Showing posts with label B.B. King. Show all posts
Showing posts with label B.B. King. Show all posts

Sunday, October 18, 2020

Sunday Session: October 18, 2020

Charles McPherson
Here's this week's roundup of various music-related items of interest:

* The Many Instruments of Stanley Crouch, Who Transformed the Entirety of Jazz and Cultural Criticism (Mother Jones)
* Wynton Marsalis Says Cultural Con Jobs Began Long Before Trump (The Daily Beast)
* Late night TV musicians push for parity in pay, health care and residuals (KCRW)
* Alone Together: A Q&A with Pianist Benny Green (SFJAZZ.org)
* Philly’s jazz community improvising to deal with COVID-19 (Philadelphia Inquirer)
* Visionary who turned down a gig with Miles Davis and pivoted to cardiology (among other pursuits) is subject of Philly ICA show (Philadelphia Inquirer)
* The company that has a monopoly on ice cream truck music (TheHustle.co)
* Charles McPherson Straddles The Artistic Fence (DownBeat)
* Stevie Wonder Releases First New Music in 15 Years (Rolling Stone)
* He Helps Folk Musicians Stay Alive (Ozy.com)
* Sheet music sales soar 25% as UK turns to piano practice during Covid lockdown (INews.co.uk)
* Theo Croker Exemplifies This Moment In Jazz (DownBeat)
* Mary Halvorson: New York City and the Pull of the Moon (BarryCleveland.com)
* The Spiritual Power of Pharoah Sanders (TheVinylFactory.com)
* Diana Krall Reflects on Her Creative Process, Her Late Producer, and an Emotive New Album (WBGO)
* 50 Years Ago B.B. King's 'Indianola Mississippi Seeds' Retooled R&B (PopMatters.com)
* An Oral History Of Tom Petty’s Landmark 1994 Album, ‘Wildflowers’ (Uproxx.com)
* Billy Childs Engages The Vastness Of Music (DownBeat)
* A Love Supreme: Carlos Santana and Cindy Blackman Santana on Coltrane, Miles and Making Music Together (Jazziz)
* Gearhead: Memories of the Guitorgan (Jazz Times)
* Field Studies: Manfred Eicher, Founder of ECM Records, Picks His Top Five Blue Note Albums (WBGO)
* Field Studies: Don Was, President of Blue Note Records, Picks His Top Five ECM Albums (WBGO)
* Are We Reaching Peak Streaming Subscriptions? (Billboard)
* Michael Cuscuna: In The Vault Playing God (AllAboutJazz.com)
* The Tragedy of Stanley Crouch (Counterpunch.org)
* Randy Brecker: Overdue Ovation (Jazz Times)
* “AngelHeaded Hipster”: Hal Willner Does T. Rex (The New Yorker)

Sunday, May 24, 2020

Sunday Session: May 24, 2020

Gary Bartz
Here's this week's roundup of various music-related items of interest:

* Bluesman Lucky Peterson Dies at 55 (Billboard)
* Remembering Michael McClure: The Real Lizard King (PleaseKillMe.com)
* Jorge Santana, Guitarist Who Helped Shape the Sound of Latin Rock with Malo, Is Dead at 68 (WBGO)
* Remembering the passion of Alto Madness creator Richie Cole (Chicago Tribune)
* From Chuck Berry to John Lennon: 8 songs that Paul McCartney couldn’t live without (FarOutMagazine.co.uk)
* Pondering The Future of The Arts – If They Have One (ArtAndSeek.org)
* Pandemic Spurs Marc Ribot, Music Workers Alliance To Demand Economic Fairness (DownBeat)
* Brown Sugar: The Story of Lucille Wilson Armstrong (LouisArmstrongHouse.org)
* Alvin Lucier (BurningAmbulance.com)
* Social distancing in UK clubs “financially unviable”, new survey states (DJMag.com)
* The Durability Of Drummer Rashied Ali’s Survival Records (DownBeat)
* Gene Perla’s Brighter Day (Local802AFM.org)
* For Jazz Legend Gary Bartz, “Hearing is Like A Fingerprint” (Bandcamp.com)
* The Dizzy Chronicles: Legendary jazz musician trapped in Spokane by Mount St. Helens eruption (Spokane Spokesman-Review)
* Archie Shepp: Memoirs of a Gunfighter (Jazz Times)
* What if Louis Armstrong had succumbed to the last pandemic? (Chicago Tribune)
* Exclusive First Look at New Photograph of Blues Legend Robert Johnson (Vanity Fair)
* Ivan Neville on battling back from coronavirus and pneumonia: 'Don't let this take me' (NOLA.com)
* Music Revenue to Drop 25% in 2020, but Long-Term Outlook Is Good: Goldman-Sachs (Variety)
* Jazz Coalition Announces the First Wave of Awardees From Its Commission Fund (WBGO)
* The records that changed my life, from A (Joan Armatrading) to Z (Frank Zappa), and 58 more (San Diego Union Tribune)
* Jazz history lost: How a string of deaths from Covid-19 has left the jazz community in a state of shock (The-TLS.co.uk)
* Grégoire Maret Under The Influence Of ‘Americana’ (DownBeat)
* A Conversation With ...Danny Weis (FYIMusicNews.ca)
* Eric Clapton, B.B. King’s ‘Riding with the King’ to Be Reissued With Two Unreleased Tracks (Rolling Stone)
* How the Coronavirus Is Affecting America’s Vinyl Record Industry (Pitchfork.com)
* An Overdue Ovation for Ernie Watts (Jazz Times)
* Covid Conversations, Volume 2: Deborah Gordon (LarryBlumenfeld.com)
* Stranded musicians surrounded by wolves outside ‘haunted’ castle after bus breaks down (New York Daily News)

Sunday, September 29, 2019

Sunday Session: September 29, 2019

Kenny Barron
Here's this week's roundup of various music-related items of interest:

* Paul Simon Has 50 Ways to Charm an Audience (Smithsonian)
* Celebrating John Coltrane with Cultural Documentarian Steve Rowland (AllAboutJazz.com)
* Fred Anderson (BurningAmbulance.com)
* Robert Glasper previews his two-week residency at the Kennedy Center (CapitalBop.com)
* Kenny Barron on Compatibility, Writing and Mulgrew Miller (DownBeat)
* Deep Dive: The Presence of the Past in John Coltrane's Expressive and Searching Music (WBGO)
* Standard Deviation (Art Forum)
* 1 of B.B. King’s ‘Lucille’ guitars sold for $280K at auction (Associated Press)
* Berry Gordy announces retirement; Motown founder bows out after 6 decades in showbiz (Detroit Free Press)
* To Understand The Company Of The Future, Head To A Jazz Club (Forbes.com)
* Lydia Pense & Cold Blood: The Endless Summer of Love (AllAboutJazz.com)
* Got any Horrific Child? Discover the list of the world's 291 weirdest bands (The Guardian)
* A Renewed Spotlight on Anthony Braxton (DownBeat)
* Harry Connick Jr. Performs Cole Porter Tribute Ahead of Show’s Broadway Debut (DownBeat)
* How Composer John Cage Transformed the Piano—With the Help of Some Household Objects (Smithsonian)
* The Music Business Wants to Blow Up Copyright—and the Trump Administration Is On Board (Bloomberg.com)
* Hitting the right note: Jazz legend Roland Wiggins reflects on a lifetime of musical expression (C-ville.com)
* Benny Golson: in the maternity ward (Jazz Journal)
* The Unsolved Case of the Most Mysterious Song on the Internet (Rolling Stone)
* Artist’s Choice: David Amram and the French Horn in Jazz (Jazz Times)
* Carl Stone: Plugging into the sounds of the changing city (Japan Times)
* A Thing Of Beauty, A Crime Scene: Matana Roberts Interviewed (TheQuietus.com)
* Mary Halvorson Wins MacArthur Foundation “Genius” Grant (Jazz Times)
* An L.A. jazz legend pays homage to Jackie Robinson, with a pitch from a library assistant (Los Angeles Times)
* The Day After #MeToo at Monterey Jazz (San Francisco Classical Voice)
* How One Of Music's Biggest Stars Almost Disappeared, And How Her Legacy Was Saved (NPR)
* Exclusive premiere: Sun Ra Arkestra "Children of the Sun" Live in Kalisz 1986 (MusicIsMySanctuary.com)
* Jane Bunnett: Cuban Music's Canadian Connection (NPR)
* How a Newspaper Article Saved Thousands of Black Gospel Records From Obscurity (AtlasObscura.com)
* The Record Industry Gave Everything Away to Spotify. Could It Change Its Mind? (Rolling Stone)

Sunday, May 17, 2015

Sunday Session: May 17, 2015

Jack DeJohnette
For your Sunday reading, some interesting music-related items that have hit StLJN's inbox over the past week: 

* When does a violin copy become a forgery? (The Strad)
* Review: Pharoah Sanders at Baby’s All Right in Brooklyn (New York Times)
* Austin Signal Cuts to the Chase (Pro Sound News)
* Tiny Music Royalties Add Up, Unexpectedly (NPR)
* For orchestra musicians, thrill of Cuba trip tempered by fear over instruments (Minnesota Public Radio)
* Review: The New Orleans Jazz Scene, 1970-2000: A Personal Retrospective (AllAboutJazz.com)
* More Evidence Of Big Changes Coming To Guitar Center (Forbes)
* A holding corporation called old America: Charles Mingus’ religious multitudes (Oxford University Press)
* Spillage and Flow: Notes from the 2015 New Orleans Jazz & Heritage Festival (BlouinArtInfo.com)
* Further Spillage (The Good Kind): More Notes on the New Orleans Jazz & Heritage Festival (BlouinArtInfo.com)
* An Animated John Coltrane Explains His True Reason for Being: “I Want to Be a Force for Real Good” (Open Culture)
* VNYL Sliding: Why The “Netflix For Vinyl” Service Is Such A Mess (Stereogum)
* LOVE WILL FIND A WAY: The VNYL Subscription Service Blows It? (Pt. 1) (Blurt)
* Jerome Cooper, a Multitextured Jazz Percussionist, Dies at 68 (New York Times)
* The Death of the One-Hit Wonder (Priceonomics.com)
* 'The In Crowd': An Audience-Fueled Jazz-Pop Crossover Hit (NPR)
* Spalding Showcases Range, Diversity in San Francisco (DownBeat)
* The Technology That Saved '(I Can't Get No) Satisfaction' (The Atlantic)
* BB King was that rare thing – a game-changer who was also beloved (The Guardian UK)
* King’s Essential Recordings (DownBeat)
* Composer Philip Glass’s Childhood Gig (Wall Street Journal)
* Even when looking back, Jack DeJohnette forges ahead (Boston Globe)