week's roundup of various music-related items of interest:

* The life and tragic death of Lee Morgan: “He was a young man, already older than his years, thrilled with his talent and the wonders of the world around him” (Jazzwise)
* Islands in the Stream (American Prospect)
* 10 tracks by Herbie Hancock I can’t do without… by Jon Opstad (London Jazz News)
* Brian Bromberg Continues his Journey into the Eclectic (Jazz Times)
* Quincy Jones On Bebop, Jazz And His Streaming Venture, Qwest TV (Forbes)
* 2021 NEA Jazz Masters Tribute Concert to Take Place Virtually April 22, 2021 (AllAboutJazz.com)
* Marion Brown's Musical Portrait of Georgia (The Bitter Southerner)
* 'Our music was born in hard times': How Jazz at Lincoln Center Orchestra keeps playing (Asbury Park Press)
* On "Let Me Tell You 'Bout It," JD Allen Discusses His New Creative Zeal, and a Solo Sax Album on the Horizon (WBGO)
* Morris 'B.B.' Dickerson, Founding Member of War, Dies at 71 (Billboard)
* From History to Biographies, Here Are the Best Books About Jazz (Billboard)
* Listening for baselines beyond anthropophony: An interview with Bernie Krause by D. Ferrett (AllAroundSound-Bloomsbury.com)
* Healing, grace and enlightenment: How Pharoah Sanders and Floating Points made a spiritual album for the dark ages (The Independent)
* Exit/In: Inside the Last-Ditch Effort to Save Nashville’s Legendary Music Club (Rolling Stone)
* How Tangerine Dream conquered the UK charts in the 70s (LouderSound.com)
* Warren Wolf: A Before & After Listening Session (Jazz Times)
* World-Class Trombonist Andre Hayward's Spiritual Journey (Austin Chronicle)
* Play It Forward: Angel Bat Dawid Knows How To Deliver Emotion Through Song (NPR)
* 2021 NEA JAZZ MASTERS: A Q&A with music director Miguel ZenÓn (SFJAZZ.org)
* Pino Palladino, pop's greatest bassist: 'I felt like a performing monkey!' (The Guardian)
* Meet the Man Recreating Ancient Musical Instruments Lost to Time (AtlasObscura.com)
* Inside the Dirty Business of Hit Songwriting (Variety)
* Flipping Alone: An Oral History of Record Stores During the COVID-19 Pandemic (Consequence of Sound)
* Esperanza Spalding’s New Songwrights Apothecary Lab Is the Music Therapy We Need Now (Vogue)
* The Treatment - Terence Blanchard: ‘Da 5 Bloods’
* ‘It has never been more pertinent’ – Margaret Atwood on the chilling genius of Laurie Anderson’s Big Science (The Guardian)
* Merry Clayton Bares Her 'Beautiful Scars' (NPR)
* The Film That Jazz Deserves (The New Yorker)
* 36 of America’s Best Independent Music Venues on Surviving and What’s Next (Pitchfork.com)
* Trevor Dunn: “It’s in my personality to sit back and groove with the drummer – I took to bass immediately“ (Guitar World)
* Live Music Should Be More Accessible For Disabled Fans (Vice.com)

Sunday, November 15, 2020

Sunday Session: November 15, 2020

Herbie Hancock
Here's this week's roundup of various music-related items of interest:

* Lakecia Benjamin: The future of jazz is now (Bay State Banner)
* What’s in a Name? (Jazz Times)
* Forgotten protest icon Odetta Holmes lives on in modern Black Americana (ScalawagMagazine.org)
* Live Nation expects that “shows at scale” will return next summer (NME.com)
* Review of Jazzfest Berlin 2020 (London Jazz News)
* Sun Ra's Cosmic Keys (Reverb.com)
* Tomeka Reid Looks For Challenging Situations (DownBeat)
* Sleeping Giants: The Brief Reign and Brilliant Legacy of Herbie Hancock's Mwandishi Band (WBGO)
* Alone Together: A Q&A with Tabla Master Zakir Hussain (SFJAZZ.org)
* Mayfield and Markham Plead Guilty in a Plea Deal (Offbeat)
* 50 Years Later: The Surprising Memphis Roots of “Led Zeppelin III.” (MemphisMagazine.com)
* Israeli researchers create AI capable of writing personalized jazz solos (Jerusalem Post)
* Alfredo Rodríguez Deploys Abundant Technique (DownBeat)
* 'It's the screams of the damned!' The eerie AI world of deepfake music (The Guardian)
* Shabaka Hutchings - The Future of Afrofuturism (SFJAZZ.org)
* For The Rolling Stones’ 60th Anniversary, Keith Richards Says “The Plans Are to Still Actually All Be Alive” (ConsequenceOfSound.net)
* Guitarist Steve Hunter on His Journey From ‘Berlin’ to ‘Billion Dollar Babies’ (Rolling Stone)
* Emerging Opera Singers Now Pay for Online Auditions. Are Companies Watching Them? (MiddleClassArtist.com)
* Joel Ross Doesn’t ‘Do The Obvious Thing’ (DownBeat)
* Meet the guardians of the world’s earliest musical recordings (Los Angeles Times)
* Volcanic drummer and MacArthur ‘genius grant’ winner Tyshawn Sorey premieres new work with Seattle Symphony (Seattle Times)
* Sonny Rollins on Jazz as a Music of Freedom (LitHub.com)
* A Brief Guide to the Shape of “Jazz Rap” Today (Bandcamp.com)
* Bassist Eric Revis Revels In Curiosity, Versatility (DownBeat)
* The Experimental Edge of the “New Weird South” (Bandcamp.com)
* Christian Sands Relies On Adaptability (DownBeat)
* State of Play: the rise of in-game concerts (DJMag.com)
* Ronnie Scott understood that for some people music is the only outlet – so he opened a club (New Statesman)
* Seated gigs, no moshing and 'brutally exhausting' sets: the strange new world of live music (The Guardian)
* How Ticketmaster Plans to Check Your Vaccine Status for Concerts: Exclusive (Billboard)
* Inside Sun Ra’s 1971 trip to Egypt (TheVinylFactory.com)
* Big Breaks - What’s Behind Orpheus Classical? (Atavist.com)
* Andrew White, Prolific Multi-Instrumentalist, Scholar and Washington, D.C. Legend, Dies at 78 (WBGO)
* Electrophone: the Victorian-era gadget that was a precursor to live-streaming (TheConversation.com)

Saturday, April 11, 2020

StLJN Saturday Video Showcase:
A jazz film mini-festival (shutdown edition)



With live music still shut down for the foreseeable future, this week we revisit an idea used in this space occasionally during the slow weeks of summer, and offer up a mini-festival of six feature-length films about jazz. 

The first film, embedded up above, is 1959, The Year That Changed Jazz, a 2009 documentary originally aired on the BBC. It uses archival performances and interviews to look at developments in jazz as reflected in four historically significant albums released that year by Miles Davis, Dave Brubeck, Charles Mingus, and Ornette Coleman.

After the jump, you can see A Great Day In Harlem, an Academy Award-nominated documentary released in 1994 that tells the story of the iconic 1958 photo of dozens of jazz greats taken on a Harlem stoop.

Next up is Mingus: Charlie Mingus 1968, a documentary by filmmaker Thomas Reichman that captures the bassist and composer at a particularly tumultuous time, including some infamous footage of Mingus being evicted from his New York City apartment.

After that, it's keyboardist, bandleader, composer and self-proclaimed extraterrestrial Sun Ra in an extended cut of Space is the Place, a 1972 film that DownBeat described as "a sci-fi trip through the East Bay during the 1970s with Sun Ra in the lead."

The penultimate video is Thelonius Monk: An American Composer, a 1993 documentary that includes archival footage and various jazz greats discussing Monk and his enduring influence on jazz.

Last but not least, it's Herbie Hancock - Possibilities a 2006 "making of" documentary about Hancock's album of the same name, featuring guest performers drawn from rock, pop, hip-hop, and more.

You can see the rest of today's videos after the jump...

Sunday, August 18, 2019

Sunday Session: August 18, 2019

Brian Blade
Here's this week's roundup of various music-related items of interest:

* Bob Wilber 1928 – 2019 (Jazz Times)
* 7 Questions With Catherine Russell (VailJazz.org)
* Live Review: 46th Umbria Jazz Festival (Jazz Times)
* San Antonio jazz great Jim Cullum Jr. dies (MySanAntonio.com)
* 5 minutes alone - George Benson: “A guy said, ‘I could get you a job with Fats Domino’. I said, ‘I am not ready for that’” (MusicRadar.com)
* Chuck Berry’s Family, Famous Fans Remember Guitarist in New Documentary Trailer (Rolling Stone)
* Santana Returns to Woodstock and Revisits “Smooth” (ConsequenceOfSound.net)
* Concrete Science Fiction Riot: Why Do We Ignore The 70s French Underground? (TheQuietus.com)
* In ’61, Stan Getz at His ‘Most Aggressive’ (DownBeat)
* Imagine Documentaries Trumpets Partnership With Louis Armstrong Foundation On Definitive Icon Movie (Deadline)
* You Don’t Have to Be Rich (To Commission New Music) (Limelight)
* Leave No Good Idea Behind: Millennial Composers Embrace a Cosmopolitan Style (San Francisco Classical Voice)
* Ted Dunbar: Teacher Man to Nile Rodgers, Kevin Eubanks, and Many Others (Jazz Times)
* Fine Tuning: The Art Of Guitar Making (KALW)
* Britain’s jazz scene is in full swing (The Spectator)
* Hackers Can Turn Everyday Speakers Into Acoustic Cyberweapons (Wired)
* Brian Blade Leads ‘Joni 75: A Birthday Celebration’ (DownBeat)
* Rhythmo’s BeatBox is a cardboard drum machine (MusicTech.net)
* A Lost Album From John Coltrane Is Found, With Thanks To A French-Canadian Director (NPR)
* Inside the home of a queen: Aretha Franklin's mansion hits market for $1.2 million (MLive.com)
* Thousands of Unseen Blue Note Photos Online Now (Jazz Times)
* The Do's & Don'ts of Sample Clearances (Spotify.com)
* Herbie Hancock gears up for his newest music and joins Kamasi Washington at Northerly Island (Chicago Tribune)

Sunday, July 14, 2019

Sunday Session: July 14, 2019

Abdullah Ibrahim
Here's this week's roundup of various music-related items of interest:

* All hail young blues aristocrat Christone ‘Kingfish’ Ingram (Guitar)
* An evening with João Gilberto, the bright wallflower of bossa nova (The Guardian)
* Burning Its Way Toward A Musical Sweet Spot - Interview With Burnt Sugar Founder Greg Tate (SFJAZZ.org)
* How Richmond jazz legend Lonnie Liston Smith is bridging generations (WTVR)
* Herbie Hancock still experimenting after six musical decades (Vancouver Sun)
* When Mingus met Mitchell (Jazz Journal)
* The Black Swan: A History of Race Records (AllAboutJazz.com)
* Snapshot NY: Tiny Harlem Apartment Home To Popular Jazz Parlor (NewYork.CBSLocal.com)
* Artist Spotlight: Vijay Iyer (Jazz Times)
* An Eight-Second Film of 1915 New Orleans and the Mystery of Louis Armstrong’s Happiness (The New Yorker)
* Kamasi Washington Says Security Guard Assaulted His Father at Austria Show, Cuts Set Short (Pitchfork.com)
* ‘Getz At The Gate’: A Scintillating Performance By A Dynamic Stan Getz (UDiscoverMusic.com)
* Sun Ra: The Philadelphia Years (RedBullMusicAcademy.com)
* Sisters of Swing (Vanity Fair)
* 'We need to put inclusion at the start of the process': the disabled musicians making their own instruments (The Guardian)
* Ernest Dawkins on AACM, Conduction and Dictators (DownBeat)
* Seamus Blake Is Playing Between Many Worlds (Jazz Times)
* Steps Taken That Could Determine The Fate Of The Former Home Of Jazz Musician Cab Calloway (Baltimore.CBSLocal.com)
* Finding 'The Balance': Jazz Legend Abdullah Ibrahim Looks To Past, Present And Future (NPR)
* Ban Brass Bands On Frenchmen? (Offbeat)
* Mini model of Stonehenge created by scientists could reveal how the ancient monument SOUNDED during the mysterious rituals held at the site more than 2,000 years ago (Daily Mail)
* A jazz legend said he was in desperate need of money. His friends had questions (Washington Post)
* An Alternate Canon of Afrofuturist Classics (RedBullMusicAcademy.com)
* Jimmie Vaughan Digs into Covers (DownBeat)
* Flutes you: Lizzo and the woodwind renaissance (The Guardian)
* The Legacy of Live Aid, 30 Years Later (The Atlantic)
* The Science of Sound: An Interview with Alvin Lucier (SecondInversion.com)
* In Conversation: The Fast-Paced Life of Bill Frisell (Jazz in Europe)
* Janis Siegel: Answering the Calling of Vocal Jazz (Jazz Times)

Sunday, May 12, 2019

Sunday Session: May 12, 2019

Pharoah Sanders
Here's this week's roundup of various music-related items of interest, drawn from StLJN's inboxes, newsfeeds, and assorted other sources:

* The Resurrection of Buddy Bolden (DownBeat)
* Music Sermon: The Quiet Storm Is Still Brewing (Vibe.com)
* Frank Zappa: making a jazz noise (Jazz Journal)
* Bill Frisell is on the hunt for the next musical epiphany (Guitar.com)
* Preserving The House Of A Pioneering Musician — Who We Will Never Hear (NPR)
* The Blues Trail Is A Soulful Sojourn Into Mississippi’s Past (Uproxx.com)
* Wynton Marsalis Chooses His Top 50 Essential Jazz Recordings (Jazz.org)
* ‘New Bottle Old Wine’: The Gil Evans Classic That Gets Better With Age (UDiscoverMusic.com)
* There’s a Musician’s Union. Many Musicians Are Unaware — or Unable to Join (Rolling Stone)
* Herbie Hancock Aims Jazz Day All-Star Concert Towards A World In 'Turmoil' (NPR)
* David Crosby Doubles Down (Shepherd Express)
* Sly and The Family Stone’s ‘Stand!’ Turns 50 | Anniversary Retrospective (Albumism.com)
* Tucked away in Southwest Baltimore: The low-key cool jazz club of your dreams (BaltimoreBrew.com)
* Drummer Terri Lyne Carrington Talks Berklee Institute of Jazz, Gender Justice: 'Gender Equity Is Everybody's Work' (Billboard)
* Barkan, Wiedmaier Team for Keystone Korner Baltimore (DownBeat)
* Joey DeFrancesco and Pharoah Sanders: Meeting of the Spirits (Jazz Times)
* After 50 Years, Inclusive, Locally Focused Spirit of NOLA Festival Persists (DownBeat)
* New Study Finds 73% of Independent Musicians Suffer From Symptoms of Mental Illness (Billboard)
* Before & After: Lewis Porter (Jazz Times)
* Hearing the “Bo Diddley Beat” in Everything (Soundfly.com)
* 50 Years of Jazz Fest: Mickey Hart’s Ghosts of Congo Square (Relix)
* My father recorded young Bob Dylan: How the historic "Minneapolis Party Tape" was made (Salon.com)

Sunday, May 05, 2019

Sunday Session: May 5, 2019

Regina Carter
Here's this week's roundup of various music-related items of interest, drawn from StLJN's inboxes, newsfeeds, and assorted other sources:

* Wynton Marsalis on Bringing the Story of Jazz Originator Buddy Bolden to the Big Screen (Billboard)
* More Than 'Kind Of Blue': In 1959, A Few Albums Changed Jazz Forever (NPR)
* An Open Letter to Bill Frisell (ImmuneToBoredom.com)
* Violinist Regina Carter Searches For Roots, in an Excerpt of Mark Stryker's 'Jazz From Detroit' (WBGO)
* Ralph Alessi Reconvenes Ensemble for ‘Imaginary Friends’ (DownBeat)
* We untangle the many strings of North Philly poet, actor and activist Moor Mother (Philadelphia Weekly)
* Black Utopia: The Funkadelic Art of Pedro Bell (Afropunk.com)
* 13 Young Jazz Musicians Shaping The Future Of Jazz (UDiscoverMusic.com)
* Music Streaming Services Are Gaslighting Us (UseJournal.com)
* Playing Changes: Music And Conversation With Jazz Writer Nate Chinen (WFIU)
* Wynton Marsalis on 12 Essential Jazz Recordings (Rolling Stone)
* Herbie Hancock: 'I felt like I stood on the shoulders of giants and now it's my turn' (The Guardian)
* Christone ‘Kingfish’ Ingram Carries the Blues Forward (Nashville Scene)
* Interview: Dan Tepfer, the Musician Coding the Future of Concerts (CoolHunting.com)
* Field Notes From the Rock Critic Wars (Rolling Stone)
* In Melbourne and Sydney, International Jazz Day Explores Cultural Exchange (DownBeat)
* Machines Can Create Art, but Can They Jam? (Scientific American)
* How does music affect our emotions? Neuroscience may hold the key (Pittsburgh Post-Gazette)
* Louis Armstrong: nobody’s fool (Jazz Journal)
* Wayne Shorter, Linda May Han Oh Among 2019 JJA Jazz Awards Winners (Jazz Times)
* Good vibrations: I purified myself in a sound bath (TheOutline.com)
* The Birthplace Of Country Music's First Hit Is Being Threatened By Modern Construction (NPR)
* The Scott Joplin Memorial Concerts at St. Michael’s Cemetery (The Syncopated Times)

Sunday, April 14, 2019

Sunday Session: April 14, 2019

Amina Claudine Myers
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Nenette Evans: My Life With Bill (AllAboutJazz.com)
* The Eclectic Mr. Klein (Jazz Times)
* Harold Danko: His Own Sound, His Own Time (AllAboutJazz.com)
* ECM @ 50 (AllAboutJazz.com)* “The most in depth concert in over 35 years”: Rod Stewart and Jeff Beck to reunite on stage (NME.com)
* Ed Palermo Enjoys a ‘Lousy Day’ with New Album (DownBeat)
* Alan Lomax’s Massive Music Archive Is Online: Features 17,000 Historic Blues & Folk Recordings (OpenCulture.com)
* Interview: Pianist Amina Claudine Myers (JazzRightNow.com)
* Knocking on doors in search of Philadelphia’s jazz history (WHYY)
* Jazz Heavyweights Herbie Hancock And Kamasi Washington Announce Joint Tour (NPR)
* Keystone Korner Club Revived in Baltimore (Jazz Times)
* Emmet Cohen Wins American Pianists Association Competition (DownBeat)
* Susan Tedeschi, Derek Trucks Dig Deep (DownBeat)
* George Benson talks back (Offbeat)
* Inside the Barry Harris Method (Jazz Times)
* Ambient in Outer Space: Seven Artists Exploring the Final Frontier (Bandcamp.com)
* Works of Wadada Leo Smith Celebrated at Third CREATE Festival (DownBeat)
* Four-year legal battle over estate of legendary blues musician Muddy Waters continues in DuPage courtroom (Chicago Tribune)
* AIM’s Gee Davy on the future of generative Artificial Intelligence in music (MusicBusinessWorldwide.com)
* Angel of Harlem: How a patron saint to a forgotten generation of musicians came to face her greatest challenge yet (ABC News)
* Space for the Wrong: An Interview with Frederic Rzewski (Atavist.com)
* Jazzman Dave Douglas finds inspiration in Dizzy Gillespie (Houston Chronicle)
* Hi-Fi Cocktail Bars Aren’t Just for Tokyo Anymore (Bloomberg.com)
* Holographic Frank Zappa Plays Guitar Solo in New Tour Promo (Rolling Stone)
* Berklee's Institute Of Jazz And Gender Justice Aims To Combat Sexism In Jazz (WBUR)
* The Songsmiths of Sesame Street (The Atlantic)
* Spotify, the Decline of Playlists and the Rise of Podcasts (Music Industry Blog)

Sunday, February 17, 2019

Sunday Session: February 17, 2019

Herbie Hancock
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Pop Hits Were Really Slow (Again) in 2018 (Rolling Stone)
* Daversa, Blanchard, Salvant Win Grammys (DownBeat)
* The Spectacular Failure of the World's Only Hard Rock Theme Park (Vice.com)
* Details of "Bizarre World of Frank Zappa" Hologram Tour Announced (Guitar Player)
* Huey Lewis battles through a hearing loss nightmare (San Francisco Chronicle)
* 2019 Grammy Awards: Why I'm using my nomination to speak out about sexism in the world of jazz (NBC News)
* ‘In jazz, the piano gets to do what guitars get to do in rock’ (Irish Times)
* The Final Days of EMI: Selling the Pig by Eamonn Forde – review (The Guardian)
* Students in Kazakhstan just built a BANANA piano – and it’s rather appealing (ClassicFM.com)
* Alice Coltrane’s spiritual jazz, 1968-1971 (MusicAficionado.com)
* Minneapolis festival honors Pulitzer-winning jazz great Henry Threadgill: 'Discovery is the greatest thing' (Minneapolis Star-Tribune)
* A two-day Walker festival celebrates composer-bandleader Henry Threadgill (City Pages)
* Q&A with Rudresh Mahanthappa: A Jazz Festival Grows in Princeton (Jazziz)
* Herbie Hancock, coming to Clearwater, talks about working with Kendrick Lamar and his big Grammy upset (TampaBay.com)
* Extraordinary Popular Delusions play free jazz two centuries deep (Chicago Reader)
* People Laughed When This Philly Lawyer Sued Led Zeppelin. Nobody’s Laughing Now. (PhillyMag.com)
* A day in the life of Emily Lazar, Grammy-winning mastering engineer (CBCMusic.ca)
* Who’s Hazel Scott? (Unsung Women of Jazz #11) (CurtJazz.com)
* How Talking Heads and Brian Eno Wrote “Once in a Lifetime”: Cutting Edge, Strange & Utterly Brilliant (OpenCulture.com)
* Blue Note Records, 80 years on – A brief History (Jazz in Europe)
* Church of St. John Coltrane Marks 50 Years, Sets Fundraiser (DownBeat)
* Oscar-Nominated Terence Blanchard On 30 Years Of Jazz And Film Scoring For Spike Lee (NPR)
* Pop, Prince and Black Panthers: the glorious life of Chaka Khan (The Guardian)
* Edition Festival a Celebration of Anthony Braxton’s Oeuvre (DownBeat)
* Scam Season Comes for the Orchestra (Vulture.com)
* Ken Nordine, 'Word Jazz' Creator, Dies at 98 (KQED)

Sunday, June 24, 2018

Sunday Session: June 24, 2018

Eric Dolphy
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Back in Swing: The Secret Subculture of Jazz Cafes (Japan Forward)
* The home of timeless music (CNet.com)
* George Clinton: ‘If people don’t like funk, it’s just the wrong time for them’ (The Guardian)
* Lorraine Gordon, 1922 — 2018 (EthanIverson.com)
* How Herbie Hancock Charted New Territory With ‘Empyrean Isles’ (UDiscoverMusic.com)
* This simple robot offers more cowbell (TechCrunch.com)
* Rutgers Acquires Count Basie Collection (Jazz Times)
* Gregg Allman's Son Devon Talks Carrying on the Family Legacy (Rolling Stone)
* Herbie Hancock Looks Back on Work with Indy Jazz Legends (Nuvo.net)
* Warner to Launch Elektra Music Group as Standalone Company (Variety)
* Nina Simone’s Childhood Home Named National Treasure (Pitchfork)
* 16 Years Late, $13B Short, but Optimistic: Where Growth Will Take the Music Biz (Redef.com)
* The Sound Of Silence: Female Composers At The Symphony (NPR)
* Eric Dolphy: Gone In The Air (AllAboutJazz.com)
* Systems Two Recording, A Prolific and Pivotal Studio in Brooklyn, Quietly Closes Its Doors (WBGO)
* Arturo Sandoval Features Pharrell, Grande and More on ‘Ultimate Duets’ (DownBeat)
* Clatskanie native Nate Wooley translated musical passion into thriving New York career (TDN.com)
* Revered Drummer Brian Blade Draws a Through-Line from Jazz to Gospel (KQED)
* Archaeologists Just Sifted Through the Woodstock '69 Festival Field (Billboard)
* Brötzmann Reflects on ‘Machine Gun’ as it Hits 50th Anniversary (DownBeat)
* Jazz Commentary: Greg Hopkins Big Band at Ryles — Whither Big Bands? (ArtsFuse.org)
* Crosscurrents: Converging Jazz And Indian Classical Music (NPR)
* A Lot of Energy—Remembering Cecil Taylor (1929-2018) (New Music Box)
* Meet the Italian composer who conducts the world’s biggest all-robot orchestra (KXXV)
* The Axe Murderer Who Loved Jazz (WBUR)
* Can You Measure How Good a Song Is? (New Republic)

Sunday, April 08, 2018

Sunday Session: April 8, 2018

Cecil Taylor
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Spotify Is Killing Song Titles (Medium.com)
* Branford Marsalis talks jazz, classical and playing with Miles Davis, Grateful Dead, Public Enemy (San Diego Union Tribune)
* Did Simon & Garfunkel Write The Jewish ‘Sgt. Pepper?’ (The Forward)
* Arcade Fire: 'People have lost the ability to even know what a joke is. It’s very Orwellian (The Guardian)
* You Can’t Find What You Don’t Look For: Spotify, Google, Pandora Can’t Find Aerosmith’s Steven Tyler and Joe Perry–but what about Martha Stewart (MuscTechPolicy.com)
* The Festival Legend: George Wein – 64 Years Of Producing Festivals From Newport To New Orleans And Far Beyond (Pollstar.com)
* At Roulette, Admirers Gather To Honor John Abercrombie (DownBeat)
* The Lofty Optimism of Spotify and the Influence of the Streaming Revolution (The New Yorker)
* Instrumental Listens to 30,000 New Songs a Day to Find the Next Hit. So Why Do We Need A&R People, Again? (DigitalMusicNews.com)
* The sample legacy of Sly And The Family Stone (TheVinylFactory.com)
* The Day Herbie Hancock Met the Electric Piano (OZY.com)
* Q&A with Norma Winstone: The Consummate Voice (DownBeat)
* Stream a 144-Hour Discography of Classic Jazz Recordings from Blue Note Records: Miles Davis, Art Blakey, John Coltrane, Ornette Coleman & More (OpenCulture.com)
* How a Calypso Anthem Became the Surreal Centerpiece of Beetlejuice (Pitchfork)
* Inside Jimi Hendrix’s blood-spattered record collection (NME)
* Venture Beyond a Walking Bass Line with the All-American Walter Page, in Deep Dive (WBGO)
* Can Biomusic Offer Kids With Autism a New Way to Communicate? (Smithsonian)
* Love, London, and an enormous Moog: how Simon & Garfunkel made Bookends (The Telegraph)
* How much will artists get paid from the major labels’ Spotify profits? (MusicBusinessWorldwide.com)
* Avant-Garde Pianist Cecil Taylor Dies at 89 (DownBeat)
* Cecil Taylor Dies at 89 - Piano titan pioneered the jazz avant-garde with an utterly unique sound, technique and approach to improvisation (Jazz Times)
* Cecil Taylor (1929 - 2018) (The Free Jazz Collective)
* Cecil Taylor, Jazz Icon Of The Avant-Garde, Dies At 89 (NPR)
* Cecil Taylor, Pianist Who Defied Jazz Orthodoxy, Is Dead at 89 (New York Times)
* How The #VinylRevival Is Paradoxically Threatening Record Shop Survival (TheQuietus.com)
* What’s Up Tiger Lily?: The wild story of the tax scam record label run by the notorious Morris Levy (DangerousMinds.net)

Sunday, March 11, 2018

Sunday Session: March 11, 2018

Herbie Hancock
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Ben Sidran Remembers Tommy LiPuma (Jazz Times)
* An ‘Astral Weeks’ origin story, told 50 years after Van Morrison fled to Boston (Boston Globe)
* Big Ears 2018 – Q&A With Milford Graves (ArtsKnoxville.com)
* McCoy Tyner In The ’70s: Part 1 (BurningAmbulance.com)
* Herbie Hancock 'still learning,' as eclectic music icon works on new album with Kendrick Lamar, Wayne Shorter and more (San Diego Union Tribune)
* Why are concert tickets going on sale so early? And where does all that cash go? (Kansas City Star)
* 7 Candid Photos of Jazz Legends (BBC)
* Like A Cosmic Newspaper: Val Wilmer On Sun Ra (TheQuietus.com)
* How the classical took control of the jazz in ‘Rhapsody in Blue’ (San Francisco Chronicle)
* Mere Virtuosity - Variations on a Slippery Idea (VQROnline.org)
* Inside the Bizarre, Booming Business of Turning Hit Songs into Baby Lullabies (Thrillist.com)
* Q&A with Steven Bernstein: On Respectability (DownBeat)
* Founder of Tower Records dies at 92 while drinking whiskey and watching the Oscars (Sacramento Bee)
* Herbie Hancock Taps Kendrick Lamar, Thundercat for New Album (Rolling Stone)
* NPR’s Tiny Desk Is Actually Not Tiny at All (Vice.com)
* NME to close print edition after 66 years (The Guardian)
* Big Ears Announces Full 2018 Lineup (DownBeat)
* An Impressive Audio Archive of John Cage Lectures & Interviews: Hear Recordings from 1963-1991 (OpenCulture.com)
* There’s a Tuba Crime Wave Sweeping America (Wall Street Journal)
* The Many Dimensions of Drummer, Composer and Bandleader Allison Miller (WBGO)
* Van Morrison teams up with Hammond hero Joey DeFrancesco on new album You’re Driving Me Crazy (Jazzwise)
* A Cherished BBC Radio Show Asks Celebrities to Pick a Desert Island Survival Kit (AtlasObscura.com)
* For iconic jazz club Village Vanguard, music rather than food is its main gig (New York Business Journal)
* Taylor Ho Bynum Presents New Suite in Hartford (DownBeat)
* Linda Ronstadt: From Tucson to Rock and Roll Hall of Fame, her lifetime love affair with music (AZCentral.com)
* The Original Noise Artist: Hear the Strange Experimental Sounds & Instruments of Italian Futurist, Luigi Russolo (1913) (OpenCulture.com)
* An Interview with Billy Cobham, Genius Drummer with Mahavishnu Orchestra, Miles Davis, Peter Gabriel, Etc. Etc. (The Stranger)
* Kobalt invests $150m in independent artists to challenge ‘stupidity’ of traditional major label deals (MusicBusinessWorldwide.com)
* Her Tiny Apartment is New York’s Most Secret Jazz Club (MessyNessyChic.com)

Sunday, January 14, 2018

Sunday Session: January 14, 2018

The Bad Plus
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Jazz, but not as you know it (Vice.com)
* Record Bin: How Herbie Hancock subverted jazz traditions and asserted his funk dominance on “Head Hunters” (Nooga.com)
* And Look—She’s a Star! (The Nation)
* Music fans bought a lot of cassettes last year (NME.com)
* Why I Still Buy Music in the Age of Spotify (DigitalMusicNews.com)
* Wes Gets Royal Treatment (DownBeat)
* 'Dock Of The Bay' At 50: Why Otis Redding's Biggest Hit Almost Went Unheard (NPR)
* The musical secrets of FAME Studios legend Rick Hall (Birmingham News)
* A Cabaret Star’s Comeback (Wall Street Journal)
* Ice Music: Building Instruments Out Of Water (NPR)
* White Noise Story Generates White Noise on Copyright (IllusionOfMore.com)
* Just How Similar Are Radiohead's 'Creep' and Lana Del Rey's 'Get Free'? (Esquire)
* Inside the Amish town that builds U2, Lady Gaga, and Taylor Swift's live shows (Wired)
* Funk Carves Out A Groove At The Funk Music Hall Of Fame In Ohio (NPR)
* Mitchell Takes Homage to Winter Jazzfest (DownBeat)
* Why this awful-sounding album is a masterpiece (Vox.com)
* Surprise! The ‘Music Modernization Act’ Prohibits Litigation Against Streaming Services (DigitalMusicNews.com)
* First Listen: The Bad Plus, 'Never Stop II' (NPR)
* Why music venue closures 'make all of our lives poorer' (BBC)
* Lester Bangs Play 'How to Be a Rock Critic' Captures Writer's Wild Spirit (Rolling Stone)
* At Peabody jazz: discrimination allegations, a forced ouster — and new hope (Baltimore Sun)
* ********, ∆, †‡† ... the most unpronounceable band names ever (The Guardian)
* Spotify Is in the Business of Selling You Spotify, Not Music (TrackRecord.net)
* Q&A: Chick Corea on his regrets, Grammys, future plans and more (Creative Loafing - Tampa)
* Portrait Of: Eddie Palmieri (LatinoUSA.org)
* Roy Hargrove’s rousing Showcase residency (DownBeat)
* The “True” Story Of How Brian Eno Invented Ambient Music (OpenCulture.com)
* Chartmania!! I Broke Down Every Song That Reached the Billboard Top 5 in 2017 (Soundfly.com)
* Life’s Work: An Interview with John Adams (Harvard Business Review)
* Dr. Demento, comedic song hero and unsung punk rock legend, gets his due on new album (Los Angeles Times)
* Preservation Hall’s Musical Mission (Garden and Gun)

Sunday, November 19, 2017

Sunday Session: November 19, 2017

Grover Washington Jr.
Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* How Roy DeCarava’s jazz photographs captured the soul of Harlem and influenced a generation (TheVinylFactory.com)
* Remembering, With Fondness, the ‘Worst Orchestra in the World’ (AtlasObscura.com)
* Legendary music venue My Father’s Place reopening on Long Island after 30 years (Newsday)
* Pay-Per-Beat: Inside the Underground Market Shaping Soundcloud Rap (Vice.com)
* Ron Lessard Is a Noise Music Hero (Vice.com)
* Renaissance Man: The Story of Hermeto Pascoal’s Great Lost Album, “Viajando Com O Som” (Bandcamp.com)
* ‘Whisperpop’: why stars are choosing breathy intensity over vocal paint-stripping (The Guardian)
* Spatial audio is the most exciting thing to happen to pop music since stereo (ArsTechnica.com)
* A Bottle In Front Of Me: The Strange World Of... Tom Waits (TheQuietus.com)
* Hide And Seek - For a while, hidden tracks were everywhere, especially during the CD era. But thanks to streaming music, there’s nowhere to put them. Is that good or bad? (Tedium.co)
* The concert was about unity; the message was all Russian (Washington Post)
* Hip Hop Named as the Most Popular Music Genre in the US (MagneticMag.com)
* The Body in Question: Herbie Hancock in Concert (CommonReader.WUSTL.edu)
* The New Golden Age Of Jazz (Lnwy.co)
* How Basin Street Records Has Been Giving New Orleans Jazz Music a Home For 20 Years (Billboard)
* Steve Winwood On World Cafe (NPR)
* Influential Jazz and Classical Label ECM Records Releasing Entire Catalogue to Streaming Outlets (SPIN)
* Free improvisation: still the ultimate in underground music? (The Guardian)
* Nicole Mitchell on the lasting legacies of AACM architect Muhal Richard Abrams (The Wire)
* An abandoned pre-WWII Hasidic synagogue gets a second life as a kosher jazz club (Times of Israel)
* With $70M from Alphabet, UnitedMasters replaces record labels (TechCrunch.com)
* How Grover Washington Jr. Defined And Transcended 'Smooth Jazz' (NPR)
* Bassist Ron Carter On His Life With Jazz (WNYC)
* Venezuela's Uprooted Musicians: Bands Struggle to Survive (Rolling Stone)
* The cosmic messenger: How Karlheinz Stockhausen shaped contemporary electronic music (TheVinylFactory.com)
* Field Notes: GoGo Penguin’s “Koyaanisqatsi” in Brooklyn (Jazz Times)
* Jazz and Classical Treasures from the Digitized Catalogue of ECM Records (The New Yorker)
* Ben Riley, a Jazz Drummer Who Made Accompaniment His Art, Has Died at 84 (WBGO)