Showing posts with label Eddie Palmieri. Show all posts
Showing posts with label Eddie Palmieri. Show all posts

Sunday, August 08, 2021

Sunday Session: August 8, 2021

Stevie Wonder
Here's this week's roundup of various music-related items of interest:

* Snug Harbor canceling performances due to rising Covid cases (Offbeat)
* Don Marquis, esteemed jazz author and New Orleans Jazz Museum founder, has died at 88 (NOLA.com)
* At Lollapalooza 2021, there's one question hanging over everything (AVClub.com)
* Musical artist Suzanne Ciani feeds deepfake program below Morrison Hall (DailyCal.org)
* Anatomy Of A Bad Gig: Recalling A Show 40 Years Ago Where Virtually Nothing Went Right (ProSoundWeb.com)
* Labels are going to become more like VCs than they probably want to be (Music Industry Blog)
* Study: Consumption of music streaming declined significantly during COVID-19 lockdowns worldwide (EurekAlert.org)
* Alan Rubin: Mr. Fabulous in Every Way (AllAboutJazz.com)
* End of an era: Trumpets owners reminisce after developers buy legendary jazz club (NorthJersey.com)
* NC jazz musician releases album via legendary record label (Durham Herald Sun)
* Rolling Stones’ Charlie Watts Drops Out of U.S. Tour After Medical Procedure (Rolling Stone)
* Steve Vai reflects on working with Frank Zappa: "If you didn’t have the goods, you didn’t last. Frank expected everybody to rise to the occasion" (Guitar World)
* Interns Turned Engineers Take the Reins at SF’s Historic Different Fur Studios (KQED)
* Eddie Palmieri On Pioneering Latin Jazz & His Blue Note Residency: "We're Talking About The Greatest Jazz Room In The World" (Grammy.com)
* Blues Great Buddy Guy on His ‘American Masters’ Documentary, Hitting the Road Again at 85, and Why the Blues Is Like Golf (Variety)
* As Delta Variant Spreads, Artists and Venues Scramble to Keep Concerts Safe (Yahoo News)
* When Stevie Wonder Blended Funk, Soul And Social Commentary On ‘Innervisions’ (Yahoo News)
* George Harrison’s Son Dhani on the “Pandora’s Box” Process of Remastering All Things Must Pass at 50 (Consequence.net)

Sunday, June 03, 2018

Sunday Session: June 3, 2018

Dorothy Ashby
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Why African and Caribbean sounds are dominating British music right now (DazedDigital.com)
* Three Faces of New South African Jazz (Bandcamp.com)
* We are living in the golden age of the music explainer (QZ.com)
* Avant-Garde Flame Kept Alive at FIMAV (DownBeat)
* The Missing Music of the Left (New York Review of Books)
* Live Review: Dave Burrell Night in Brooklyn (Jazz Times)
* Unbundling The Song: Inside The Next Wave Of Recorded Music's Disruption (Forbes)
* Jazzmeia Horn's vocal jazz shines light on social injustice (Charleston Post and Courier)
* Eddie Palmieri, Age 81 and Going Strong (Miami New Times)
* Walk over, Beethoven (CNU.org)
* Cuba Comes to The Kennedy Center (DownBeat)
* Jazz Today: Young Women Are Sounding the Horns (PopMatters.com)
* The chords of the universe (Aeon.co)
* A Lunchtime Meeting Helped Spawn Nels Cline’s New Album (DownBeat)
* Lyrical Intensity Unabated as The Last Poets Return (DownBeat)
* Watch the full We Out Here documentary capturing London's dynamic jazz community (TheVinylFactory.com)
* The Real-Time Reverence of Ry Cooder (American Songwriter)
* "You go and you play": On Paul Motian's limitless jazz (Dark Forces Swing Blind Punches)
* Photos: Vision Fest 23 in Brooklyn (Jazz Times)
* From ‘25th Hour’ to ‘BlacKkKlansman’: The Man Behind Spike Lee's Music (Vice.com)
* Remembering Dorothy Ashby, the Detroit Pioneer Who Introduced the Harp to Jazz (RedBullMusicAcademy.com)
* The Transcendental Sound of Moroccan Gnawa Music (Bandcamp.com)
* Shabaka Hutchings Wants a Revolution (Jazz Times)
* DIVA Jazz Orchestra Celebrates 25 Years (DownBeat)

Sunday, January 14, 2018

Sunday Session: January 14, 2018

The Bad Plus
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Jazz, but not as you know it (Vice.com)
* Record Bin: How Herbie Hancock subverted jazz traditions and asserted his funk dominance on “Head Hunters” (Nooga.com)
* And Look—She’s a Star! (The Nation)
* Music fans bought a lot of cassettes last year (NME.com)
* Why I Still Buy Music in the Age of Spotify (DigitalMusicNews.com)
* Wes Gets Royal Treatment (DownBeat)
* 'Dock Of The Bay' At 50: Why Otis Redding's Biggest Hit Almost Went Unheard (NPR)
* The musical secrets of FAME Studios legend Rick Hall (Birmingham News)
* A Cabaret Star’s Comeback (Wall Street Journal)
* Ice Music: Building Instruments Out Of Water (NPR)
* White Noise Story Generates White Noise on Copyright (IllusionOfMore.com)
* Just How Similar Are Radiohead's 'Creep' and Lana Del Rey's 'Get Free'? (Esquire)
* Inside the Amish town that builds U2, Lady Gaga, and Taylor Swift's live shows (Wired)
* Funk Carves Out A Groove At The Funk Music Hall Of Fame In Ohio (NPR)
* Mitchell Takes Homage to Winter Jazzfest (DownBeat)
* Why this awful-sounding album is a masterpiece (Vox.com)
* Surprise! The ‘Music Modernization Act’ Prohibits Litigation Against Streaming Services (DigitalMusicNews.com)
* First Listen: The Bad Plus, 'Never Stop II' (NPR)
* Why music venue closures 'make all of our lives poorer' (BBC)
* Lester Bangs Play 'How to Be a Rock Critic' Captures Writer's Wild Spirit (Rolling Stone)
* At Peabody jazz: discrimination allegations, a forced ouster — and new hope (Baltimore Sun)
* ********, ∆, †‡† ... the most unpronounceable band names ever (The Guardian)
* Spotify Is in the Business of Selling You Spotify, Not Music (TrackRecord.net)
* Q&A: Chick Corea on his regrets, Grammys, future plans and more (Creative Loafing - Tampa)
* Portrait Of: Eddie Palmieri (LatinoUSA.org)
* Roy Hargrove’s rousing Showcase residency (DownBeat)
* The “True” Story Of How Brian Eno Invented Ambient Music (OpenCulture.com)
* Chartmania!! I Broke Down Every Song That Reached the Billboard Top 5 in 2017 (Soundfly.com)
* Life’s Work: An Interview with John Adams (Harvard Business Review)
* Dr. Demento, comedic song hero and unsung punk rock legend, gets his due on new album (Los Angeles Times)
* Preservation Hall’s Musical Mission (Garden and Gun)

Sunday, December 31, 2017

Sunday Session: December 31, 2017

Donny Hathaway
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's inboxes over the past week:

* Jazz trumpeter Irvin Mayfield keeps on making music, despite federal indictment (New Orleans Advocate)
* Is Music Getting Shorter? How Hot 100 Hits Downsized In 2017 (Billboard)
* Holiday travel woes? Try flying with a tuba (Cincinnati Enquirer)
* 'This Christmas': How a Chicago postal worker and Donny Hathaway created a holiday classic (Chicago Tribune)
* The Bad Plus Interviews 2017: Introduction (Bebopified.com)
* Interview: Jamie Saft (Burning Ambulance)
* This Is The Odd Writing Technique Used by David Bowie, Kurt Cobain, and Bob Dylan (Curiosity.com)
* Streaming Services and the End of Music Collection (Variety)
* Brian Eno Presents a Crash Course on How the Recording Studio Radically Changed Music: Hear His Influential Lecture “The Recording Studio as a Compositional Tool” (1979) (OpenCulture.com)
* Hackers Can Rickroll Thousands of Sonos and Bose Speakers Over the Internet (Wired)
* Paul McCartney's One on One Tour Earns $132 Million in 2017 (Billboard)
* Jazz Master Eddie Palmieri Doesn't Miss A Beat at 81 (NPR)
* Sidran, Willis Deliver Intense Sets in Paris (DownBeat)
* In A New Book, A Musician And A Scientist Describe Their Lives At the South Pole (KUT)
* Five visions for the future of music (BBC)
* Deluxe Reissue of Sonny Rollins’ “Way Out West” Out Feb. 16 (Jazz Times)
* 'The Coolest Job In The World': Fenway's Organist Talks Music And Baseball (WBUR)
* Tropicalia Music Still Speaks To Young Marginalized Urban Brazilians (NPR)
* Not dead yet: Record executives fight for compact disc's future (CBC)
* The explosive influence of Chicago’s AACM and the records it created (TheVinylFactory.com)
* A bluesy winter night in New York with Slim Harpo (Salon.com)

Sunday, October 01, 2017

Sunday Session: October 1, 2017

Bud Powell
Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Why Do Orchestras Seem to Play Behind the Beat? (WQXR)
* How jazz is becoming the sound of resistance once again (Salon.com)
* Patti LaBelle: New Jazz Attitude (Jazz Times)
* An introduction to Jon Hassell in 10 records (TheVinylFactory.com)
* Giving peace a chance? Music can drive us apart as much as it unites (TheConversation.com)
* Reminiscing with Latin-jazz legend Eddie Palmieri (Jazz Times)
* From Louis Armstrong to the N.F.L.: Ungrateful as the New Uppity (The New Yorker)
* Labels And Artists Lending A Hand To Those Affected By Natural Disasters (NPR)
* Meet Jason DeMarco, The Reason Adult Swim’s Music Is So Good (Pitchfork.com)
* A Century Of Song: Monk At 100 (SFJAZZ.org)
* Playlist of the Lambs: psychopaths may have distinct musical preferences (The Guardian)
* Frank Zappa’s 1977 Halloween residency to be released as 158-track costume box set (ConsequenceOfSound.com)
* 70s boombox makes comeback, attracts new generation (KyodoNews.com)
* Was the Blues Born on a Vaudeville Stage? (PopMatters.com)
* Spotify Is Paying $2.77 Million a Month In Rent for Its World Trade Center Offices (DigitalMusicNews.com)
* How Facebook Is Trying to Avoid a Public Relations Disaster with Songwriters (TheStreet.com)
* Bizarre footage shows trumpet-playing bear travelling in motorcyclist's sidecar while sitting at traffic lights (The Mirror)
* America's Small Cities Are Betting Their Second Act on Festivals (Jezebel.com)
* New York Hot Jazz Festival Electrifies McKittrick Hotel (DownBeat)
* The Summer of Yoko Ono Ends with Shrieks and Screams (Smithsonian)
* Bud Powell Revisited (NEPR.net)
* Coltrane’s Hidden Gems: A Seeker’s Guide (EstheticLens.com)
* A Walk Through The Avant-Garde World of ‘Art Rap’ Music (Bandcamp.com)
* Hugh Hefner's Big Contributions to Jazz (WBGO)
* Technician of the Sacred - Three recent books demonstrate that John Cage is overdue for a populist revival (Utne.com)
* Ostrava Days, Brooklyn Nights - On Hypocrisy and Insularity in New Music (Atavist.com)
* Linda Ronstadt: 'I don’t like any of my albums' (The Guardian)
* Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago (AllAboutJazz.com)
* How Instagram Became The Music Industry’s Secret Weapon (Fast Company)
* A Guide to U.K. Jazz in 2017 (Bandcamp.com)
* Q&A: John McLaughlin & Jimmy Herring (Jazz Times)
* Which Two Songs Are the First to Be Encoded Into the Fabric of Life? (AtlasObscura.com)

Sunday, March 12, 2017

Sunday Session: March 12, 2017

Terence Blanchard
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Recording with David Bowie left a mark on jazz sax player Donny McCaslin (Washington Post)
* How sound effects are really made (BBC)
* Was this Cambridge's greatest ever music gig? (Cambridge News)
* Are living room gigs the future of live music? (BBC)
* How Rock ‘n’ Roll History Was Made—and Nearly Forgotten—in Dallas (DMagazine.com)
* The Inspiration Behind ‘Roundabout,’ the 1972 Hit Song by Yes (Wall Street Journal)
* Eddie Palmieri: Celebrating 80 Years (DownBeat)
* Interview with Robert Glasper (EthanIverson.com)
* On Iverson on Glasper (Pause): Everyone Wants Everything, Even If It's Different (Nextbop.com)
* Sexism From Two Leading Jazz Artists Draws Anger — And Presents An Opportunity (NPR)
* The Strange World Of... Annette Peacock (TheQuietus.com)
* The Survivalists: Mosaic and Newvelle Records (Stereophile)
* Dave Valentin, Virtuoso Flutist with a Foundation in Latin-Jazz, Dies at 64 (WBGO)
* Owner of Wolfgang’s Vault in legal battle over streaming rights (The Guardian)
* The Queen of Soul Receives a Multi-Artist Tribute at Carnegie Hall With 'The Music of Aretha Franklin' (Billboard)
* An obituary: The National Endowment for the Arts, 52, of unnatural causes (The Hill)
* These '70s Avant-Garde Jazz Musicians Blew Freely, Fiercely, and Reverently (PopMatters.com)
* Blanchard’s Opera “Champion” Triumphs in East Coast Debut (DownBeat)
* How A Contract Clause Led To A Fight Between Musicians And Austin's Biggest Event (NPR)
* After Public Battle, SXSW Apologizes And Pledges To Change Its Artist Contract (NPR)
* Italian Band Soviet Soviet Denied Entry To The U.S., Jailed And Then Deported (NPR)
* How Weird Al Yankovic Removed the Misogyny of ‘Blurred Lines’ by Adding Grammar Lessons (Vulture.com)
* Forget High Fidelity: How women are reclaiming record stores (MixMag.net)

Sunday, December 11, 2016

Sunday Session: December 11, 2016

Eddie Palmieri
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Exclusive: Nina Simone as You’ve Never Seen Her (The Daily Beast)
* Harvard’s best listeners (Harvard.edu)
* How Context Awareness Is The Next Frontier In The Music Industry (SynchTank.com)
* Streams ahead: the artists who made it huge without radio support (The Guardian UK)
* Digging Up Rap History: The Story of Chopped Herring Records (Bandcamp.com)
* Grammy Nominations: Full List of Nominees for 59th Annual Awards (Variety)
* These 10 Living Legends of Jazz Prove Nobody Can Out-Dress the OGs (GQ)
* Vinyl albums outsell digital downloads for the first time (The Telegraph UK)
* Jack White to Questlove: Photos of drummers in their studios (TheVinylFactory.com)
* Is Live Performance the Future of Documentaries? (Observer.com)
* Julie Tippetts: Didn't You Used To Be Julie Driscoll? (AllAboutJazz.com)
* When Jazz Was Cool (New Music Box)
* Grammys 2016: As the jazz nominations show, buzz helps (Los Angeles Times)
* Tributaries of Afrobeat/s (3AMMagazine.com)
* Lloyd & Friends Stage ‘Marvel’-ous Show in SoCal (DownBeat)
* “BRAAAM!”: The Sound that Invaded the Hollywood Soundtrack (LongReads.com)
* tony conrad’s grading tips for teachers (with an extended interview) (blogthehum.wordpress.com)
* The Decades-Long Quest to Design a Car Stereo That Can't Be Stolen (Vice.com)
* 'Harlem River Drive' Revisited With Eddie Palmieri (NPR)
* On Being Named Composer of the Year by Musical America (New Music Box)
* ‘To What Degree Are We Really Improvising?’: Avram Fefer on Making Music With Richard Serra Sculptures (Art News)
* Listen: Louis Armstrong Covers John Lennon with “Give Peace a Chance” (Offbeat)

Sunday, May 22, 2016

Sunday Session: May 22, 2016

Dr. Lonnie Smith
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* He's got four million doo-wop 45s for sale, but browsers beware (Philadelphia Inquirer)
* The Current's 893 Essential Albums (Minnesota Public Radio)
* Just How Good a Singer Was Dean Martin? (The Daily Beast)
* I’ve sold all my CDs. Can I live without those cracked plastic cases of magic and memories? (The Guardian UK)
* Our Hero and His Blues: Celebrating Albert Murray (Los Angeles Review of Books)
* The Taboo of Injury and Disability in Music (Van-Magazine.com)
* Tape recording was introduced 70 years ago today (Recode.net)
* Listen up: James West forever changed the way we hear the world (ArsTechnica.com)
* This Legendary Composer Writes Music for 100-Guitar Ensembles (Esquire)
* Library Of Congress Opens 'Jazz Singers' Exhibition (NPR)
* The Music Industry Buried More Than 150 Startups. Now They Are Left To Dance With The Giants (Medium.com)
* Overdue Ovation for George Lewis - An artistic academic, a soulful technologist (Jazz Times)
* Why a newspaper trashed its own opera review (Washington Post)
* Without Jazz and Blues, There's No Americana (The Atlantic)
* A Blues for Albert Murray (The Nation)
* Interview: Organist & Musician Dr. Lonnie Smith (PBS/The Tavis Smiley Show)
* Rahsaan Roland Kirk Documentary To Be Released May 31 (DownBeat)
* Exclusive Interview: Eddie Palmieri Discusses ‘Harlem River Drive’ + Forthcoming Record (Revive-Music.com)
* Moral Rights for Musicians: A Primer (FutureOfMusic.org)
* Glenn Branca's Really Experimental Music: Why the Composer Is Still Punk After All These Years (Vice.com)
* Theo Croker Brings the Funk to NYC’s Samsung 837 (DownBeat)
* House of Cards - Why Alaskan musicians are singing the blues (Anchorage Press)
* At 80, Carla Bley Keeps Looking Towards The Next Composition (NPR)
* Tony Bennett’s son is new US head of Universal classics and jazz (SlippedDisc.com)
* Miller, Bunnett, Carrington Bring Flair to Mary Lou Williams Festival (DownBeat)
* A Five-Time Grammy Winner Explains Why YouTube are Total Scumbags (DigitalMusicNews.com)
* The inside story of when Run‑DMC met Aerosmith and changed music forever (Washington Post)
* Thirteen Prayers: Kamasi Washington's Favourite Albums (The Quietus)
* Interview: Dr. Cornel West & Afro-Cuban Jazz Musician Arturo O’Farrill Explore Music & Activism (Vibe)
* A Hidden Times Square Sound Installation Returns to Full Hum (Hyperallergic.com)
* How Bugs Bunny and ‘Kill the Wabbit’ Inspired a Generation of Opera Stars (Wall Street Journal)

Sunday, May 01, 2016

Sunday Session: May 1, 2016

Eddie Palmieri
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Jazz Fest Day 2: Whatever Happened to Rosie? (Offbeat)
* Before & After with Trevor Dunn - Listening wide, from A to Zappa (Jazz Times)
* New Music From Professor Longhair, Who Taught New Orleans How to Play The Piano (The Daily Beast)
* Artist backlash over YouTube’s royalty payments grows noisier (MusicBusinessWorldwide.com)
* Esperanza Spalding: Character Study (Jazz Times)
* How we made Laurie Anderson's O Superman (The Guardian UK)
* That Time I Opened Tower Records Early So Prince Could Shop (NBC)
* The oral history of Eddie Palmieri’s Harlem River Drive (WaxPoetics.com)
* How Jazz Saved Hip-Hop Again (Playboy)
* Photo Album: Highlights of the 2016 New Orleans Jazz & Heritage Fest–Part 1 (DownBeat)
* 13 Cartoon Portraits of Legendary Blues Artists (Mother Jones)
* Classical music page-turners turn the page into the modern era (Philadelphia Inquirer)
* 'James Brown: Live At The Apollo Vol. 4' Is A Marvelous And Mysterious Time Capsule (NPR)
* Jazz Foundation of America Loft Party - The Cookers, Kahil El'Zabar and more (Jazz Times)
* After The Album: How Playlists Are Re-Defining Listening (MusicIndustryBlog)
* Beyond 'Mrs. Jones': Billy Paul's Music You Might Not Have Heard (NPR)
* Revisiting Loma Records, the L.A. Soul Label That Launched Ike and Tina Turner (LA Weekly)
* The Inside Story on Designing Prince's Paisley Park: Exclusive (Billboard)
* The Unbelievable True Story of the Wrecking Crew’s Max Bennett (Observer.com)
* Phil Kives, K-Tel International founder, dies at 87 (CBC)
* Sonny Rollins: “John Coltrane Was Like A Preacher” (Mojo)
* Photo Highlights of the 2016 New Orleans Jazz & Heritage Fest (DownBeat)
* Anat Cohen Tentet Brings Retro Sound and Ebullient Spirit to Jazz Standard (DownBeat)
* The Blur of Music Discovery (Disquiet.com)
* Gregory Porter review – jazz chameleon finds countless ways to seduce (The Guardian UK)
* FootPrince - The jazz side of Prince (Jazz Times)
* Dweezil Zappa Changes Name of Zappa Plays Zappa Due to Sibling Disputes (Relix.com)
* Jazz Fest Day 4: What a Difference a Week Makes (Offbeat)
* Jazz Record Mart founder opens new store (Chicago Tribune)
* The great disappearing venues disaster (CentreForLondon.org)
* Stuck on repeat: why we love repetition in music (The Guardian UK)
* Radiohead's corporate empire: inside the band's dollars and cents (The Guardian UK)