Showing posts with label Weird Al Yankovic. Show all posts
Showing posts with label Weird Al Yankovic. Show all posts

Sunday, March 15, 2020

Sunday Session: March 15, 2020

Roy Haynes
Here's this week's roundup of various music-related items of interest:

* Long-Overdue Love for Louie (Premier Guitar)
* Word crimes? 'Weird Al Seriously' takes academic look at beloved parody musician (Bakersfield Californian)
* “An Evening with Branford Marsalis” at the Patchogue Theatre (Long Island Advance)
* In Praise of Roy Haynes: A Take Five Tribute to the Peerless Jazz Drummer, As He Turns 95 (WBGO)
* Interview: South Africa's Nduduzo Makhathini On His Upcoming Blue Note Records Debut (OkayAfrica.com)
* Trad-Jazz Revivalist Bria Skonberg Explores New Territory (Jazz Times)
* Growth, Change Apparent at PDX Festival (DownBeat)
* Jon Hassell :: The Aquarium Drunkard Interview (AquariumDrunkard.com)
* How Explaining Copyright Broke the YouTube Copyright System (NYU.edu)
* Co-Producer Of PBS Chuck Berry Show Talks Star-Studded Guest List (UDiscoverMusic.com)
* For Jeff “Tain” Watts, it’s all about the purity in music (Jazz.fm)
* The confounding career of Pat Metheny (New Zealand Listener)
* Cold Fusion: The Search for the Jazz/Rock Unicorn, Part 1 (AllAboutJazz.com)
* McCoy Tyner: essential albums (Jazzwise)
* James Taylor & John Pizzarelli: Setting a Standard (Jazz Times)
* Kassa Overall Unpacks His “Backpack Jazz” Approach (Bandcamp.com)
* ‘Everything Is in Chaos’: The Concert Business Stands to Lose Billions From Coronavirus (Rolling Stone)
* Why Cancel Concerts? A Doctor Explains Coronavirus’ Spread (Rolling Stone)
* Bassist Linda May Han Oh Is A Musician Rooted In Curiosity (NPR)
* Musicians Were Depending On Those Jazz Nights And Senior Living Gigs (NPR)
* Pat Metheny Expands His Vision on ‘From This Place’ (DownBeat)
* Bird land: Jaimie Branch takes jazz to new heights (Columbia Daily Tribune)
* Sound Of Silence Banishes Music Across The Land (ClassicalVoiceAmerica.org)

Sunday, March 12, 2017

Sunday Session: March 12, 2017

Terence Blanchard
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Recording with David Bowie left a mark on jazz sax player Donny McCaslin (Washington Post)
* How sound effects are really made (BBC)
* Was this Cambridge's greatest ever music gig? (Cambridge News)
* Are living room gigs the future of live music? (BBC)
* How Rock ‘n’ Roll History Was Made—and Nearly Forgotten—in Dallas (DMagazine.com)
* The Inspiration Behind ‘Roundabout,’ the 1972 Hit Song by Yes (Wall Street Journal)
* Eddie Palmieri: Celebrating 80 Years (DownBeat)
* Interview with Robert Glasper (EthanIverson.com)
* On Iverson on Glasper (Pause): Everyone Wants Everything, Even If It's Different (Nextbop.com)
* Sexism From Two Leading Jazz Artists Draws Anger — And Presents An Opportunity (NPR)
* The Strange World Of... Annette Peacock (TheQuietus.com)
* The Survivalists: Mosaic and Newvelle Records (Stereophile)
* Dave Valentin, Virtuoso Flutist with a Foundation in Latin-Jazz, Dies at 64 (WBGO)
* Owner of Wolfgang’s Vault in legal battle over streaming rights (The Guardian)
* The Queen of Soul Receives a Multi-Artist Tribute at Carnegie Hall With 'The Music of Aretha Franklin' (Billboard)
* An obituary: The National Endowment for the Arts, 52, of unnatural causes (The Hill)
* These '70s Avant-Garde Jazz Musicians Blew Freely, Fiercely, and Reverently (PopMatters.com)
* Blanchard’s Opera “Champion” Triumphs in East Coast Debut (DownBeat)
* How A Contract Clause Led To A Fight Between Musicians And Austin's Biggest Event (NPR)
* After Public Battle, SXSW Apologizes And Pledges To Change Its Artist Contract (NPR)
* Italian Band Soviet Soviet Denied Entry To The U.S., Jailed And Then Deported (NPR)
* How Weird Al Yankovic Removed the Misogyny of ‘Blurred Lines’ by Adding Grammar Lessons (Vulture.com)
* Forget High Fidelity: How women are reclaiming record stores (MixMag.net)