Showing posts with label Nina Simone. Show all posts
Showing posts with label Nina Simone. Show all posts

Wednesday, March 31, 2021

April is Jazz Appreciation Month

It's time once again for Jazz Appreciation Month, the annual celebration of jazz music sponsored every April by the Smithsonian Institution.

Now in its 20th year, Jazz Appreciation Month (or JAM) was created "to draw greater public attention to the extraordinary heritage and history of jazz and its importance as an American cultural heritage. In addition, JAM is intended to stimulate the current jazz scene and encourage people of all ages to participate in jazz—to study the music, attend concerts, listen to jazz on radio and recordings, read books about jazz, and support institutional jazz programs."

This year, JAM is recognizing "the historical legacy of pianist, singer, songwriter, storyteller, and civil rights activist Nina Simone," who is featured on the poster created this year by Duke Ellington School of the Arts sophomore visual arts student Naa Anyele Sowah-de Jesus.

At the end of the month, jazz fans worldwide also will celebrate the tenth annual International Jazz Day on Friday, April 30. Sponsored by the United Nations Educational, Scientific and Cultural Organization (UNESCO), International Jazz Day is designed to highlight jazz and its diplomatic role of uniting people in all corners of the globe.

Due to the COVID pandemic, the all-star concert associated with International Jazz Day will be held online again this year, but there also are dozens of local and regional events scheduled both online and in person for that day. A complete schedule of International Jazz Day events can be found on jazzday.com, and jazz fans and musicians also are invited to post their videos and audio recordings."

As for Jazz Appreciation Month, the Smithsonian offers a list of ways to celebrate, and has produced a poster (pictured) of Simone.

The 2021 posters were distributed for free to schools, libraries, music and jazz educators, music merchants and manufacturers, radio stations, arts presenters, and U.S. embassies worldwide, and are available to the general public as a downloadable PDF. You also can see and download commemorative posters from the previous 19 years of JAM here.

Sunday, March 07, 2021

Sunday Session: March 7, 2021

Eddie Henderson
Here's this week's roundup of various music-related items of interest:

* Two-Thirds of New York City’s Arts and Culture Jobs Are Gone (Bloomberg.com)
* Rock, Race, and History: A Conversation with Vernon Reid (Line6.com)
* 25 essential jazz songs that trace the quintessential American artform through history (USA Today)
* How We’ll Be Able to Hear Live Music This Summer (Curbed.com)
* 'Sisters With Transistors': Pioneers Of Electronic Music (NPR)
* Charlie Parker, KC Jazz legend, to receive star on the Hollywood Walk of Fame (KSHB)
* The sound of music in veterinary medicine (DVM360.com)
* Escalator Over the Hill, by Carla Bley (MusicAficionado.blog)
* Eddie Henderson: Bright Moments (Jazz Times)
* 50 Years Later, Why Marvin Gaye's Seminal Album 'What's Going On' Endures (WBUR)
* Ralph Peterson Jr. 1962–2021 (Jazz Times)
* Recording Andra Day as Billie Holiday Was an Exercise in ‘Surround’ Sound (Variety)
* The Greatness of Nina Simone: Listen to Our Podcast on the Legendary Singer (Rolling Stone)
* Without support, freelance musicians will continue falling into hardship (BigIssue.com)
* Tulane University jazz archive gets new name and expanded mission (Tulane.edu)
* Music Streaming: Is It a Level Playing Field? (CompetitionPolicyInternational.com)
* Jazz legend, after house partially collapses, gets help from philanthropist, neighbors (WHYY)
* The Jazz Pianist Using a Computer Program to Play with Other Musicians in Quarantine (The New Yorker)
* On João Gilberto (AquariumDrunkard.com)
* Jimmy “Duck” Holmes: “People think of blues as hard times and sadness, they don’t look at the soul behind it” (Down At The Crossroads)
* The Checkout: Saxophonist Immanuel Wilkins on the Quest for an Overwhelming Sound (WBGO)
* The patterns are already there: remembering Milford Graves (The Wire)
* To boo or not to boo: Catcalls are the musical audience’s tool of last resort (San Francisco Chronicle)
* Hasaan Ibn Ali: Lost Album Found, New Chapter Opened (Jazz Times)
* New Compilation Of Old Tunes Is 'An Alternate History Of The World's Music' (NPR)
* Saving Birdland—and Jazz History (The New Yorker)
* Backup Singer Dolette McDonald on Her Years With Talking Heads, the Police, and Don Henley (Rolling Stone)
* Soul Superhero - The massive life and tragic death of King Curtis (WaxPoetics.com)
* David Crosby on dinner with Joni, Phoebe Bridgers and the 50th anniversary of his haunted solo debut (Los Angeles Times)

Sunday, August 25, 2019

Sunday Session: August 25, 2019

Ahmad Jamal
Here's this week's roundup of various music-related items of interest:

* Tenor Sax Hero David Murray Opens Up About His Journey and His Legacy, on The Checkout (WBGO)
* How Was Woodstock Originally Reported 50 Years Ago? (Billboard)
* In his own words: New Leon Russell book shares remembrances from Tulsa music legend (Tulsa World)
* The History of Record Guides, 1934-79 (Part One) (DonaldEArmstrong.com)
* Duane Allman’s ‘Layla’ Guitar Sells for $1 Million at Auction (Rolling Stone)
* The 30 best films about music, chosen by musicians (The Guardian)
* Caretakers Help the Detroit Festival Hit the 40-Year Mark (DownBeat)
* Elvis Presley’s Bandleader Looks Back on His Wild Vegas Years: ‘Elvis Was Really Nervous’ (TheDailyBeast.com)
* This is the Album of the Future (New Music Box)
* Billie Full Of Grace (NPR)
* A Conversation with Ahmad Jamal (SFJAZZ.org)
* (Un)happy Partners: On Jazz and Independent Film (Los Angeles Review of Books)
* Nina Simone: Anthems, anguish and resistance (The Times Literary Supplement)
* Can music journalism transcend its access problem? (Columbia Journalism Review)
* Films for Big Eyes: Charlemagne Palestine’s Baker’s Dozen (TheQuietus.com)
* Does humour belong in music? (Jazz Journal)
* Why Wil Blades is the Latest Celebrated Jazz Musician to Leave the Bay Area (KQED)
* Forget Guitars. Buy a Rocker’s Childhood Home (Rolling Stone)
* A Serious Jazz Take on "Old Town Road"? Big Chief Donald Harrison, Jr. Has Got It Covered (WBGO)
* Sara Gazarek Charts a Path Through Loss, Heartache on ‘Thirsty Ghost’ (DownBeat)
* A Toy Company Now Owns Death Row Records (Rolling Stone)
* How Artist Imposters and Fake Songs Sneak Onto Streaming Services (Pitchfork)
* How a Québécois filmmaker got John Coltrane to record the only soundtrack of his career (CBC.ca)

Sunday, August 04, 2019

Sunday Session: August 4, 2019

Nina Simone
Here's this week's roundup of various music-related items of interest:

* Rising numbers of younger fans spark a UK jazz renaissance (The Guardian)
* Hello, Brave New World! (NPR)
* Patrice Rushen’s Journey Through Jazz, Popular Music and Hollywood (DownBeat)
* Concord Jazz Festival celebrates 50 years as champion of jazz vocals (San Francisco Chronicle)
* 'The Black Messiah' And The Legacy Of Cannonball Adderley (NPR)
* “Give me a blues song, tell the world what’s wrong...” (Majorca Daily Bulletin)
* Mammoth concert grand piano unveiled to public in Latvia (Deutsche Welle)
* Lauren Sevian Working Beyond ‘Bliss’ (DownBeat)
* Carla Bley: “I’m trying to be normal, to sound totally classical, but I fail.” (Qwest.tv)
* In a globalized world, music fragments take unexpected roads (Associated Press)
* Concord Jazz Fest 2019: Celebrating an empire that grew out of car dealership (San Jose Mercury News)
* Nina Simone’s Childhood Home Is Under Threat. This Campaign Aims to Save It (Smithsonian)
* Exclusive video interview: Don Was talks about Blue Note Records (Jazzwise)
* Shabaka Hutchings at the ‘Peak of Intensity’ (DownBeat)
* Artist Spotlight: Lionel Loueke (Jazz Times)
* Saalfelden Festival Offers Good Vibes (DownBeat)
* Surviving Woodstock (The New Yorker)
* Shabaka Hutchings - The Future of Afrofuturism (SFJAZZ.org)
* We’ve Got A File On You: Bruce Hornsby (Stereogum.com)
* It’s Bootsy, baby: The funk legend sits down with PW ahead of his charity appearance in West Philly (Philadelphia Weekly)
* Randy Newman Finds a New Audience, Again (TheRinger.com)
* Cassettes Are Back, and It’s Not About the Music (Bloomberg.com)
* Why is it so hard to keep an orchestra afloat? The Baltimore Symphony Orchestra is not alone in its woes (Baltimore Sun)
* ‘It’s a knife fight.’ Here’s how 3 orchestras facing the same problems as the Baltimore Symphony bounced back (Baltimore Sun)
* A superstar jazz musician in Ethiopia, then a D.C. cab driver, now ready for Newport Jazz Festival (Newport Daily News)
* Young volunteers assist in Coltrane home rehab (Long Island Business News)

Sunday, January 20, 2019

Sunday Session: January 20, 2019

Nicole Mitchell
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Why the ‘BlacKkKlansman’ score could (and should) earn Terence Blanchard his first Oscar nod (Los Angeles Times)
* A conversation with Bill Frisell: making music in 2019 and the upcoming concert in Fallon (NevadaCapitalNews.org)
* Javon Jackson Extends the Tradition (DownBeat)
* Winter Jazzfest 2019: 10 Best Things We Saw (Rolling Stone)
* Pitt names Nicole Mitchell as head of jazz studies department (Pittsburgh Post-Gazette)
* Carlos Santana on the Power of ‘The Mona Lisa,’ Today’s New Hippies (Rolling Stone)
* Q&A with Vibraphonist Joe Locke: Between the Heart and Mind (Jazziz)
* 'Green Book' Composer on Playing Mahershala Ali's Double: "My Life Prepared Me Perfectly" (Hollywood Reporter)
* Melissa Aldana & Sonny Rollins (Burning Ambulance)
* TIDAL ‘fake streams’: Criminal investigation underway over potential data fraud in Norway (MusicBusinessWorldwide.com)
* Threadgill Premieres New Composition at Cleveland Museum of Art (DownBeat)
* A History of American Protest Music: Come By Here (LongReads.com)
* Once a Year, Over 27,000 Elvis Fans Flood This Small Australian Town (Smithsonian)
* Double Vision: Winter Jazzfest Fosters Co-Led Ensembles (DownBeat)
* In Memoriam: Joseph Jarman (DownBeat)
* Nina Simone's 'Lovely, Precious Dream' For Black Children (NPR)
* Blue Note Launches Limited Edition Wall Art Series Of Classic Album Designs (UDiscoverMusic.com)
* Drummer Nate Smith’s Universe of Beats (DownBeat)
* Is Spotify’s Model Wiping Out Music’s Middle Class? (TheRinger.com)
* The economics of streaming is making songs shorter (QZ.com)
* Remembering jazz great Perry Robinson, Hoboken's 'most famous non-famous person in music' (NJ.com)
* REPORT: Winter Jazzfest Marathon Weekend in New York (London Jazz News)
* Legendary guitarist Reggie Young — key sideman to Elvis, Waylon, Willie and more — dead at age 82 (Memphis Commercial Appeal)
* Live Review: New York Winter Jazzfest 2019 (Jazz Times)
* Battle of the Ax Men: Who Really Built the First Electric Rock 'n' Roll Guitar? (Collector's Weekly)
* Different Ways To See And Be: The Lives Of Joseph Jarman And Alvin Fielder (NPR)

Sunday, December 02, 2018

Sunday Session: December 2, 2018

Arturo O'Farrill
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Grammy Winning Saxophonist Frank Catalano On Alternative Revenue Streams And Trio Of New Live Albums (Forbes)
* When you're smiling: Louis Armstrong museum shares digitized pictures of jazz legend (New York Daily News)
* How The 'New World' Symphony Introduced American Music To Itself (NPR)
* One-Hit Wonders Who Deserve a Second Chance (MelMagazine.com)
* William Hooker Interview (InTheTrove.com)
* Green Book: The Real-Life Story of Dr. Don Shirley (Vanity Fair)
* Arturo O’Farrill’s ‘Fandango’ Spans Border to Unify Cultures, Musics (DownBeat)
* Tony Williams Gets the Deluxe Treatment in 'Blue Note Review: Volume Two – Spirit & Time' (WBGO)
* Singer-songwriter John Prine: Still alive and kickin' (CBS News)
* Beneath the Surface of Bruce Springsteen (Esquire)
* The rise of Africa’s most exciting new dance music scenes (DazedDigital.com)
* A Burst of Reissues from the Catalog of Frank Zappa (DownBeat)
* Art Ensemble Chronicled in Massive ECM Box Set (DownBeat)
* Local archaeologist shares discovery about early music (Left Hand Valley Courier)
* Everything on Social Media Is for Sale (The Atlantic)
* Mick Jagger Talks New Rolling Stones Tour, Aretha Franklin and Grammys (Billboard)
* Nina Is Everywhere I Go (Oxford American)
* A Moment in Time - An Interview with Terence Blanchard (ScoreIt.org)
* 'Conserve the Sound' hopes to save sounds of old tech before they're gone (CBC)
* Cyrille Aimée Pushes Herself into New Terrain with 'Move On: A Sondheim Adventure' (WBGO)
* Keith Richards on Rolling Stones’ Stadium Tour: ‘Maybe This Will Be the Last One’ (Rolling Stone)
* Iconic 1958 photo - which featured the biggest names in jazz - is brought to life by never-before-seen frames from legendary photographer Art Kane's shoot (Daily Mail)
* The Place of the Drum Solo in Jazz (Jazz Times)
* Farewell Mary Jane: Grieving for a lost jazz hideout (Japan Times)
* If you think you know who Philip Glass is, you probably don’t (Washington Post)
* Meet Skull Snaps, a Forgotten Funk Band That Soundtracked Hip-Hop (Bandcamp.com)
* Library of Congress Acquires Billy Strayhorn Archive (Jazz Times)
* Jazz icon Wayne Shorter can play anything. He’s still trying to say everything (Washington Post)
* Funk was the black answer to “Star Wars”: Take the trip with “Tales From the Tour Bus” (Salon.com)
* "For the sake of a couple of bucks, they deserted us": Vancouver's last classical record store to close (CBC)
* Expansive Martinelli Book Examines European Jazz History (DownBeat)

Sunday, June 24, 2018

Sunday Session: June 24, 2018

Eric Dolphy
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Back in Swing: The Secret Subculture of Jazz Cafes (Japan Forward)
* The home of timeless music (CNet.com)
* George Clinton: ‘If people don’t like funk, it’s just the wrong time for them’ (The Guardian)
* Lorraine Gordon, 1922 — 2018 (EthanIverson.com)
* How Herbie Hancock Charted New Territory With ‘Empyrean Isles’ (UDiscoverMusic.com)
* This simple robot offers more cowbell (TechCrunch.com)
* Rutgers Acquires Count Basie Collection (Jazz Times)
* Gregg Allman's Son Devon Talks Carrying on the Family Legacy (Rolling Stone)
* Herbie Hancock Looks Back on Work with Indy Jazz Legends (Nuvo.net)
* Warner to Launch Elektra Music Group as Standalone Company (Variety)
* Nina Simone’s Childhood Home Named National Treasure (Pitchfork)
* 16 Years Late, $13B Short, but Optimistic: Where Growth Will Take the Music Biz (Redef.com)
* The Sound Of Silence: Female Composers At The Symphony (NPR)
* Eric Dolphy: Gone In The Air (AllAboutJazz.com)
* Systems Two Recording, A Prolific and Pivotal Studio in Brooklyn, Quietly Closes Its Doors (WBGO)
* Arturo Sandoval Features Pharrell, Grande and More on ‘Ultimate Duets’ (DownBeat)
* Clatskanie native Nate Wooley translated musical passion into thriving New York career (TDN.com)
* Revered Drummer Brian Blade Draws a Through-Line from Jazz to Gospel (KQED)
* Archaeologists Just Sifted Through the Woodstock '69 Festival Field (Billboard)
* Brötzmann Reflects on ‘Machine Gun’ as it Hits 50th Anniversary (DownBeat)
* Jazz Commentary: Greg Hopkins Big Band at Ryles — Whither Big Bands? (ArtsFuse.org)
* Crosscurrents: Converging Jazz And Indian Classical Music (NPR)
* A Lot of Energy—Remembering Cecil Taylor (1929-2018) (New Music Box)
* Meet the Italian composer who conducts the world’s biggest all-robot orchestra (KXXV)
* The Axe Murderer Who Loved Jazz (WBUR)
* Can You Measure How Good a Song Is? (New Republic)

Sunday, April 15, 2018

Sunday Session: April 15, 2018

Nina Simone
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* The British jazz explosion: meet the musicians rewriting the rulebook (The Guardian)
* Monika Herzig’s SHEroes Addresses Gender in Jazz (DownBeat)
* Why Hip-Hop Is Taking Center Stage On Netflix's Original Music Programming (Forbes.com)
* At Tiny Telephone music studio, recording to tape is not a metaphor (KALW)
* MATA at 20 (New Music Box)
* How Drummer Albert "Tootie" Heath Learned to Play Jazz (Westword)
* Philadelphia native James Mtume returns to celebrate 35th anniversary of ‘Juicy Fruit’ (New Pittsburgh Courier)
* Jimmie Vaughan’s B-3 Vibe (Jazz Times)
* The Deceptively Accessible Music of Cecil Taylor (The Atlantic)
* Illuminating Cecil Taylor with Pianist Jason Moran, on The Checkout (WBGO)
* Turning The Tables: The 150 Greatest Albums Made By Women (As Chosen By You) (NPR)
* “All at Full Fullness”: Remembering Cecil Taylor - Steve Coleman, Vijay Iyer, Jason Moran, Matthew Shipp and Wadada Leo Smith pay tribute to an avant-jazz icon (Jazz Times)
* All That Jazz: A #JazzAppreciationMonth Podcast Round-up (Arts.gov)
* Music Publishers Win Major Copyright Fight Over Streaming of Legendary Rock Concerts (Hollywood Reporter)
* Composer Tyondai Braxton: 'I'm at war with myself. That's what the piece sounds like' (The Guardian)
* Spotify could kill Jazz, Soul and Classical music. Really. (SoulTracks.com)
* Q&A with Al Di Meola: In a Good Place (DownBeat)
* The New Jazz Torchbearer: Kamasi Washington on His Musical Message (Rolling Stone)
* Cecil Taylor and the Art of Noise (The New Yorker)
* The Revolutionary Genius of Cecil Taylor (The New Yorker)
* The British Guitar Embargo: When Brits Were Banned from Buying American (Reverb.com)
* How Nina Simone Captivated a New Generation (Rolling Stone)
* In Memoriam: Cecil Taylor (DownBeat)
* ‘It’s an insane project’: Toronto resident documenting city’s live-music history through posters (The Globe and Mail)
* Esperanza Spalding: Redefining Production - The bassist, composer and bandleader on her innovative recent "pop-up" album, "Exposure" (Jazz Times)
* How Musicians Are Using Field Recordings to Capture the Politics of Place (Pitchfork.com)
* ‘A Singular Sound, A Singular Force’: Artists Remember Jazz Great Cecil Taylor (BedfordAndBowery.com)
* Saxophonist Kamasi Washington Announces New Album 'Heaven and Earth' With Two Teaser Videos (NextBop.com)
* Hitting Reboot: Manhattan Transfer (DownBeat)
* American orchestras: Revamping the model, or embracing the obvious? (Washington Post)

Sunday, February 25, 2018

Sunday Session: February 25, 2018

Dave Burrell
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Jazz Icon Sonny Rollins on the Difference Between Knowing and Believing (RealClearLife.com)
* “Fascination and fear”: Rhythm and Reaction shows how Edwardian Britain responded to jazz (New Statesman)
* At Gala, SFJAZZ Connects with Preservation Hall (DownBeat)
* The Brian Eno Discography: Stream 29 Hours of Recordings by the Master of Ambient Music (OpenCulture.com)
* A Hall of Fame hitmaker finds happiness and harmony in Bellingham (Seattle Times)
* UK's first live music census warns of threats to small venues (Music Week)
* People find comfort listening to the same songs over and over, study finds (MedicalExpress.com)
* Didier Lockwood, French Jazz Violinist, Dies Suddenly at 62 (Billboard)
* Morton Subotnick Revivifies Silver Apples of The Moon for Its 50th Anniversary (San Francisco Classical Voice)
* How ‘Strange Fruit’ Killed Billie Holiday (Progressive.org)
* John McLaughlin on the Mystery of Creativity, Inspiration, & Music (AllAboutJazz.com)
* 'I didn't give a damn if it didn't sell': how Isaac Hayes helped create psychedelic soul (The Guardian)
* The 50 Best Jazz Guitarists Of All Time (UDiscoverMusic.com)
* The 2018 Vision Festival Will Honor Pianist Dave Burrell, and Feature Prime Younger Talent (WBGO)
* In Pursuit of a Streaming Jazz Utopia with Qwest TV, the New Service From Quincy Jones (WBGO)
* The Sound of Being (Opera News)
* Musical Revolutionary Ornette Coleman Unleashed Free Jazz in 1950s L.A. (LA Weekly)
* In Memoriam: Drummer Ndugu Chancler (DownBeat)
* Gibson Guitar Update: 150 days to save the brand (FarOutMagazine.co.uk)
* NOJO: A Second Chance to Swing (Jazz Times)
* How two GMU professors teamed up to create high-tech music (Washington Post)
* Charley Pride’s music taught listeners that country music was black music, too (Timeline.com)
* Tyshawn Sorey and Terrance Hayes Make a Poignant Statement with 'Cycles of My Being' (WBGO)
* When Sonny Rollins Rose in the West (Village Voice)
* The Last Word: George Clinton on Alien Encounters, Trump's Lack of Funk (Rolling Stone)
* The great big Spotify scam: Did a Bulgarian playlister swindle their way to a fortune on streaming service? (MusicBusinessWorldwide.com)
* Q&A with John Surman: Shared Experience (DownBeat)
* From Radiohead to the Oscar-Nominated ‘Phantom Thread’: Jonny Greenwood on His Musical Process (Variety)
* The Kid Who Recorded The First Punk Rock Record (And Invented Surf Guitar) (PleaseKillMe.com)
* Christian Scott: Building Bridges Across Cultures (NPR)
* The Prowess of Nina Simone’s Early Records (The Atlantic)
* Is the greatest hits album dying? (GetIntoThis.co.uk)
* An introduction to Don Cherry in 10 records (The VinylFactory.com)

Sunday, December 24, 2017

Sunday Session: December 24, 2017

Stephen "Thundercat" Bruner
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's inboxes over the past week:

* Chicago Jazz Pianist Willie Pickens Is Remembered For Performing And Teaching (NPR)
* Spotify Executives Are Earning Seven-Figure Salaries, Tax Returns Show (DigitalMusicNews.com)
* Saxophonist Ralph Carney Dead at 61 (Pitchfork.com)
* Music and technology: Blurred lines (ITProPortal.com)
* After Losing Ground In the Streaming Era, Rock Charts Its Comeback (Billboard)
* Disney, Netflix and the Squeezed Middle: The Real Story Behind Net Neutrality (Music Industry Blog)
* Irvin Mayfield, New Orleans Jazz Pillar, Indicted For Laundering Library Funds (NPR)
* Congresswoman Sheila Jackson Lee to Head New Jazz Caucus, Presents New Preservation Bill (Billboard)
* Kevin Mahogany, Jazz Singer with a Big Sound and a Soulful Style, Has Died at 59 (WBGO)
* The Power of the People: Kamasi Washington on artistic freedom and intellectual expansion (TheKey.xpn.org)
* Bassist and Singer-Songwriter Thundercat Talks About 'Drunk,' and A Year in the Spotlight (WBGO)
* New instrument composes music based on human body's biorhythms (CBC.ca)
* 50 Out of the Top 50 SoundCloud Artists are Rappers (DigitalMusicNews.com)
* Donald Fagen Discusses the Loss of Walter Becker and Steely Dan's Future (Rolling Stone)
* Adam Rogers: Rhythm, Guitar (Jazz Times)
* How British Jazz Won The Underground In 2017 (TrenchTrenchTrench.com)
* Plundering dead artists for Christmas sales is more than creepy (TheConversation.org)
* Mississippi Goddam: Dr. Nina Simone Remembered (FashionUnfiltered.com)
* Sunny Murray 1936–2017: Eye Of The Storm (The Wire)
* A Look Back At 4 Jazz Luminaries Who Died In 2017 (NPR)
* YouTube, Music Labels End Standoff, Move Toward Paid Service (Bloomberg.com)
* Call to rename Williamsburg Bridge after saxophonist Sonny Rollins gains steam (Brooklyn Daily Eagle)
* Why hip-hop, once ostracized in clubs, is ruling the festival circuit (Los Angeles Times)
* 'Jazz Night In America' Remembers Artists We Lost In 2017 (NPR)
* Is Secretive Virtual Reality Startup Magic Leap Dreaming Up the Future of Music? (Pitchfork.com)
* How the U.S. Used Jazz as a Cold War Secret Weapon (Time)
* RIP, Roswell Rudd (Ottawa Citizen)
* Roswell Rudd Dies at 82 - Trombonist and composer bridged gap between early jazz and the avant-garde (Jazz Times)
* I’m Dreaming Of A Blue Christmas (London Jazz Collector)
* Analog For The People: Synth Master Tatsuya Takahashi On Engineering Fun (NPR)
* ‘Santa Baby’ composer Phil Springer, 91, still can't figure out why his sexy Christmas song endures (Los Angeles Times)

Sunday, July 16, 2017

Sunday Session: July 16, 2017

Tony Allen
Here's the weekly roundup of various music-related items of interest that have landed in StLJN's inbox over the past week:

* Stream-ripping is 'fastest growing' music piracy (BBC)
* Record Rendezvous: Cleveland cradle of rock 'n' roll sits empty, awaits new life (photos) (Cleveland.com)
* Mulatu Astatke’s “Ethiopia” Is A Love Letter To His Homeland (Bandcamp.com)
* Here’s what happened the last time audio producers got better data (NiemanLab.org)
* Ornette Coleman Takes Flight Again, in Music and Film, This Week at Lincoln Center (WBGO)
* Esperanza Spalding: Jazz Musician, Grammy Award Winner and Now Museum Curator (Smithsonian)
* Kansas City's American Jazz Museum Should Belong To The Entire City, Officials Say (KCUR)
* Lady Gaga's Trumpet Player on 'Insane' Gig With Stevie Wonder, Rose Bar Residency & 'Making It' in NYC (Billboard)
* No Heroes: Lester Bangs on Stage (NoSuchThingAsWas.com)
* Producers Rejoice: Legal Sampling Is Now As Easy As Online Shopping (Video) (AmbrosiaForHeads.com)
* Newark Sings a New Tune on Road To Revival (Wall Street Journal)
* Original Dixie Dregs Announce Reunion (NoTreble.com)
* 6 Nina Simone Songs Brilliantly Sampled by Rappers (Pitchfork.com)
* Spotify denies it’s playlisting fake artists. So why are all these fake artists on its playlists? (MusicBusinessWorldwide.com)
* So… who’s actually behind Spotify’s fake artists? (MusicBusinessWorldwide.com)
* Why Spotify’s fake artists problem is an Epidemic. Literally. (MusicBusinessWorldwide.com)
* A Lot of Noise on Spotify (IllusionOfMore.com)
* Women of Jazz: Stream a Playlist of 91 Recordings by Great Female Jazz Musicians (OpenCulture.com)
* This Woman Has Engineered Pop’s Biggest Recent Hits, from ‘Melodrama’ to ‘1989’ (Vice.com)
* For Chamber Music in Silicon Valley, Hoodies and Haydn Don’t Mix (KQED)
* The Crate Crisis: How the Used Vinyl Market is Changing (GetItOnVinyl.com)
* Is the threat of a copyright lawsuit stifling music? (BBC)
* NEW AGE: jazz in 2017 (M-Magazine.com)
* Diminuendo: Is Classical Music Journalism Fading to Silence? (San Francisco Classical Voice)
* Afrobeat Drummer Allen’s Quartet Pays Tribute to Blakey at Poisson Rouge (DownBeat)
* What Can Listening to Nature Teach Us? (EarthEasy.com)
* Mary Halvorson Pushes Jazz Guitar Into New Territory (Village Voice)
* SoundCloud sinks as leaks say layoffs buy little time (TechCrunch.com)
* The avant-garde jazz of Griot Galaxy (Detroit Metro Times)
* Rochester Jazz Fest Emphasizes Jazz at the Fascinating Fringes (DownBeat)
* Bria Skonberg: 5 songs that changed my life (CBCMusic.ca)
* 'A Pocketful Of Blues': Charles Lloyd On 'Passin' Thru' (NPR)
* Photos: 2017 North Sea Jazz Festival (Jazz Times)
* Q&A with Ethan Iverson: Addition through Subtraction (DownBeat)
* Power of the Mind: You Can Play This Instrument Using Just Your Thoughts (Newsweek)
* Van Morrison will salute his blues heroes on new album, 'Roll With the Punches' (Los Angeles Times)
* Robert Mugge’s 1986 film Sonny Rollins: Saxophone Colossus to be rereleased (The Wire)
* The Emergence of A New Black Avant-Garde: Experimental Music and Text (BrooklynRail.org)
* Vijay Iyer: Taking Stock of the Ojai Music Festival Experience (TheLogJournal.com)
* The Story Behind the Surge in Vinyl Film Soundtracks (Paste)

Sunday, May 21, 2017

Sunday Session: May 21, 2017

Thelonious Monk
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* The 20 hottest music startups of 2017 (according to Midemlab) (Musically.com)
* #AfroNation: The House That Africa Built (NationOfBillions.com)
* Cleveland's legendary Leo's Casino made music history, transcended race (photos, videos) (Cleveland.com)
* Cécile McLorin Salvant’s Timeless Jazz (The New Yorker)
* With a New Collaborations Album, Todd Rundgren Talks About Loving Reznor, Fagen and Robyn… and Loathing Trump (Variety)
* The failed experiment of the digital album booklet (TheOutline.com)
* Benmont Tench - The 40th Anniversary Interview (Keyboard)
* Google’s AI Invents Sounds Humans Have Never Heard Before (Wired)
* With Experience on their Side, The Cookers Heat Up Dizzy’s (DownBeat)
* 'Rolling Stone' Founder Jann Wenner On 50 Years Of Rock And Roll History (NPR)
* “MP3 is dead” missed the real, much better story (Marco.org)
* Hear 2,000 Recordings of the Most Essential Jazz Songs: A Huge Playlist for Your Jazz Education (OpenCulture.com)
* Nels Cline on Why Playing Jazz Has Never Been More Important (Observer.com)
* Hear Aerobic Exercise: When Soviet Musicians Recorded Electronic Music for a Subversive Home Fitness Record (1984)(OpenCulture.com)
* Maxwell, Cat Power, and 5 More on Their Favorite Nina Simone Songs (Pitchfork.com)
* Rebuilding—and Recording With—the 1920s Technology That Changed American Music Forever (Wired)
* How the Internet financially kills musicians and other artists (Washington Post)
* The Art of the Mistake - Why flubs and clinkers are part of the myth of authentic jazz. (CommonReader.wustl.edu)
* Magical Mystery Drum: The Quest for Ringo's Ed Sullivan Snare (Reverb.com)
* A Long-Lost Thelonious Monk Album Is Finally Released Nearly 60 Years Later (Newsweek)
* The science of songs: how does music affect your body chemistry? (The Guardian)
* Drumset = You (The Paris Review)
* An ode to the joy and madness of the B-side (TheVinylFactory.com)
* 17 charts that show the current state of the music industry (BusinessInsider.com)
* Making sounds with Suzanne Ciani, America's first female synth hero (The Guardian)
* Trumpeter Jonathan Finlayson Shares the Cuban Inspiration Behind His "Folk Song" (WBGO)

Sunday, March 05, 2017

Sunday Session: March 5, 2017

Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* We Are The Robots: Is the future of music artificial? (FactMag.com)
* Sun Records Studio: 18 Musical Milestones (Rolling Stone)
* Dot Time Records Discovers Previously Unreleased Armstrong Recordings (DownBeat)
* The fight to preserve King Records’ legacy (Cincinnati Enquirer)
* It’s a Synthesizer. It’s a Violin. It’s a Modulin (HackADay.com)
* Grammy-winning jazz superstar Gary Burton to play final concerts in March, then retire (Miami Herald)
* KCSM jazz station cuts programming (SFGate.com)
* Veteran jazzmen played with the greats (NorthJersey.com)
* Philly jazz greats celebrate publication of new book (Philadelphia Inquirer)
* Is vinyl Detroit's latest growth industry? (Detroit Metro Times)
* The Keith Jarrett Phenomenon (The Nation)
* How Raphael Saadiq is quietly keeping R&B on film, TV and the radio (KPCC)
* Lou Reed's Archives Acquired By New York Public Library For The Performing Arts (Billboard)
* Inside Lou Reed's Revelatory New Public Archive (Rolling Stone)
* UMG Alone Earns $4.5 Million a Day from Spotify, Apple Music, and YouTube (DigitalMusicNews.com)
* Saving Nina Simone’s Birthplace as an Act of Art and Politics (New York Times)
* Sending Off Nat Hentoff, With Memories and Jazz (Village Voice)
* Linda Oh Pursues New Direction on Forthcoming Album (DownBeat)
* Soundcloud Tells Guy It Needs To Kill His Account Of 8 Years Because Someone Else Trademarked His Name (TechDirt.com)
* The Internet Is Silencing Artists, According To An Artist On The Internet (TechDirt.com)
* Ride the Feedback: A Brief History of Guitar Distortion (Vice.com)
* John Hammond: The Lost Interview (Part 1: Signing Aretha and Dylan) (BestClassicBands.com)
* 9 Artists Carrying the Torch for Cosmic Jazz (Pitchfork.com)
* How A Contract Clause Led To A Fight Between Musicians And Austin's Biggest Event (NPR)
* Misha Mengelberg, Influential Dutch Pianist-Composer Behind the ICP Orchestra, Dies at 81 (WBGO)

Sunday, December 25, 2016

Sunday Session: December 25, 2016

Stevie Wonder
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* The 84-Year-Old Grandmother Who Fronts D.C.'s Coolest House Band (NPR)
* Chops: Deft Poetry - Kurt Elling, Laurence Hobgood and Roy Nathanson on blending jazz with verse (Jazz Times)
* For Mavis Staples, The Music Of The Civil Rights Era Couldn't Be More Relevant Today (NPR)
* Discovering the Savory Collection (OpenSkyJazz.com)
* 'A True Legend': Bob Krasnow's Legacy Celebrated by Colleagues (Billboard)
* Nina Simone to Be Honored With the Recording Academy’s Lifetime Achievement Award (Variety)
* Deep-Learning Machine Listens to Bach, Then Writes Its Own Music in the Same Style (Technology Review)
* 9 U.K. Artists Making Jazz Feel Brand New (TheFader.com)
* Motown’s True Visionaries (The New Yorker)
* Love’s in Need of Love Today - Introducing Wonder Week, a toast to Stevie’s greatness (Slate.com)
* Chuck Berry Invented the Idea of Rock and Roll (Vulture.com)
* Dispatches From The War On Marching Bands (Deadspin.com)
* 'Rogue One' Composer on Filling John Williams' Shoes, Pleasing Marvel Franchise Fans (Hollywood Reporter)
* How the Vince Guaraldi Trio's 'A Charlie Brown Christmas' Became the Soundtrack of the Holidays (Vice.com)
* Interview: Robert Glasper (Keyboard)
* Jazz Caliente: Teaching The Tradition (KNKX)
* The Mariachi Men of Yugoslavia (RoadsAndKingdoms.com)

Sunday, December 11, 2016

Sunday Session: December 11, 2016

Eddie Palmieri
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Exclusive: Nina Simone as You’ve Never Seen Her (The Daily Beast)
* Harvard’s best listeners (Harvard.edu)
* How Context Awareness Is The Next Frontier In The Music Industry (SynchTank.com)
* Streams ahead: the artists who made it huge without radio support (The Guardian UK)
* Digging Up Rap History: The Story of Chopped Herring Records (Bandcamp.com)
* Grammy Nominations: Full List of Nominees for 59th Annual Awards (Variety)
* These 10 Living Legends of Jazz Prove Nobody Can Out-Dress the OGs (GQ)
* Vinyl albums outsell digital downloads for the first time (The Telegraph UK)
* Jack White to Questlove: Photos of drummers in their studios (TheVinylFactory.com)
* Is Live Performance the Future of Documentaries? (Observer.com)
* Julie Tippetts: Didn't You Used To Be Julie Driscoll? (AllAboutJazz.com)
* When Jazz Was Cool (New Music Box)
* Grammys 2016: As the jazz nominations show, buzz helps (Los Angeles Times)
* Tributaries of Afrobeat/s (3AMMagazine.com)
* Lloyd & Friends Stage ‘Marvel’-ous Show in SoCal (DownBeat)
* “BRAAAM!”: The Sound that Invaded the Hollywood Soundtrack (LongReads.com)
* tony conrad’s grading tips for teachers (with an extended interview) (blogthehum.wordpress.com)
* The Decades-Long Quest to Design a Car Stereo That Can't Be Stolen (Vice.com)
* 'Harlem River Drive' Revisited With Eddie Palmieri (NPR)
* On Being Named Composer of the Year by Musical America (New Music Box)
* ‘To What Degree Are We Really Improvising?’: Avram Fefer on Making Music With Richard Serra Sculptures (Art News)
* Listen: Louis Armstrong Covers John Lennon with “Give Peace a Chance” (Offbeat)

Sunday, September 11, 2016

Sunday Session: September 11, 2016

Rahsaan Roland Kirk
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Terry Riley - A Rainbow in Curved Air (Pitchfork)
* The Many Lives of "The House of the Rising Sun" (MusicAficionado.com)
* Does the Music Business Need Musicianship? (TheSmartSet.com)
* The streaming music war is getting ugly (Money/CNN)
* New Rahsaan Roland Kirk Documentary - “The Case of the Three Sided Dream” goes inside the multi-instrumentalist's artistic brilliance (Jazz Times)
* Saxophonist Benny Golson, an “elder statesman of jazz” (WHYY)
* Pat Martino honors Wes Montgomery - The Indy Jazz Fest artist tells the story of his friendship with the Indy great (NUVO.net)
* Pinball machine featuring the Stones, Elton John, The Who, AC/DC, KISS and many more (DangerousMinds.net)
* Tracing the Rock and Roll Race Problem (Pitchfork)
* Q&A with Steve Gadd: Leader Disc Documents Hometown Concert (DownBeat)
* How Beyoncé and Kendrick Lamar Reflected Black Lives Matter (Vulture.com)
* An Interview with Trumpeter Randy Brecker (NotesOnJazz.blogspot.de)
* Before & After With Fred Hersch - The pianist-composer on Jarrett, singers, the “Vanguard sound” and more (Jazz Times)
* The Bad Plus Tests Jazz’s Boundaries by Exploding the Art of the Cover Song (Observer.com)
* Black Classical - History of Spiritual Jazz (NTS.live)
* Projecting Trends: Do Streaming Services Now Compete with Labels? (SynchTank.com)
* Willie Bobo: An Appreciation And A New Album (NPR)
* Careless whisker: Universal to release album for cats (The Guardian UK)
* Angela Davis: Nina Simone's music was so much more than the soundtrack to a movement (The Mail and Globe NZ)
* The Beat Don’t Stop - How “The Get Down” and “Atlanta” break down hip-hop’s past and future (The New Republic)
* 15 samplers that shaped modern music – and the musicians who use them (FactMag.com)
* A photographer’s incredible journey in 1960 to capture jazz in America (Washington Post)
* 5 audiophile myths, totally busted (CNET.com)

Sunday, March 06, 2016

Sunday Session: March 6, 2016

For your Sunday reading, some interesting music-related items that have turned up recently in StLJN's inbox:

* Ginger Baker Cancels Tour Due to 'Serious Heart Problems' (Rolling Stone)
* Mavis Staples’ HBO doc hits relevant Civil Rights notes (Arts Journal)
* Resonance Records Presents LARRY YOUNG - IN PARIS: THE ORTF RECORDINGS With Never-Before-Released Tracks by The Jazz Organist And Pianist (JazzCorner.com)
* Content ID and the Rise of the Machines (Electronic Frontier Foundation)
* Is Jazz The Brand (Offbeat)
* Kamasi Washington Presents Jazz-Rock Spectacle in New York (DownBeat)
* Today’s best country music songwriter is a Twitter bot (Dangerous Minds)
* Sun Ra's Voice On Earth (WELD)
* Is the Album Review Dead? (Vice.com)
* Swing Vote: What Would the Presidential Election Sound Like as Jazz? (The Atlantic)
* Jazz Legend Archie Shepp Reflects On John Coltrane’s Quest For Musical Freedom (Consequence of Sound)
* Ron Carter Named Artist-in-Residence at Detroit Jazz Fest (Jazz Times)
* Why is China’s music market still so small? (Quartz.com)
* Jean-Paul Sartre on How American Jazz Lets You Experience Existentialist Freedom & Transcendence (OpenCulture.com)
* Sarah Vaughan forever stamp to be unveiled in Newark (New York Amsterdam News)
* How One Museum Is Fighting To Preserve The History Of Recorded Sound (Fast Company)
* Music is getting worse, unless of course it isn’t (CreateDigitalMusic.com)
* How Ahmad Jamal’s The Awakening became a hip hop sample goldmine (TheVinylFactory.com)
* Blanchard’s Incisive Jazz Opera Packs Powerful Punch (DownBeat)
* Nina Simone Estate Slams Biopic Star Zoe Saldana (Rolling Stone)
* How Steely Dan Returned to Form by Remaining 'Two Against Nature' (UltimateClassicRock.com)
* Shuggie Otis plays guitar (Financial Times)
* Gary Clark Jr: Blues Brother (Wax Poetics)