Showing posts with label Benny Golson. Show all posts
Showing posts with label Benny Golson. Show all posts

Sunday, April 19, 2020

Sunday Session: April 19, 2020

Henry Grimes
Here's this week's roundup of various music-related items of interest:

* These are the musicians being listened to more (and less) during the pandemic (QZ.com)
* A Titan of Tumbao: Remembering Latin Jazz Bassist and Bandleader Andy González (WBGO)
* Lockdown learning: How a techno-head got into Beethoven (The Guardian)
* Why Do We Even Listen to New Music? (Pitchfork.com)
* Live Concerts Won’t Return Until “Fall 2021 at the Earliest,” Health Expert Warns (ConsequenceOfSound.net)
* Just Play - Ruminations on the themes of McCoy Tyner’s life on the occasion of his passing (TheNewInquiry.com)
* Coronavirus: Healthcare expert predicts concerts and festivals will not return until autumn 2021 (NME.com)
* Band Practice at Home Alone, Together: How JamKazam Became an Essential App Amid Self-Isolation (Billboard)
* Charles Lloyd Offers A Respite From Life’s Countless Dilemmas (DownBeat)
* Ticketmaster Slammed by US Congresswoman: ‘Worst Customer Service In Any Industry’ (DigitalMusicNews.com)
* Hands Off: A 100th Anniversary Guide to Theremin Music (Bandcamp.com)
* Pandemic Complicates Nashville's Already Fragile Studio Business: 'We're Dealing In This Unknown' (Billboard)
* Behind The Scenes: Mixing Monitors On A Late-Night TV Show (ProSoundWeb.com)
* Lightning Strikes Twice: Songs Topping the Billboard Hot 100 Twice (MusicTimes.com)
* For Asian-American Jazz Artists, The Pandemic Uncovers Deep Wounds (DownBeat)
* The Morbid Comforts of Pandemic Playlists (Pitchfork.com)
* Tenor badness: Benny Golson, last legend of bebop (The Spectator)
* Ryo Kawasaki, Jazz Fusion Guitarist and Guitar Synth Inventor, Dies at 73 (Billboard)
* Lee Konitz, Alto Saxophonist Who Exemplified Jazz's Imperative to Make It New, Is Dead at 92 (WBGO)
* Exhibiting Wit And Chops Until The End, Saxophonist Lee Konitz Dies At 92 (DownBeat)
* John Prine: The Last Days and Beautiful Life of an American Original (Rolling Stone)
* A Touring-Dependent Genre Feels the Pain: ‘I Guess That’s Why They Call It the Blues’ (Billboard)
* Music to his ears: How Jackie Robinson’s love of jazz helped civil rights movement (TheUndefeated.com)
* Van Dyke Parks’ existential awakening: ‘This is a time for reimagining’ (Los Angeles Times)
* Giuseppi Logan, Free-Jazz Multireedist Who Returned Once From Oblivion, Has Died at 84 (WBGO)
* Henry Grimes, Bassist of Avant-Garde Pedigree and a Storied Return, Dies of COVID-19 at 84 (WBGO)
* You Have a TikTok Hit! Now, Quick — Change the Title (Rolling Stone)
* Delfeayo Marsalis Is A Merchant Of Joy (DownBeat)

Friday, October 11, 2019

So What: Local News, Notes & Links

Here's StLJN's latest wrap-up of assorted links and short news items of local interest:

* Last weekend's production of "Such Sweet Thunder" by Jazz St. Louis, St. Louis Shakespeare Company, Big Muddy Dance Company, and Nine Network was reviewed by Mark Bretz of Ladue News.

* The artwork that will be featured in "The Shape of Abstraction Trumpet and Voice, Call and Response," tonight's performance by trumpeter Keyon Harrold and writer Quincy Troupe at the St. Louis Art Museum, is the subject of a feature story by St. Louis magazine's Samantha Stevenson.

* Stanley Nelson, director of the new documentary Miles Davis: Birth of the Cool, was interviewed by AllAboutJazz.com's Victor L. Schermer

* The Sheldon Concert Hall has posted to Facebook an album of photos from last Saturday's performance by singer Cecile McLoran Salvant.

* When saxophonist and composer Benny Golson was in town last weeks to appear for Jazz St. Louis' "Whitaker Jazz Speaks" series, he also went to the University of Missouri-St. Louis to give a master class to jazz students, which was covered in an article on the UMSL Daily website.

* Radio host, photographer and author Dennis Owsley's new book St. Louis Jazz: A History was reviewed by Repps Hudson of the St. Louis Post-Dispatch.

* In related news, Owsley (pictured) last week announced via social media and emails to friends and colleagues that he and his wife Sara are moving to the Phoenix, AZ area to be close to their grandchildren.

The move already is underway, but Owsley says he'll be continuing his radio program "Jazz Unlimited," which airs Sunday nights on St. Louis Public Radio. Since he's been recording the program on his home computer for more than 10 years and submitting it either on disc or by email, the only change will be "that it goes 1500 miles to St. Louis Public Radio rather than 15 miles," he said.

Sunday, September 29, 2019

Sunday Session: September 29, 2019

Kenny Barron
Here's this week's roundup of various music-related items of interest:

* Paul Simon Has 50 Ways to Charm an Audience (Smithsonian)
* Celebrating John Coltrane with Cultural Documentarian Steve Rowland (AllAboutJazz.com)
* Fred Anderson (BurningAmbulance.com)
* Robert Glasper previews his two-week residency at the Kennedy Center (CapitalBop.com)
* Kenny Barron on Compatibility, Writing and Mulgrew Miller (DownBeat)
* Deep Dive: The Presence of the Past in John Coltrane's Expressive and Searching Music (WBGO)
* Standard Deviation (Art Forum)
* 1 of B.B. King’s ‘Lucille’ guitars sold for $280K at auction (Associated Press)
* Berry Gordy announces retirement; Motown founder bows out after 6 decades in showbiz (Detroit Free Press)
* To Understand The Company Of The Future, Head To A Jazz Club (Forbes.com)
* Lydia Pense & Cold Blood: The Endless Summer of Love (AllAboutJazz.com)
* Got any Horrific Child? Discover the list of the world's 291 weirdest bands (The Guardian)
* A Renewed Spotlight on Anthony Braxton (DownBeat)
* Harry Connick Jr. Performs Cole Porter Tribute Ahead of Show’s Broadway Debut (DownBeat)
* How Composer John Cage Transformed the Piano—With the Help of Some Household Objects (Smithsonian)
* The Music Business Wants to Blow Up Copyright—and the Trump Administration Is On Board (Bloomberg.com)
* Hitting the right note: Jazz legend Roland Wiggins reflects on a lifetime of musical expression (C-ville.com)
* Benny Golson: in the maternity ward (Jazz Journal)
* The Unsolved Case of the Most Mysterious Song on the Internet (Rolling Stone)
* Artist’s Choice: David Amram and the French Horn in Jazz (Jazz Times)
* Carl Stone: Plugging into the sounds of the changing city (Japan Times)
* A Thing Of Beauty, A Crime Scene: Matana Roberts Interviewed (TheQuietus.com)
* Mary Halvorson Wins MacArthur Foundation “Genius” Grant (Jazz Times)
* An L.A. jazz legend pays homage to Jackie Robinson, with a pitch from a library assistant (Los Angeles Times)
* The Day After #MeToo at Monterey Jazz (San Francisco Classical Voice)
* How One Of Music's Biggest Stars Almost Disappeared, And How Her Legacy Was Saved (NPR)
* Exclusive premiere: Sun Ra Arkestra "Children of the Sun" Live in Kalisz 1986 (MusicIsMySanctuary.com)
* Jane Bunnett: Cuban Music's Canadian Connection (NPR)
* How a Newspaper Article Saved Thousands of Black Gospel Records From Obscurity (AtlasObscura.com)
* The Record Industry Gave Everything Away to Spotify. Could It Change Its Mind? (Rolling Stone)

Wednesday, September 25, 2019

Jazz this week: Joshua Redman Quartet, a benefit for Kwanae Johnson, and more

This week's calendar of live jazz and creative music in St. Louis features the return of one of the top tenor saxophonists in modern jazz; a benefit concert to raise funds for a local musician in need of help; and more.

Let's go to the highlights...

Wednesday, September 25
Saxophonist Joshua Redman and his quartet return for the first of five nights of performances at Jazz St. Louis.

Redman (pictured, top left) and the quartet last performed here in January 2018 at the Bistro, but this time, they've got a new album to support.

Though they first played together more than 20 years ago, Redman's quartet with pianist Aaron Goldberg, bassist Reuben Rogers and drummer Greg Hutchinson has had long stretches of inactivity while the leader pursued other projects, including in recent years tours with the cooperative band James Farm and with The Bad Plus.

As a result, the new album Come What May, released this spring on the Nonesuch label, actually is the quartet's first recording since 2001, and only their third overall.  Featuring seven new Redman originals, the album likely will provide the backbone of at least a few of their sets this week, although the extended run also should provide opportunities to get into the back catalog as well.

Also on Wednesday, the free "Wednesday Night Jazz Crawl" in Grand Center features Tommy Halloran and Rob Nugent at The Stage at KDHX, the jam session hosted by bassist Bob DeBoo at the Kranzberg Arts Center, and guitarist Joe Park's trio at The Dark Room.

Thursday, September 26
The Jazz at Holmes series at Washington University presents a free concert from saxophonist Harvey Lockhart and his quintet; the French father-and-son guitar duo Paquito and Sandro Lorier (pictured, center left) play Gypsy jazz and swing at Joe's Cafe; and trumpeter Brady Lewis and his BLStet return to The Dark Room

Friday, September 27
Vincent Varvel presents a guitar recital at 560 Music Center; keyboardist Ryan Marquez and his trio with guest vocalist Lola return to Evangeline's; and jazz/funk collective Orchestrated 9th offers a tribute to the music of Herbie Hancock at Troy's.

Saturday, September 28
Singer and bassist Janet Evra teams up with Americana group The Main Street Remnants for a performance at The Monocle; singer Jan Shapiro and the Dave Venn Trio return to the Ozark Theater; and The Gaslight Squares are back at the Frisco Barroom

Sunday, 
September 29
On Sunday afternoon, "ONE LOVE: A Benefit For Kwanae Johnson & Family" at .ZACK will raise money for saxophonist Kwanae Johnson and his family, who earlier this year lost their home to a fire. The event will feature music from trumpeter Kasimu Taylor, singer and bassist Janet Evra, the Funky Butt Brass Band, R&B vocalist Roland Johnson, and more.

Also on Sunday, saxophonist Tim Cunningham returns to Mount Pleasant Estates, and the Ambassadors of Swing play a free outdoor concert at the Sunset Hills Community Center.

Then on Sunday evening, Dallas-based drummer Stefan Gonzalez (pictured, bottom left), who's the son of veteran free-jazz trumpeter Dennis Gonzalez, will team up with violinist Alex Cunningham and bassist Damon Smith, a recent transplant to St. Louis, for a performance of improvisational music at Foam.

Tuesday, October 1
Kicking off this year's "Whitaker Jazz Speaks" series, Jazz St. Louis presents "An Evening with Benny Golson," featuring a conversation with the veteran saxophonist and composer, plus a short performance. While the free event already is "sold out," it might be worth checking with the box office on the day of the event for cancellations or no-shows.

Also on Tuesday, the Tick Tock Jazz Band plays traditional jazz in their monthly gig at the Tick Tock Tavern.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Sunday, April 28, 2019

Sunday Session: April 28, 2019

Professor Longhair
Here's this week's roundup of various music-related items of interest, drawn from StLJN's inboxes, newsfeeds, and assorted other sources:

* Smart speakers: Why your voice is a major battle in music (BBC)
* A Beginner’s Guide to Contemporary Jazz From Japan (Bandcamp.com)
* The ghost of Roy Orbison gets a new partner, Buddy Holly (USA Today)
* Music Plays a Leading Role in New Health Products for Alzheimer's and Dementia (Billboard)
* Spine Tinglers (FutilityCloset.com)
* JALC Gala Traverses the History of Jazz (DownBeat)
* How Angélique Kidjo Brings Out The Africa Of Celia Cruz's Catalog (NPR)
* Roy Ayers Recovering With Family After Being Rushed To Hospital In Portland (OkayPlayer.com)
* Roadburn Festival Conjures Jazz, Psych (DownBeat)
* The Infectious & Sometimes Annoying Appeal of Ice Cream Truck Music (OKWhatever.org)
* Coltrane: The search for a higher state of humanity (The Times Literary Supplement)
* The uncanny valley: does it happen with voices? (Acoustic Engineering)
* The Real Reasons Artists Succeed on Spotify — From a Playlisting Pro (DigitalMusicNews.com)
* Five Of Bob Dylan’s Photographers Share Their Best Dylan Stories (Stereogum.com)
* Michael Brecker In Late-1960s Bloomington, Indiana (Indiana Public Media)
* The Art Ensemble of Chicago’s Way Forward (Jazz Times)
* Strange Fruit: The most shocking song of all time? (BBC)
* Jazz For Beginners: 20 Essential Albums For An Introductory Guide (UDiscoverMusic.com)
* How Professor Longhair went from record store janitor to patron saint of New Orleans Jazz Fest (New Orleans Advocate)
* Jazz Drummer Joe Chambers On Blue Note: “The Black Musicians’ Label” (UDiscoverMusic.com)
* At 90, jazz great Benny Golson returns to Minnesota: 'I feel maybe 45 or 50' (Minneapolis Star-Tribune)
* The Jewish Trumpeter Who Entertained Nazis to Survive the Holocaust (The New Yorker)
* The Lasting Legacy of the Art Ensemble of Chicago (Bandcamp.com)
* Elaine Mitchener: Vocal Classics Of The Black Avant Garde playlist (The Wire)
* Craig Harris Finds Inspiration in Muhammad Ali’s Athleticism (DownBeat)
* When Jazz Moved to Chicago (NEH.gov)
* The Dignity of his Sound: Wynton Marsalis talks about the Buddy Bolden movie (Offbeat)
* He played with Springsteen and Sinatra; now Randy Brecker returns to Reading for his 15th Berks Jazz Fest (Reading Eagle)
* Duke Ellington’s melodies carried his message of social justice (TheConversation.com)
* Gilles Peterson on UK Scene, Brownswood, Starting a New Festival (DownBeat)
* A Guide to the Discography of Diamanda Galás, Avant-Garde Oracle (Bandcamp.com)

Sunday, September 11, 2016

Sunday Session: September 11, 2016

Rahsaan Roland Kirk
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Terry Riley - A Rainbow in Curved Air (Pitchfork)
* The Many Lives of "The House of the Rising Sun" (MusicAficionado.com)
* Does the Music Business Need Musicianship? (TheSmartSet.com)
* The streaming music war is getting ugly (Money/CNN)
* New Rahsaan Roland Kirk Documentary - “The Case of the Three Sided Dream” goes inside the multi-instrumentalist's artistic brilliance (Jazz Times)
* Saxophonist Benny Golson, an “elder statesman of jazz” (WHYY)
* Pat Martino honors Wes Montgomery - The Indy Jazz Fest artist tells the story of his friendship with the Indy great (NUVO.net)
* Pinball machine featuring the Stones, Elton John, The Who, AC/DC, KISS and many more (DangerousMinds.net)
* Tracing the Rock and Roll Race Problem (Pitchfork)
* Q&A with Steve Gadd: Leader Disc Documents Hometown Concert (DownBeat)
* How Beyoncé and Kendrick Lamar Reflected Black Lives Matter (Vulture.com)
* An Interview with Trumpeter Randy Brecker (NotesOnJazz.blogspot.de)
* Before & After With Fred Hersch - The pianist-composer on Jarrett, singers, the “Vanguard sound” and more (Jazz Times)
* The Bad Plus Tests Jazz’s Boundaries by Exploding the Art of the Cover Song (Observer.com)
* Black Classical - History of Spiritual Jazz (NTS.live)
* Projecting Trends: Do Streaming Services Now Compete with Labels? (SynchTank.com)
* Willie Bobo: An Appreciation And A New Album (NPR)
* Careless whisker: Universal to release album for cats (The Guardian UK)
* Angela Davis: Nina Simone's music was so much more than the soundtrack to a movement (The Mail and Globe NZ)
* The Beat Don’t Stop - How “The Get Down” and “Atlanta” break down hip-hop’s past and future (The New Republic)
* 15 samplers that shaped modern music – and the musicians who use them (FactMag.com)
* A photographer’s incredible journey in 1960 to capture jazz in America (Washington Post)
* 5 audiophile myths, totally busted (CNET.com)

Monday, December 15, 2014

Music Education Monday: A Benny Golson master class, and the Saxophone Museum

This week, Music Education Monday is all about the saxophone, starting with a master class from the veteran saxophonist and composer and former Jazz Messenger Benny Golson.

In the first video below, Golson, writer of well-known tunes such as "Killer Joe," "Whisper Not," and "Along Came Betty," discusses his career with author Tom Piazza as part of a master class held in 2005 at Loyola University in New Orleans. In the second video, Golson gives a performance of "Along Came Betty" and discusses how he wrote the song.

In between videos, you might want to take a break for a virtual visit to the Saxquest Saxophone Museum. While the museum is located physically right here in St. Louis inside the Saxquest shop, you can see photosets online detailing many of the vintage instruments in the collection, including the 1921 King saxello pictured in this post as well as saxes made by Selmer, Buescher, Conn, Grafton, Keilwerth, LeBlanc, Martin, and even a couple of 19th century instruments from Adolphe Sax himself.



Thursday, April 09, 2009

Jazz this week: Jazz Attack, Greg Osby with Willie Akins, Wee Trio, Gutbucket, NIU Jazz Ensemble with Benny Golson, and more

It's the beginning of a couple of busy weeks for jazz and creative music in St. Louis, with plenty of competition for the time, attention and dollars of music fans from a number of touring musicians as well as local acts. In particular, this weekend's lineup features several stellar saxophonists playing in a variety of musical contexts, from smooth jazz and R&B to post-bop to big band. Let's go to the highlights:

Tonight, the 2009 edition of the popular Jazz Attack smooth jazz tour, featuring saxophonist Richard Elliot, trumpeter Rick Braun and singer/guitarist Jonathan Butler, stops at the Ameristar Casino St. Charles' Bottleneck Blues Bar.

Also this evening, The Wee Trio, a Brooklyn, NY-based group that features St. Louis expat Dan Loomis on bass and has drawn comparisons to The Bad Plus and Medeski, Martin and Wood, will do a free concert for the Jazz at Holmes series at Washington University, and the St. Louis Jazz Cafe features smooth jazz saxophonist Readus Miller .

In addition, saxophonist and St. Louis native Greg Osby (pictured), who's in town this week for an educational residency and performances for Jazz St. Louis, and JSL education director Phil Dunlap will present "Understanding The Blues," another class in JSL's "Jazz 101" series, at Jazz at the Bistro.

On Friday, Osby's "St. Louis Shoes," a multi-generational project featuring Osby, his band, special guest saxophonist Willie Akins, and student saxophonists recruited from local schools, opens a two-night run at the Bistro. Also on Friday, the NYC-based "punk/jazz" band Gutbucket plays at the Mad Art Gallery, and the St. Louis Jazz Cafe features Trio Tres Bien.

Then on Saturday night, Osby continues at the Bistro; the multi-woodwind playing Bosman Twins will perform at the Jazz Cafe; and singer Kim Massie will be at Brandt's.

Moving on to Sunday afternoon, the Northern Illinois University Jazz Ensemble, directed by saxophonist Ronald Carter and featuring as special guest the legendary saxophonist and composer Benny Golson, will perform in a benefit show at the Sheldon Concert Hall

Looking beyond the weekend, on Tuesday the Jazz St. Louis CD Listening Club will have its April meeting, this month featuring singer Jeanne Trevor and JSL executive director Gene Dobbs Bradford in a discussion of the recording The Audience With Betty Carter. Later that evening, the "West Coast" jazz-inspired band Utter Chaos plays at The Gramophone.

As usual, these are just some of the noteworthy shows happening around St. Louis this week, so to see more jazz-related events in St. Louis this weekend and beyond, please visit the St. Louis Jazz Notes Calendar.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Monday, March 16, 2009

Benny Golson to play with Ronald Carter and
the NIU Jazz Ensemble on April 12 at the Sheldon

Saxophonist and composer Benny Golson (pictured) is coming to St. Louis to join the Northern Illinois University jazz ensemble and its director, saxophonist Ronald Carter, for a benefit performance at 5:00 p.m., Sunday, April 12 at the Sheldon Concert Hall.

The event is the fifth annual "Youth in the Arts" benefit for the Genesis Academy of Arts and Fine Arts Ministry (GAAFAM), an organization founded and directed by Tracy Holliway-Wiggins, formerly of the Black Rep, that also includes local jazz trumpeter (and Holliway-Wiggins' spouse) Anthony Wiggins as music director.

Golson, who recently turned 80 years old, is the composer of jazz standards such as "Along Came Betty," "Killer Joe" and "I Remember Clifford," and was named an NEA Jazz Master in 1995. The NIU jazz ensemble under Carter's direction has become an internationally recognized, award-winning group that has shared stages with many jazz greats, including Dizzy Gillespie, Louie Bellson, Clark Terry, Slide Hampton, Jimmy Heath, Tito Puente, Wynton Marsalis and many others.

Tickets for the April 12 concert at the Sheldon are $25 for general admission, $15 for students, and can be purchased at the door the night of the concert or online at the GAAFAM Web site.

Sunday, February 01, 2009

Notes from the 'Net: Inside the Kind of Blue sessions, a Julius Hemphill tribute, new CDs, interviews, reviews, and more

Proving that you can't keep a good recurring feature down, we once again bring you Notes from the Net, a compilation of short news bits related to musicians from St. Louis, musicians who will soon visit (or have recently visited) the Gateway City; and assorted other items of interest. The plan this time is to try to make NFTN a more-or-less regular Sunday feature, providing material suitable for perusal during either idle weekend hours or Monday morning's coffee break. And so, without further ado:

* We start this installment, as is the tradition, with a Miles Davis-related item, as the NPR show Morning Edition recently ran a story called "Between Takes: The Kind Of Blue Sessions" featuring excerpts from Ashley Khan's liner notes for the album's 50th anniversary reissue. Listen to the mix of in-studio dialog from the musicians, Khan's commentary, and musical examples here.

* In other news related - at least tangentially - to musicians from St. Louis, Rifftides' Doug Ramsay links to a report on the current post-Katrina state of New Orleans' Armstrong Park, adding the story of how trumpeter and St. Louis native Clark Terry inspired the movement that got New Orleans its Armstrong statue.

* On Thursday, February 26, Philadelphia's Ars Nova Workshop series will present a Composer Portrait concert at the city's World Cafe featuring the music of former St. Louisan Julius Hemphill (pictured) as performed by the Warriors of the Wonderful Sound, an 18-member big band led by multi-instrumentalist and St. Louis native Marty Ehrlich. Ehrlich also was part of last week's Oliver Lake big band gig at NYC's Jazz Gallery.

* Via the always useful Avant Music News (which is sporting a pleasing new look for the New Year), two John Zorn performances featuring the Masada Sextet and The Dreamers are coming to Henry Street Settlement in New York. Zorn also is the subject of a new book written by John Brackett and published by the Indiana University Press, reviewed by Popmatters here. (For those unaware of Zorn's St. Louis connection: he went to Webster University back in the 1970s.)

* Turning to news from the "coming attractions" file, in April bassist Victor Wooten is opening Wooten Woods, a new 150 acre site on the Duck River near Nashville, TN for the "bass/nature camp" he and his family have been running since the year 2000. Wooten will be in St. Louis to play The Pageant on Friday, March 13.

* No doubt hoping for a taste of some of that sweet, sweet cash that gets spent every year for Valentine's Day, Boney James is releasing a new CD, Send One Your Love, on February 3. The smooth jazz saxophonist formerly known as James Oppenheim will play The Pageant on Thursday, March 25.

* Al Jarreau will be in St. Louis to sing at the Touhill Performing Arts Center on Friday, February 13, but this past weekend, he, Kevin Mahogany and The Godfathers of Groove, the Cyrus Chestnut Trio, and St. Louis area native Bonnie Bramlett were among the performers at the seventeenth annual "All That Jazz" weekend held at The Grove Park Inn Resort and Spa in Asheville, NC.

* In news on a couple of musicians being considered for next season at Jazz at the Bistro, singer Alyssa Graham performed at the Tin Angel in Philly on January 30th, and West Coast jazz blogger and radio host Leroy The Jazzcat" Downs recently interviewed pianist Vijay Iyer, with the conversation now available in MP3 format here (or if that link doesn't work, search Downs' archives here).

* From the "recent visitors" file: Saxophonist Javon Jackson and keyboard player Les McCann, who played at Jazz at the Bistro last fall with their Swiss Movement Revisited band, now can be heard in a concert from Kennedy Center available for streaming via NPR's Jazz Set with DeeDee Bridgewater.

* Saxophonist and composer Benny Golson, another recent visitor to the Bistro, celebrated his 80th birthday this past week with a new album on Concord Jazz. For more Golson, check out this interview and excerpts from the CD via NPR's Weekend Edition; this post at WFIU's Night Lights blog, with an archive of the program's Golson tribute plus related info and links; and Doug Ramsey's appreciation of Golson, with videos.

* Saxophonist Dave Liebman, who played Washington University's Jazz at Holmes series in November, was interviewed before a recent performance in New Hampshire. Also, the New York Times reviewed a recent Liebman NYC performance at NYC's Birdland with a quintet that included Randy Brecker on trumpet, Billy Hart on drums and Marc Copland on piano. (Copland will be in St. Louis on Friday, February 13 to play a trio concert at the 560 Music Center.)

* The Bad Plus, who just did their annual gig at the Bistro a couple of weeks ago, have a new CD, For All I Care, coming out this week. Another Bistro perennial, singer/pianist Tony DeSare, also has a new CD called Radio Show, reviewed here

* Last but not least, following up on a previous post here about adding support for the arts to the stimulus bill currently being considered by Congrees, via New Music ReBlog: The Performing Arts Alliance is alerting everyone that Congress is still debating whether or not to include the National Endowment for the Arts in the stimulus bill, officially known as the American Reinvestment Recovery Act of 2009.

Under the House of Representatives plan, the NEA will receive a $50 million supplement to further the arts, but under the Senate’s plan, the NEA is not included. The Performing Arts Alliance has sent out mass emails encouraging everyone to write their Senator, and have even set up a way to do it electronically. "In a time when the world’s view of the United States is less than favorable, we need artists now more than ever to contribute to the world’s culture as a whole," says the PAA. "Submitting the electronic letter takes about five minutes to complete and is very user friendly, so please take action today and help further the good in American culture."

On the same subject, while noting in his monthly big band report that the Toledo Jazz Orchestra recently suspended all concert activities, AllAboutJazz.com's Jack Bowers makes the case for increased support of the arts :
"In times of economic stress, the arts (excepting perhaps the cinema) are among the first things to be sacrificed on the altar of belt-tightening. Those who rely on the arts to help maintain some semblance of sanity in otherwise troubled times know the opposite should be true, but their voices are weak and ineffectual in the face of fiscal disarray. And so there will be less music (of substance), less dance, less theatre (some Broadway shows already are closing the doors while others are barely alive and kicking). Unless people have discretionary money to spend on such pursuits, many are doomed to failure, especially as philanthropic grants are also drying up.

Let us hope the situation is temporary, and that the arts will someday soon regain their lost footing and flourish again. It is something to look forward to."

(Edited 2/11/09 to correct the venue for the Al Jarreau concert.)