Sunday Session: July 25, 2021

Terri Lyne Carrington

Here's this week's roundup of various music-related items of interest:

* The Strange Magic Of YouTube's '80s Remix Culture (NPR)
* Meet Terri Lyne Carrington (AllAboutJazz.com)
* Summer of Soul review – the best concert film ever made? (The Guardian)
* What Will Happen to My Music Library When Spotify Dies? (The Atlantic)
* The Sounds of Healing (ReasonsToBeCheerful.world)
* Pressing issues: vinyl revival held back by production capacity, Brexit and more (The Guardian)
* NEA Names Its 2022 Jazz Masters: Hart, Clarke, Wilson And Harrison (NPR)
* Billy Gibbons: storyteller, hot sauce merchant, lover of public transport (LouderSound.com)
* A Guide to the Early Music of John Coltrane on Prestige Records (Bandcamp.com)
* Are You Relivin’ the Years?: How Steely Dan Became a Cult Favorite for Millennials (TheRinger.com)
* The Essential Herbie Hancock (San Francisco Classical Voice)
* Thelonious Monk Estate Says Biopic Starring Yasiin Bey Is Unauthorized (Pitchfork.com)
* Yasiin Bey says he won’t play jazz legend Thelonious Monk in biopic since family disapproves (NME.com)
* Jazz Night's Favorite Grooves Of 2021, So Far (NPR)
* Funkadelic's 'Maggot Brain' At 50: R&B, Psychedelic Rock And A Black Guitarist's Cry (NPR)
* ‘My strength isn’t looking at a computer screen. I wouldn’t join the music business today, because I don’t want to be a typist.’ (MusicBusinessWorldwide.com)
* From Soldier to Jazz Giant: The Life of Billy Bang (Bandcamp.com)
* Christone 'Kingfish' Ingram Reflects On Leaving – And Sharing – '622' (NPR)
* The greatest keyboard players of all time, revealed (MusicRadar.com)
* Monterey Jazz Festival Quickly Sells Out Despite No Vaccination Requirements (DigitalMusicNews.com)

Sunday Session: February 14, 2021

Chick Corea

Here's this week's roundup of various music-related items of interest:

* Show's over for British roadies as Brexit blocks European music tours (MSN.com)
* Trane '63: A Classic, A Challenge, A Change (WFIU)
* Mary Wilson, longest-reigning original Supreme, dies at 76 (Associated Press)
* Music wars on Valentine’s Day: when your partner hates your record collection (London Jazz News)
* The Idea of the Blues: It’s Time for Chicago to Capitalize on the Heritage that Changed the Course of Music (NewCity.com)
* Ivo Perelman’s Massive Oeuvre (DownBeat)
* Harvey Brooks: View From The Bottom (Blues.gr)
* Sonny Rollins: “Musicians can live a charmed life” (Uncut.co.uk)
* International Anthem's Celebratory Approach Is Breaking Boundaries (ClashMusic.com)
* New Orleans avant-jazz saxophonist Kidd Jordan improvises his way to $50K fellowship (NOLA.com)
* Composer Anthony Davis Imagines His Freedom (San Francisco Classical Voice)
* The Hidden Legacy Of The Pointer Sisters, Genre-Busting Pioneers Of Message Music (NPR)
* Ancient shell horn can still play a tune after 18,000 years (Associated Press)
* Terri Lyne Carrington is the definition of Black Girl Magic (Associated Press)
* Trumpeter Rob Mazurek May Have Made Marfa’s Great Cosmic Jazz Album (Texas Monthly)
* Arbors Records Puts Art First (DownBeat)
* Black Women Who Shaped Rock & Roll (Rolling Stone)
* Chick Corea, Jazz Fusion Pioneer, Has Died Of Cancer At 79 (NPR)
* Impulse! Records Marks a 60th Anniversary, and a Creative Legacy, with Music Old and New (WBGO)
* Chronology: McCoy Tyner, Sideman (Jazz Times)
* Gretchen Parlato In Bloom (DownBeat)
* Todd Rundgren Reacts to Latest Rock Hall Nomination: 'I Don't Care About It' (Billboard)
* Nubiyan Twist: Real Life Stories (Jazz Times)
* Brexit is destroying music. Why has the government let this happen? (The Guardian)
* Brilliant, broke and wilfully annoying: the sad legacy of Frank Zappa (Sydney Morning Herald)
* Milford Graves: jazz drummer dies aged 79 (The Guardian)
* The Checkout: Steve Gadd Remembers When Chick Corea Gave Him a Lesson On the Drums (WBGO)
* Milford Graves, Pioneering Jazz Drummer and Polymath, Dies at 79 (Pitchfork.com)

Sunday Session: August 30, 2020

Gregory Porter

Here's this week's roundup of various music-related items of interest:

* The Day Louis Armstrong Lost His Color: A Short Story (Jazz Times)
* A Tale Of Two Ecosystems: On Bandcamp, Spotify And The Wide-Open Future (NPR)
* Give & Take with Musician Sonny Rollins (Tricycle.org)
* Charli Persip, Virtuoso Drummer Who Cut a Swath Through Modern Jazz, Is Dead at 91 (WBGO)
* Steely Dan Engineer Finds Lost ‘Second Arrangement’ Tapes (UltimateClassicRock.com)
* 100 Reasons We Love Charlie Parker For His 100th Birthday (Discogs.com)
* The Best Batch Yet? Captain Beefheart's Doc At The Radar Station Revisited (TheQuietus.com)
* Vinyl sales rock on in spite of Covid-19 (QZ.com)
* Ambrose Akinmusire’s Pure Pursuit Of Sound (DownBeat)
* Billy Childs Reveals the Influences on His Album Acceptance (Jazz Times)
* ‘64% musicians considering leaving the music profession’ – survey (London Jazz News)
* Charlie Parker, the Birth of Bebop, and America’s Greatest Recording Session (Jazz Times)
* The Very Serious Art of Writing Music for Very Funny Cartoons (InsideHook.com)
* Dan Penn talks back (Offbeat)
* 50 Years Later, Jimi Hendrix's Electric Lady Studios Is Still An Artistic Haven (NPR)
* Oneness of JuJu’s Afrocentric and Avant-Garde Jazz (Bandcamp.com)
* Despite Streaming, US Recorded Music Revenues Still Down 50% From 1999 Peaks (DigitalMusicNews.com)
* Terri Lyne Carrington Runs On Determination (DownBeat)
* Bird Lives! A Charlie Parker Centennial, With Strings Attached (NPR)
* Gregory Porter sings of love, but unspeakable grief and the scars of racism lie just beneath (Los Angeles Times)
* Roots in the Archive: Test Pressings Help Keep Robert Johnson’s Songs Alive (NoDepression.com)* The 25 greatest basslines of all time (MusicRadar.com)
* How Charlie Parker Defined the Sound and Substance of Bebop Jazz (The New Yorker)

Sunday Session: July 12, 2020

Jason Moran

Here's this week's roundup of various music-related items of interest:

* Buddy Guy on Weathering the COVID Storm and the Road Ahead (Rolling Stone)
* Watch Exclusive uDiscover Music Interview With Jazz Saxophonist Azar Lawrence (UDiscoverMusic.com)
* The Story of Louis Armstrong’s Final Tape (LouisArmstrongHouse.org)
* Terri Lyne Carrington Tops 2020 DownBeat Critics Poll (DownBeat)
* Talking Heads Drummer Chris Frantz on His New Memoir and the Last Time He Saw David Byrne (Rolling Stone)
* Ennio Morricone: 10 of his greatest compositions (The Guardian)
* How Ennio Morricone Changed the Way Movies Sound (Pitchfork.com)
* Remembering Ennio Morricone: His 10 most mind-blowing film scores (Los Angeles Times)
* The Great Reformatting (TheAmericanScholar.org)
* The Pedal Steel Guitar Slides Into Jazz (Jazz Times)
* Gearhead: Ralph Towner’s Acoustic Arsenal (Jazz Times)
* Empire at 40 | How Ben Burtt Turned a Bathtub of Raccoons and Industrial Noise into a Star Wars Soundscape (StarWars.com)
* 50 years ago Hendrix, the Allman Brothers and B.B. King played the Byron Pop Festival (Macon Telegraph)
* Krautrock, communism and chaos: the anarchic story of Can (LouderSound.com)
* Joni Mitchell, Isle of Wight 1970: the day the music nearly died (The Guardian)
* The Mid-Atlantic’s Flourishing Jazz, Funk And R&B Scene Spotlit By Black Fire Records (DownBeat)
* Lady A, Formerly Lady Antebellum, Sue Seattle Blues Singer Lady A (Pitchfork.com)
* Anita ‘Lady A’ White Will Not Be Erased (Vulture.com)
* Pop music is getting faster (and happier) (BBC)
* Jason Moran Journeys to the Dawn of Jazz Cinema (Criterion.com)
* France’s Future Jazz Revival Is Built on House and Hip-Hop Grooves (Bandcamp.com)
* Music Maven Steve Stoute’s Pitch for Artists: Keep All the Money (Bloomberg.com)
* Wire Playlist: Musician-Owned Record Labels in Jazz in the 1940s–60s (The Wire)
* ‘I Don’t Think Anybody Alive Can Tell Me What to Do’ Willie Nelson at his most Willie Nelson (Vulture.com)
* The Many Electronic Surprises To Be Found In The Nation's Vast Archive Of Folk Music (NPR)
* Cleve Eaton 1939–2020 (Jazz Times)
* Just for Us (Chamber-Music.org)

Sunday Session: March 22, 2020

John McLaughlin

Here's this week's roundup of various music-related items of interest:

* The Secret History of Motown’s Greatest Hits (Rolling Stone)
* Kurt Elling on Working with Danilo Pérez, Politics and Recording with an Indie Label (DownBeat)
* Charles Lloyd, a tireless jazz sax legend at 82, talks music and hanging with Bob Dylan and the Grateful Dead (San Diego Union Tribune)
* The Jazz Label: Marc Free of Posi-Tone (AllAboutJazz.com)
* The Inner Critic of Irving Berlin (DownBeat)
* Beating Her Own Drum, Terri Lyne Carrington Continues To Push Jazz Forward (WBUR)
* “Every musician I know is now facing bankruptcy” – the impact of coronavirus cancellations on classical artists (ClassicFM.com)
* How Mapping Relationships Between Jazz Musicians Elevates Unsung Histories (Pratt.edu)
* Jeff Parker Is "Just Trying to Make Weird Shit" (Premier Guitar)
* Duchess Looks for Joy Amid Perilous Times (DownBeat)
* With Clubs Gone Dark and Festivals Postponed, the Musical Action Migrates to the Livestream (WBGO)
* Gerald Veasley: Everybody Has Something to Say (Jazz Times)
* John McLaughlin offers fans free download of new album (LouderSound.com)
* Ornette Coleman Biography Explores The Free Jazz Saxophonist’s Genius (UDiscoverMusic.com)
* The lost art of deep listening: Choose an album. Lose the phone. Close your eyes. (Los Angeles Times)
* Recording Academy and MusiCares Commit $2M For Coronavirus Relief Fund (Billboard)
* Music streaming may actually be falling because of coronavirus (QZ.com)
* How The Coronavirus Fallout Could Be Devastating To The Practice Of Jazz (NPR)
* Carlos and Cindy Santana on the Power of ‘Playing from Your Heart’ (Q&A) (RockCellarMagazine.com)
* The Intakt Label is Providing a Supportive Home for the Avant-Garde (Bandcamp.com)
* Electronic Intimacy: The Surreal Experience of Playing in a Quarantined Hall (Atavist.com)
* A Shelved Album By Art Blakey & The Jazz Messengers Will Finally See the Light of Day (WBGO)
* Origin Records Puts Superlative Musicianship on Display (DownBeat)
* 'Solace' Amidst The 'Deeply Odd': Pianist Aaron Parks On Releasing A Record Right Now (NPR)

Sunday Session: March 1, 2020

Terri Lyne Carrington

Here's this week's roundup of various music-related items of interest:

* Winner Takes All: Igor Levit in the Attention Economy (Atavist.com)
* Innovation is Kris Davis’ Motivation (DownBeat)
* ‘You’re one of the more normal composers’: Simon Rattle and Thomas Adès swap notes (The Guardian)
* In Solo Works and Soundtracks, Colin Stetson Follows a Narrative (DownBeat)
* Scientists study blind piano prodigy (CBS News)
* How Long Will Spotify Allow Bootleg “Podcasts” to Top the Charts? (DigitalMusicNews.com)
* American Routes Shortcuts: Michael Cuscuna (WWNO)
* Fela Kuti’s “Coffin for Head of State” was genuine life-and-death protest music (TrebleZine.com)
* It was banned by the Nazis, Stalin and the Vatican. This is the surprising history of the saxophone (ABC.net.au)
* 'Say Amen, Somebody' Restoration Unveils The Wonder Of The Gospel Pioneers (NPR)
* Musicians Algorithmically Generate Every Possible Melody, Release Them to Public Domain (Vice.com)
* On “I Am A Man,” Jazz Bassist Ben Williams Redefines Protest Music On His Own Terms (Bandcamp.com)
* The B-52s’ Kate Pierson on the Music That Made Her (Pitchfork.com)
* Melissa Aldana has burgeoning ‘Visions’ for her quartet (CapitalBop.com)
* There Was A Time: James Brown, The Chitlin’ Circuit, And Me: The First Days On The Bus (TheRecoup.com)
* Kurt Elling on Working with Danilo Pérez, Politics and Recording with an Indie Label (DownBeat)
* Social Science Becomes Social Art for Terri Lyne Carrington’s New Band (Jazz Times)
* Interview: Free Jazz Trumpeter Jaimie Branch on Music-Making as Time-Travel (Reverb.com)
* Watch the Trailer for Ella Fitzgerald: Just One of Those Things (Jazz Times)
* Bria Skonberg Digs Into Tension With ‘Nothing Never Happens’ (DownBeat)
* How Martin Luther King Jr. and Motown Saved the Sound of the Civil Rights Movement (TIME)
* Music Benefactors Wants to Solve the Crowdfunding Riddle for Musicians — Introducing the ‘Artist Public Offering’ (DigitalMusicNews.com)
* Baltimore Rebirth: A New Bloom Of Jazz In Charm City (NPR)
* Pianist Abdullah Ibrahim reflects on life before and after apartheid, and how Duke Ellington and Thelonius Monk helped shape his career (Chicago Tribune)
* Post-club: Why DJs and producers are leaving nightclubs behind (MixMag.net)
* Branford Marsalis: Jazzman For The Masses (Long Island Weekly)
* Dweezil, Son of Frank (Weekly Alibi)