Showing posts with label William Parker. Show all posts
Showing posts with label William Parker. Show all posts

Sunday, April 04, 2021

Sunday Session: April 4, 2021

Sons of Kemet
Here's this week's roundup of various music-related items of interest:

* TONTO synth creator and Steve Wonder collaborator Malcolm Cecil has died, aged 84 (MusicRadar.com)
* Audio cassettes: despite being "a bit rubbish," sales have doubled during the pandemic — here’s why (Salon.com)
* Hardware Store With a Jazzy Past Prepares to End its 95-Year Run (WTTW)
* Sons of Kemet announces new album – Black to the Future (PlanetRadio.co.uk)
* The lavish Moog Sound Studio kits could bring modular synthesis to the masses: “just add headphones” (MusicRadar.com)
* The 100 Greatest Motown Songs (Rolling Stone)
* Stage on the water marks Montreux Jazz Festival's comeback (Reuters.com)
* Archie Shepp :: The Aquarium Drunkard Interview (AquariumDrunkard.com)
* Highway Hi-Fi, the Revolutionary Vinyl-In-Your-Car Tech That Failed (AutoEvolution.com)
* Paul Simon Sells Song Catalog to Sony Music Publishing (Variety)
* How To Walk On Water - A Conversation With William Parker (TheQuietus.com)
* Music From Saturn (ImaginaryWorldPodcast.com)
* Chops: Teaching Adults to Play Jazz (Jazz Times)
* Live Music Is About to Get Its Grand Reopening (Medium.com)
* The story of Mahavishnu Orchestra: Devotional, dizzying, and downright revolutionary (LouderSound.com)
* Virtuosos, Voyagers & Visionaries: Five Artists Pushing Jazz Into The Future (Grammy.com)
* What a Wonderful World — the hit that was almost murdered at birth (Financial Times)
* A Beginner’s Guide to Can’s avant-garde rock (TrebleZine.com)
* Ambrose Akinmusire: The man with the horn (Bay State Banner)
* Symphony of a Thousand Millennia (LiteraryReview.co.uk)
* Inside the Barry Harris Method (Jazz Times)

Sunday, January 31, 2021

Sunday Session: January 31, 2021

Sonny Rollins
Here's this week's roundup of various music-related items of interest:

* 'Honeycomb' Singer Jimmie Rodgers Dies at 87 (Billboard)
* Jonas Gwangwa, South African Musician And Activist, Dies At 83 (WBGO)
* When The Giants Of Indian Classical Music Collided With Psychedelic San Francisco (NPR)
* Philadelphia International Records Marks 50th Anniversary With Yearlong Celebration: Exclusive (Billboard)
* Levon Helm grew up in Arkansas before finding fame in The Band (ArkansasOnline.com)
* Why Do So Many Recorded Songs End With a Fadeout? (Phoenix New Times)
* When Appliance Hackers Hit The Music Scene (HackADay.com)
* Which Sounds Are the Most Annoying to Humans? (Gizmodo.com)
* The Strange World Of... Pere Ubu (TheQuietus.com)
* The O’Jays Walter Williams, Sr: An inspiration, legend and man of great wisdom (Newsbreak.com)
* The Doris Duke Charitable Foundation Unveils the Jazz Media Lab, a Major Radio Initiative (WBGO)
* Buying Beats for Viral Songs Is Becoming a Popular (and Messy) Business (Rolling Stone)
* Birdland Saved By GoFundMe Campaign to Tune of $400,000 (WBGO)
* Lost (And Found) In Yonkers: The Billy Lester Story (NPR)
* Celeste: 'Black women singing soul, blues and jazz aren't being heard in the mainstream' (The Guardian)
* Surveying the Grand Musical Sprawl of Bassist and Composer William Parker, on Jazz United (WBGO)
* Spotify Is Testing a New System That Inserts ‘Slow Down’ Songs Into Playlists When Listeners Approach School Zones (DigitalMusicNews.com)
* What is MPE… and why should you care about it? (MusicRadar.com)
* William Parker And The Observance Of Beauty (DownBeat)
* Sonny Rollins Speaks (Jazz Tines)
* Did Everyone Buy a Guitar in Quarantine or What? (Rolling Stone)

Sunday, January 24, 2021

Sunday Session: January 24, 2021

William Parker
Here's this week's roundup of various music-related items of interest:

* Gilbert Castellanos jazzed to return to trumpet after groundbreaking dental breakthroughs saved his career (San Diego Union Tribune)
* The reign of Captain Beefheart and how he changed rock music forever (FarOutMagazine.co.uk)
* Darlene Love on Phil Spector’s Death: ‘I Feel Very, Very Sad’ (Rolling Stone)
* Gary Smulyan Conquers Contrafacts (DownBeat)
* Behind the Curtain of Sound (TheBlueMoment.com)
* The mindblowing day that The Beatles witnessed Jimi Hendrix perform live (FarOutMagazine.co.uk)
* What Will the Biden Administration Do to Protect the Performing Arts? (Jazz Times)
* Gary Numan says he was paid £37 from a million streams (NME.com)
* Best Horace Silver Pieces: Essential Jazz For Curious Ears (UDiscoverMusic.com)
* An Oral History of Wally’s Café (Boston)
* Music stars slam UK’s ‘shameful’ failure on EU touring rules (Associated Press)
* William Parker Accentuates the “Free” in Free Jazz (Bandcamp.com)
* Sammy Nestico 1924–2021 (Jazz Times)
* New Music Ushers In The Inauguration of the Next President and Vice President of the USA (New Music Box)
* Why There’s More Music on AM Now (RadioSurvivor.com)
* Julian “Junior” Mance 1928–2021 (Jazz Times)
* JT Video Premiere: Terrace Martin on Jean-Michel Basquiat (Jazz Times)
* A.I. & The Future Of Music (3 Case Studies & Implications) (ProducerHive.com)
* Taj Mahal Shares His Deep Passion For Music: “I’ve Never Known Life and Breathing Without Music” (American Songwriter)
* The harsh reality about the music business, and a pantomime led by clueless self-regarders (MusicBusinessWorldwide.com)
* How the Recording Academy and Its Industry Allies Scored Big Wins in the Pandemic Relief Bill (Billboard)
* The Jimi Hendrix Experience In Paradise (DownBeat)
* OP vs. BE: Setting Up the Piano Trio (Jazz Times)
* Elvis Costello, Billy Joel, Sting Boost Campaign to Save NYC Jazz Institution Birdland (Rolling Stone)

Sunday, April 26, 2020

Sunday Session: April 26, 2020

Cándido Camero
Here's this week's roundup of various music-related items of interest:

* Kansas City Musicians Win Grocery Money In Charlie Parker Song Contest (KCUR)
* Giuseppi Logan 1935–2020 (The Wire)
* Ian Whitcomb ‘You Turn Me On’ Singer, Dead at 78 (BestClassicBands.com)
* Facing An Uncertain Future, Jazz Artists Get Creative (DownBeat)
* Checking in on the Village Vanguard, New York’s oldest jazz club (JewishInsider.com)
* Jon Hassell: Words with the Shaman (AllAboutJazz.com)
* Deep Dive: A Toast to Candido, Who Holds the Key to Conga Drumming, As He Turns 99 (WBGO)
* REPORT | Live Streaming Is Here To Stay — The Future Of An Emerging Technology (Ludwig-Van.com)
* The coronavirus-related death toll in jazz keeps rising, to tragic effect (Chicago Tribune)
* Giuseppi Logan rises to the stars (NoSoundLeftBehind.com)
* William Parker pays tribute to Henry Grimes (1935–2020) (The Wire)
* More Than 800 Music Venues Join Together to Ask Congressional Leaders for Aid (Rolling Stone)
* 'Fetch Your Tool Of Liberation': Fiona Apple On Setting Herself Free (NPR)
* COVID-19 Claims The Lives Of Countless Artists (DownBeat)
* Angel Bat Dawid: An Epic Artist’s Choice (Jazz Times)
* What Brought Beyoncé, U2, and BTS to Amish Country? (Esquire)
* Makaya McCraven Makes The Old New Again (DownBeat)
* How the fake Beatles conned South America (BBC)
* Bootsie Barnes, Saxophonist and Cornerstone of Philadelphia Jazz, Dies of COVID-19 at 82 (WBGO)
* Sales of Instruments and Music Gear Are Soaring. Will Quarantine Spark a Renaissance? (Rolling Stone)
* Zena’s Flyer (CarnegieHall.org)
* Music legend Bohannon passes (Newnan Times-Herald)
* Library of Congress Launches Open-Source Hip-Hop Sampling Tool (ConsequenceOfSound.net)

Friday, June 28, 2019

So What: Local News, Notes & Links

Here's StLJN's latest wrap-up of assorted links and short news items of local interest:

* St. Louis magazine's annual "A List" issue is out, and the winners in the readers poll include Vintage Vinyl for "Record Store," the Whitaker Music Festival for "Free Music Series," and singer Erin Bode for "Musical Artist, Female."

Singer and multi-instrumentalist Tonina Saputo also got a special mention from the editors as a "Musician So Good, Barack Obama Loves Her." You can see the complete list of 2019 "A List" winners here.

* Following up his 2006 tome City of Gabriels: The History of Jazz in St. Louis, 1895-1973, radio host, photographer, and author Dennis Owsley has written Jazz in St. Louis: A History, which he calls "a new book on St. Louis jazz that brings everything up to date." The book (pictured) comes out on Monday, July 15 from The History Press and can be pre-ordered here. (Full disclosure: StLJN and yr. humble editor are name-checked on page 122.)

* Guitarist Todd Mosby will release a new album, Open Waters, on Thursday, August 1.

* Saxophonists and former St. Louisans Oliver Lake, Marty Ehrlich, and the late Hamiet Bluiett are among the 33 musicians interviewed by bassist William Parker for his new book Conversations 3, now available (in English) from the French publishers RogueArt.

* With Opera Theatre of St. Louis' production of Terence Blanchard's opera Fire Shut Up in My Bones set to close this Saturday night, reviews still are coming in, including notices locally from the St. Louis American's Kenya Vaughn and KDHX's Chuck Lavazzi.

Sunday, March 24, 2019

Sunday Session: March 24, 2019

Kahil El'Zabar
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* What Happens if Google Buys the World’s Biggest Music Company? (Rolling Stone)
* Blue Note Records: Beyond the Notes (Jazz Journal)
* Blue Note Records: Beyond the Notes review – pristine doc of tonal clarity (The Guardian)
* Dick Dale, godfather of surf guitar, dies aged 81 (The Guardian)
* Nat King Cole Still Remains 'One Of The Great Gifts Of Nature' 100 Years Later (NPR)
* Myspace lost all the music its users uploaded between 2003 and 2015 (Boing Boing)
* Verve Celebrates Norman Granz’s Vision (DownBeat)
* ‘It Was A Social Revolution’: The Turkish Embassy’s Surprising Role In Desegregating D.C. Jazz (WAMU)
* Lionel Loueke’s Winding Musical Journey (Jazz Times)
* On the Road With Jacob Collier (Mother Jones)
* Avant garde jazz and black rights activism in 1960s Cleveland, Ohio: an interview with Mutawaf A Shaheed (The Wire)
* Andre Williams: farewell to R&B's raunchiest raconteur (The Guardian)
* Bacon fat, corn liquor, and tail feathers: remembering R&B legend Andre Williams (Chicago Reader)
* Dick Dale, the Inventor of Surf Rock, Was a Lebanese-American Kid from Boston (The New Yorker)
* Class Struggle at the Chicago Symphony Orchestra (Jacobin)
* “Music Is A Portal”: Sophie Huber On Blue Note Documentary ‘Beyond The Notes’ (UDiscoverMusic.com)
* Brian Auger: Bridging the gap (Jazz Journal)
* Here are some of the weirdest musical instrument ideas from NAMM (Create Digital Music)
* E.J. Strickland – A warrior for peace (Jazz in Europe)
* ‘Contours’: How Sam Rivers Hit New Heights Of Creativity (UDiscoverMusic.com)
* Boz Scaggs Premieres 'Little Miss Night and Day' Video, Talks Next Moves (Billboard)
* History Disappeared When Myspace Lost 12 Years of Music, and It Will Happen Again (Pitchfork.com)
* Rutgers Institute of Jazz Studies Acquires Chico O'Farrill Music & Archives (Billboard)
* Kahil El’Zabar on the Expansiveness of Music History (DownBeat)
* Bright Moments with William Parker (Jazz Times)
* "It identifies what I believe from here": Sam Moore reflects on his hit "Soul Man" (CBS News)
* What Does A New Orleans Music Industry Actually Mean? Guest Editorial (Offbeat)
* Interview: Factory Manager Forrest White on the Truth Behind "Fender Fiction" (Reverb.com)
* Rosanne Cash Opens Up About Her #MeToo Experiences -- And How The Industry Can Avoid Further 'Collateral Damage' (Billboard)
* Chet Baker’s Singing: A Cultural Shift (AllAboutJazz.com)
* Adonis Rose: To Swing Toussaint (Jazz Times)

Sunday, September 09, 2018

Sunday Session: September 9, 2018

Randy Weston
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Curious questions: Do dogs like listening to music? (CountryLife.co.uk)
* Billy Childs’ Storied Past (NUVO)
* Little Feat – Sky, Heaven and California Up Ahead! (FYIMusicNews.ca)
* East Meets East - Nathan + Noah (Yumpu.com)
* 'My Spike Lee Joints': 'BlacKkKlansman' Composer Terence Blanchard on Working With the Director for Nearly 30 Years (Billboard)
* Washboards: The laundry tool that is music to the ears (CBS News)
* The Lost Mingus Tapes (Qwest.tv)
* “Lost” 1973 Live Charles Mingus Recording Set for Release (Jazz Times)
* Anthony Braxton’s Big Ideas: Why ‘Forces in Motion’ Is an Essential American Music Book (Rolling Stone)
* 'Art shouldn’t be weaponised': the atonal concert championing Berlin's homeless (The Guardian)
* Introducing Humbolt, The World’s First ‘Ethical’ Streaming Music Service (DigitalMusicNews.com)
* The Top Uses of John Coltrane Songs in Movies or TV (TVOvermind.com)
* Randy Weston Dies at 92 (Jazz Times)
* Pianist Randy Weston, An Eloquent Spokesman For Jazz's Bond with African Culture, Dies at 92 (WBGO)
* Amid Stormy Skies, Detroit Jazz Fest Honors Geri Allen (DownBeat)
* Let Them Play: Ethan Iverson Speaks (JazzSpeaks.org)
* A hard Brexit will smash the British music industry, experts warn (Gigwise.com)
* Alan Braufman: A Valley Worth Searching (Jazz Times)
* City’s Cultural Capital on Full Display at Chicago Jazz Festival (DownBeat)
* William Parker: Other Dimensions (Bass Player)
* Wayne Kramer On World Cafe (NPR)
* Paul Simon Says 'I'm Finished' Writing Music (NPR)
* Rod Argent -The Zombies' Co-Founder on The Beatles, Chick Corea, and His Love for the Piano (Keyboard)
* 'Quincy' Trailer Highlights Life and Career of Quincy Jones: Watch (Billboard)
* This artificial intelligence app wants to make beautiful music with you (Fast Company)
* Apple Music to Publish Its Own Top Music Charts (Rolling Stone)
* His Sh*t’s F***ed Up: The Complicated Legacy of Warren Zevon (TheRinger.com)
* Nolatet: Raising a Bigger Dust Cloud (Jazz Times)

Sunday, August 19, 2018

Sunday Session: August 19, 2018

Aretha Franklin
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* How Much Does It REALLY Cost To Be A Classical Musician? (Ludwig-Van.com)
* Live Review: 45th Umbria Jazz Festival (DownBeat)
* Review: Warsaw Summer Jazz Days (Jazz Journal)
* A Listener’s Guide to “Loud Jazz” (Jazz Times)
* Chicago Jazz Festival to Mark 40th Anniversary (DownBeat)
* Jazz In The 21st Century Is All About 'Playing Changes' (NPR)
* “You Haven’t Done Enough To Be The Way You Are.” Robert Glasper Speaks On Lauryn Hill’s Mistreatment of Artists (MadameNoire.com)
* Top 10 Moments of the 2018 Newport Jazz Festival (Jazz Times)
* The American guitar industry is making a serious comeback (Yahoo.com)
* Warner Music Buying Uproxx Is a Depressing Look Into the Music Industry’s Monolithic Future (SPIN)
* We Shall Overcome publisher handed $352,000 legal bill after song declared public domain (CompleteMusicUpdate.com)
* Ronnie Foster's "Mystic Brew" (SFJAZZ.org)
* Inhabiting Sound: Matana Roberts Speaks (JazzSpeaks.org)
* A Miraculous Field Recording: The Guitar Playing of Joseph Spence (The New Yorker)
* 'It's a code for living': Gregory Porter and José James on the music of their heroes (Los Angeles Times)
* Nate Chinen on ’70s and ’80s Jazz (Jazz Times)
* Jimmy Page and the Grouses of the Holy (GQ)
* When Music Was Bigger Than Life: Sonny Rollins in New York City (TownTopics.com)
* Why Are Record Companies Dumping Their Spotify Stock? (NoVA.edu)
* Thank god for the return of the generation gap in pop (The Spectator)
* In Memoriam: Aretha Franklin (DownBeat)
* Aretha Franklin Was America's Truest Voice (NPR)
* 'She doesn't just move you, she shakes you': all-star tributes to Aretha Franklin (The Guardian)
* Aretha Franklin, a 'performer without peers' (Detroit News)
* How Aretha Franklin’s Jazz Beginnings Predicted Her Genre-Transcending Career (Rolling Stone)
* Tyshawn Sorey Travels Further Out on New Works (DownBeat)
* "The Sleeping Bear" Awakens: The Revival of the Hammond B-3 Organ (SFJAZZ.org)
* Musicians only received 12% of the music industry’s $43 billion revenue in 2017 (ConsequenceOfSound.net)
* William Parker’s Late-Career Bloom (The Nation)
* Pop Songs in English, Written by Native Speakers of Swedish (The Paris Review)
* Ulysses Owens’ Delivers Poignant Messages on Freedom (DownBeat)
* Prince Estate and Sony Release 23 Long-Unavailable Albums Digitally (Variety)
* This Black Woman Was Once the Biggest Star in Jazz. Here’s Why You’ve Never Heard of Her (Narrative.ly)

Saturday, September 30, 2017

StLJN Saturday Video Showcase:
Spotlight on Steve Swell



This week, let's take a look at some videos featuring trombonist Steve Swell, who will be making his St. Louis debut and kicking off New Music Circle's 2017-18 season with a concert on Saturday, October 7 at at The Stage at KDHX.

Swell will be joined by an all-star assemblage of avant-gardists, including pianist Dave Burrell, known for his solo work and as an associate of major free-jazz artists such as Archie Shepp and Pharoah Sanders; alto saxophonist Jemeel Moondoc, a longtime collaborator of pianist Cecil Taylor and also a bandleader in his own right; drummer Chad Taylor, who's worked with Sanders, guitarist Marc Ribot, and trumpeter Rob Mazurek's Underground projects; and William Parker, the veteran bassist who has recorded more than 50 albums as a leader and also been a key part of the bands of Cecil Taylor, David S. Ware, Matthew Shipp, Peter Brötzmann, and many others.

Though this will be Swell's first appearance as a bandleader in St. Louis, he is a veteran of the international improv and experimental music scene who has collaborated with many musicians known to fans of the genre. A New Jersey native, Swell, who's now 62, broke into the NYC music scene in the mid-1970s as a jobbing musician, playing Top 40, salsa and Broadway gigs as well as with the big bands of Buddy Rich, Lionel Hampton, and others.

Studies with the famed trombonists Roswell Rudd and Grachan Moncur III and a gig with saxophonist Makanda Ken McIntyre's band helped Swell transition into free jazz, and since then, he's released more than 20 albums as a leader of a variety of ensembles, and appears on at least twice that many as a collaborator or sideman. He's played on tour and on record with Parker, Burrell, and Moondoc and with many other internationally known musicians such as Tim Berne, Joey Baron, Herb Robertson, Anthony Braxton, Cecil Taylor, Bill Dixon, Butch Morris, John Zorn, Elliott Sharp, Rob Mazurek, Perry Robinson, and Ken Vandermark.

While there doesn't seem to be any online video available of Swell with the specific group he's bringing to St. Louis, there is footage of him working with all the band's members in various other contexts. So, in the interest of picking up some clues as to what to expect from him as an improvisor, composer and leader, as well as how he interacts with these specific musicians, let's take a look.

In the first clip up above, you can see Swell and Parker, along with saxophonists Dave Sewelson and Richard Keene, guitarist Immanuel Childress, and drummer Michael TA Thompson, playing an outdoor gig just three weeks ago at Children's Magical Garden in NYC.

After the jump, there's a clip of the group Swell calls Kende Dreams, with Moondoc, Chad Taylor, pianist Connie Crothers, saxophonist Rob Brown, and bassist Larry Roland, recorded at a gig during Thanksgiving week 2015 at The Stone in NYC.

The third video features another Swell ensemble, Nation of We (aka NOW Ensemble), from two nights later at The Stone. Providing an outlet for Swell's orchestral concepts, this group includes Swell, Taylor and Dave Sewelson, with saxophonists Darius Jones, Chris Pitsiokos, Ras Moshe Burnett, and Michael Foster; trumpeters Lewis Barnes and Matt Lavelle; French horn player Vincent Chancey, and tuba player Joe Daley, plus a string section including Rosie Hertlein and Sarah Bernstein (violins), Jason Hwang and Stephanie Griffin (violas), Jake Sokolov (cello), and Todd Nicholson (bass).

The remaining videos reach back a bit farther in time, but may further illuminate the interconnections between these musicians. Video #4 features Swell, Dave Burrell, and bassist Michael Formanek, playing a gig under Burrell's leadership in October 2011 at Le Poisson Rouge in NYC.

Lastly, you can see Swell, Moondoc, Parker and drummer Hamid Drake, billed collectively as Fire Into Music, performing (in two parts) a full set at the 2005 Guelph Jazz Festival in Guelph, Ontario, Canada.

For more about Steve Swell, check out his two extended interviews published by AllAboutJazz.com earlier this year and back in 2014.

You can see the rest of today's videos after the jump...

Sunday, August 30, 2015

Sunday Session: August 30, 2015

Michael White
For your Sunday reading, here are some interesting music-related items that have hit StLJN's inbox over the past week:

* The Soulful Genius of Stevie Wonder: How ‘Songs in the Key of Life’ Changed Music Forever (The Daily Beast)
* “It’s not just a party, it’s our life”: Jazz musicians led the way back to the city after Katrina — but what is this “new” New Orleans? (Salon.com)
* Dr. Michael White lost everything in Hurricane Katrina except what mattered most: New Orleans jazz (New Orleans Times-Picayune)
* It Was New Orleans’ Musicians—Not Its Politicians—Who Saved The City Post-Katrina (The Daily Beast)
* Review: Jason Moran in Edinburgh (Jazz Journal UK)
* The invisible instrument: the theremin (The Guardian UK)
* Electronic Sturm und Atonal Drang in Berlin (Counterpunch)
* Music, paid fairly (Medium.com)
* The One Real Problem With Rolling Stone's 'Greatest Songwriters Of All Time' (NPR)
* How Can Frank Zappa's Colorful Life Possibly Fit in a Documentary? (Rolling Stone)
* ‘For Those Who Are, Still’ Review: Jazz Bassist William Parker Expands His Vision (Wall Street Journal)
* Hackers Are Sabotaging My Spotify Playlists With Awful Ambient Music (Vice.com)
* Inaugural Rhodes Fest Celebrates Great American Keyboard (DownBeat)
* Carlos Santana Talks Reuniting Santana IV, New Band With Wayne Shorter & Herbie Hancock (Billboard)
* The Birthplace of American Music Has Been Handed Over to Real-Estate Speculators (Alternet)
* Kamasi Washington Talks Jazz in the 21st Century (The Talk House)
* Complete edition of John Cage's Diary to be published (The Wire UK)
* How Flying Lotus Built Brainfeeder, His Spiritual Little Empire (TheFader.com)
* How The 'Kung Fu Fighting' Melody Came To Represent Asia (NPR)
* A memorial for Paul Jeffrey, Duke's late jazz champion (Indy Week)
* George Walker: the great American composer you've never heard of (The Guardian UK)

Sunday, May 31, 2015

Sunday Session: May 31, 2015

William Parker
For your Sunday reading, here are some interesting music-related items that have hit StLJN's inbox over the past week:

* Pop Music Is More About Advertising Now Than Before — And Nobody Realizes It (Mic.com)
* Artist's Profile: John Luther Adams, Composer (Classical Connections)
* The Imitation Archive Part 1: recording the sounds of the world's first computers (British Library Sound and vision blog)
* The Imitation Archive Part 2: making music from the sounds of the world's first computers (British Library Sound and vision blog)
* DrumPants 2.0 is a wearable controller that turns your body into an instrument (Fact magazine)
* The best free music production software (Fact magazine)
* Daniel Barenboim designs 'radical' new piano (BBC)
* Detroit jazz trumpet legend Marcus Belgrave dies at 78 (Detroit Free Press)
* ‘Bill Graham and the Rock & Roll Revolution’ Review (Wall Street Journal)
* Record Store Day to expand with weekly event Vinyl Tuesday (Consequence of Sound)
* Ornette Coleman Sues Over Release of “New Vocabulary” Album (Jazz Times)
* Ornette Coleman Lawsuit Against Antibalas' Jordan McLean: Both Sides Weigh In (Billboard)
* A new Near South Side park named for jazz master Fred Anderson (Chicago Tribune)
* Songwriters And Streaming Services Battle Over Decades-Old Decree (NPR)
* AUM Fidelity to Release 3-CD William Parker Box (Jazz Times)
* One industry expert offers his plan to help country radio: Fewer songs by women (Washington Post)
* For Jack DeJohnette, A Chicago Homecoming Brought A Reunion With Old Friends (NPR)
* Cline Makes Big Impression at Quebec’s Victoriaville Festival (DownBeat)

Wednesday, June 04, 2014

Jazz this week: Peter Brötzmann Trio, Peter Martin & Vivian Sessoms, Kurt Elling, New Mastersounds, Jamie Cullum, and more

It's the first week of a new month, and a very busy one for jazz and creative music in St. Louis, with several noteworthy headliners in town. Let's go to the highlights...

Tonight, the all-star free jazz trio of saxophonist Peter Brötzmann, drummer Hamid Drake and bassist William Parker (pictured) performs at Lemp Neighborhood Arts Center.

If you have any interest at all in free jazz, this concert is an absolute must-see, as all three of the players are adventurous, uncompromising improvisors with international reputations, and this is their first tour together in more than a decade. You can find out more and hear all three musicians, together and apart, via this recent Saturday video showcase post.

Also tonight, Chicago's Lowdown Brass Band will be at the Broadway Oyster Bar with the Funky Butt Brass Band as opening act; and pianist Peter Martin leads a quartet plus special guest singer Vivian Sessoms to kick off this year's Whitaker Music Festival at the Missouri Botanical Garden.

For more about that show and what else Martin has coming up in the near future, check out this article by Terry Perkins for St. Louis Public Radio.

On Thursday, Sessoms and Martin's trio will team up for another performance, this time spotlighting Sessoms in the intimate confines of the Kranzberg Arts Center.

Also on Thursday, the New Orleans Suspects, featuring musicians associated with the Neville Brothers, the Radiators, the Dirty Dozen Brass Band and James Brown, will be back in town to play at the Broadway Oyster Bar; and Good 4 The Soul returns for their monthly gig at BB's Jazz, Blues & Soups.

On Friday, singer Kurt Elling, who's become a local favorite thanks to numerous appearances over the years at Jazz at the Bistro, will make his debut at the Sheldon Concert Hall, performing in a benefit for the Sheldon Art Galleries. Some concert-only tickets may still be available; call the Sheldon directly at 314-533-9900 for details.

Also on Friday, the British funk/jazz quartet The New Mastersounds will play at the Old Rock House, with Dopapod as opening act. For more about them, plus some performance videos, see this post from a couple of Saturdays ago.

Elsewhere around town on Friday, percussionist Craig Russo's Latin Jazz Project, based up the road in the Champaign/Urbana area, will be back in St. Louis to play at Robbie's House of Jazz; and guitarist Brian Vaccaro's trio will serve as the nucleus for the first in a prospective series of jam sessions at The Wolf in West County.

On Saturday, Carolbeth True and Two Times True are at Robbie's House of Jazz, and Miss Jubilee plays for dancers at the Casa Loma Ballroom.

Then on Sunday afternoon, the St. Louis Jazz Club will present pianist Pat Joyce and his "All-Stars" at the DoubleTree Hotel at Westport. Joyce will be aided and abetted by Jerry Epperson (reeds), Bob Ceccarini (trumpet), Jay Hungerford (bass), Joe Berger (drums) and Cody Henry (trombone).

Sunday evening, singer and pianist Jamie Cullum will be back in St. Louis for the first time in four years to perform at The Pageant. For more about Cullum and his latest album Momentum, plus recent performance videos and interviews, see this post from last Saturday.

Looking beyond the weekend, on Monday Dean Christopher brings his "Rat Pack & More" show back to One 19 North Tapas & Wine Bar, and percussionist Joe Pastor returns to BB's Jazz, Blues & Soups.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Saturday, May 17, 2014

StLJN Saturday Video Showcase:
Peter Brötzmann, William Parker
& Hamid Drake



Today, we focus our video lens on the trio of saxophonist Peter Brötzmann, bassist William Parker and percussionist Hamid Drake, who are coming to St. Louis to perform in a concert at 8:00 p.m. Wednesday, June 4 at the Lemp Neighborhood Arts Center as part of LNAC's 20th anniversary celebration.

Bound by a web of musical associations stretching back more than 20 years, they first recorded and toured together under the name Die Like A Dog, and in the ensuing years have come to be known as something of a free-jazz all-star band. StLJN covered some of Brötzmann's back story in a Saturday video post before his first St. Louis appearance back in June 2009 at LNAC, while Parker was the subject of a similar post last October when he brought his quintet here to play a New Music Circle-sponsored concert at Mad Art Gallery.

That band also included Drake, and you can see him in several of the videos in the Parker post. The longtime Chicagoan has been a player on the international jazz and creative music scene since the late 1970s, leading his own groups and collaborating with a wide variety of musicians.

In addition to many recordings and tours with Brötzmann and Parker, both individually and together, Drake had a long musical association with saxophonist Fred Anderson, who drew him into Chicago's Association for the Advancement of Creative Musicians, and also has worked with Don Cherry, Herbie Hancock, Pharoah Sanders, Archie Shepp, David Murray and Reggie Workman. Drake also has played reggae and world music throughout his career, and in fact made his very first recording as a member of Foday Musa Suso’s Mandingo Griot Society.

While there's not a whole lot of footage online of Drake, Brötzmann and Parker together, and the usual caveats about previews being of somewhat limited use when dealing with totally improvised music certainly apply, today's selection of clips at least should provide some idea of what to expect when they play at LNAC.

First up is a video showing Brötzmann, Parker and Drake together at a gig on November 28, 2004 at the Teatro Fondamenta Nuove in Venice, Italy. Down below the jump, we go back almost a full decade for a full set featuring Brötzmann, Parker, Drake and trumpeter Toshinori Kondo recorded in 1995 at Jazzfest Berlin.

Below that are several excerpts from more recent duo performances by Brötzmann and Drake. The first three were recorded at three different stops of their spring 2010 tour, on April 18 at the Clemente Soto Velez Cultural Center in NYC; April 23 at the Hideout in Chicago; and April 28 at the Victory Grill in Austin, TX. The fourth is from a show in April 2012 for the Europajazz Festival at La Fonderie in Le Mans, France.

The last two videos serve to provide a bit more background, both for these specific performers and for the musical world in which they operate. The seventh clip is an interview with Brötzmann recorded in 2013 before his performance at the Ljubljana Jazz Festival in Ljubljana, Slovenia.

And for some broader context, check out the final video of Free The Jazz, a full-length, Hungarian-produced documentary in English directed by Czabán György that includes interviews and music from Brötzmann, Ken Vandermark, Mats Gustafsson, Joe McPhee, Matthew Shipp and many others.

You can see the rest of today's videos after the jump...

Wednesday, October 23, 2013

Jazz this week: "A Night In Treme," William Parker's In Order To Survive, Harry Connick Jr., TKT Scholarships Benefit, and more

No doubt about it, St. Louis this week definitely is in the grip of World Series fever. And with the first game of the fall baseball classic tonight, StLJN is getting word of some gigs featuring local jazz musicians being canceled or postponed to avoid conflicts with either the televised games tonight and tomorrow or this weekend's home games at Busch Stadium.

Touring acts seem unaffected so far, and any cancellations we get here at StLJN HQ will be noted on the calendar. But if you're planning to go hear a local band this weekend at a time when the Series is happening, you may want to call ahead first. Let's go to the highlights...

Tonight, saxophonist Donald Harrison brings his "A Night In Treme" tour to Jazz at the Bistro for the first of four evenings, continuing through Saturday. Harrison, a New Orleans native who's a Big Chief for the Congo Square Nation of Mardi Gras "Indians," made his reputation playing more-or-less straight-up hard bop, first with Art Blakey and then with his own bands.

In recent years, however, he's incorporated a more direct influence from the traditional sounds of his hometown, resulting in his records being used by the HBO series Treme to represent the old-meets-new music of its fictional trumpeter Delmond Lambreaux, played by actor Rob Brown. While Harrison likely won't be busting out his Big Chief outfit, which customarily is seen only once a year at Carnival time, it seems a safe bet that he'll be playing some of his original numbers that have been featured on Treme as well as some traditional sounds.

Tomorrow night, the Jazz at Holmes series at Washington University presents a tribute to the late St. Louis drummer Joe Charles, featuring saxophonist Freddie Washington, bassist Bob DeBoo and drummer Maurice Carnes. The concert is free and open to the public.

Also on Thursday, New Music Circle will present two free events featuring multi-instrumentalist Cooper-Moore. He'll be at Northside Workshop, 1306 St. Louis Ave, from 5:00 p.m. to 6:00 p.m. to present a free community workshop about instrument-building, and then head south for an  hour-long solo performance  at Foam, 3359 S. Jefferson, starting at 7:30 p.m.. Both events are free and open to the public.

On Friday, New Music Circle will present bassist William Parker's In Order To Survive quintet, featuring Cooper-Moore on piano, at Mad Art Gallery. For more about Parker (pictured) and In Order To Survive, and some video samples of the band members in action, see this post from last Saturday. Also, Parker was interviewed for a preview story about the concert by the St. Louis American's Chris King.

Also Friday, singer Joe Mancuso's quintet, with special guests singer Sarah Jane and trumpeter Jim Manley will perform at The Deco Fortress, 3622 S. Broadway near the Lemp Brewery.  Elsewhere around town, pianist Tony Suggs, back in town briefly after concluding a long stint as pianist with the Count Basie Orchestra, leads a trio at the Cigar Inn; and Miss Jubliee plays at the Wine Press.

On Saturday, singers Mary Dyson and Diane Vaughn return to Troy's Jazz Gallery; singer Danita Mumphard performs at Jazz on Broadway; and Bob DeBoo continues his new late-night series at the Kranzberg Arts Center.

Then on Sunday, singer and pianist Harry Connick Jr. returns to St. Louis for the first time since 2010 to perform at the Fox Theatre. Connick Jr., who's touring in support of his new album Every Man Should Know, did talk to the Post-Dispatch's Kevin Johnson for a story, which, unfortunately turns out to be more about his being a judge for the upcoming season of American Idol than his own music.

Also on Sunday, BB's Jazz Blues and Soups has jump blues and swing from Minneapolis' Davina and The Vagabonds; and Troy's Jazz Gallery will present a combination "grand opening" and birthday celebration for owner Troy Williams. The event will feature music from drummer Montez Coleman, pianist Tony Suggs, guitarist Eric Slaughter and bassist Darell Mixon, plus guest performers including pianist Ptah Williams, saxophonist Kendrick Smith, trumpeter Delano Redmond and singer Denise Thimes.

Looking beyond the weekend, on Monday the jazz department at Webster University will present their annual TKT Scholarship Benefit Concert, raising money for music scholarships in memory of Terry Jackson, Kirk Cappello and Tony Saputo, three former Webster students who in 1991 were killed in a plane crash while touring with country singer Reba McIntyre.

This year's theme is "Jazz Interpretations of the Music of Irving Berlin,” and the featured performers will include vocalists Erin Bode, Debby Lennon, Peter Ayres and the Webster University Jazz Singers; 2013 TKT Scholars Juan Acosta, Dre Concepcion and Jacob Stergos; and a backing band drawn from the Webster jazz faculty.

On Tuesday,  The 442s will perform in a "Notes From Home" concert at the Sheldon. The concert also will begin the band's Kickstarter campaign to fund production of an album.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

(Edited after posting to correct the information about The 442s' performance on Tuesday.)  

Saturday, October 19, 2013

StLJN Saturday Video Showcase:
Spotlight on William Parker



This week we feature some video clips of bassist William Parker, who will be here with his In Order To Survive quintet to perform in a concert presented by New Music Circle next Friday, October 25 at Mad Art Gallery.

A 61-year-old native of the Bronx, NYC, Parker first gained wide attention in the 1980s with pianist Cecil Taylor, and has been a longtime band member for saxophonists David S. Ware and Peter Brötzmann. As organizer of the annual Vision Festival and a frequent collaborator with many different jazz and improvising musicians both in the USA and in Europe, Parker is considered an significant player in the NYC experimental music scene.

As a bandleader, Parker has been involved with many musical projects, and the In Order To Survive quintet is a direct outgrowth of his long-running quartet, adding pianist and multi-instrumentalist Cooper-Moore to that band's existing lineup of Parker, drummer Hamid Drake, alto saxophonist Rob Brown and trumpeter Lewis Barnes.

Unfortunately, there's not a lot of footage online of the In Order To Survive quintet, though we did include what seems to be the best clip, an excerpt from their set at the 2012 Vision Festival, here last month in part three of StLJN's fall jazz preview.

So today, as the next best thing, let's check out some videos featuring Parker in some other musical configurations that also include the members of In Order To Survive.

The first clip up top is from a gig in January 2008 in Moscow, Russia, and features the quartet of Parker, Drake, Brown and Barnes performing Parker's composition "Corn Meal Dance."

Down below, they're joined by vocalist and dancer Leena Conquest for a clip recorded in 2004 for the Hungarian public television network Duna, and another made by an audience member in June, 2005 at the Museum Of Art in Norrköping, Sweden.

The fourth and fifth videos take us back to Moscow, and feature excerpts from a duo performance in February 2012 by Parker and Drake. In clip #4, Drake plays frame drum and Parker plays a wood flute; in #5, they're working out on drum kit and bass, respectively.

The sixth and final video is an excerpt from a benefit concert for the NYC venue The Under_Line, recorded last December. It features Parker on bass and Cooper-Moore on drums, plus St. Louis Hamiet Bluiett on baritone sax, Charles Gayle on tenor sax, Jason Kao Hwang on violin, and, somewhat surprisingly, Christian McBride on a second bass.

For more about William Parker, check out this interview he did in 2011 with Capital Bop.com, and this interview with him and Hamid Drake from the May 2010 issue of Jazz Times.









Wednesday, October 16, 2013

New Music Circle presenting free events
next week with Cooper-Moore

New Music Circle has announced two free events next week featuring multi-instrumentalist Cooper-Moore.

Known variously in the creative music community as a composer, performer, instrument builder/designer, storyteller, teacher, mentor, and organizer, Cooper-Moore (pictured) will be in town to perform as pianist with bassist William Parker's In Order To Survive quintet in an NMC-sponsored concert at 7:30 p.m. on Friday, October 25 at Mad Art Gallery.

Before that, though, he'll be at Northside Workshop, 1306 St. Louis Ave, from 5:00 p.m. to 6:00 p.m. on Thursday, October 24 to present a free community workshop about instrument-building.

Then at 7:30 p.m. that same evening, Cooper-Moore will appear for a special hour-long solo performance  at Foam, 3359 S. Jefferson.

Both events are free and open to the public, with no advance reservations needed.

Saturday, September 14, 2013

StLJN Saturday Video Showcase:
Fall 2013 jazz preview, part 3



Today's, it's part three of StLJN's preview of jazz and creative music concerts coming to St. Louis this fall. Previously in this space, part one and part two covered shows that are happening through the first week of October, which is where today's installment picks up.

Our first clip features the new music ensemble Alarm Will Sound*, who will kick off their second St. Louis season on Wednesday, October 9 at the Sheldon Concert Hall.  They'll be performing a program called "Permanent Collection," which covers 150 years of music written for their instrumentation, the sinfonietta (a small orchestra that has one of every instrument found in a full-sized symphony). The concert will include AWS' version of Aphex Twin's "Cock/Ver 10," first recorded for their 2005 album Acoustica and seen here in a rather rough-quality video shot from the audience in 2009 at NYC's Le Poisson Rouge.

That same week, saxophonist Lou Donaldson will return to St. Louis for a four-night engagement beginning Wednesday, October 9 and continuing through Saturday, October 12 at Jazz at the Bistro. Donaldson, who turns 87 (!) in November, plays blues, bop and ballads in the old-school manner, and by all accounts continues to be an very engaging performer, age notwithstanding. He's seen here with his frequent collaborator, organist Dr. Lonnie Smith - who, alas, will not be on the upcoming St. Louis dates - performing one of his signature songs, "Alligator Boogaloo."

The following week, trumpeter Wynton Marsalis and the Jazz at Lincoln Center Orchestra will return to St. Louis, this time to perform Marsalis' extended work "Abyssinian" with Chorale Le Chateau in a concert presented by Jazz St. Louis on Friday, October 18 at the Touhill Performing Arts Center. Written to celebrate the 200th anniversary of NYC's Abyssinian Baptist Church, the work was premiered in 2008. Today's second video contains some short excerpts from that premiere performance with Dr. Rev. Calvin Butts III and the Abyssinian Church Choir at Rose Hall in NYC.

Also on Friday, October 18, trombonist William Cepeda will perform at the Sheldon. Originally from Puerto Rico, Cepeda is known for mixing jazz and urban Latin sounds with folk elements from Puerto Rican music, and today's fourth video clip shows off some of that in an excerpt from his performance at this year's Heineken Jazz Festival in San Juan.

The following week, New Orleans saxophonist Donald Harrison will bring his "A Night In Treme" tour here to play Wednesday, October 23 through Saturday, October 26 at Jazz at the Bistro. After establishing himself as a skilled hard bop player with Art Blakey and on own recordings, Harrison in recent years has incorporated more direct references to traditional New Orleans music into his sound, which seems fitting for someone who's also the Big Chief of The Congo Square Nation. The fifth video clip shows Harrison and trombonist Glen David Andrews dueting on "When The Saints Go Marching In" and was recorded in 2011 at the studios of KPLU in Tacoma, WA.

The sixth video features bassist William Parker's In Order To Survive Quintet, who will perform here in a concert presented by New Music Circle on Friday, October 25 at Mad Art Gallery. Parker, drummer Hamid Drake, pianist Cooper-Moore, alto saxophonist Rob Brown and trumpeter Lewis Barnes are seen here in an excerpt from their set at the 2012 Vision Festival in NYC.

Wrapping up today's post is a video of pianist and singer Harry Connick Jr., who wil be back in St. Louis for the first time in several years to perform on Sunday, October 27 at the Fox Theatre. Connick is touring in support of his latest album, Every Man Should Know, and is seen here playing the title song on ABC's daytime talk show The View.

Look for the fourth and final part of StLJN Fall 2013 jazz preview next week.

(*Full disclosure: Yr. StLJN editor has worked with Alarm Will Sound for the past four years in conjunction with the Mizzou International Composers Festival in Columbia, where they are the resident ensemble, and I'm still working with the PR firm that assists them with publicity in the region. That said, I'd still be highlighting this show even if I were not associated with them.)











Thursday, May 16, 2013

Marty Ehrlich, William Parker to be featured in New Music Circle's 2013-14 season

In the spring, the thoughts of performing arts presenters often turn to the announcement of the next season's schedule. Here in St. Louis, the Sheldon Concert Hall already has announced their various 2013-14 season series, and Jazz St. Louis is set to release next year's schedule for Jazz at the Bistro and the Touhill before the end of the month.

Meanwhile, although New Music Circle isn't quite ready yet to make a formal announcement of their own, NMC administrator Jeremy Kannapell was kind enough to share with StLJN a "sneak peek" at what the organization has planned for 2013-14.

The venues and exact dates are yet to be determined, but NMC's season once again will feature a mix of improvised and composed music and multimedia performances, this year with a bit of a Chicago accent thanks to two shows featuring artists from the Windy City.

First, though, NMC will begin their season in October with a performance from University City's own Marty Ehrlich (pictured). A multi-instrumentalist and composer who plays alto sax, clarinets and flutes, Ehrlich, who turns 58 this month, was influenced early in his career by St. Louis' Black Artists Group and was mentored by saxophonists Oliver Lake and Julius Hemphill.

After attending the New England Conservatory, in 1978 he moved moved to New York, where he's become part of the national and international music scene as both an in-demand sideman and soloist and a bandleader exploring different ways of blending composition and free improvisation. Ehrlich's St. Louis appearances in recent years have been too few and far between, so his visit home will be especially welcome.

Later on in October, NMC will present a concert by bassist William Parker's quartet. Considered to be one of the most important bassists in free jazz, Parker is highly regarded for his work with major musicians including Cecil Taylor, David S. Ware, Peter Brötzmann, Matthew Shipp and many others, as well as for being the organizer of the annual Vision Festival in New York City.

In November, Chicago electronic musician and sound artist Olivia Block, who appeared here in May 2012 as part of an NMC group showcase, will return to do a full length performance. Originally a rock guitarist and vocalist in Austin, TX, Block relocated to Chicago in 1996 and began composing music that incorporates a variety of electronic elements, from drones and glitches to computer-manipulated field recordings, as well as occasional acoustic instruments, too.

Block will be joined by her frequent collaborators, filmmakers/performers Luis Recoder and Sandra Gibson. The three have have been working together since 2007, and their best known piece "Untitled" has been performed at the Sundance Film Festival and in London, Los Angeles, Texas, and Naples, Italy. Gibson and Recoder employ a variety of live performance techniques, including some - film loops, spray bottles, colored gels, unfocused lenses and hand-shadows - that evoke memories of late 1960s psychedelic light shows, though they're used in different ways and for different ends. For more about Recoder, Gibson and "Untitled," check out this video interview.

After a break for the holidays, NMC will resume in February with a concert from bassist Joshua Abrams, who has worked with various groups in Chicago's improvised music scene. His credits include the band Town and Country, Nicole Mitchell's Black Earth Ensemble, Jeb Bishop, and Hamid Drake, as well as leading a quartet with Guillermo Gregorio, Axel Dorner, and Jeff Parker, and the trio Sticks and Stones with Matana Roberts and Chad Taylor.

In March, NMC will present its annual showcase of St. Louis musicians, with the lineup still TBA at this point.

The season will conclude in April 2014 with a performance from the Claire Chase Quintet. Chase, 35, is a California native who studied music at Oberlin College before founding the International Contemporary Ensemble (ICE) in 2001. She has premiered over 100 new solo works for the flute incorporating extended techniques and electro-acoustic elements, and has played in diverse venues around the world as a soloist and chamber musician.

When New Music Circle releases their full season schedule complete with dates, venues and ticket prices, StLJN will have details for you right here.