Showing posts with label Ambrose Akinmusire. Show all posts
Showing posts with label Ambrose Akinmusire. Show all posts

Sunday, April 04, 2021

Sunday Session: April 4, 2021

Sons of Kemet
Here's this week's roundup of various music-related items of interest:

* TONTO synth creator and Steve Wonder collaborator Malcolm Cecil has died, aged 84 (MusicRadar.com)
* Audio cassettes: despite being "a bit rubbish," sales have doubled during the pandemic — here’s why (Salon.com)
* Hardware Store With a Jazzy Past Prepares to End its 95-Year Run (WTTW)
* Sons of Kemet announces new album – Black to the Future (PlanetRadio.co.uk)
* The lavish Moog Sound Studio kits could bring modular synthesis to the masses: “just add headphones” (MusicRadar.com)
* The 100 Greatest Motown Songs (Rolling Stone)
* Stage on the water marks Montreux Jazz Festival's comeback (Reuters.com)
* Archie Shepp :: The Aquarium Drunkard Interview (AquariumDrunkard.com)
* Highway Hi-Fi, the Revolutionary Vinyl-In-Your-Car Tech That Failed (AutoEvolution.com)
* Paul Simon Sells Song Catalog to Sony Music Publishing (Variety)
* How To Walk On Water - A Conversation With William Parker (TheQuietus.com)
* Music From Saturn (ImaginaryWorldPodcast.com)
* Chops: Teaching Adults to Play Jazz (Jazz Times)
* Live Music Is About to Get Its Grand Reopening (Medium.com)
* The story of Mahavishnu Orchestra: Devotional, dizzying, and downright revolutionary (LouderSound.com)
* Virtuosos, Voyagers & Visionaries: Five Artists Pushing Jazz Into The Future (Grammy.com)
* What a Wonderful World — the hit that was almost murdered at birth (Financial Times)
* A Beginner’s Guide to Can’s avant-garde rock (TrebleZine.com)
* Ambrose Akinmusire: The man with the horn (Bay State Banner)
* Symphony of a Thousand Millennia (LiteraryReview.co.uk)
* Inside the Barry Harris Method (Jazz Times)

Sunday, October 11, 2020

Sunday Session: October 11, 2020

Cécile McLorin Salvant
Here's this week's roundup of various music-related items of interest:

* Javon Jackson: Finding Uplift in the Guiding Tradition of Sonny Rollins and John Coltrane (AllAboutJazz.com)
* The Etymology of "Jazz": A Cautionary Word About Digital Sources (HNN.us)
* Lost In The Vaults: The Joys Of Collecting Jazz Records (TheLondonEconomic.com)
* Jazz Musician Lettering (ReaganRay.com)
* Azar Lawrence Has Paid His Dues...Two Times (AllAboutJazz.com)
* Hank Mobley's 'Soul Station' At 60: How The Tenor Saxophonist's Mellow Masterpiece Inspires Jazz Musicians In 2020 (Grammy.com)
* 19 things I’d tell people contemplating starting a record label (after running one for 19 years) (TheCreativeIndependent.com)
* Ambrose Akinmusire: Blues for 2020 (Jazz Times)
* Pay-for-Play Was Banned From Radio - But Texts Reveal It May Still Be Thriving (Rolling Stone)
* Cecile McLorin Salvant Earns a Prestigious New Accolade: the 2020 MacArthur "Genius Grant" (WBGO)
* ‘How Does It Feel To Be Free?’ (DownBeat)
* Chaos, cash and Caligulan excess: How Emerson, Lake & Palmer made Brain Salad Surgery (LouderSound.com)
* The Keystone Connections Of Fabian Almazan (DownBeat)
* Cindy Blackman Santana, a drum dynamo in jazz and rock, riffs on music, her all-star new album and famous husband (Columbus Dispatch)
* 'You're left to rot if you speak up': the abuse faced by female roadies (The Guardian)
* Melissa Aldana’s Expansive Playing Leads Trio Through Central Park Gig (DownBeat)
* A Guide to Sun Ra on Film (Pitchfork.com)
* Joe Satriani Talks How Guitar Teacher Treated Him When He Was a Kid: 'He Was Completely Blind & He Wore Only Leotards' (Ultimate Guitar)
* Lakecia Benjamin’s Boundless Sensibility On Display (DownBeat)
* Willie Nelson, Interpreter of the Great American Songbook (Texas Monthly)
* 100 Reasons We Love Yusef Lateef for His 100th Birthday (Discogs.com)
* From Bandstand to Social Justice: How Jazz Remains 'America's Classical Music' (KCET)
* A Multicultural Tribute to Yusef Lateef on His Centennial (VIDEO) (Jazz Times)
* Ella Fitzgerald, Come Harvest Time: Jazz United Fondly Reappraises the First Lady of Song (WBGO)
* Denver’s Ron Miles debuts on Blue Note label with “Rainbow Sign” (Denver Post)
* Sun Ra Arkestra's Knoel Scott On New Album 'Swirling,' Sun Ra's Legacy & Music As A Healing Force (Grammy.com)

Sunday, August 30, 2020

Sunday Session: August 30, 2020

Gregory Porter
Here's this week's roundup of various music-related items of interest:

* The Day Louis Armstrong Lost His Color: A Short Story (Jazz Times)
* A Tale Of Two Ecosystems: On Bandcamp, Spotify And The Wide-Open Future (NPR)
* Give & Take with Musician Sonny Rollins (Tricycle.org)
* Charli Persip, Virtuoso Drummer Who Cut a Swath Through Modern Jazz, Is Dead at 91 (WBGO)
* Steely Dan Engineer Finds Lost ‘Second Arrangement’ Tapes (UltimateClassicRock.com)
* 100 Reasons We Love Charlie Parker For His 100th Birthday (Discogs.com)
* The Best Batch Yet? Captain Beefheart's Doc At The Radar Station Revisited (TheQuietus.com)
* Vinyl sales rock on in spite of Covid-19 (QZ.com)
* Ambrose Akinmusire’s Pure Pursuit Of Sound (DownBeat)
* Billy Childs Reveals the Influences on His Album Acceptance (Jazz Times)
* ‘64% musicians considering leaving the music profession’ – survey (London Jazz News)
* Charlie Parker, the Birth of Bebop, and America’s Greatest Recording Session (Jazz Times)
* The Very Serious Art of Writing Music for Very Funny Cartoons (InsideHook.com)
* Dan Penn talks back (Offbeat)
* 50 Years Later, Jimi Hendrix's Electric Lady Studios Is Still An Artistic Haven (NPR)
* Oneness of JuJu’s Afrocentric and Avant-Garde Jazz (Bandcamp.com)
* Despite Streaming, US Recorded Music Revenues Still Down 50% From 1999 Peaks (DigitalMusicNews.com)
* Terri Lyne Carrington Runs On Determination (DownBeat)
* Bird Lives! A Charlie Parker Centennial, With Strings Attached (NPR)
* Gregory Porter sings of love, but unspeakable grief and the scars of racism lie just beneath (Los Angeles Times)
* Roots in the Archive: Test Pressings Help Keep Robert Johnson’s Songs Alive (NoDepression.com)* The 25 greatest basslines of all time (MusicRadar.com)
* How Charlie Parker Defined the Sound and Substance of Bebop Jazz (The New Yorker)

Sunday, July 19, 2020

Sunday Session: July 19, 2020

Matthew Shipp
Here's this week's roundup of various music-related items of interest:

* Terence Blanchard Addresses The Past Through Work With Spike Lee And Preps For Brighter Future (DownBeat)
* Sun Ra: ‘I’m Everything and Nothing’ (New York Review of Books)
* A Trademark Attorney Explains Why the Former Lady Antebellum Is Suing the Black Singer Lady A (Slate)
* Better late than never: the story of Beverly "Guitar" Watkins (LouderSound.com)
* The Strange World Of... Sun Ra (TheQuietus.com)
* Britain’s choirs are facing oblivion (The Spectator)
* Rick Wakeman on his top 5 synths: “I suddenly had an instrument that could give the guitar a run for its money” (MusicRadar.com)
* Gary Lucas: "The guitar is like an extension of my nervous system - I try to play what I feel and transmit it" (Guitar World)
* Bill Frisell Is a Rambler in Quarantine (Jazz Times)
* Session Legend Harvey Brooks Publishes Memoir, “A View From The Bottom” (NoTreble.com)
* MATTHEW SHIPP with George Grella (BrooklynRail.org)
* Most Births at a Concert?! The Wildest Records Ever Written Into the Music History Books (EOnline.com)
* Eddie Gale 1941–2020 (Jazz Times)
* The Galaxy-Expanding, Peace-Loving Trumpet Of Eddie Gale: Hear The Essentials (NPR)
* Playing Music Together Online Is Not As Simple As It Seems (NPR)
* And all that jazz! Bram Dijkstra’s invaluable record collection to be donated to SDSU (Del Mar Times)
* A New Album Turns The Sound Of Endangered Birds Into Electronic Music (NPR)
* NEA Jazz Masters Ceremony Moves Online To Honor Kirk, McFerrin, Mitchell, Workman (DownBeat)
* How Kendrick Lamar, Marvin Gaye and ‘Black genius’ inspired a jazz/hip-hop supergroup (Los Angeles Times)
* A History of Music Supervision in Advertising (SynchTank.com)
* A Deep Dive into John Coltrane's 'A Love Supreme' by His Biographer, Lewis Porter (Pt. 1) (WBGO)
* Don’t Expect to See Concerts Before 2022, Top Touring Exec Marc Geiger Says (Variety)
* The future of Tipitina's is uncertain: By fall, 'we're going to be in a really tough spot' (NOLA.com)* Discover the Sacred Afro-Cuban Chants That Are Celia Cruz's First-Known Recordings (Billboard)
* Ambrose Akinmusire – Every Calloused Moment (ZoneOut.com)
* Mike Clark, the Oakland Groove behind Herbie, Chet and Charlie Brown (Jazz Journal)

Sunday, November 25, 2018

Sunday Session: November 25, 2018

Ambrose Akinmusire
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Billy Harper charges up Church Of Sound (Jazzwise)
* REVIEW: Ethan and the British Composers at Kings Place (2018 EFG LJF) (London Jazz News)
* Alice Coltrane’s Ashram Lost in California Wildfires (Pitchfork.com)
* Why the Hideout is vital to Chicago’s music scene (Chicago Tribune)
* Blood on the Tracks: Canonizing Bob Dylan’s Human Opus (ConsequenceOfSound.net)
* Joshua Redman keeps Old and New Dreams alive (Vancouver Sun)
* Spinal Tap to reunite, will presumably be billed above puppet show this time (AV Club)
* Jazz great 'Sweet Papa’ Lou Donaldson’s has sports memories to treasure (New York Daily News)
* This Tiny Record Player Plays Oreo Cookies…Kinda (Food and Wine)
* More Evidence That Trained Musicians Are Superior Thinkers (Pacific Standard)
* This is the story of how Africa and slavery have influenced Brazilian music (RedBull.com)
* How Brainfeeder Leads The Charge For Esoteric Funk, Hip-Hop, Pop, & Jazz (Bandcamp.com)
* How a small Philadelphia record company gave an Oscar contender its sound (Philadelphia Inquirer)
* Live Review: 2018 JazzMi Jazz Festival (Jazz Times)
* Laurin Talese Wins Sarah Vaughan Vocal Competition (Jazz Times)
* Ambrose Akinmusire’s Jazz of Pure Possibility (The Nation)
* The Largest Sun Ra Retrospective Yet is Hidden on the Top Floor of the Portland Art Musuem (Willamette Week)
* What is All the Fuss About? Kenny Barron Takes Years of Experience and Plays in the Moment (VoiceOfOC.org)
* Robert Glasper On How To Get More Young People Into Jazz (NPR)
* Legendary Jazz Guitarist Explains Why ‘The Beatles’ Are Better Than ‘Rolling Stones’ (MetalheadZone.com)
* The Invisible Hit Parade: How Unofficial Recordings Have Flowered in the 21st Century (Wired)
* The History of Play-A-Long (and More) (Jazz Times)

Sunday, June 10, 2018

Sunday Session: June 10, 2018

John Coltrane
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* The 21 Best Concert Films of All Time (Paste)
* REVIEW: Art Ensemble of Chicago at Primavera Sound Festival in Barcelona (London Jazz News)
* Kurt Elling: Living the Questions (Jazz Times)
* 'Still A Lot Of Love': Arturo O'Farrill On Cuba-U.S. Artistic Relations (NPR)
* This legendary Utah saxophonist just turned 99 and you can hear him play tonight (Deseret News)
* Truesdell’s Gil Evans Project Recasts Classics at Jazz Standard (DownBeat)
* The chords of the universe (Aeon.co)
* Discover Weakly (TheBaffler.com)
* “Sun Ra Radio” Premieres Online (Jazz Times)
* Vision Festival Offers Bracing Sounds and a Space for Creativity (DownBeat)
* Q&A with Ambrose Akinmusire: Geographies of Influence (Jazziz)
* The club night making classical music dance to a new beat (The Telegraph)
* 20 essential fusion records that have never been more influential (TheVinylFactory.com)
* Bobby Bradford: Musician, Educator, Survivor (AllAboutJazz.com)
* What Was the Point of Elevator Music? (AtlasObscura.com)
* There’s an “Inverse Piano” in Your Head (Scientific American)
* What was the loudest rock band ever? And how loud was that? This infographic explains everything (AJournalOfMusicalThings.com)
* Shemekia Copeland: A Humble 'Queen Of The Blues' (WGLT)
* Motéma Music Fosters Intense Creativity (DownBeat)
* Byrds Co-Founders Plan 'Sweetheart of the Rodeo' 50th Anniversary Tour (Rolling Stone)
* Coltrane’s ‘Lost’ Studio Album Found (DownBeat)
* Hear Woody Shaw and Dexter Gordon On Tour, and On Fire, In Newly Discovered Recordings (WBGO)
* Jalal Mansur Nuriddin: Bidding Farewell To The Schoolyard Bard (NPR)
* Ticketfly Confirms Hack Exposed Personal Information of 27 Million Accounts (Gizmodo)
* Jazz in the Age of Trump: A Roundtable Discussion (Jazziz)
* Spotify Offers Managers, Artists Advances to License Music Directly to Its Streaming Service: Exclusive (Billboard)
* Happy Birthday Prince: A Look At His Legacy, Progressiveness And Royal Badness (Vibe)
* Eddie Henderson’s Cool Collective (DownBeat)
* On 10 Years of the New New-Music Scene, and 30 Years of My Own (Vulture.com)
* Jazz Meets Hip Hop: Soweto Kinch's Singular Path (SFJAZZ.org)
* BBC to Close Iconic Maida Vale Studios (Pro Sound News)
* The Aural Magic of Stanford's Laptop Orchestra (Wired)
* Why repeating words sound like music to your brain (TheVerge.com)
* ‘We Out Here’ Documentary on London Jazz Scene Now Streaming (DownBeat)
* Lorraine Gordon, Guardian Of Legendary Jazz Club, Dies At 95 (NPR)

Sunday, October 29, 2017

Sunday Session: October 29, 2017

Ambrose Akinmusire
Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Jazz Night in America: At the Ojai Music Festival, Vijay Iyer Showcases Improvisation (WBGO)
* Joni Mitchell: Fear of a Female Genius (TheRinger.com)
* No alternative: how brands bought out underground music (The Guardian)
* Classical and Jazz musicians show different brain responses to unexpected events, study finds (PsyPost.org)
* Why anyone that says the recording industry is dead is wrong (AudioHertz.com)
* October Revolution in Jazz & Contemporary Music 2017 (AllAboutJazz.com)
* Music Publishers Want to Create a Comprehensive Song Database — 15 Years Too Late (DigitalMusicNews.com)
* A bold venture to restore Gershwins' music (Chicago Tribune)
* Blue Note All-Stars' Debut Album Paints A Portrait Of Contemporary Jazz (NPR)
* Bernie Grundman’s Mastering Masterclass (RedBullMusicAcademy.com)
* The 50 Best Jazz Saxophonists Of All Time (UDiscoverMusic.com)
* The World’s Most Remote Record Store, And Other Cool Stats (Discogs.com)
* Entry Point: Sonny Rollins Bridge Project (Rutland Herald)
* Marsalis, Krall, Corea Among DownBeat Readers Poll Winners (DownBeat)
* Fats Domino, New Orleans' founding father of rock 'n' roll, has died at age 89 (New Orleans Advocate)
* Fats Domino, Architect Of Rock And Roll, Dead At 89 (NPR)
* Playing Boogie Woogie With Fats Domino (The Paris Review)
* Fats Domino: Remembering a Rock and Roll Pioneer (The Atlantic)
* Little Richard Remembers Fats Domino: 'He Could Make a Piano Talk' (Rolling Stone)
* Ambrose Akinmusire on Current Trumpet Greats (Jazz Times)
* AUM Fidelity’s World of Free Jazz and Elemental Light (Bandcamp.com)
* The life and death of the indie-rock heyday (Vox.com)
* The Beatles’ Popularity Is Plunging on Google & YouTube (DigitalMusicNews.com)
* Sonny Clark Steps Out of the Shadows, on a Revelatory New Reissue From 1960 (WBGO)
* The Greatest Week in the History of Avant-Garde Jazz (RedBullMusicAcademy.com)
* Talent And Tourism Keep Blues Alive In Clarksdale, Mississippi (NPR)
* Deep Dive with Lewis Porter: What John Coltrane Borrowed From Ravel (WBGO)
* How club culture and EDM inspired jazz musicians (Financial Times)
* Magnetic Tape and the Emergence of High-Fidelity Recording (TelosAlliance.com)

Monday, December 14, 2015

Music Education Monday: A master class
with trumpeter Ambrose Akinmusire

Today for Music Education Monday, it's a master class from trumpeter Ambrose Akinmusire.

A rising star in the jazz world, the 33-year-old native of Oakland, CA studied at the Manhattan School of Music and the University of Southern California, and in 2007 was the winner of both the Thelonious Monk International Jazz Competition and the Carmine Caruso International Jazz Trumpet Solo Competition.

Akinmusire (pictured) has performed and recorded as a sideman with musicians including Vijay Iyer, Esperanza Spalding, Jason Moran, and Aaron Parks, and was featured on the last track of hip-hop performer Kendrick Lamar's critically acclaimed 2015 release To Pimp a Butterfly. He's also released three albums as a leader, the most recent of which, The Imagined Savior is Far Easier to Paint, came out in March 2014 on the Blue Note label.

The video below documents a master class that Akinmusire presented in 2012 to young musicians associated with the Monterey Jazz Festival's Next Generation orchestra.

For more from Akinmusire, you also may want to check out the "Before and After" feature that he did in 2012 for Jazz Times magazine, in which he listens to and comments on recording by a number of well-known trumpeters.

You can see the master class video after the jump...

Sunday, November 08, 2015

Sunday Session: November 8, 2015

Ambrose Akinmusire
For your Sunday reading, here are some interesting music-related items that have hit StLJN's inbox over the past week:

* The secret math behind feel-good music (Washington Post)
* Arto Lindsay: Space, Parades, and Confrontational Aesthetics (New Music Box)
* Welcome home, Jaco (SouthFlorida.com)
* ‘Linus and Lucy’ Forever: 5 Behind-the-Scenes Stories of Vince Guaraldi’s ‘Peanuts’ Music (Wall Street Journal)
* The 'Complete Bee Hive Recordings' Buzz With The Energy Of '70s Mainstream Jazz (NPR)
* Esperanza Spalding review – thrilling, virtuosic, baffling and fitfully exasperating (The Guardian UK)
* 'Carol' Composer Carter Burwell Talks The Coen Brothers, 'Twilight' and His Unconventional Musical Roots (IndieWire)
* Frank Zappa's terrific 'mess': L.A. Phil's live recording of '200 Motels' out Nov. 20 (Los Angeles Times)
* A Degree in Record Collecting? Could you pass the qualifying paper? (Every Record Tells A Story)
* How Long Can the Beatles Remain Digital Holdouts? The Curious Case of the Fake Beatles Cover (Forbes)
* What It Takes to Build a Successful Music City (CityLab.com)
* Ambrose Akinmusire and Jazz in the Smoldering City: A Dispatch From Kyiv (TheMillions.com)
* Gender in the Music Industry (Music Business Journal)
* How Composing for TV Is Paying Rents and Hurting Bands (Pitchfork)
* Remembering Bob Dylan and Velvet Underground's Pioneering Producer (Rolling Stone)
* The Neuroscience of Bass: New Study Explains Why Bass Instruments Are Fundamental to Music (OpenCulture.com)
* New Blue Note release to honor Detroit's jazz legacy (Detroit Free Press)
* I Went Door to Door to Find Out If Music is Harder to Sell Than Religion (Vice.com)
* The Invention of the Wah-Wah Pedal (Priceonomics)

Sunday, October 04, 2015

Sunday Session: October 4. 2015

Phil Woods
For your Sunday reading, here are some interesting music-related items that have hit StLJN's inbox over the past week:

* Frank Sinatra's Radio Broadcasts Unearthed for Reissue (Rolling Stone)
* Saxophonist Phil Woods Dies at 83 (DownBeat)
* Shhh! New Orleans Takes Steps to Turn Down the Music (Reuters)
* Interview: Harry Gregson-Williams talks his score for The Martian (FlickeringMyth.com)
* The Hit Charade - An algorithm might create a playlist you enjoy, but don’t mistake that for creativity (Technology Review)
* For Jukebox Salesman, Collecting Records Isn't Just A Job: It's A Hobby, Too (NPR)
* Life on Mars: The Surviving Members of the Earliest No Wave Band Talk Muggings, Warhol, and 1977 (Vice.com)
* The New Payola: Chart-Rigging and Scams in the EDM Bubble (Vice.com)
* A look back at the 58th Monterey Jazz Fest (SFGate.com)
* Gary Clark Jr on being the 'chosen one' and getting phone calls from Beyoncé (The Guardian UK)
* The Night That John Coltrane Played Seattle and Launched a Movement (Seattle Weekly)
* Muhal Richard Abrams interview (DialogueTalk.org)
* Crusaders Saxophonist Wilton Felder Dies at 75 (Jazz Times)
* Akinmusire Debuts Poignant Multimedia Project at Chicago’s Hyde Park Jazz Festival (DownBeat)
* Chucho Valdés Brings Irakere Revival Tour to U.S. (Billboard)
* Terry Riley: 'I haven’t felt nailed down to anything' (The Guardian UK)
* How Radiohead’s ‘Kid A’ Kicked Off the Streaming Revolution (Grantland)

Saturday, April 06, 2013

StLJN Saturday Video Showcase:
Greater St. Louis Jazz Festival 2013



This week, let's take a brief look at some of the musicians who will be coming to St. Louis this month for the Greater St. Louis Jazz Festival, which takes place Thursday, April 18 through Saturday, April 20 at the Touhill Performing Arts Center and Jazz at the Bistro.

Student jazz bands from around the area will take part in workshops and adjudications during the three days of the event at the University of Missouri St. Louis, but for the general public, the action begins on Thursday night when clarinetist/saxophonist Anat Cohen and drummer Matt Wilson team up for a performance at the Bistro.

Then on Friday night, the Monterey Jazz Festival 55th Anniversary All-Stars will perform at the Touhill. An all-star sextet assembled specifically for this tour, the group features singer Dee Dee Bridgewater, bassist Christian McBride, pianist Benny Green, drummer Lewis Nash, saxophonist Chris Potter, and trumpet player Ambrose Akinmusire. The GSLJF then concludes on Saturday at the Touhill with a performance by the Doc Severinsen Big Band.

Up above, you can see Cohen playing her composition "Anat's Dance" at a gig last June in Washington, DC, backed by pianist Jason Lindner, bassist Joe Martin, and drummer Daniel Freedman. For more about Cohen and additional videos of her performing, check out this post that preceded her headlining gig at the Bistro in  February of last year.

As has been the case for the past several years, the GSLJF's Thursday night show will feature a combination of musicians who usually don't work together - in this case, Cohen and drummer Matt Wilson, who's played in St. Louis with his band Arts & Crafts several times in recent years. Down below, you can see Arts & Crafts performing Wilson's tune "Bubbles," in a video shot last year at NYC's Tribeca Arts Center. Along with Wilson, that's Terell Stafford on trumpet, Gary Versace on keyboards and Martin Wind on bass.

A couple of the members of Monterey Jazz Festival all-star band also have played here recently with their own groups, and were featured at that time in a video post here. You can see clips of Chris Potter in this post from last December and this one from February 2011, and videos of Christian McBride in posts from 2009 and 2010.

As for the rest of the ensemble, in the next embed window down below you can see trumpeter Ambrose Akinmusire, performing last year with his band at the Jazz Standard in NYC. Below that, there's a clip of Dee Dee Bridgewater and Benny Green, whipping up a duet on "All Blues" earlier this year while visiting the studios of radio station WPLU in Tacoma, WA.

The final two clips feature Doc Severinsen, who gained national fame as the longtime bandleader for NBC's Tonight Show during Johnny Carson's tenure as host, and remains remarkably active today at age 85. In addition to performing with his big band and the small group San Miguel Five, Severinsen continues to do educational events and make guest appearances similar to the one depicted in today's fifth clip, which shows him performing "The September Song" with the U.S. Army Blues Jazz Ensemble just last year at the National Trumpet Competition at George Mason University.

Contrast that with the sixth clip, a vintage Severinsen performance of "Blues In The Night" and "Sunday Morning" recorded way back in 1965 for a local charity telethon in Louisville, Kentucky. While Severinsen's tone and range might not be quite what they were nearly 50 years ago, it's impressive and inspiring to see the degree to which he's been able to maintain his skills at an age when most brass musicians have long since retired.

Severinsen's big band draws on material from his recording career, famous standards, and the book of arrangements used by the Tonight Show band, and features some top-drawer players from the West Coast, including the great tenor saxophonist Ernie Watts. Although there no doubt will be some familiar favorites in the set list, Severinsen's remarks at the start of the clip from 2012 would suggest that he's not content just to relive the past.