Sunday Session: August 22, 2021

John Coltrane

Here's this week's roundup of various music-related items of interest:

* Former Police Guitarist Andy Summers Reminisces On Montserrat Sessions In ‘Under The Volcano’ (Forbes.com)
* Angry concert-goer files complaint with Ohio Attorney General after missing James Taylor-Jackson Browne show at Blossom (Cleveland Plain Dealer)
* Highest Trane: John Coltrane’s World-Building Ascension (Jazz Times)
* Under The Volcano Review: Inside George Martin’s Musical Paradise (DenOfGeek.com)
* The Bad Plus Reformulates Again, Now as a Quartet with Ben Monder and Chris Speed (WBGO)
* A Guide to Free Jazz Drumming on Bandcamp (Bandcamp.com)
* At an Old Juke Joint in Mississippi, the Blues Are Alive (Smithsonian)
* If you take all the world’s emotions and put them into one sound, it’s Sérgio Mendes (San Diego Union Tribune)
* The Most Influential Pop-Rock Band Ever? The Monkees! (Vanity Fair)
* The history of electronic music is inside a warehouse in Harleysville, Pa. (WHYY)
* The Light At The End of The Tunnel is Fading (Offbeat)
* Meet the archivist who saved the historic footage that became ‘Summer of Soul’ (Los Angeles Times)
* How Respect Uses Design to Illuminate the Story of Aretha Franklin (Architechtural Digest)
* Marc Ribot Makes the Case for Loud Music (LitHub.com)
* Larry Harlow, Iconic Salsa Musician And Producer, Has Died At 82 (NPR)
* First Live Steely Dan Album in 25 Years Just Days Away (Guitar Player)
* Frank Zappa: ”I think my playing is probably more derived from folk music – Middle Eastern music, Indian music, stuff like that” (Guitar World)
* My musician friends in Afghanistan are hiding their musical instruments in fear of the Taliban: Young Afghan composer Arson Fahim (IndiaTimes.com)
* Country singer Tom T. Hall dies; wrote ‘Harper Valley PTA’ (Associated Press)
* ‘They deserve a place in history’: music teacher makes map of female composers (The Guardian)
* White out! Tony Herrington calls time on the monoculture that is the experimental sound and music industry (The Wire)
* The World's Most Famous Violins Were Treated With a Secret Chemical Mix, Study Shows (ScienceAlert.com)
* Philip Glass on Artificial Intelligence and Art (Auderdy.com)

StLJN Saturday Video Showcase: Clark Terry and his famous friends

This year marks the centennnial of the birth of legendary trumpeter and St. Louis native Clark Terry. As we approach what would have been his 100th birthday on December 14, StLJN will be paying tribute by sharing videos of Terry, starting today with just a few of his many collaborations and encounters with other famous musicians and singers.

The first video up above shows Terry with another American musical icon, blues singer and guitarist Muddy Waters, sitting in on a version of T-Bone Walker's standard "Stormy Monday." It was recorded in July, 1977 in Nice, France, with Muddy's band, which included Bob Margolin (guitar), Guitar Junior (guitar), Pinetop Perkins (piano), Calvin Jones (bass), and Willy "Big Eyes" Smith (drums).

After the jump, you can see Terry performing his signature song "Mumbles" in 2001 with the "Queen of Soul," Aretha Franklin, backed by a band including Herbie Hancock (keyboards), Russell Malone (guitar), Ron Carter (bass), Roy Haynes (drums), and James Carter (saxophones).

In the third clip, Terry returns to his former place of employment, The Tonight Show with Johnny Carson, sometime around 1980 to front the show's famous orchestra for a couple of numbers.

That's followed by a choice cameo appearance by Terry on another late night talk show, as he offers single choruses of flugelhorn and vocals on a version of Quincy Jones' "Soul Bossa Nova" recorded in 2001 for Late Night with David Letterman with Jones' orchestra and saxophonist Phil Woods, who takes the solo before Terry's.

After that, you can see a full concert from the long-running "Jazz at the Philharmonic" series, which was started by producer Norman Granz in 1944 and continued through the 1950s in the US and into the 1980s in Europe. This all-star performance was recorded in 1967 in London by the BBC, and along with Terry, the ensemble includes Dizzy Gillespie (trumpet), James Moody (alto sax, flute), Zoot Sims (tenor sax), Teddy Wilson (piano), Bob Cranshaw (bass), and Louis Bellson (drums).

The final clip shows another all-star session, billed as "A Trumpet Summit" at the 1999 edition of the Jazz in Marciac festival in France. It features Terry will fellow trumpeters Benny Bailey, Stepka Gut, Jon Faddis, Terell Stafford, Nicholas Payton, Roy Hargrove, and Wynton Marsalis, backed by pianist Mulgrew Miller, bassist Pierre Moussaguet, and drummer Alvin Queen.

Look for more videos celebrating Clark Terry in the coming weeks. You can see the rest of today's videos after the jump...

Sunday Session: August 18, 2019

Brian Blade

Here's this week's roundup of various music-related items of interest:

* Bob Wilber 1928 – 2019 (Jazz Times)
* 7 Questions With Catherine Russell (VailJazz.org)
* Live Review: 46th Umbria Jazz Festival (Jazz Times)
* San Antonio jazz great Jim Cullum Jr. dies (MySanAntonio.com)
* 5 minutes alone - George Benson: “A guy said, ‘I could get you a job with Fats Domino’. I said, ‘I am not ready for that’” (MusicRadar.com)
* Chuck Berry’s Family, Famous Fans Remember Guitarist in New Documentary Trailer (Rolling Stone)
* Santana Returns to Woodstock and Revisits “Smooth” (ConsequenceOfSound.net)
* Concrete Science Fiction Riot: Why Do We Ignore The 70s French Underground? (TheQuietus.com)
* In ’61, Stan Getz at His ‘Most Aggressive’ (DownBeat)
* Imagine Documentaries Trumpets Partnership With Louis Armstrong Foundation On Definitive Icon Movie (Deadline)
* You Don’t Have to Be Rich (To Commission New Music) (Limelight)
* Leave No Good Idea Behind: Millennial Composers Embrace a Cosmopolitan Style (San Francisco Classical Voice)
* Ted Dunbar: Teacher Man to Nile Rodgers, Kevin Eubanks, and Many Others (Jazz Times)
* Fine Tuning: The Art Of Guitar Making (KALW)
* Britain’s jazz scene is in full swing (The Spectator)
* Hackers Can Turn Everyday Speakers Into Acoustic Cyberweapons (Wired)
* Brian Blade Leads ‘Joni 75: A Birthday Celebration’ (DownBeat)
* Rhythmo’s BeatBox is a cardboard drum machine (MusicTech.net)
* A Lost Album From John Coltrane Is Found, With Thanks To A French-Canadian Director (NPR)
* Inside the home of a queen: Aretha Franklin's mansion hits market for $1.2 million (MLive.com)
* Thousands of Unseen Blue Note Photos Online Now (Jazz Times)
* The Do's & Don'ts of Sample Clearances (Spotify.com)
* Herbie Hancock gears up for his newest music and joins Kamasi Washington at Northerly Island (Chicago Tribune)

Sunday Session: May 26, 2019

Aretha Franklin

Here's this week's roundup of various music-related items of interest, drawn from StLJN's inboxes, newsfeeds, and assorted other sources:

* "Over the Rainbow" Composer Seeks Pot of Gold from Apple (Forbes.com)
* ‘Fake Artists’ Have Billions of Streams on Spotify. Is Sony Now Playing the Service at Its Own Game? (Rolling Stone)
* Doris Day: Her Jazziest Moment (Jazz Times)
* Aretha in church (TheBlueMoment.com)
* Blue Note boss Don Was: 'Jazz can't become synonymous with pop again' (The Guardian)
* Burnt Sugar Applying Heat for 20 Years (DownBeat)
* Ray Charles - Confessin’ The Blues (FYIMusicNews.ca)
* Scientists create the loudest possible sound (NewAtlas.com)
* Wire Playlist: Free Jazz In Japan, Sounds From The First Decade (The Wire)
* Idagio—the Spotify for Classical Music—Has Changed My Life (Vogue)
* National Endowment for the Arts Announces 2020 NEA Jazz Masters (Arts.gov)
* Kamasi Washington: 'Right now it feels like people are really open to jazz, the freedoms, the abstract side of it' (List.co.uk)
* How Nashville plans to save Music Row, a threatened cultural treasure (Curbed.com)
* The Borderless Music of Antonio Sánchez (DownBeat)
* Pacific Ocean coup: how Ronald Reagan helped bury a Beach Boy at sea (The Guardian)
* How Panic! at the Disco Cornered the Market on Trumpet-Heavy Hits (Variety)
* Flashback: Ornette Coleman Sums Up Solitude on ‘Lonely Woman’ (Rolling Stone)
* Pianist gives concert from vertical piano hanging from construction crane (WPXI)
* 20 Questions for New Artists Sidebar: The Economic Reality of Streaming (MusicTechPolicy.com)
* Repair Of Iconic ’60s Era Synthesizer Turns Into Long, Strange Trip For Engineer (SanFrancisco.CBSLocal.com)
* Resonance Records’ Further Exploration of Wes Montgomery (DownBeat)
* The Shed Attempts to Inject Culture Into Hudson Yards (The New Yorker)
* Flying Lotus and His Grandmother Talk Being in a Family Bound by Music (Pitchfork.com)
* Sofar Sounds house concerts raises $25M, but bands get just $100 (TechCrunch.com)
* ECM At Big Ears: A Boundless Label Meets A Broadminded Festival (NPR)
* Frantic, Distorted, Defiant: When Punk Jazz Upended the Underground (Jazz Times)
* How synthesizer pioneer Bob Moog brought electronic music to the masses (Fast Company)

Sunday Session: December 16, 2018

Nancy Wilson

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* American Pop Music No Longer The Global King, But Its Christmas Music Can't Be Beat (Forbes.com)
* The Untold Labor That Helped Make Charlie Chaplin’s Film Scores (The Atlantic)
* Michael League: Snarky Puppy's Jazz-Schooled, Grassroots Visionary (AllAboutJazz.com)
* John Scofield: Old and New Inspirations (DownBeat)
* Blood on the Tracks: How Bob Dylan Birthed Bootleg Culture (ConsequenceOfSound.net)
* Jason Moran offers sublime tribute to WWI hero and ragtime pioneer James Reese Europe (Washington Post)
* Charles Lloyd is not into ‘ageism.’ The musician still loves touring at 80 (Durham Herald-Sun)
* The Wild Story Behind Aretha Franklin’s Long-Delayed Documentary (Vulture.com)
* Dave Douglas Interview (BurningAmbulance.com)
* We Jazz Festival Fosters Surprise and Discovery in Helsinki (DownBeat)
* Rediscovered Duke Ellington Film to Be Reshown After More Than 50 Years (Jazz Times)
* In a world of ‘algorithmic culture,’ music critics fight for relevance (Columbia Journalism Review)
* Wayne Shorter: How the Future Would Be (Stereophile)
* Streambait Pop - The emergence of a total Spotify genre (TheBaffler.com)
* Interview with Billy Cobham – Crosswinds and more! (Jazz in Europe)
* WFMU’s Free Music Archive Is Saved, Moving to New Home (Pitchfork.com)
* Donny McCaslin: In a Different Place (Jazz Times)
* Is It Important To Own Music? (Offbeat)
* The Cure, Janet Jackson, Radiohead Among Rock & Roll Hall Of Fame Inductees For 2019 (NPR)
* John Coltrane’s Giant Steps and My Favorite Things Earn Gold Status (Jazz Times)
* Nancy Wilson, Legendary Vocalist And NPR 'Jazz Profiles' Host, Dies At 81 (NPR)
* Placemakers: Why Midsize Cities Are the Next Music Hubs (Hypebot.com)
* Van Morrison Discusses How Music Used to Be More Spontaneous and Communal (The New Yorker)
* Photographer Spends 10 Years Tracking Down The Original Locations Of Vinyl Covers (Demilked.com)
* 15 Saxophone Albums You Should Hear (SFJAZZ.ORG)

Sunday Session: November 18, 2018

Marshall Allen

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* I Thought CDs Were Supposed To Be Dying, But Maybe I Got It All Wrong (Forbes)
* Entangled in Berlin (TheBlueMoment.com)
* How a Lost Charles Mingus Recording Finally Saw the Light of Day (Bandcamp.com)
* The Accidental Perfection of the Beatles’ White Album (The New Yorker)
* The Album Is in Deep Trouble – and the Music Business Probably Can’t Save it (Rolling Stone)
* Nate Smith: Taking Jazz Ahead (Jazz Times)
* ‘Black Fire’: The Andrew Hill Classic That Still Burns Bright (UDiscoverMusic.com)
* How Legendary Composer W.C. Handy Became The 'Father Of The Blues' (WBUR)
* Baku Jazz Festival 2018 (AllAboutJazz.com)
* A Legendary Van Morrison Recording Just Hit the Internet and Quickly Disappeared Again (SPIN)
* TONTO: The 50-Year Saga of the Synth Heard on Stevie Wonder Classics (Rolling Stone)
* Bob Dylan’s Masterpiece Is Still Hard to Find (The New Yorker)
* ‘Green Book’ Renders Don Shirley in Film (DownBeat)
* Aretha Franklin Touches The Infinite In The Long-Delayed Film 'Amazing Grace' (NPR)
* JazzFest Berlin Challenges Attendees with Audacious Programming (DownBeat)
* Stars Celebrate Joni Mitchell at 75 (DownBeat)
* Roy Clark, country guitar virtuoso, ‘Hee Haw’ star, has died (Associated Press)
* James Booker’s “The Lost Paramount Tapes” to be released on vinyl (Offbeat)
* ’63 Monk Tapes Released (DownBeat)
* Latin Music Is Reaching More Listeners Than Ever — But Who Is Represented? (Rolling Stone)
* Working to Preserve Traditional Gospel Music (LongReads.com)
* Marshall Allen Sticks To The Music (AntiGravityMagazine.com)
* Louis Armstrong’s Life in Letters, Music and Art (New York Times)
* Jazz After College (Jazz Times)
* Hitting the Right Notes: Five Actors Who Played Real-Life Jazz Artists (Jazziz)
* Q&A: Ann Hampton Callaway: Creating Landscapes of Human Emotion (Jazziz)
* Strength & Power: In Praise of Roswell Rudd (Jazz Times)
* Crosley Is Now Releasing Retro Cassette Players Starting at $60 (DigitalMusicNews.com)
* Setting the Record Straight: Bob Dylan’s ‘Blood On The Tracks’ (Guitarist Kevin Odegard Revisits the Sessions) (RockCellarMagazine.com)
* Iconic Guitar Builder Loses His Home and Workshop to Flames in Paradise (Popular Mechanics)
* Tony Allen: Jack of All Parades (Jazz Times)

Sunday Session: November 11, 2018

Charles Mingus

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Edgefest 2018: The Chicago Connection (AllAboutJazz.com)
* Release of Live Mingus Recordings to be Celebrated at Jazz Standard (DownBeat)
* A Great Day in Harlem, Revisited (Wall Street Journal)
* In Memoriam: Roy Hargrove (DownBeat)
* Blown away: will we miss the sweet sound of school recorders? (The Guardian)
* Myra Melford: Taking Flight Where Life Leads Her (NationalSawdust.org)
* Roy Hargrove 1969 – 2018 (Jazz Times)
* Everything Adds Up for Lorraine Feather (DownBeat)
* Novelist Jeff Jackson on the 4 Best Rock Chronicles You’ve Never Heard of (Vulture.com)
* Aretha Franklin doc ‘Amazing Grace’ to finally see the light (Associated Press)
* Engineer Al Schmitt on Winning 23 Grammys and Working With Frank Sinatra, Paul McCartney & Steely Dan (Billboard)
* Has stadium rock been unplugged? (BBC)
* Inside the booming business of background music (The Guardian)
* Sound decision: Why studios still matter in the age of smart phones (Toledo Blade)
* Aaron Parks Crafts a New Context (DownBeat)
* Thelonious Monk Institute of Jazz to be Renamed in 2019 (DownBeat)
* The Free Music Archive is closing this month (TheVerge.com)
* 26 Abandoned Discos (Flashbak.com)
* At Tampere Jazz Happening, History and Revolution (DownBeat)
* Guitar Center Unveils Remodeled Hollywood Store and How It Plans to Come Back From the Brink (Billboard)
* Spotify debuts an analytics service for music publishers (TechCrunch.com)
* L.A.’s air raid sirens are blaring this week. Why composer Lawrence English says you should listen (Los Angeles Times)
* Blanchard Premieres New, Poignant Commission in Cleveland (DownBeat)
* Eliot Zigmund: A Sideman Moves to the Front (Jazz Times)
* Cécile McLorin Salvant: Wide Open Window (Jazz Times)
* Dianne Reeves: Christmas Time Is Here (FYIMusicNews.ca)
* There Was No Song of the Summer This Year — and There Won't Be Ever Again (Rolling Stone)
* 'Mingus: Jazz In Detroit' Catches A Giant At A Moment Full Of Possibility (NPR)
* Monsters of Rock Criticism: Greil Marcus Interviews Robert Christgau (Rolling Stone)
* Bar Four: A Vibraphone Summit (Jazz Times)
* A Jazz Legend Out of the Shadows (IberiaNet.com)
* Tyshawn Sorey Unveils a 3-Disc Extravaganza (Jazz Times)

Sunday Session: September 2, 2018

Wadada Leo Smith

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Meet the Company Preparing to Be the Last CD Distributor Standing (Billboard)
* The 100 Best Selling Albums of All Time (Updated for 2018) (DigitalMusicNews.com)
* The World’s Greatest Living Jazz Composer Celebrates His Eighty-fifth Birthday (The New Yorker)
* ‘Go’: How Dexter Gordon Raced Into The Jazz History Books (UDiscoverMusic.com)
* Esperanza Spalding Is The 21st Century's Jazz Genius (NPR)
* Walking to New Orleans: Davell Crawford's Tribute to Fats Domino (WNYC)
* Wadada Leo Smith's Defiant And Fearless Elegy For Emmett Till (In 360° VR) (NPR)
* Aretha Franklin Finally Gets Credit for the Term She Popularized (The Atlantic)
* Bob Dylan’s 2018 Setlists Are Starting to Get Interesting (Rolling Stone)
* 10 Afro-Latino Bands You Need to Check Out (OkayAfrica.com)
* Setting the Tempo (Slate)
* Alice Coltrane Concluded Trilogy with ‘Lord Of Lords’ (DownBeat)
* Flutist Nicole Mitchell uses music to map a possible paradise (Chicago Reader)
* 24-Carat Black Were Sampled by Pusha-T, Kendrick Lamar, Nas, JAY-Z—And They’re Still Broke (Pitchfork.com)
* New Orleans at 300: In Search of Jazz (Something Else)
* Hacking and 3D printing the future of violins, in a growing community (CDM.link)
* 'We're Not Just Bebop': Birdland Searches For Fresh Audiences With New 100-Seat Theater (Billboard)
* From musician to physician: Why medical schools are recruiting for musical ability (CBC)
* Bland on Blonde: why the old rock music canon is finished (The Guardian)
* “It Was Us Against Those Guys”: The Women Who Transformed Rolling Stone in the Mid-70s (Vanity Fair)
* Jazz's 'musical value is nil' (1918): An editorial we regret (New Orleans Times-Picayune)
* Show Tunes - Instead of selling albums, the music industry today sells fandom (RealLifeMag.com)
* Mondo Jazz Ep. 38: Aretha in Jazz & New Releases (AllAboutJazz.com)
* History of American Protest Music: Which Side Are You On? (LongReads.com)
* Pianist Randy Weston, An Eloquent Spokesman For Jazz's Bond with African Culture, Dies at 92 (WBGO)

Sunday Session: August 26, 2018

Mary Halvorson

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* He read the news all day, oh boy: how Beatles ‘froze out’ George Martin on White Album (The Guardian)
* How a Jewish kid from the burbs helped launch Springsteen and make music history (Times of Israel)
* Nicole Johänntgen Channels the Vitality of New Orleans (DownBeat)
* The Sounds of Music in the Twenty-first Century (The New Yorker)
* When a Music Legend Dies, How Does Today’s Mostly Automated Radio React? (Variety)
* Joe Lovano Toasts Ben Webster, and Vocalist Emma Frank Visits 'Ocean Av,' on The Checkout (WBGO)
* Why does bass make you want to dance? (MedicalNewsToday.com)
* Lifetime Achievement: Joe McPhee’s Vast and Brilliant Improvisational Discography (Bandcamp.com)
* Unlocking the Secrets of Jazz Genius Bill Evans (Playbill.com)
* Regional, International Talent Meet at San Jose Jazz Summer Fest (DownBeat)
* Napster Proves That Streaming Music Can Be Profitable (DigitalMusicNews.com)
* "Just the Essential Thing": Bill Frisell and Mary Halvorson Honor Johnny Smith's Jazz Legacy (Reverb.com)
* My Journey with Jazz (The New Yorker)
* Eddie Willis, Original Motown Funk Brother, Dies At 82 (Billboard)
* Live Review: 2018 San Jose Jazz Summer Fest (Jazz Times)
* Will Ramsey Lewis retire after Jazz Fest? He’s having second thoughts (Chicago Tribune)
* Wynton Marsalis on Aretha Franklin's All-Caps Emails and 'Healing' Voice: She Was a 'Triumph Over the Blues' (Billboard)
* Vijay Iyer: A Moral Imperative to Speak for the Musical Margins (LitHub.com)
* Sony Confesses To Releasing Fake Michael Jackson Music (Vibe.com)
* For Chick Corea, Music is an Antidote to Life’s Dark Side (ShepherdExpress.com)
* The Dearth Of Musical Performances On Late Night TV Speaks To A Larger Cultural Shift (Uproxx.com)
* From Bowie's Blackstar to Restoring Lou Reed: The Death and Re-Birth of The Magic Shop Studio (Reverb.com)
* Beyond Genre: Taylor McFerrin Creates His Own Musical World (SFJAZZ.org)
* Meet the Company Preparing to Be the Last CD Distributor Standing (Billboard)
* Wayne Shorter to Release 3-Disc Set with Graphic Novel (Jazz Times)
* Can data reveal the saddest number one song ever? (BBC)
* Music is ‘fast becoming the birthright of the elite’, say leading conductors, performers and educators (ClassicFM.com)

Sunday Session: August 19, 2018

Aretha Franklin

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* How Much Does It REALLY Cost To Be A Classical Musician? (Ludwig-Van.com)
* Live Review: 45th Umbria Jazz Festival (DownBeat)
* Review: Warsaw Summer Jazz Days (Jazz Journal)
* A Listener’s Guide to “Loud Jazz” (Jazz Times)
* Chicago Jazz Festival to Mark 40th Anniversary (DownBeat)
* Jazz In The 21st Century Is All About 'Playing Changes' (NPR)
* “You Haven’t Done Enough To Be The Way You Are.” Robert Glasper Speaks On Lauryn Hill’s Mistreatment of Artists (MadameNoire.com)
* Top 10 Moments of the 2018 Newport Jazz Festival (Jazz Times)
* The American guitar industry is making a serious comeback (Yahoo.com)
* Warner Music Buying Uproxx Is a Depressing Look Into the Music Industry’s Monolithic Future (SPIN)
* We Shall Overcome publisher handed $352,000 legal bill after song declared public domain (CompleteMusicUpdate.com)
* Ronnie Foster's "Mystic Brew" (SFJAZZ.org)
* Inhabiting Sound: Matana Roberts Speaks (JazzSpeaks.org)
* A Miraculous Field Recording: The Guitar Playing of Joseph Spence (The New Yorker)
* 'It's a code for living': Gregory Porter and José James on the music of their heroes (Los Angeles Times)
* Nate Chinen on ’70s and ’80s Jazz (Jazz Times)
* Jimmy Page and the Grouses of the Holy (GQ)
* When Music Was Bigger Than Life: Sonny Rollins in New York City (TownTopics.com)
* Why Are Record Companies Dumping Their Spotify Stock? (NoVA.edu)
* Thank god for the return of the generation gap in pop (The Spectator)
* In Memoriam: Aretha Franklin (DownBeat)
* Aretha Franklin Was America's Truest Voice (NPR)
* 'She doesn't just move you, she shakes you': all-star tributes to Aretha Franklin (The Guardian)
* Aretha Franklin, a 'performer without peers' (Detroit News)
* How Aretha Franklin’s Jazz Beginnings Predicted Her Genre-Transcending Career (Rolling Stone)
* Tyshawn Sorey Travels Further Out on New Works (DownBeat)
* "The Sleeping Bear" Awakens: The Revival of the Hammond B-3 Organ (SFJAZZ.org)
* Musicians only received 12% of the music industry’s $43 billion revenue in 2017 (ConsequenceOfSound.net)
* William Parker’s Late-Career Bloom (The Nation)
* Pop Songs in English, Written by Native Speakers of Swedish (The Paris Review)
* Ulysses Owens’ Delivers Poignant Messages on Freedom (DownBeat)
* Prince Estate and Sony Release 23 Long-Unavailable Albums Digitally (Variety)
* This Black Woman Was Once the Biggest Star in Jazz. Here’s Why You’ve Never Heard of Her (Narrative.ly)

Sunday Session: July 8, 2018

David Murray

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Julian Lage Takes a ‘Page from the Rock ’n’ Roll Book’ (DownBeat)
* 50 Years On, The Band's 'Music From Big Pink' Haunts Us Still (NPR)
* Rain Can’t Wash Out Saratoga Jazz Fest (DownBeat)
* Ry Cooder ‘Spellbound’ by Gospel Music (DownBeat)
* Trump Tariffs Could Kill U.S. Synth Manufacturing, Says Moog (Synthtopia.com)
* Moog Says Chinese Tariffs May Force A Move Overseas (NPR)
* The Counterfeit Queen of Soul (Smithsonian)
* The Band's 'Music From Big Pink' Turns 50: How Upstate New York Informed the Americana Classic (Billboard)
* The End of Owning Music: How CDs and Downloads Died (Rolling Stone)
* Shabaka Hutchings: Britain’s Best Export (DownBeat)
* How Alan Braufman’s “Valley of Search” Brought Shine to New York’s Loft Jazz Scene (Bandcamp.com)
* Pianist Henry Butler Has Passed Away After Cancer Battle (Offbeat)
* In Chicago, the sound of the blues is fading (The Economist)
* Finding The Light with Bass Icon Dave Holland, on The Checkout (WBGO)
* Radical Transparency: A Review of Jason Moran’s The Last Jazz Fest (WalkerArt.org)
* Public Enemy Talks 'It Takes a Nation of Millions to Hold Us Back' on Its 30th Anniversary (Billboard)
* Before & After With Nicole Mitchell (Jazz Times)
* Bright Moments with David Murray (Jazz Times)
* Montreal Jazz Festival Cancels Slave Songs Show After Backlash (Hollywood Reporter)
* Trombonist Bill Watrous Dies at 79 (Jazz Times)
* This Artist Reimagined Pop Songs as Beautiful Infographics (Vice.com)
* Pianist Erroll Garner Lights Up Late Night In Amsterdam (WBGO)
* Lalah Hathaway, Questlove, Robert Glasper & More On the Impact of PBS’s ‘Soul!’ (OkayPlayer.com)
* Mickey Hart talks music, Grateful Dead, rhythm 'trancing' and giving Tipper Gore drum lessons (San Diego Union Tribune)
* Buster Williams Still is on the Upswing (DownBeat)
* Protest Voices Enrich Montreal Festival (DownBeat)
* How Innovative Jazz Pianist Vince Guaraldi Became the Composer of Beloved Charlie Brown Music (OpenCulture.com)
* What Is the Most Nostalgic Song of All Time? (Village Voice)
* How a Young Lower East Side Jazz Group Became Cult Favorites (Vulture.com)
* Billboard’s charts used to be our barometer for music success. Are they meaningless in the streaming age? (Washington Post)
* How George Clinton Made Funk a World View (The New Yorker)

Sunday Session: August 6, 2017

Jason Moran

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Concert Review: Umbria Jazz Festival (Jazz Times)
* SZA: ‘The record company took my hard drive from me’ (The Guardian)
* Did Meek Mill and TIDAL Just Scam the Billboard 200? (DigitalMusicNews.com)
* Is Schlager Music The Most Embarrassing Thing Germany Has Ever Produced?
Deutschland über us. (TheAwl.com)
* Sax Greats Remember Coltrane on 50 Year Anniversary of His Death (Observer.com)
* July '67 altered the sound, sensibilities of Detroit musicians — and those yet to be born (Detroit Free Press)
* The Inside Story Of SoundCloud's Collapse (Buzzfeed)
* Kamasi Washington: An Opinion of Difference (Jazz Times)
* The Best Band Nobody Can Sign (TheFader.com)
* An Archive of Iconic Photos from the Golden Age of Jazz: William Gottlieb’s Portraits of Dizzy, Thelonious, Billie, Satchmo & More (OpenCulture.com)
* Concert Security's New Frontier (Rolling Stone)
* Seeing Aretha Franklin Sing For The Last Time (NPR)
* Meet The Kenyan Collective Bridging The Gap Between Traditional And Electronic Music (TheFader.com)
* Kamasi Washington Announces New Tour, Reveals 'Harmony of Difference' EP Release Date (OkayPlayer.com)
* BANFF | Q&A: 29 Questions For Vijay Iyer (MusicalToronto.org)
* Sad Songs, Artificial Intelligence and Gracenote’s Quest to Unlock the World’s Music (Variety)
* Who Was Bix? Beiderbecke Museum Has Answers (DownBeat)
* Why Are So Many Heritage Artists on the Road Again? This Explains Everything. (AJournalOfMusicalThings.com)
* Brian Wilson review – frail Beach Boy isn't made for these times (The Guardian)
* This music production tool is the reason why all new music sounds the same (Qz.com)
* Review: Warsaw Summer Jazz (Jazz Journal)
* The Problem with NPR's '150 Greatest Albums Made by Women' List (The Stranger)
* Satellites Are Spinning: Notes on a Sun Ra Poem (The Paris Review)
* Metheny Goes Nordic at Molde Fest (DownBeat)
* Time Machines: The Life and Music of Conlon Nancarrow (RedBullMusicAcademy.com)
* Jazz Pianist Jason Moran on Artistic Self-Determination (Bandcamp.com)
* Inside the Music Publishing World's Epic Struggle to Build a Single Song Database (Billboard)
* The Swampers return to their sweet home thanks to Dr. Dre and Jimmy Iovine (AlabamaNewsCenter.com)
* The Brief Career and Self-Imposed Exile of Jutta Hipp, Jazz Pianist (Longreads.com)
* This Map Shows The Top-Selling Musician Born In Each State (CraveOnline.com)

Sunday Session: June 11, 2017

Roscoe Mitchell

Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Jazz Pioneer Roscoe Mitchell Marked for Dismissal at Mills College (KQED)
* Aretha Franklin Says Detroit Music Weekend May Mark Last Concert (Patch.com)
* Rodney Bingenheimer says farewell to 'Rodney on the ROQ' after 40 years — but he certainly isn't retiring (Los Angeles Times)
* In $43 Million Settlement, Spotify Forced To Confront A Persistent Problem (NPR)
* The Beatles 'A Day In The Life' Is A Landmark In Sound Engineering 50 Years After It Was Recorded (Forbes)
* How Gregg Allman and Cher stunned Canisius High 'assembly' in 1976 (Buffalo News)
* Edison vs. Scott (LaphamsQuarterly.org)
* How to Destroy YouTube & Save the Music Industry (DigitalMusicNews.com)
* Jimmy Webb on Auto-Tune, lying to keep John Lennon from being deported and how cocaine changed music (Los Angeles Times)
* The Bird in my hand: my journey to Charlie Parker (The Guardian)
* Sony Merges RED Into The Orchard: What the Music Giant's Latest Consolidation Means for Indie Labels (Billboard)
* Chops: The Art of the Slap - Poncho Sanchez and Adam Rudolph on transitioning from the drum kit to the conga (Jazz Times)
* Ambrose Akinmusire: Upholding Tradition & Breaking Decorum (Jazz Times)
* NYPL’s Schomburg Center Acquires Sonny Rollins Archive (Jazz Times)
* The Beatles’ iconic Sgt Pepper album returns to the top on its 50th birthday (OfficialCharts.com)
* New Album Narrates Charlie Parker’s Life in Song - Peyroux, Porter, Elling and others create vocal versions of Bird classics to tell his story (Jazz Times)
* The Earth Harp turns an L.A. skyscraper into world's longest stringed instrument (Los Angeles Times)
* Hear Bob Dylan Recite His Nobel Prize in Literature Lecture (Rolling Stone)
* ‘The value of creative assets is systematically being taken away from artists and music companies’ (MusicBusinessWorldwide.com)
* Ken Vandermark’s Indefatigable Drive and Avant-Garde Vision (Bandcamp.com)
* FMP Records’ Free Jazz Legacy is Alive and Well at Destination: OUT (Bandcamp.com)
* Why Are Frenchmen Street Musicians Undervalued? (Offbeat)
* “In Search of the Lost Chord”: Danny Goldberg’s new book on 1967 and the “Hippie Idea” (NightFlight.com)
* Vision Festival Promotes Message of Freedom through Creative Music (DownBeat)
* Woodstock Festival Location Becomes Official Historic Site (Rolling Stone)
* Gary Burton: Retiring The Mallets (NPR)
* This Is What Extinction Sounds Like (Vice.com)
* Inside the Making of 'Sgt. Pepper' (Rolling Stone)

Sunday Session: March 12, 2017

Terence Blanchard

Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Recording with David Bowie left a mark on jazz sax player Donny McCaslin (Washington Post)
* How sound effects are really made (BBC)
* Was this Cambridge's greatest ever music gig? (Cambridge News)
* Are living room gigs the future of live music? (BBC)
* How Rock ‘n’ Roll History Was Made—and Nearly Forgotten—in Dallas (DMagazine.com)
* The Inspiration Behind ‘Roundabout,’ the 1972 Hit Song by Yes (Wall Street Journal)
* Eddie Palmieri: Celebrating 80 Years (DownBeat)
* Interview with Robert Glasper (EthanIverson.com)
* On Iverson on Glasper (Pause): Everyone Wants Everything, Even If It's Different (Nextbop.com)
* Sexism From Two Leading Jazz Artists Draws Anger — And Presents An Opportunity (NPR)
* The Strange World Of... Annette Peacock (TheQuietus.com)
* The Survivalists: Mosaic and Newvelle Records (Stereophile)
* Dave Valentin, Virtuoso Flutist with a Foundation in Latin-Jazz, Dies at 64 (WBGO)
* Owner of Wolfgang’s Vault in legal battle over streaming rights (The Guardian)
* The Queen of Soul Receives a Multi-Artist Tribute at Carnegie Hall With 'The Music of Aretha Franklin' (Billboard)
* An obituary: The National Endowment for the Arts, 52, of unnatural causes (The Hill)
* These '70s Avant-Garde Jazz Musicians Blew Freely, Fiercely, and Reverently (PopMatters.com)
* Blanchard’s Opera “Champion” Triumphs in East Coast Debut (DownBeat)
* How A Contract Clause Led To A Fight Between Musicians And Austin's Biggest Event (NPR)
* After Public Battle, SXSW Apologizes And Pledges To Change Its Artist Contract (NPR)
* Italian Band Soviet Soviet Denied Entry To The U.S., Jailed And Then Deported (NPR)
* How Weird Al Yankovic Removed the Misogyny of ‘Blurred Lines’ by Adding Grammar Lessons (Vulture.com)
* Forget High Fidelity: How women are reclaiming record stores (MixMag.net)

Sunday Session: February 19, 2017

Clyde Stubblefield

Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Why Music Ownership Matters (TheSmartSet.com)
* Vocalist Al Jarreau Dies at 76 (Jazz Times)
* The Great Al Jarreau, An Appreciation (with Rare Photos) (EurWeb.com)
* Black Classical: Composers and Conductors Who Shaped Music History (WQXR)
* Scofield, Nash, Collier Win Big at Grammys (DownBeat)
* The Audiographa Project Captures the Compositions of Music (Design-Milk.com)
* Christoph Cox on The History of Sound Art, Full Lecture (SonicField.org)
* Doctor Who composer Delia Derbyshire’s archive to be digitized (FactMag.com)
* 'Game Of Thrones' Composer Ramin Djawadi On Melodies That Stick (NPR)
* Keith Jarrett: Alone in a Crowded Room (Jazz Times)
* Jarrett’s Profoundly Emotional Excursion at Carnegie Hall (DownBeat)
* Why happy music makes you do bad things (BBC)
* 'Respect' Wasn't A Feminist Anthem Until Aretha Franklin Made It One (NPR)
* Bill Evans on meeting Miles (AllAboutJazz.com)
* Drum Legend Jack DeJohnette Returns to Austin (Austin Chronicle)
* Master blaster: the woman making Björk, Aphex Twin and Eno sound so good (The Guardian)
* The Man Who Broke Ticketmaster (Vice.com)
* Sound and Space: Our Acoustic Perception of the World (TheEpochTimes.com)
* Ohio Players Founder, Junie Morrison, Dead At 62 (OkayPlayer.com)
* Free Jazz Pianist Muhal Richard Abrams Brings 70 Years Of Sounds To Wesleyan (Hartford Courant)
* A Conversation With Brian Eno About Ambient Music (Pitchfork.com)
* Indian Secrets: Old and new Mardi Gras Indian traditions face off (Offbeat)
* Mick Jagger wrote a 'masterpiece' memoir that has never been published (The Guardian)
* All-Star Band Hudson To Release Album, Tour North America (DownBeat)
* The Thinning of Big Mama (Oxford American)
* Q&A with Matthew Shipp: On Home Turf (DownBeat)
* Moog are the music makers: Inside the small town factory that builds the world’s best-loved synths (FactMag.com)
* Clyde Stubblefield, James Brown's 'Funky Drummer,' Dead at 73 (Rolling Stone)

Sunday Session: May 8, 2016

Alice Coltrane

Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Despite recognition, jazz sax player Steve Coleman finds respite in Allentown (Allentown Morning Call)
* Founding Fathers, A Documentary Narrated By Public Enemy’s Chuck D, Presents the True History of Hip Hop (OpenCulture.com)
* Architecture and explosion: Cecil Taylor, the composer (Dark Forces Swing Blind Punches)
* A conversation with Wayne Shorter, jazz’s patron bodhisattva (CapitalBop.com)
* How to Sound Check the World’s Most Powerful Rocket (Vice.com)
* 2016 Ertegun Hall of Fame Voting Ballot (Jazz at Lincoln Center)
* Jazz Fest Day 7: Dancing Across the Water (Offbeat)
* New York Is Killing Me: Albert Ayler’s Life and Death in the Jazz Capital (Pitchfork.com)
* Why Jazz Musicians Can Be The Biggest Jerks (LearnJazzStandards.com)
* Field Notes: Jazz at the White House - The Obamas host jazz greats to celebrate International Jazz Day (Jazz Times)
* Prince versus the internet: The love-hate relationship that predicted the future (FactMag.com)
* Kamasi Washington on the Pressures of Being Called Jazz's Savior (Esquire)
* The 30 best jazz films (The Telegraph UK)
* Why the Death of Greatest Hits Albums and Reissues Is Worth Mourning (Pitchfork.com)
* Radiohead erases internet presence – is it a cryptic message? (The Guardian UK)
* At 83, Bob Koester opens his newest record store (and how it compares to Jazz Record Mart) (Chicago Tribune)
* More Photos from the 2016 New Orleans Jazz & Heritage Fest (DownBeat)
* Little Richard Denies Near-Death Rumors: 'I'm Still Singing' (Rolling Stone)
* Soul Survivor - The revival and hidden treasure of Aretha Franklin (The New Yorker)
* We should celebrate greats like Sly Stone while they're still with us (The Guardian UK)
* Spirits Loom Large at New Orleans Jazz & Heritage Fest (DownBeat)
* Gorillas make up ‘little food songs’ while they eat: Listen to them here (DangerousMinds.net)
* Universal Consciousness: The Spiritual Awakening of Alice Coltrane (RedBullMusicAcademy.com)
* Red’s Bells (Do The Math)
* Apple Stole My Music. No, Seriously. (VellumAtlanta.com)
* Cuneiform Records – Thirty-plus Years of Essential Listening (Goldmine)
* Why Jazz Will Always Be Relevant (TheFader.com)
* Memes, MP3s and the explosion of album art (The Guardian UK)
* Wadada Leo Smith and Don Cheadle to Receive Honorary Degrees From CalArts - Awards to be given out May 13 (Jazz Times)
* Anthony Braxton: Ghost Trance Music - Mapping the Systems of the Jazz Musician’s Sound (RedBullMusicAcademy.com)
* How to Pick Music for People on LSD, From a Scientist Whose Job That Is (Vice.com)

Sunday Session: April 17, 2016

Cecil Taylor

Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Steve Miller with Jimmie Vaughan: Live at JALC - Blues, roots and "Blue Skies" (Jazz Times)
* Tony Conrad: 1940–2016 (Frieze.com)
* Tony Conrad: 10 Essential Recordings From the Drone Pioneer (Rolling Stone)
* This Is How Much Summer Festival Players Earn -- From VIP Experience Valets to Main-Stage Bookers (Billboard)
* See Newly Discovered Photos Of Jazz Legends Playing In Portland (Oregon Public Broadcasting)
* Bill Evans Studio Album Unearthed (DownBeat)
* John Cage composition hidden for 38 years makes its debut in Los Angeles (The Guardian UK)
* Clarksdale Mississippi’s Juke Joint Festival Is Revitalizing the Birthplace of the Blues (AmericanBluesScene.com)
* Here’s why the music labels are furious at YouTube. Again. (Recode.net)
* What Are The Odds Of Landing A Pop Hit? (TheFader.com)
* Jazz Fest Producer Quint Davis on Surviving Katrina, the 'Economics of Creativity' and Making an Eclectic Lineup Work (Billboard)
* The Cleanest Recordings of 1920s Louis Armstrong Songs You’ll Ever Hear (OpenCulture.com)
* Moog’s DIY Kit Is a Fantastic Crash Course for Synth Noobs (Wired)
* Free, Open Spaces: Brian Eno's Favourite Records (The Quietus)
* Gordon Presents Original Film Score at Savannah Music Fest (DownBeat)
* Omnivore To Release Singer-Songwriter Box Set by Beat Poet Allen Ginsberg (DownBeat)
* Despite health problems, jazz legend Sonny Rollins, 85, vows to return to form (South China Morning Post)
* Even Superlungs has to pay the pawn shop (Washington Post)
* The Unoriginal Originality of Led Zeppelin (The New Yorker)
* The 28 best jazz films (The Telegraph UK)
* Sounds of the Future: A Historical Primer on Synths in Sci-Fi Movies (Soundfly.com)
* The Untold History of Aretha Franklin's Irrevocable "Respect" (Elle)
* Review: Cecil Taylor at the Whitney Museum - Episodic and reactive, a series of unfolding events (Jazz Times)
* Cecil Taylor review – double helping of magic from free jazz pioneer (The Guardian UK)
* Q&A With Stefon Harris: A Manifestation of Artistry (DownBeat)
* Tom Waits Makes a List of His Top 20 Favorite Albums of All Time (OpenCulture.com)