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| Gregory Porter |
* The Day Louis Armstrong Lost His Color: A Short Story (Jazz Times)
* A Tale Of Two Ecosystems: On Bandcamp, Spotify And The Wide-Open Future (NPR)
* Give & Take with Musician Sonny Rollins (Tricycle.org)
* Charli Persip, Virtuoso Drummer Who Cut a Swath Through Modern Jazz, Is Dead at 91 (WBGO)
* Steely Dan Engineer Finds Lost ‘Second Arrangement’ Tapes (UltimateClassicRock.com)
* 100 Reasons We Love Charlie Parker For His 100th Birthday (Discogs.com)
* The Best Batch Yet? Captain Beefheart's Doc At The Radar Station Revisited (TheQuietus.com)
* Vinyl sales rock on in spite of Covid-19 (QZ.com)
* Ambrose Akinmusire’s Pure Pursuit Of Sound (DownBeat)
* Billy Childs Reveals the Influences on His Album Acceptance (Jazz Times)
* ‘64% musicians considering leaving the music profession’ – survey (London Jazz News)
* Charlie Parker, the Birth of Bebop, and America’s Greatest Recording Session (Jazz Times)
* The Very Serious Art of Writing Music for Very Funny Cartoons (InsideHook.com)
* Dan Penn talks back (Offbeat)
* 50 Years Later, Jimi Hendrix's Electric Lady Studios Is Still An Artistic Haven (NPR)
* Oneness of JuJu’s Afrocentric and Avant-Garde Jazz (Bandcamp.com)
* Despite Streaming, US Recorded Music Revenues Still Down 50% From 1999 Peaks (DigitalMusicNews.com)
* Terri Lyne Carrington Runs On Determination (DownBeat)
* Bird Lives! A Charlie Parker Centennial, With Strings Attached (NPR)
* Gregory Porter sings of love, but unspeakable grief and the scars of racism lie just beneath (Los Angeles Times)
* Roots in the Archive: Test Pressings Help Keep Robert Johnson’s Songs Alive (NoDepression.com)* The 25 greatest basslines of all time (MusicRadar.com)
* How Charlie Parker Defined the Sound and Substance of Bebop Jazz (The New Yorker)
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