Showing posts with label Donny McCaslin. Show all posts
Showing posts with label Donny McCaslin. Show all posts

Sunday, January 27, 2019

Sunday Session: January 27, 2019

Terri Lyne Carrington
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Houzz Tour: Rock Musician’s Tiny House Wakes Up the Neighborhood (Houzz.com)
* FIRST LISTEN: Brand new Snarky Puppy unveiled (JazzFM.com)
* Festival of New Trumpet Music West to debut in San Diego at eight venues in one week in January (San Diego Union Tribune)
* Pharoah Sanders – The Creator's Master Plan (Q&A) (Pollstar.com)
* Mark Mothersbaugh on his journey from Devo to Hollywood (AV Club)
* Scenes From the Winter Jazzfest: A Slide Show (WBGO)
* Makaya McCraven’s ‘Distillation of Ideas’ (DownBeat)
* Myra Melford: Both Sides Now (Jazz Times)
* Bob Clearmountain: Living in the Mix (Tape Op)
* Why won’t City Hall fight for Chicago’s homegrown music scene? (Chicago Reader)
* Hugh Masekela’s legacy can still be heard throughout South Africa (QZ.com)
* Donny McCaslin: ‘Just Be Brave’ (DownBeat)
* 'Swingin' in Seattle' Finds Cannonball Adderley at a Crossroads, Reaching Out and Speaking Up (WBGO)
* Spotify data shows how music preferences change with latitude (ArsTechnica.com)
* Eric Dolphy: It’s All Out There Now (Jazz Times)
* Terri Lyne Carrington Looks to Transform the Culture (DownBeat)
* Blue Note Records Presents The Tone Poet Audiophile Reissue Series (BlueNote.com)
* Jaco Pastorius Shares How He Learned Bass and Composition in Unpublished Interview (Reverb.com)
* We Analyzed Every Dang Song That Cracked the Billboard Top 5 in 2018 (Soundfly.com)
* ‘Magic baton’ helps blind musicians feel conductor (BBC)
* This mouth-controlled synthesizer is the wildest instrument I’ve ever heard (TheVerge.com)
* Michel Legrand, Oscar-winning composer, dies aged 86 (The Guardian)
* How Eric Dolphy Sparked My Love of Jazz (The New Yorker)

Wednesday, January 16, 2019

Jazz this week: Donny McCaslin; Lea Bertucci & Sarah Davachi; Brian Blade & John Patitucci in "Winter Jazz Festival"; and more

Though the weather forecast for this weekend is looking a bit dicey, the calendar of upcoming live jazz and creative music performances in St. Louis provides a number of good reasons to get out of the house, including the return engagement of a top tenor saxophonist; a double-bill of experimental composer-performers making their local debuts; and a benefit event featuring a stellar lineup of touring and local musicians.

Let's go to the highlights...

Wednesday, January 16
Saxophonist Donny McCaslin returns for the first of five nights of performances continuing through Sunday at Jazz St. Louis.

McCaslin (pictured, top left) in October released his latest album Blow, which features the same band he led  accompanying David Bowie on Bowie's final album Blackstar, plus guest vocalists.

The recording has earned generally positive reviews, with Rolling Stone's Hank Steamer praising the band's choice to "step boldly into hybrid, tough-to-classify musical terrain, grafting their trademark sleek, emotive electrojazz onto lush, proggy art rock."

Though McCaslin will have a different lineup of musicians in St. Louis,  it seems likely that he'll include at least some of the material from Blow in his sets here, which should provide some interesting opportunities for contrast with the recorded versions of those tunes.

Also on Wednesday, pianist Jim Hegarty leads a trio at Evangeline's, and this week's "Grand Center Jazz Crawl" features multi-instrumentalist TJ Muller and friends at The Stage at KDHX, the weekly jam session led by bassist Bob DeBoo at the Kranzberg Arts Center, and trumpeter Kasimu Taylor and his band at The Dark Room.

Thursday, January 17
Saxophonist Tim Cunningham brings his smooth jazz and R&B sounds to The Laugh Lounge STL, and guitarist Vincent Varvel leads a trio at The Dark Room.

Friday, January 18
Singer Erin Bode performs for the first of two nights at the Emerald Room at The Monocle; trumpeter Keith Moyer leads a quartet at Evangeline's; and the Second Generation Swing Band plays for dancers at the Casa Loma Ballroom.

Saturday, 
January 19
New Music Circle presents electronic musician and composer Sarah Davachi and saxophonist and composer Lea Bertucci (pictured, bottom left) performing in separate sets at Link Auction Galleries in the Central West End.

Also on Saturday, bassist John Patitucci and drummer Brian Blade headline the "Winter Jazz Festival" at the Grandel Theatre. The event also will feature performances by Bach to the Future, violinist Tracy Silverman, guitarist Dave Black, keyboardists Jay Oliver, Mo Egeston, and Ptah Williams,  drummer Lucrezio de Seta, and multi-instrumentalist William Lenihan, with proceeds benefiting the Dillon International adoption agency.

Sunday, January 20
Singer and guitarist Tommy Halloran plays for brunch at The Dark Room, and the St. Louis Jazz Club presents Annie and the Fur Trappers in a matinee performance at the Moolah Shrine Center.

Monday, January 21
Guitarist Tom Byrne leads a quartet in a concert at Webster University's Winifred Moore Auditorium.

Tuesday, January 22
Singer and bassist Janet Evra will play a "Notes From Home" concert at The Sheldon.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Sunday, December 16, 2018

Sunday Session: December 16, 2018

Nancy Wilson
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* American Pop Music No Longer The Global King, But Its Christmas Music Can't Be Beat (Forbes.com)
* The Untold Labor That Helped Make Charlie Chaplin’s Film Scores (The Atlantic)
* Michael League: Snarky Puppy's Jazz-Schooled, Grassroots Visionary (AllAboutJazz.com)
* John Scofield: Old and New Inspirations (DownBeat)
* Blood on the Tracks: How Bob Dylan Birthed Bootleg Culture (ConsequenceOfSound.net)
* Jason Moran offers sublime tribute to WWI hero and ragtime pioneer James Reese Europe (Washington Post)
* Charles Lloyd is not into ‘ageism.’ The musician still loves touring at 80 (Durham Herald-Sun)
* The Wild Story Behind Aretha Franklin’s Long-Delayed Documentary (Vulture.com)
* Dave Douglas Interview (BurningAmbulance.com)
* We Jazz Festival Fosters Surprise and Discovery in Helsinki (DownBeat)
* Rediscovered Duke Ellington Film to Be Reshown After More Than 50 Years (Jazz Times)
* In a world of ‘algorithmic culture,’ music critics fight for relevance (Columbia Journalism Review)
* Wayne Shorter: How the Future Would Be (Stereophile)
* Streambait Pop - The emergence of a total Spotify genre (TheBaffler.com)
* Interview with Billy Cobham – Crosswinds and more! (Jazz in Europe)
* WFMU’s Free Music Archive Is Saved, Moving to New Home (Pitchfork.com)
* Donny McCaslin: In a Different Place (Jazz Times)
* Is It Important To Own Music? (Offbeat)
* The Cure, Janet Jackson, Radiohead Among Rock & Roll Hall Of Fame Inductees For 2019 (NPR)
* John Coltrane’s Giant Steps and My Favorite Things Earn Gold Status (Jazz Times)
* Nancy Wilson, Legendary Vocalist And NPR 'Jazz Profiles' Host, Dies At 81 (NPR)
* Placemakers: Why Midsize Cities Are the Next Music Hubs (Hypebot.com)
* Van Morrison Discusses How Music Used to Be More Spontaneous and Communal (The New Yorker)
* Photographer Spends 10 Years Tracking Down The Original Locations Of Vinyl Covers (Demilked.com)
* 15 Saxophone Albums You Should Hear (SFJAZZ.ORG)

Sunday, May 28, 2017

Sunday Session: May 28, 2017

Terrace Martin
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* How the record industry crisis of 1925 shaped our musical world (The Guardian)
* Composer Angelo Badalamenti, Master Of Mood, Returns To 'Twin Peaks' (NPR)
* The Keys to Snarky Puppy's Success (Keyboard)
* Inside the Offices Where the Music Never Stops and Everyone Is DJ (Bloomberg.com)
* By Any Name, Alice Coltrane Turiyasangitananda Was A Force (NPR)
* 7 pieces of gear that helped shape Radiohead’s timeless OK Computer (FactMag.com)
* How Did Toby Keith Get To Do A Concert In Saudi Arabia? (NPR)
* Donny McCaslin: The David Bowie Connection (SFJAZZ.org)
* Watch: Alvin Lucier Talks Brain Waves, Marching Bands and John Cage (WQXR)
* Fela Kuti built his music around a distrust of Nigeria's elites. Now they're the audience for the musical about his life (Los Angeles Times)
* Cultural commissioner Mark Kelly moves to reshape Chicago Jazz Festival (Chicago Tribune)
* Yes, L.A. Has Lost Many of Its Jazz Clubs — but Other Venues Are Stepping In (LA Weekly)
* Q&A with Ronald Bruner Jr.: Squad Goals (DownBeat)
* At The Dawn Of Recorded Sound, No One Cared (NPR)
* How data is transforming the music industry (TheConversation.com)
* Night Time, My Time: The Pervasive Musical Influence Of Twin Peaks (ClashMusic.com)
* Confessions Of An MP3 Blogger (TheFader.com)
* Mickey Roker, Dynamic Hard-Bop Drummer and Philly Jazz Institution, Dies at 84 (WBGO)
* Why Remix 'Sgt. Pepper's'? Giles Martin, The Man Behind The Project, Explains (NPR)
* Reviving Alice Coltrane’s Ecstatic Music in New York City (DownBeat)
* Frankie & Johnny, Helen & Morgan (Jazz Times)
* Electronic pioneer Morton Subotnick subject of new documentary Subotnick (FactMag.com)
* Terrace Martin Talks New Jazz Supergroup, Producing for Herbie Hancock (Rolling Stone)
* We no longer know who the biggest pop star in the world is (QZ.com)
* Quincy Jones Reflects on Artists He Loves, Wished He'd Worked With During Intimate Launch of New Headphones (Billboard)
* Social Music: ‘Jam of the Week’ Builds Online Jazz Community (DownBeat)
* Everybody Digs Ralph Towner - The veteran guitarist on solo performance, Bill Evans and Oregon (Jazz Times)
* Kansas City's Oldest Jazz Institution Isn't Afraid Of New Beats — Or Other Challenges (KCUR)
* Joan La Barbara: Finding the Right Words to Inspire Sound (TheLogJournal.com)

Sunday, March 12, 2017

Sunday Session: March 12, 2017

Terence Blanchard
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Recording with David Bowie left a mark on jazz sax player Donny McCaslin (Washington Post)
* How sound effects are really made (BBC)
* Was this Cambridge's greatest ever music gig? (Cambridge News)
* Are living room gigs the future of live music? (BBC)
* How Rock ‘n’ Roll History Was Made—and Nearly Forgotten—in Dallas (DMagazine.com)
* The Inspiration Behind ‘Roundabout,’ the 1972 Hit Song by Yes (Wall Street Journal)
* Eddie Palmieri: Celebrating 80 Years (DownBeat)
* Interview with Robert Glasper (EthanIverson.com)
* On Iverson on Glasper (Pause): Everyone Wants Everything, Even If It's Different (Nextbop.com)
* Sexism From Two Leading Jazz Artists Draws Anger — And Presents An Opportunity (NPR)
* The Strange World Of... Annette Peacock (TheQuietus.com)
* The Survivalists: Mosaic and Newvelle Records (Stereophile)
* Dave Valentin, Virtuoso Flutist with a Foundation in Latin-Jazz, Dies at 64 (WBGO)
* Owner of Wolfgang’s Vault in legal battle over streaming rights (The Guardian)
* The Queen of Soul Receives a Multi-Artist Tribute at Carnegie Hall With 'The Music of Aretha Franklin' (Billboard)
* An obituary: The National Endowment for the Arts, 52, of unnatural causes (The Hill)
* These '70s Avant-Garde Jazz Musicians Blew Freely, Fiercely, and Reverently (PopMatters.com)
* Blanchard’s Opera “Champion” Triumphs in East Coast Debut (DownBeat)
* How A Contract Clause Led To A Fight Between Musicians And Austin's Biggest Event (NPR)
* After Public Battle, SXSW Apologizes And Pledges To Change Its Artist Contract (NPR)
* Italian Band Soviet Soviet Denied Entry To The U.S., Jailed And Then Deported (NPR)
* How Weird Al Yankovic Removed the Misogyny of ‘Blurred Lines’ by Adding Grammar Lessons (Vulture.com)
* Forget High Fidelity: How women are reclaiming record stores (MixMag.net)

Sunday, January 22, 2017

Sunday Session: January 22, 2017

Matthew Shipp
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Donny McCaslin: Bowie Deepened The Relationships In My Band (AllAboutJazz.com)
* Julius Eastman’s Guerrilla Minimalism (The New Yorker)
* Ex-Time Warner CEO reopens famed Harlem jazz club (New York Post)
* Why Has This One Bassline Been Sampled Seventy-Seven Times? (Vice.com)
* Prolific Free-Jazz Pianist Matthew Shipp Leaves Recording Behind (Village Voice)
* Music's Weird Cassette Tape Revival Is Paying Off (Fast Company)
* Mysterious Stone Instruments Keep Being Discovered in Vietnam (Atlas Obscura)
* “Not a political composer”: Interview with John Adams (Bachtrack.com)
* Is NYC (still) capital of jazz? (Jazz Beyond Jazz/ArtsJournal.com)
* Meyer's Ace Hardware Closing, Leaving Historic Jazz-Age Relics At Risk (DNAinfo.com)
* William Onyeabor: one of music’s most insoluble puzzles to the end (The Guardian)
* Susan Rogers: From Prince to Ph.D. (Tape Op)
* This Is the "Jass" Record That Introduced Millions of Americans to a New Kind of Music (Smithsonian)
* Bill Laswell Shares the Stories Behind Some of His Most Memorable Releases (Bandcamp.com)
* What 'La La Land' Gets Right About Jazz (Billboard)
* Projecting Trends: The Music Streaming Playlist Economy (Synchtank.com)
* Maria Schneider: Protecting the Power of Music (Jazz Times)
* If music was a regular job, would anyone do it? (Irish Times)

Sunday, January 15, 2017

Sunday Session: January 15, 2017

Alice Coltrane
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Cuba Is the Missing Link in Jazz History (The Daily Beast)
* The Quiet Failure of Sony’s Giant Cassette Tape (Atlas Obscura)
* Tiny Desk Concert: Donny McCaslin (NPR)
* Naxos Launches Jazz-Only E-Commerce Site, ArkivJazz: Exclusive (Billboard)
* Thoughts While Attending the First Symphony in the Series My Wife Wanted to Buy (The New Yorker)
* Stage Oddity: The Story of David Bowie’s Secret Final Project (GQ)
* Kamasi Turns Bay Residency into Party (DownBeat)
* Why Manassas Was Stephen Stills' Best Band (MusicAficionado.com)
* WJF Artists Address Social Justice (DownBeat)
* Benny Reeves, a Motown original, is still hustlin’ — in between Uber gigs (Detroit Metro Times)
* Why Unreleased Marvin Gaye, Supremes, Beach Boys Tracks Are Suddenly Appearing: EU Copyright Law (Billboard)
* 130 Bands In Five Days: Highlights From Winter Jazzfest NYC 2017 (NPR)
* Meet Yolanda ‘Yo Yo’ Baker, America’s last disco ball maker (FactMag.com)
* Music's Weird Cassette-Tape Revival Is Paying Off (Fast Company)
* Muddy Waters' heirs still seeking answers about blues legend's estate (Chicago Tribune)
* Groovy vintage ads for classic guitars (DangerousMinds.net)
* Transfiguration and Transcendence: The Music of Alice Coltrane (Pitchfork)
* John Snyder & the Meaning of Production (Jazz Times)
* What Happens When Algorithms Design a Concert Hall? The Stunning Elbphilharmonie (Wired)
* Closing time: Why some of Canada's music clubs are losing the fight to stay open (LocalXpress.ca)
* La La Land Is Clueless About What’s Actually Happening in Jazz (Vulture.com)
* A Young Jazz Pianist Remembers His Biggest Champion: Nat Hentoff (Village Voice)

Wednesday, October 19, 2016

Jazz this week: Donny McCaslin, Brian Culbertson, Brand X, James Carter, Sylvaine Hélary's Spring Roll Quartet, and more

It's one of the busiest weeks of the year for jazz and creative music in St. Louis, with enough activity and musical variety to test both the stamina and the financial resources of even the most devoted music lovers.

There's so much going on that the week defies easy summary, so instead, let's go to the highlights....

Wednesday, October 19
Saxophonist Donny McCaslin (pictured, top left) makes his St. Louis debut as a bandleader in the first of four nights at Jazz at the Bistro.

It's been a big year for McCaslin, who's gone from working with the late David Bowie on his final recording Blackstar to releasing his own new album, Beyond Now. For more about McCaslin and his new recording, see the interview he did with Calvin Wilson of the Post-Dispatch and StLJN's video post from a couple of Saturdays ago.

Also on Wednesday, funk/jazz keyboardist Brian Culbertson, who's touring in support of his own new album Funk!, returns to St. Louis for the first time in four years for a performance at The Pageant. For more about that, see Culbertson's conversation with the Post-Dispatch's Kevin Johnson.

Thursday, October 20
The reunited British jazz/fusion band Brand X will play at the Wildey Theatre, featuring three key members from the band's original run - guitarist John Goodsall, bassist Percy Jones, and drummer Kenwood Dennard - plus keyboardist Chris Clark and percussionist Scott Weinberger. This show will be only the second of the group's reunion tour, so even if there are a few rough spots, the energy should be high.  

Also on Thursday, trumpeter George Sams and friends will play a free show of improvised music for the Jazz at Holmes series at Washington University; and the funky saxophones-and-drums trio Moon Hooch returns for a gig at the Old Rock House.

Friday, October 21
The St. Louis GypsyJazz Festival opens for the first of three days and nights of perfomances, jam sessions and workshops at Evangeline's. The lineup of musicians this year includes violinist/mandolinist Jason Anick, singer Miles Griffith, and guitarist Dario Napoli, plus St. Louis-based groups Franglais, Phatz Django, and Fleur De Lou. For more about the festival and video samples of the visiting performers, see this post from last Saturday.

Also on Friday, the Gaslight Cabaret Festival resumes with singer Storm Large returning for an encore performance at the Gaslight Theater.

Saturday, October 22
Saxophonist James Carter (pictured, bottom left) and his organ trio will provide the music for the annual "ArtSounds" benefit at the Sheldon Concert Hall.

Carter, a free-spirited yet technically accomplished improviser who can play soprano, alto, tenor and baritone saxes with near-equal facility, is always worth hearing, and if you need an extra incentive, The Sheldon yesterday announced a "buy one, get one free" offer for concert-only tickets bought in pairs. To purchase online and take advantage of the offer, go here and enter the promo code CARTER16.

Also on Saturday, New Music Circle present flute player and composer Sylvaine Hélary's Spring Roll Quartet at the The Stage at KDHX.

The group, which includes Hélary, Antonin Rayon (piano, synthesizer), Hugues Mayot (saxophones, clarinets), and Sylvain Lemêtre (vibraphone, percussion), offers "thematically dense surrealist arrangements with percussive counterpoint" which incorporate "a span of styles in an almost collage-like manner."

Sunday, October 23
"Days to Say Goodbye - A Celebration of the Life of David Troncoso" will provide an opportunity to remember and reminisce for, family, friends and fans of the veteran St. Louis bassist, who died this past July at age 70. The event, which features music from guitarist Dave Black, pianist Dave Venn, singer Tony Viviano, the Park Avenue Duo, Troncoso's own Latin Jazz Group and more, takes place at the Anheuser Busch Brewery Biergarten.

Also on Sunday afternoon, the US Navy Band Commodores, the Navy's top jazz big band, plays a free concert at the 560 Music Center. The group features two area natives - Petty Officer 1st Class David M. Perkel of St. Louis on lead trombone, and Chief Petty Officer Timothy D. Stanley, who grew up in Belleville, on trumpet.

Monday, October 24
To mark the event's silver anniversary, the Webster University TKT Scholarship Fund 25th Anniversary Concert will take place off-campus this year at the Sheldon Concert Hall. The concert features Webster jazz faculty and students performing to raise money for music scholarships at Webster in memory of Terry Jackson, Kirk Cappello, and Tony Saputo, three Webster alumni who were among the members of singer Reba McEntire’s road band killed in a 1991 airplane crash.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Sunday, October 09, 2016

Sunday Session: October 9, 2016

Dexter Gordon
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Watch Bill Clinton, Carlos Santana Praise John Coltrane in Doc Promo; Sonny Rollins, Common, Kamasi Washington also appear in preview of 'Chasing Trane" (Rolling Stone)
* Jerry Seinfeld and the Buddy Rich tapes (Jazz in Pop Culture)
* Art or music? The National Gallery of Art provokes ears and thoughts (Washington Post)
* Musician Wants to Make Taking the A Train Easier on the Ears (Wall Street Journal)
* Bob Koester opens new record store after Jazz Record Mart closes (Chicago Tribune)
* Q&A with Ibrahim Maalouf: Synthesizing East & West (DownBeat)
* The demise of rock ’n’ roll nostalgia (Macleans)
* The 14 pieces of software that shaped modern music (FactMag.com)
* Classical Reimagined (M-Magazine.co.uk)
* Blow, Mr. Dexter: A Look Back at Round Midnight, 30 Years Later (Mediander.com)
* The Best of Festival Season - Standout photos from this summer's major jazz events (Jazz Times)
* Donny McCaslin on David Bowie: 'We had this amazing connection, then he was gone' (The Guardian UK)
* The Musicians Behind Luke Cage on Creating a ‘Timeless’ Sound and the Lack of Opportunities for Black Composers (Vulture.com)
* Guitar Wizard John McLaughlin Announces Final U.S. Tour (DownBeat)
* The Giant Legacy of Rudy Van Gelder (AllAboutJazz.com)
* A Brief History of Jazz in Hip-Hop: Tribe, De La Soul, Digable Planets (HowlAndEchoes.com)
* 'Thriller' Songwriter Rod Temperton Dies At 66 (NPR)
* Rod Temperton: the effortless orchestrator of the perfect pop illusion (The Guardian UK)
* Q&A with Drummer Nate Smith: From Many Voices, One Sound (DownBeat)
* The new cool: how Kamasi, Kendrick and co gave jazz a new groove (The Guardian UK)
* Danny Fields Is the Music Industry Wild Man You’ve Never Heard Of (Vice.com)
* ‘Are we there yet?’: on the road with Beach Boy Brian Wilson (The Guardian UK)

Saturday, October 08, 2016

StLJN Saturday Video Showcase:
Donny McCaslin goes "Beyond Now"



This week, StLJN's video spotlight shines on saxophonist Donny McCaslin, who's coming to St. Louis to perform starting Wednesday, October 19 through Saturday, October 22 at Jazz at the Bistro.

McCaslin has been in the news quite a bit this year, thanks to the work he and his band - Tim Lefebvre on bass, Jason Lindner on keyboards, and Mark Guiliana on drums - did on the late David Bowie's final album Blackstar. While this may have been the first time a lot of Bowie's fans had heard of the saxophonist, he's certainly no newcomer to the jazz scene.

A native Californian who turned 50 this year, McCaslin attended Berklee College of Music and first came to wide public attention while still a student, joining the band of vibraphonist and Berklee faculty member Gary Burton in 1987 and touring and recording with him for four years.

McCaslin then was part of the early-90s lineup of the fusion band Steps Ahead, replacing the late Michael Brecker, and he's also spent time in the big bands of Gil Evans, George Gruntz, and Maria Schneider, as well as nearly a decade working alongside Dave Douglas in the critically acclaimed trumpeter's quintet.

He's also recorded a dozen albums as a leader, the most recent being Beyond Now, which is due out next Friday, October 14. Said to be inspired by their experience recording with Bowie, the album features McCaslin and the Blackstar band performing two of Bowie's songs, plus covers of tunes by MUTEMATH, Deadmau5, and The Chainsmokers and five original tracks.

You can see and hear them in three video clips recorded just last month on September 16 at the Blue Whale in Los Angeles, starting up top with "Fast Future," the title track from McCaslin's previous album, and continuing after the jump with "No Eyes" and then a clip containing performances of both "Shake Loose" and "Beyond Now" from their new record.

Below that, you can see and hear complete sets featuring McCaslin with two different lineups of musicians, from March 2016 in Vasto, Italy with Lindner, bassist Matt Clohesy and drummer Nate Wood, and from August 2014 in Tuscany with bassist Scott Colley, drummer Marcus Gilmore, and pianist Kevin Hays.

Finally, there's an episode of the Voice of America program Beyond Category from 2014 that includes several musical excerpts and an interview with McCaslin.

For more about Donny McCaslin, check out the interview published earlier this year in the British newspaper The Guardian, in which he talks about working with David Bowie, and his 2015 interview with radio station WBUR, in which he discusses the influence of electronic dance music on his sound. 

You can see the rest of today's videos after the jump...








Sunday, September 18, 2016

Sunday Session: September 18, 2016

George Coleman
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Jazz pioneer Buddy Bolden and the Louisiana mental asylum band (NOLA.com)
* Record Bin: How Muddy Waters fused folk music and the blues on "Folk Singer" (Nooga.com)
* TIFF Review: ‘I Called Him Morgan’ is a Moody, Melancholic Study of the Late Trumpeter, Lee Morgan (ShadowAndAct.com)
* From 'Stairway to Heaven' to 'Damn Girl': 'Raging Bull' Remains Center Stage in Copyright Fights (Billboard)
* Metheny Quartet Plays SFJAZZ, Extends Guitarist’s Reach (DownBeat)
* Defeating The Jazz Zombies: America’s Music Is Alive & Well — These 7 Artists Are Proof (Stereogum.com)
* Interview: Sun Ra Commander Marshall Allen (Austin Chronicle)
* How Afrobeats Became Pop Music’s Next Big Thing (Buzzfeed)
* Artifact / Diagramming: An Interview with Mark Fell (Avant.org)
* Music with a Capital "M" - An Interview with Ethan Iverson of the Bad Plus (PopMatters.com)
* Donny McCaslin Takes 'Blackstar' Collaborators Beyond Bowie on New Album 'Beyond Now' (Billboard)
* Steve Buscemi and Elliott Sharp Talk William S. Burroughs, the 80s New York Scene, and the Creative Influence of Exhaustion (BlouinArtInfo.com)
* Fresh Pairings, Familiar Faces Delight at Chicago Jazz Fest (DownBeat)
* The Link Between Whitney Houston and the Rise of Auto-Tune in North Africa (Pitchfork.com)
* Why Apple is anything but the future of music (EricGarland.co)
* Heath, Weston, DeJohnette Shine in NYC Salute to Keepnews (DownBeat)
* The Summer in Jazz Releases (Bandcamp.com)
* Harmolodics: the truth at last (TheBlueMoment.com)
* ‘Play something they can enjoy,’ says jazz saxophone great George Coleman (Memphis Commercial Appeal)
* Q&A: Nels Cline - The guitarist and sonic provocateur invents a new brand of mood music on his Blue Note Records debut (Jazz Times)
* Hidden in plain sight: a global underground dance music scene with millions of fans (Medium.com)
* How Blockchain Startups Are Disrupting The $15 Billion Music Industry (Forbes)
* 8 Artists Exploding the Concept of Native American Music (Paste)
* Don Buchla, modular synthesizer pioneer, dies aged 79 (The Guardian UK)

Sunday, July 31, 2016

Sunday Session: July 31, 2016

Johnny Hodges
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Jane Monheit: Beyond Ella (Los Angeles Review of Books)
* Live: Famoudou Don Moye & Hartmut Geerken - A historic free-improv set in Berlin (Jazz Times)
* The Linguistics of My Next Band Name (JStor.org)
* Why is new classical music left to wither and die? (The Telegraph UK)
* New Ensembles, Inspired Pairings Animate Umbria Jazz Fest (DownBeat)
* Johnny Hodges - The Timeless Artistry of a Great Ellingtonian (New England Public Radio)
* Record Labels Need a Change of Culture in the ‘Dashboard Era’ of the Music Industry (Medium.com)
* The mystery of the phantom Billboard hit, “Ready ‘N’ Steady,” is finally solved (AV Club)
* Pitchfork Fest, a Bastion of Rock and Pop, Opens Doors to Jazz (DownBeat)
* Dave Douglas review – jolting backbeats and hip-hop highjinks (The Guardian UK)
* Born to Be Blue: Ethan Hawke on the fast life and mysterious death of Chet Baker (The Guardian UK)
* Inside The Playlist Factory (Buzzfeed.com)
* Free-Improv Players Soar During Astral Spirits Showcase (DownBeat)
* Why Beijing Is (Still) A Great City For Jazz Music (Forbes)
* How Being a Music Journalist Made Me Wind Up in a Psychiatric Hospital (Vice.com)
* Charles Davis obituary (The Guardian UK)
* Rock, racism and rebel music: 1970s Britain through a photographer’s lens (HuckMagazine.com)
* Brian Eno Explains the Loss of Humanity in Modern Music (OpenCulture.com)
* Remembering Marni Nixon, the Invisible Voice of ‘My Fair Lady,’ ‘West Side Story,’ and ‘The King and I’ (The Daily Beast)
* The leading manufacturer of music boxes for ice cream trucks calls Minnesota home (TheCurrent.org)
* THE BLURT JAZZ DESK: Sonny Rollins (BlurtOnline.com)
* Carla Bley: Shoe Leather, Mystery & Moxie (AllAboutJazz.com)
* Behind the Lens: A Deep Dive into the New Frank Zappa Doc ‘Eat That Question’ (Vice.com)
* How the pop video got weird again (The Guardian UK)
* David Bowie’s Blackstar Band Announces New Album, Shares “A Small Plot of Land” Cover (Pitchfork)
* This 1960 Jazz Film Shaped Concert Documentaries as We Know Them (Vice.com)

Sunday, May 29, 2016

Sunday Session: May 29, 2016

Charlie Parker
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Bobby McFerrin cancels 2016 tour (JazzFM.com)
* READ an Excerpt from ‘Small Town Talk,’ a History of Woodstock in the Wild Years (AcousticGuitar.com)
* Rock music is dead, says Red Hot Chili Peppers' bassist Flea (The Guardian UK)
* Dave Davies explains how he REALLY got the raw guitar sound on The Kinks’ ‘You Really Got Me’ (DangerousMinds.net)
* An Underground Supper Club Where Music Moves The Menu (NPR)
* Major Label CEO Confirms That ‘Playlist Payola’ Is a Real Thing (DigitalMusicNews.com)
* Moers Festival Provides Jazz Artists an Opportunity to Branch Out (DownBeat)
* Jazz, soul, blues musicians reveal surprising pre-show rituals (AXS.com)
* To Really Appreciate Louis Armstrong's Trumpet, You Gotta Play it. Just Ask Wynton Marsalis (Smithsonian)
* Esperanza Spalding Scores, Stars in Short Film Gaze: Watch (Pitchfork)
* Researchers Are Digitizing Ancient Monk Chants Into a Massive Database (Vice.com)
* Eagle Rock to Release “Paco & John: Live at Montreux 1987” - Previously unreleased gem features acoustic mastery from Paco de Lucía and John McLaughlin (Jazz Times)
* Moogfest 2016: A Futurism Weighted With History and Trepidation (The Atlantic)
* YouTube Users Are Reinventing The Way We Classify Music (Vocativ.com)
* Moogfest: Techno-Optimism and the Wide, Wide World of Weird Music (Billboard)
* Unheard Bird Features Dozens of Unreleased Charlie Parker Tracks (DownBeat)
* The Story Behind the Planet's Most Influential Road Map of "Weird Music" (LA Weekly)
* Why I give a hoot for competing dead jazz musician movies (The Guardian UK)
* What causes a song to be banned? (BBC)
* ​Who Really Invented the Electric Guitar? (Popular Mechanics)
* Average Annual Salary for a Spotify Employee: $168,747 (DigitalMusicNews.com)
* Sax great Donny McCaslin expresses grief, gratitude over Bowie (San Francisco Chronicle)
* Jazz legend Wayne Shorter takes fans to unexpected places (Chicago Tribune)
* The Inevitable, Intergalactic Awkwardness of Time Capsules (Atlas Obscura)
* Brötzmann Reveals Expansive Range at Chicago Museum Show (DownBeat)
* B.B. King's Estate War: 15 Kids, 15 Moms and a "Totally Haywire" Fight (Hollywood Reporter)
* How the Toronto Symphony Orchestra uses graphic design to guide its audiences though its music (Creative Review.co.uk)
* George Lewis Leads Parade of Experimental Artists at FIMAV (DownBeat)
* Is Pop the Future of Jazz? (The Daily Beast)
* Rhys Chatham endows drone with dimension at SPACE Gallery (Portland Press-Herald)