Showing posts with label Jeff Parker. Show all posts
Showing posts with label Jeff Parker. Show all posts

Sunday, August 02, 2020

Sunday Session: August 2, 2020

Ornette Coleman
Here's this week's roundup of various music-related items of interest:

* Chris Spedding: living life backwards (Jazz Journal)
* What Enhanced Unemployment Benefits Mean To Jazz (DownBeat)
* Sullivan Fortner: Before & After (Jazz Times)
* Unsolved Mysteries: Conglomerate Records (AnomalyIndex.com)
* Jon Hassell, music's great globetrotter: 'Be more aware of the rest of the world!' (The Guardian)
* New Lives: Experimental, Folk, and Jazz Artists Revitalize the Live Album (Bandcamp.com)

* Book Review: Ornette Coleman –The Life of a Jazz Visionary (ArtFuse.org)
* Jazz Commentary: Ornette Coleman — An Outsider Cracks the Egg (ArtsFuse.org)
* TRIBUTE: Anita Wardell remembers Annie Ross (London Jazz News)
* When jazz royalty came to Paly: Monk's long-lost record (nearly) goes public (PaloAltoOnline.com)
* New Bill Aims To Help Music Venues Suffering Amid COVID-19 Pandemic (NPR)
* 17 pro guitarists who play cheap guitars (Guitar World)
* Remembering Fleetwood Mac Founder Peter Green, The Soulful Voice Of British Blues (NPR)
* Senators Introduce Bill to Fund Independent Venues Struggling During COVID-19 (Rolling Stone)
* Rhiannon Giddens Named Artistic Director of Silkroad (BroadwayWorld.com)
* Danny Scher: Back To School With Thelonious Monk (AllAboutJazz.com)
* Academic Programs Restructure Amid Pandemic (DownBeat)
* Interview with Latin Jazz Musician and Educator John Santos (WorldMusicCentral.org)
* Fishbone’s (mostly) original lineup working on first new album in decades; Fat Mike producing (Brooklyn Vegan)
* Spotify CEO Daniel Ek says working musicians may no longer be able to release music only “once every three to four years” (TheFader.com)
* Interview: Jeff Parker on Chopping and Assembling "Max Brown" (Reverb.com)
* Where Are The Thousands Of Nazi-Looted Musical Instruments? (NPR)
* Spotify thinks the Top 40 is over (and other key takeaways from its Q2 results) (MusicBusinessWorldwide.com)
* The Stars Shine: A Newport Jazz Festival Special (NPR)
* The “Palo Alto” record: How a high schooler, a janitor and Thelonius Monk made local history (TheSixFifty.com)
* Spotify CEO talks Covid-19, artist incomes and podcasting (interview) (MusicAlly.com)

Sunday, March 22, 2020

Sunday Session: March 22, 2020

John McLaughlin
Here's this week's roundup of various music-related items of interest:

* The Secret History of Motown’s Greatest Hits (Rolling Stone)
* Kurt Elling on Working with Danilo Pérez, Politics and Recording with an Indie Label (DownBeat)
* Charles Lloyd, a tireless jazz sax legend at 82, talks music and hanging with Bob Dylan and the Grateful Dead (San Diego Union Tribune)
* The Jazz Label: Marc Free of Posi-Tone (AllAboutJazz.com)
* The Inner Critic of Irving Berlin (DownBeat)
* Beating Her Own Drum, Terri Lyne Carrington Continues To Push Jazz Forward (WBUR)
* “Every musician I know is now facing bankruptcy” – the impact of coronavirus cancellations on classical artists (ClassicFM.com)
* How Mapping Relationships Between Jazz Musicians Elevates Unsung Histories (Pratt.edu)
* Jeff Parker Is "Just Trying to Make Weird Shit" (Premier Guitar)
* Duchess Looks for Joy Amid Perilous Times (DownBeat)
* With Clubs Gone Dark and Festivals Postponed, the Musical Action Migrates to the Livestream (WBGO)
* Gerald Veasley: Everybody Has Something to Say (Jazz Times)
* John McLaughlin offers fans free download of new album (LouderSound.com)
* Ornette Coleman Biography Explores The Free Jazz Saxophonist’s Genius (UDiscoverMusic.com)
* The lost art of deep listening: Choose an album. Lose the phone. Close your eyes. (Los Angeles Times)
* Recording Academy and MusiCares Commit $2M For Coronavirus Relief Fund (Billboard)
* Music streaming may actually be falling because of coronavirus (QZ.com)
* How The Coronavirus Fallout Could Be Devastating To The Practice Of Jazz (NPR)
* Carlos and Cindy Santana on the Power of ‘Playing from Your Heart’ (Q&A) (RockCellarMagazine.com)
* The Intakt Label is Providing a Supportive Home for the Avant-Garde (Bandcamp.com)
* Electronic Intimacy: The Surreal Experience of Playing in a Quarantined Hall (Atavist.com)
* A Shelved Album By Art Blakey & The Jazz Messengers Will Finally See the Light of Day (WBGO)
* Origin Records Puts Superlative Musicianship on Display (DownBeat)
* 'Solace' Amidst The 'Deeply Odd': Pianist Aaron Parks On Releasing A Record Right Now (NPR)

Sunday, February 16, 2020

Sunday Session: February 16, 2020

Roberta Flack
Here's this week's roundup of various music-related items of interest:

* Philadelphia jazz great John Coltrane’s house ‘at risk,’ preservationists say (Philadelphia Inquirer)
* Johnny Cash’s Gospel (The New Yorker)
* Photos: Winter Jazzfest 2020 (Jazz Times)
* Jeff Parker’s Shifting Mentality (DownBeat)
* Revisiting the ‘Stank Groove’ of Jimi Hendrix (DownBeat)
* The Virtuoso: Roberta Flack's career demands a new way of thinking about the word 'genius.' (NPR)
* How Will the Fire At Apollo Masters Affect the Local Music Industry? (Portland Mercury)
* New music label says it can use AI to find the next big artist (Engadget.com)
* 1,000 True Fans? Try 100 (A16Z.com)
* Vinyl Record Industry Fears 'Vinylgeddon' After Fire Burns Down Apollo Masters Plant (Billboard)
* Eddie Kendricks’ ‘People’ Was No Accident (DownBeat)
* Joanne Brackeen: Still Proudly Unorthodox (Jazz Times)
* Lyle Mays 1953 – 2020 (Jazz Times)
* Keyboard Remembers Lyle Mays (Keyboard)
* What Makes A Hit Pop Song (NPR)
* Oscar Peterson's Africa Suite has never been performed in its entirety — until now (CBC)
* Are Musicians Better Than They Were 30 Years Ago? (San Francisco Classical Voice)
* Steve Feigenbaum Talks About Cuneiform Records, His Four-Plus Decades Selling Fringe Music, 
And Why He Thinks The Vinyl Revival Is Mostly Hype (Substack.com)
* Brain Wave Binaural beats and the poetics of brainhacking (RealLifeMag.com)
* Meet the Baltimore Jazz Collective and more faces of Charm City’s swing renaissance (Baltimore Sun)
* The story of Moondog: blind poet, Viking vagabond, genius composer (HappyMag.TV)
* ‘The Whole System Collapsed’: Inside the Music Industry’s Ongoing Distribution Crisis (Rolling Stone)
* Time Is on Dave Grusin’s Side (Jazz Times)
* Dopolarians: Free-Jazz Collaborators With a Southern Sound (Memphis Flyer)
* Carol Kaye: The Boss of the Bass Guitar (PleaseKillMe.com)
* In Memoriam: Claudio Roditi (1946–2020) (DownBeat)
* The Continuing Impact of the Detroit Jazz Collective Tribe (Bandcamp.com)
* On 'Standards Vol. 1,' Rafiq Bhatia Questions The Act Of Reinterpretation (NPR)

Sunday, February 02, 2020

Sunday Session: February 2. 2020

Kris Davis
Here's this week's roundup of various music-related items of interest:

* Underground Railroad: A Conductor And Passengers Documented In Music (NPR)
* Kandace Springs Honors History and Personal Growth on ‘The Women Who Raised Me’ (DownBeat)
* The Flute of Shame: Discover the Instrument/Device Used to Publicly Humiliate Bad Musicians During the Medieval Period (OpenCulture.com)
* Pete Brown: White Rooms & Imaginary Westerns, Part 2 (AllAboutJazz.com)
* Best Music Arrangers: 20 Artists You’ve Heard But Not Seen (UDiscoverMusic.com)
* Chick Corea, Brad Mehldau, Esperanza Spalding Among the Winners at 62nd Grammy Awards (WBGO)
* Bob Porter's Portraits In Soul Jazz (IndianaPublicMedia.org)
* UK industry reacts to venues business rates cut (IQ-Mag.net)
* Don’t leave jazz to the jazz guys (TheOutline.com)
* The Unsung Black Musician Who Changed Country Music (Narratively.com)
* Nightmares on wax: the environmental impact of the vinyl revival (The Guardian)
* In conversation: When Elvis Costello met Tom Waits (FarOutMagazine.co.uk)
* Violinist Regina Carter in full swing for the Charleston Jazz Festival (Charleston Post and Courier)
* Jeff Parker’s Shifting Mentality (DownBeat)
* Singing Songs to Fix the World: A Q&A with Mavis Staples (SFJAZZ.org)
* Eight Artists Fusing Traditional Arabic Music With Jazz (Bandcamp.com)
* Gordon Goodwin’s Total Devotion (DownBeat)
* From Skepta’s dystopia to Travis Scott’s fairground: are immersive shows the future of live music? (The Guardian)
* BMG responds to artist streaming revolt in Germany: ‘It is time for record companies to change.’ (MusicBusinessWorldwide.com)
* ‘Always finding nice things in a tragic situation’ - Robert Wyatt at 75 (MorningStarOnline.co.uk)
* Innovation is Kris Davis’ Motivation (DownBeat)
* Watch the Residents Perform ‘God in Three Persons’ Live for the First Time (Rolling Stone)
* Rachmaninov is the most innovative composer in 200 years, researchers reveal (ClassicFM.com)
* ‘Are you sure it’s Sun Ra?’: Rare recording by the Philly jazz giant at Haverford College finally sees the light of day (Philadelphia Inquirer)
* How a lost recording became a Philadelphia soul classic (PBS)
* Swinging Modern Sounds #101: A Really Big Band (TheRumpus.net)
* An update to a 37-year-old digital protocol could profoundly change the way music sounds (QZ.com)
* Kris Davis: Ribbons in Rhythm (Jazz Times)
* The electronic genius of Karlheinz Stockhausen (HappyMag.tv)
* Bedroom Music Wars (UndergroundPress.co.za)