Showing posts with label Melissa Aldana. Show all posts
Showing posts with label Melissa Aldana. Show all posts

Sunday, May 16, 2021

Sunday Session: May 16, 2021

Melissa Aldana
Here's this week's roundup of various music-related items of interest:

* Computer World at 40: How Kraftwerk Predicted Our Techno-Utopian Fate (Consequence of Sound)
* Wes Montgomery and friends (TheBlueMoment.com)
* Growth drivers – what comes after streaming (Music Industry Blog)
* Melissa Aldana Signs to Blue Note, Building on the Legacy of Her Saxophone Heroes (WBGO)
* The Weight Of The Ritual: Frank Rynne On The Master Musicians Of Joujouka (TheQuietus.com)
* Vincent Herring: Not the End of the Line (Jazz Times)
* Carla Bley at 85: In Praise and Awe of an Unfettered Genius (WBGO)
* Dave Mason: Feelin’ Alright At 75 (RockAndRollGlobe.com)
* Rock & Roll Hall of Fame to Induct Jay-Z, Carole King, Go-Go’s, Tina Turner, Todd Rundgren and Foo Fighters (Variety)
* Curtis Fuller 1932–2021 (Jazz Times)
* Berlin to officially declare nightclubs as cultural institutions (DJMag.com)
* This man made opera history. Why did I not know him? (The Guardian)
* The Music Industry Is Finally Scaring Spotify (Slate.com)
* Pulling Back the Curtain on Alexander Shustorovich, Classical Music's International Man of Mystery (Billboard)
* Family Company Is Thriving Making Turntables For Vinyl Aficionados (Forbes)
* George Grella on Jazz: Is It Safe? (Red Hook Star-Revue)
* Kind of Blue Books: Novels about Jazz Musicians (NeglectedBooks.com)
* How James Brown’s Star Time Revolutionized the Box-Set Game—and Cemented His Legacy (Pitchfork.com)

Sunday, October 11, 2020

Sunday Session: October 11, 2020

Cécile McLorin Salvant
Here's this week's roundup of various music-related items of interest:

* Javon Jackson: Finding Uplift in the Guiding Tradition of Sonny Rollins and John Coltrane (AllAboutJazz.com)
* The Etymology of "Jazz": A Cautionary Word About Digital Sources (HNN.us)
* Lost In The Vaults: The Joys Of Collecting Jazz Records (TheLondonEconomic.com)
* Jazz Musician Lettering (ReaganRay.com)
* Azar Lawrence Has Paid His Dues...Two Times (AllAboutJazz.com)
* Hank Mobley's 'Soul Station' At 60: How The Tenor Saxophonist's Mellow Masterpiece Inspires Jazz Musicians In 2020 (Grammy.com)
* 19 things I’d tell people contemplating starting a record label (after running one for 19 years) (TheCreativeIndependent.com)
* Ambrose Akinmusire: Blues for 2020 (Jazz Times)
* Pay-for-Play Was Banned From Radio - But Texts Reveal It May Still Be Thriving (Rolling Stone)
* Cecile McLorin Salvant Earns a Prestigious New Accolade: the 2020 MacArthur "Genius Grant" (WBGO)
* ‘How Does It Feel To Be Free?’ (DownBeat)
* Chaos, cash and Caligulan excess: How Emerson, Lake & Palmer made Brain Salad Surgery (LouderSound.com)
* The Keystone Connections Of Fabian Almazan (DownBeat)
* Cindy Blackman Santana, a drum dynamo in jazz and rock, riffs on music, her all-star new album and famous husband (Columbus Dispatch)
* 'You're left to rot if you speak up': the abuse faced by female roadies (The Guardian)
* Melissa Aldana’s Expansive Playing Leads Trio Through Central Park Gig (DownBeat)
* A Guide to Sun Ra on Film (Pitchfork.com)
* Joe Satriani Talks How Guitar Teacher Treated Him When He Was a Kid: 'He Was Completely Blind & He Wore Only Leotards' (Ultimate Guitar)
* Lakecia Benjamin’s Boundless Sensibility On Display (DownBeat)
* Willie Nelson, Interpreter of the Great American Songbook (Texas Monthly)
* 100 Reasons We Love Yusef Lateef for His 100th Birthday (Discogs.com)
* From Bandstand to Social Justice: How Jazz Remains 'America's Classical Music' (KCET)
* A Multicultural Tribute to Yusef Lateef on His Centennial (VIDEO) (Jazz Times)
* Ella Fitzgerald, Come Harvest Time: Jazz United Fondly Reappraises the First Lady of Song (WBGO)
* Denver’s Ron Miles debuts on Blue Note label with “Rainbow Sign” (Denver Post)
* Sun Ra Arkestra's Knoel Scott On New Album 'Swirling,' Sun Ra's Legacy & Music As A Healing Force (Grammy.com)

Sunday, March 01, 2020

Sunday Session: March 1, 2020

Terri Lyne Carrington
Here's this week's roundup of various music-related items of interest:

* Winner Takes All: Igor Levit in the Attention Economy (Atavist.com)
* Innovation is Kris Davis’ Motivation (DownBeat)
* ‘You’re one of the more normal composers’: Simon Rattle and Thomas Adès swap notes (The Guardian)
* In Solo Works and Soundtracks, Colin Stetson Follows a Narrative (DownBeat)
* Scientists study blind piano prodigy (CBS News)
* How Long Will Spotify Allow Bootleg “Podcasts” to Top the Charts? (DigitalMusicNews.com)
* American Routes Shortcuts: Michael Cuscuna (WWNO)
* Fela Kuti’s “Coffin for Head of State” was genuine life-and-death protest music (TrebleZine.com)
* It was banned by the Nazis, Stalin and the Vatican. This is the surprising history of the saxophone (ABC.net.au)
* 'Say Amen, Somebody' Restoration Unveils The Wonder Of The Gospel Pioneers (NPR)
* Musicians Algorithmically Generate Every Possible Melody, Release Them to Public Domain (Vice.com)
* On “I Am A Man,” Jazz Bassist Ben Williams Redefines Protest Music On His Own Terms (Bandcamp.com)
* The B-52s’ Kate Pierson on the Music That Made Her (Pitchfork.com)
* Melissa Aldana has burgeoning ‘Visions’ for her quartet (CapitalBop.com)
* There Was A Time: James Brown, The Chitlin’ Circuit, And Me: The First Days On The Bus (TheRecoup.com)
* Kurt Elling on Working with Danilo Pérez, Politics and Recording with an Indie Label (DownBeat)
* Social Science Becomes Social Art for Terri Lyne Carrington’s New Band (Jazz Times)
* Interview: Free Jazz Trumpeter Jaimie Branch on Music-Making as Time-Travel (Reverb.com)
* Watch the Trailer for Ella Fitzgerald: Just One of Those Things (Jazz Times)
* Bria Skonberg Digs Into Tension With ‘Nothing Never Happens’ (DownBeat)
* How Martin Luther King Jr. and Motown Saved the Sound of the Civil Rights Movement (TIME)
* Music Benefactors Wants to Solve the Crowdfunding Riddle for Musicians — Introducing the ‘Artist Public Offering’ (DigitalMusicNews.com)
* Baltimore Rebirth: A New Bloom Of Jazz In Charm City (NPR)
* Pianist Abdullah Ibrahim reflects on life before and after apartheid, and how Duke Ellington and Thelonius Monk helped shape his career (Chicago Tribune)
* Post-club: Why DJs and producers are leaving nightclubs behind (MixMag.net)
* Branford Marsalis: Jazzman For The Masses (Long Island Weekly)
* Dweezil, Son of Frank (Weekly Alibi)

Sunday, January 05, 2020

Sunday Session: January 5, 2020

John Coltrane
Here's this week's roundup of various music-related items of interest:

* Prospecting for Musical Ghosts Along Lost Highways and Byways (Texas Highways)
* Five music-tech forecasts that misfired in 2019 (Patreon.com)
* Why Philip Glass was still driving a cab in his 30s (PRI.org)
* ‘The Hot Rats Sessions’ offers a window into how Frank Zappa used a recording studio (DangerousMinds.net)
* Sacred Blue: Jazz Goes To Church In the 1960s (Indiana Public Media)
* Jeremy Pelt Digs into the Canon (DownBeat)
* John Coltrane Talks About the Sacred Meaning of Music in the Human Experience: Listen to One of His Final Interviews (1966) (OpenCulture.com)
* In Memoriam: Jazz Artists We Lost in 2019 (JAZZIZ)
* Neil Innes: Monty Python songwriter dies aged 75 (BBC)
* With state Polka Hall of Fame in its death throes, can polka music itself be far behind? (Green Bay Press Gazette)
* Dee Alexander Interprets Billie Holiday on Delmark Outing (DownBeat)
* Linda Shaver-Gleason: Exit Interview with a Public Musicologist (NationalSawdust.org)
* The History of the Fisheye Photo Album Cover (OpenCulture.com)
* The Decade in Rock That Rock Fans Hated (Jezebel)
* Storied North Carolina Festival Offers Vibrant Jazz Jams (DownBeat)
* Bass legend Carol Kaye blasts ‘Mrs. Maisel’ homage as ‘slander’ (New York Post)
* Beijing unveils plans to become ‘international music capital’ in 5 years (InkstoneNews.com)
* Why We Keep Sending Music to Extraterrestrials (Slate)
* Saxophonist Melissa Aldana on Her First Grammy Nod, and Her Album 'Visions' (WBGO)
* Jack Sheldon 1931-2019 (Jazz Times)
* The Curved Air of Tomeka Reid (JazzDaGama.com)
* Geometry sings the blues in Indian-American mathematician's radical new music system (FirstPost.com)
* Lost in muzak: how ambient became cool (The Guardian)

Sunday, June 16, 2019

Sunday Session: June 16, 2019

George Benson
Here's this week's roundup of various music-related items of interest:

* Anthony Davis Builds Operas From Headlines (San Francisco Classical Voice)
* Sweet Charity: Herb Alpert Foundation Celebrates 25th Anniversary (Jazz Times)
* 30th Century Music Now: Mick Houghton Remembers Sun Ra (The Quietus)
* Wonderland Lost (TheRinger.com)
* Music Is YouTube's Most Profitable Category, 'Crucial' to Bottom Line: Study (Billboard)
* Final Bow For The Night Tripper – A Tribute to Dr John (Jazzwise)
* Esperanza Spalding Knows Music Can Heal. Now She Wants to Prove It With Science (The Daily Beast)
* Bright Moments with Gary Bartz (Jazz Times)
* State Department ‘extreme vetting’ says no to traveling musicians (San Francisco Chronicle)
* They Introduced the World to Songs of Slavery. It Almost Broke Them (Topic.com)
* Jeremy Pelt: Sound Sculptor, Museumgoer (DownBeat)
* The Hippies Were Right: It's All about Vibrations, Man! (Scientific American)
* Bret Primack on Jazz Video and the Ira Gitler Documentary (AllAboutJazz.com)
* Cuba: While The Politicians Argued, The Musicians Jammed (NPR)
* Dr. John Knew the End Was Near. He Recorded One Final Album (Rolling Stone)
* Recordings by Nirvana, Janet Jackson, Eminem, Nine Inch Nails, Chuck Berry, and More Destroyed in 2008 Fire (SPIN)
* Big Mood Machine (TheBaffler.com)
* A Long Tail: Don Cherry's Brown Rice Reviewed (The Quietus)
* Melissa Aldana’s Indisputable Command (DownBeat)
* Music of a Sustainable Future: A Conversation with Linda May Han Oh and Fabian Almazan (SFJAZZ.org)
* Mac’s Wild Years (PonderosaStomp.com)
* Our brains appear uniquely tuned for musical pitch (EurekAlert.org)
* New Documentary 'Blue Note: Beyond The Notes' Surpasses Its Purpose (NPR)
* Jazz Drum Great Andrew Cyrille Revels in Collaboration at Lifetime Achievement Show (Rolling Stone)
* Why It’s Finally Time to Get Rid of Music Charts (ConsequenceOfSound.net)
* Herbie Hancock plays jazz for a more peaceful world (SydneyOperaHouse.com)
* An oral history of the Fender Stratocaster (Guitar.com)
* George Benson Salutes Rock Pioneers Chuck Berry, Fats Domino (DownBeat)
* Everything You Know Is Wrong: Rock & Roll Was Invented In Wildwood, New Jersey! (PleaseKillMe.com)
* What Was The First Rock & Roll Record? Deke Dickerson Says It’s ‘Rock Around The Clock’ (PleaseKillMe.com)
* Terence Blanchard Named First Kenny Burrell Chair at UCLA (Jazz Times)
* The Chaotic Magic of Bob Dylan’s Rolling Thunder Revue (The New Yorker)

Sunday, April 07, 2019

Sunday Session: April 7, 2019

James Carter
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* James Carter Revisits the Music of Django Reinhardt (Westword)
* CD REVIEW.. Bill Evans – Evans in England (Ronnie Scotts, Dec 1969) (London Jazz News)
* Hannibal Lokumbe: Always Go With the Feeling (New Music Box)
* Hardly Anyone on the Pop Charts Writes Their Own Music (Alone) Anymore (Rolling Stone)
* Live Review: Big Ears Festival 2019 (Jazz Times)
* We Spoke To The Head Of Music At Ronnie Scott’s About The Rise Of British Jazz (Complex.com)
* Galactic Takes Over Historic New Orleans Venue Tipitina’s (DownBeat)
* Steve Cropper reflects on a lifetime of playing guitar with a who's who of musical titans (Straight.com)
* Colonel Sanders at the Rave: Kentucky Fried Chicken’s Presence at Ultra Music Festival Was Disturbing (Pitchfork.com)
* Sounds from Tomorrow's World - Sun Ra and the Chicago Years, 1946-1961 (UChicago.edu)
* Red Bull Music Academy, Radio to Shut Down After 21-Year Run (Rolling Stone)
* Jazz pioneer Buddy Bolden’s historic house cited for demolition by neglect (New Orleans Times-Picayune)
* Kamasi Washington Is Finding That There Are No Wrong Notes (GQ)
* Pharoah Sanders: Spirit Ascending (BrooklynRail.org)
* Tibetan Musical Notation Is Beautiful (OpenCulture.com)
* Premiere: Hear the Title Track from Melissa Aldana’s Upcoming Motéma Album, ‘Visions’ (DownBeat)
* Melvin Gibbs Isn’t Looking Back (Jazz Times)
* Ruthie Foster, the Blues, and a Town That Needs Lifting (No Depression)
* ‘Old Town Road’ and the History of Black Cowboys in America (Rolling Stone)
* Country Music Excludes Women, Especially Over Age 40, Study Finds (NPR)
* Aaron Diehl: paradox at the piano (Rochester City Newspaper)

Wednesday, February 06, 2019

Jazz this week: Chucho Valdes; Aldana, Cohen & Hill; Dianne Reeves; Branch, Lonberg-Holm & Solberg; and more

It's a busy week for jazz and creative music in St. Louis, with two very different shows featuring special combinations of multiple headliners on one stage, plus headlining performances from a couple of other major jazz stars, and more. Let's go to the highlights...

Wednesday, February 6
The estimable pianist Chucho Valdés continues with his "Jazz Bata" show, featuring a mix of jazz and Cuban folkloric elements, through Thursday at Jazz St. Louis.

Also on Wednesday, this week's "Grand Center Jazz Crawl" features multi-instrumentalist TJ Muller and Friends at The Stage at KDHX, the weekly jam session hosted by bassist Bob DeBoo at the Kranzberg Arts Center, and trumpeter Kasimu Taylor at The Dark Room.

Thursday, February 7
Guitarist Dan Rubright of The Wire Pilots leads a quartet in a free concert of original music for the Jazz at Holmes series at Washington University.

Also on Thursday, singer and multi-instrumentalist Tonina Saputo performs at Joe's Cafe, and St. Charles County's own 636 Big Band, directed by trumpeter Keith Moyer, will be playing at Red Fish, Blue Fish, located just south of I-70 in Hawks Nest Plaza.

Friday, February 8
Saxophonist Melissa Aldana, pianist Emmet Cohen and trumpeter Marquis Hill (pictured, top left) will wrap up a week-long educational residency by joining forces for the first of two nights of performances at Jazz St. Louis.

At ages 30, 28, and 32 respectively, Aldana, Cohen and Hill all could be considered among the top young players on their respective instruments now working mostly in the mainstream tradition, and all three are bandleaders in their own right.

As is usually the case with one-off ensembles, it's hard to know how sympatico their individual styles may be until they actually hit the stage together, but on paper, these three seem like a good match. And if things are bit looser than they might be with a regular working band, listeners still will be getting three headliners for the price of one.

Also on Friday, the Arcadia Dance Orchestra will be joined by special guest multi-instrumentalist  Andy Schumm of the Chicago Cellar Boys for a show at The Stage at KDHX.

Saturday, 
February 9
New Music Circle presents trumpeter Jaimie Branch, cellist Fred Lonberg-Holm and percussionist Stäle Liavik Solberg (pictured, center left) at The Stage at KDHX

Though they're not a regular working band, the three have performed together before, which should provide just enough familiarity to ease them into an evening of freely improvised music.

The concert also marks the St. Louis debut of Branch, a Chicagoan-turned-New Yorker who is one of the more noteworthy young trumpeters to emerge on the improvised music scene in recent years. You can find out more about her and see some performance videos, including one with Lonberg-Holm and Solberg, in this post from last month.

Also on Saturday, singer Dianne Reeves (pictured, bottom left) performs at the Sheldon Concert Hall. Generally acknowledged as one of the most accomplished female jazz vocalists working today, Reeves last year was named an NEA Jazz Master, a significant milestone in a four-decade-long career that fortunately shows no signs of slowing down yet.

Reeves also has some musical connections to the St. Louis area, and you can find more about those and see some videos of recent performances in this post from last Saturday.

Sunday, February 10
Trumpeter Jim Manley plays for brunch at Evangeline's, while bassist/singer Janet Evra performs at The Dark Room.

Then on Sunday evening, singer Will Downing will be in town for a "Valentine's Weekend Kick-Off" performance at Harris-Stowe State University, with St. Louis' Lamont Hadley opening.

Monday, February 11
Dizzy Atmosphere returns to The Shaved Duck, and keyboardists Kim Portnoy and Nick Schlueter will team up for a duo concert at Webster University's Winifred Moore Auditorium.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Sunday, January 20, 2019

Sunday Session: January 20, 2019

Nicole Mitchell
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Why the ‘BlacKkKlansman’ score could (and should) earn Terence Blanchard his first Oscar nod (Los Angeles Times)
* A conversation with Bill Frisell: making music in 2019 and the upcoming concert in Fallon (NevadaCapitalNews.org)
* Javon Jackson Extends the Tradition (DownBeat)
* Winter Jazzfest 2019: 10 Best Things We Saw (Rolling Stone)
* Pitt names Nicole Mitchell as head of jazz studies department (Pittsburgh Post-Gazette)
* Carlos Santana on the Power of ‘The Mona Lisa,’ Today’s New Hippies (Rolling Stone)
* Q&A with Vibraphonist Joe Locke: Between the Heart and Mind (Jazziz)
* 'Green Book' Composer on Playing Mahershala Ali's Double: "My Life Prepared Me Perfectly" (Hollywood Reporter)
* Melissa Aldana & Sonny Rollins (Burning Ambulance)
* TIDAL ‘fake streams’: Criminal investigation underway over potential data fraud in Norway (MusicBusinessWorldwide.com)
* Threadgill Premieres New Composition at Cleveland Museum of Art (DownBeat)
* A History of American Protest Music: Come By Here (LongReads.com)
* Once a Year, Over 27,000 Elvis Fans Flood This Small Australian Town (Smithsonian)
* Double Vision: Winter Jazzfest Fosters Co-Led Ensembles (DownBeat)
* In Memoriam: Joseph Jarman (DownBeat)
* Nina Simone's 'Lovely, Precious Dream' For Black Children (NPR)
* Blue Note Launches Limited Edition Wall Art Series Of Classic Album Designs (UDiscoverMusic.com)
* Drummer Nate Smith’s Universe of Beats (DownBeat)
* Is Spotify’s Model Wiping Out Music’s Middle Class? (TheRinger.com)
* The economics of streaming is making songs shorter (QZ.com)
* Remembering jazz great Perry Robinson, Hoboken's 'most famous non-famous person in music' (NJ.com)
* REPORT: Winter Jazzfest Marathon Weekend in New York (London Jazz News)
* Legendary guitarist Reggie Young — key sideman to Elvis, Waylon, Willie and more — dead at age 82 (Memphis Commercial Appeal)
* Live Review: New York Winter Jazzfest 2019 (Jazz Times)
* Battle of the Ax Men: Who Really Built the First Electric Rock 'n' Roll Guitar? (Collector's Weekly)
* Different Ways To See And Be: The Lives Of Joseph Jarman And Alvin Fielder (NPR)

Wednesday, March 14, 2018

Jazz this week: Melissa Aldana Quartet, Ben Wendel's "The Seasons," Galactic, and more

This week's calendar of live jazz and creative music in St. Louis features performances from two stellar saxophonists, one of New Orleans' favorite funk bands, and more.

Let's go to the highlights...

Wednesday, 
March 14
Saxophonist Melissa Aldana returns with her quartet for the first of four nights of performances at Jazz at the Bistro.

Aldana, who was born in Chile and educated at Berklee, has enjoyed a fast rise in the jazz world since becoming the first female instrumentalist and the first South American to win the annual Thelonious Monk competition in 2013, thanks to her distinctive tone on tenor sax and a musical approach influenced by players such as Sonny Rollins, Don Byas and Mark Turner.

For more about Aldana, you can see and hear some samples of her playing on video in this post, which dates from her St. Louis debut two years ago, and read an interview with her published a few weeks ago by the Chicago Tribune here.

Aldana's sets also will be simulcast on video to the first-floor lounge opposite the Bistro, where they can be viewed for free as part of the "Grand Center Jazz Crawl,"  which this week also includes Jacob Alspach and Friends at The Stage at KDHX, the jam session led by bassist Bob Deboo at the Kranzberg Arts Center, and trumpeter Kasimu Taylor's quartet at The Dark Room.

Thursday, March 15
Saxophonist Ben Wendel performs at The Ready Room. Wendel (pictured, top left), best known as a member of the cooperative band Kneebody, currently is touring with music from a project called "The Seasons," which featured 12 original compositions dedicated to musical friends and colleagues that were released as a series of duo performances on video over the course of a year.

You can find out more about Wendel and "The Seasons," and hear some of the compositions that have been expanded to full-band arrangements for the tour, in this post from a week ago Saturday.

Update: 1:30 p.m. Wednesday, March 14: StLJN has just gotten word from Ben Wendel's publicist that his St. Louis date has been cancelled. If you bought tickets, contact your point of purchase for refund details.

Also on Thursday, New Orleans funk/jazz band Galactic (pictured, bottom left) will be back for another visit to St. Louis, their destination this time being Delmar Hall; Cincinnati "garage jazz" band Animal Mother tops a bill that also includes Animal Children and saxophonist Dave Stone at Foam; and saxophonist Ben Reece's Unity Quartet returns to The Dark Room.

Friday, March 16
Catch some of St. Louis' own at one of several weekly residencies happening on Fridays, including pianist Ptah Williams' trio at The Dark Room; singer and guitarist Tommy Halloran at Das Bevo Underground, or saxophonist Tim Cunningham at Troy's Jazz Gallery.

Saturday, March 17
Pianist Christopher Parrish plays a matinee at the Scott Joplin House State Historic Site's Rosebud Cafe as part of a new monthly series presented by the Friends of Scott Joplin.

Then on Saturday night, singer Tony Viviano will be doing his thing at Table Three, while keyboardist Mo Egeston offers late night grooves at The Dark Room.

Sunday, March 18
The St. Louis Jazz Club presents Miss Jubilee in concert at the Moolah Shrine Temple in Maryland Heights.

Monday, March 19
Trumpeter Jim Manley will be back at Momo's Greek Restaurant, and pianist Carolbeth True and saxophonist Paul DeMarinis will perform a duo concert at Webster University's Winifred Moore Auditorium.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Saturday, January 06, 2018

StLJN Saturday Video Showcase: Winter/spring 2018 jazz preview, part 4



This week, StLJN's winter/spring 2018 jazz preview continues with part four of a series of posts featuring videos of the jazz and creative music performers who will be coming to St. Louis in the first few months of the new year. (If you missed the previous installments, you can see part one here, part two here, and part three here.)

Continuing in chronological order from where part three left off, today's first video features singer Marilyn Maye, the grande dame of cabaret who will perform Wednesday, March 7 and Thursday, March 8 at Jazz at the Bistro. She's seen here singing a medley of "Secret of Life" and "Here’s to Life," recorded June 5, 2017 at the fifth anniversary celebration of Feinstein's/54 Below in New York City.

After the jump, you can see a clip of Melissa Aldana, who will lead her quartet in shows starting Wednesday, March 14 continuing through Saturday, March 17 at the Bistro. The video shows the Chilean-born, Berklee-educated saxophonist with pianist Sam Harris, bassist Pablo Menares and drummer Craig Weinrib playing "Turning & Over There" in November 2017 at the venue musig im pflegidach in Muri, Switzerland.

That week also features two more concerts of interest to StLJN readers on Thursday, March 15, when New Orleans jazz/funk band Galactic will be playing at Delmar Hall while saxophonist Ben Wendel performs at The Ready Room.

Galactic can be seen in the second video after the jump, playing a full set recorded in February 2017 at the Music Box in San Diego, CA, followed by Wendel, a founding member of Kneebody, playing "Song Song" from his album What We Bring in a undated video with Gerald Clayton, Joe Sanders, and Henry Cole.

Next up, it's The Thing, the avant-jazz trio of saxophonist Mats Gustafsson, bassist Ingebrigt Haker Flaten, and drummer Paal Nilssen Love. They'll be in St. Louis on Thursday, March 22 for a concert presented by New Music Circle at Off Broadway, and can be seen here playing a full set recorded November 27, 2017 at Blue Tomato in Vienna, Austria.

the penultimate clip features bassist Victor Wooten's trio with drummer Dennis Chambers and saxophonist Bob Franceschini. They're set to perform on Tuesday, March 27 at the Old Rock House, and are seen here playing "Love is My Favourite Word" in February 2016 at the Blue Note in Milano, Italy.

Last, but certainly not least, it's The Baylor Project, fronted by the husband-and-wife team of drummer and St. Louis native Marcus Baylor and singer Jean Baylor, who are performing Wednesday, March 28 through Saturday, March 31 at the Bistro.

The Baylors, who are nominated in for 2018 Grammy Awards in both the "Best Traditional R&B Performance" and "Best Jazz Vocal Album" categories, can be seen in today's final video performing their Grammy-nominated song "Laugh and Move On," in a version recorded live last year at the studios of radio station WERS in Boston.

Look for part five of StLJN's winter/spring 2018 jazz preview next week in this space. You can see the rest of today's videos after the jump...

Wednesday, April 27, 2016

Jazz this week: Melissa Aldana, Keri Johnsrud, Peter and Will Anderson, and more

Although this week's schedule of jazz and creative music is considerably less jam-packed than last week's, listeners still will have a chance to check out several intriguing young performers visiting St. Louis, plus an assortment of shows from various hometown favorites.

Let's go to this highlights...


Wednesday, April 27
Saxophonist Melissa Aldana (pictured, top left) makes her St. Louis debut with the first of four evenings of performances continuing though Saturday at Jazz at the Bistro

Aldana, a 27-year-old native of Chile who studied at Berklee College of Music, draws significant inspiration from saxophonists a couple of generations her elder - most notably Sonny Rollins, but also Joe Henderson, Cannonball Adderly, and even older players as Don Byas and Lucky Thompson, whom she learned about as a young girl from her father, also a professional sax player.

She first made a big splash here in the US in 2013 when she became the first female instrumentalist ever to win the annual Thelonious Monk International Jazz Competition. For more about Aldana, and some video samples of her performances - including her award-winning set at the Monk competition - see this post from last Saturday.

Also on Wednesday, The 442s will perform for the monthly music series at the World Chess Hall of Fame.

Thursday, April 28
Saxophonist Jim Stevens leads a quartet at Hammerstone's; pianist Brad Ellebrecht and singer Wendy Gordon will perform at Evangeline's; the Tavern of Fine Arts hosts their monthly open mic featuring live improvised music; and singer Ken Haller reprises the cabaret show "Song by Song by Sondheim" at The Monocle.

Friday, April 29
Chicago-based singer Keri Johnsrud, who made her St. Louis debut a few weeks ago with a concert at The Chapel in Clayton, will be back in our town for a more informal show at Evangeline's.

Johnsrud (pictured, center left) is a third-generation singer who's originally from Iowa. She's played top Chicago venues including the Green Mill and the Jazz Showcase, and has released two albums, the most recent of which, 2015's This Side of Morning, featured all original material.

Also on Friday, the saxophone-playing brothers Peter and Will Anderson will perform at the Tavern of Fine Arts. Hailing from Washington DC, the brothers both studied at the Juilliard School and then took up residence there in NYC after graduation. Since then, in addition to fronting their own group on tour and as leaders on a couple of recordings, they've also appeared with the Jimmy Heath Big Band, the Jazz at Lincoln Center Orchestra, and the Vanguard Jazz Orchestra.

Elsewhere that evening, Sarah Jane and the Blue Notes will play for a swing dance sponsored by Lindy Hop St. Louis at the Casa Loma Ballroom, and the Funky Butt Brass Band plays their monthly gig at Broadway Oyster Bar.

Saturday, April 30
Guitarist Todd Mosby (pictured, bottom left) will play music from his new album On Eagle Mountain at the Focal Point in Maplewood; singer Feyza Eren will perform at Alton's Jacoby Arts Center; and guitarist Vincent Varvel leads a trio at The Dark Room.

Sunday, May 1
The Spring edition of the St. Louis Record & CD Collector Show will take place Sunday morning and afternoon at the American Czech Hall, and that evening, the St. Louis Low Brass Collective will present their annual "Showcase Concert" at Ladue Horton Watkins High School, 1201 S Warson Rd, 63124

Monday, May 2
Trumpeter Jim Manley continues his regular Monday night residency at Momo's Greek Restaurant in U City.

Tuesday, May 3
Pianist Greg Mills and friends will present "Soliloquy IV," a night of solo improvised performances, at the Tavern of Fine Arts.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Saturday, April 23, 2016

StLJN Saturday Video Showcase:
Introducing Melissa Aldana



This week, let's check out some video performances featuring saxophonist Melissa Aldana, who will making her St. Louis debut starting next Wednesday, April 27 through Saturday, April 30 at Jazz at the Bistro

A 27-year-old native of Santiago, Chile, Aldana began learning saxophone at age 6 from her father Marcos Aldana, a professional saxophonist in Chile. She started playing in local clubs as a teenager, and in 2005 met pianist Danilo Pérez, who was touring in Chile with saxophonist Wayne Shorter. Pérez helped arrange an audition for Aldana at Berklee College of Music, where she was accepted and studied with teachers including Joe Lovano, George Garzone, St. Louis' own Greg Osby, and others.

After graduating from Berklee, Aldana moved to New York, where she was mentored by Osby and veteran tenor saxophonist George Coleman. In 2013, she entered the Thelonius Monk International Jazz Saxophone Competition and became the first female instrumentalist to win the prize.

Aldana has released four albums, the most recent being Back Home, which came out earlier this year and features her current trio with bassist Pablo Menares and drummer Jochen Rueckert.

You can see and hear that trio in action in the first video up above, which features Aldana performing her tune "Sonny" (named in honor of Sonny Rollins) in January of this year at the Movitz Jazz Club in Östersund, Sweden.

After the jump, you can see nearly an hour's worth of Aldana's trio, as recorded by Vermont PBS last fall during the Discover Jazz festival at the Flynn Center for the Performing Arts in Burlington, VT. That's followed by an outtake from the program, a version of "My Ship".

Below that, you can see Aldana play "M&M" in September 2014 at the Monterey Jazz Festival, followed by another full set recorded by radio station WBGO in October 2013 at Berklee College of Music, featuring Aldana, Menares, and drummer Francisco Mela.

The last clip shows Aldana's award-winning performance at the 2013 Thelonious Monk Institute Jazz Saxophone Competition. And yes, that's former St. Louisan Reggie Thomas backing her up on piano, along with bassist Rodney Whitaker and drummer Carl Allen.

For more about Melissa Aldana, see her 2014 interviews with Jazz Times, Revive Music and NPR, and her interview recorded earlier this year at radio station KUSP in Monterey.

You can see the rest of today's videos after the jump...

Saturday, January 16, 2016

StLJN Saturday Video Showcase:
Winter/spring 2016 jazz preview, part 5



This week, let's wrap up StLJN's winter/spring 2016 jazz preview, with the fifth and final post featuring videos of bands and musicians who will be performing here in the next few months. (If you came in late, or just want revisit the previous installments, here are links to part one, part two, part three, and part four.)

Picking up roughly when part four concluded, today's edition begins with saxophonist Melissa Aldana, who will be making her St. Louis debut with a four-night gig starting Wednesday, April 27 and continuing through Saturday, April 30 at Jazz at the Bistro.

Aldana, who's originally from Chile and now is based in NYC, is a 2009 graduate of Berklee College of Music whose career got a big boost when she won the 2013 Thelonious Monk International Jazz Saxophone Competition. In the first video up above, you can see Aldana, bassist Pablo Menares, and drummer Francisco Mela performing a full set in 2013 at Berklee.

After the jump, there's a full set from pianist Cyrus Chestnut, who should be familiar to local jazz fans from his numerous previous appearances here over the past decade. Chestnut will be returning to perform on Saturday, May 7 at the Sheldon Concert Hall, and today's video shows him with his trio at a concert in 2014 at Bowdoin College in Maine.

Next, it's guitarist Pat Martino, who will be back in St. Louis to play starting Wednesday, May 11 through Saturday, May 14 at the Bistro. Like Chestnut, Martino has been a fairly regular visitor here in recent years, performing most recently at the Bistro in December 2013. In the third video, you can see and hear his set from February 2014 at the Lotos Jazz Festival in Poland, accompanied by organist Pat Bianchi and drummer Carmen Intorre.

The final two videos feature pianist and singer Freddy Cole and saxophonist Harry Allen, who will revisit their team-up from 2013 and 2015 for a week of performances starting Wednesday, May 25 through Saturday, May 28 at the Bistro.

You can see Cole and his band performing a full set in 2014 at the Jazz San Javier festival in Spain and then, in the final video, Allen's first set from a gig in July 2015 at Dizzy's in Jazz at Lincoln Center, accompanied by pianist Ehud Asherie, bassist/vocalist Nicki Parrott, drummer and vibraphonist Chuck Redd, and percussionist Little Johnny Rivero.

In the coming weeks and months, some of the bands and musicians featured in this preview series will get a more extensive look, and of course, as additional jazz and creative music bookings for this year in St. Louis are announced, StLJN will have the news for you right here. In the meantime, you can see the rest of today's videos after the jump...