Showing posts with label Paul McCartney. Show all posts
Showing posts with label Paul McCartney. Show all posts

Sunday, December 27, 2020

Sunday Session: December 27, 2020

George Coleman
Here's this week's roundup of various music-related items of interest:

* Three Reissues That Illuminate South African Jazz During Apartheid (Discogs.com)
* How Branford Marsalis Found Ma Rainey’s Sound (Vanity Fair)
* Har Mar Superstar's Latest Gig: Mail Carrier (MSPMag.com)
* Tenor Sax George Coleman Shines On Newly Released Live Record, 'In Baltimore' (NPR)
* New Releases from Sonny Rollins and Charles Mingus Reveal Crucial Conceptions of Political Art (The New Yorker)
* The Best Shot We Have To Play Live Music Again: News From The COVID Frontline (Offbeat)
* ‘The New Thing’: The Subversive Bridge From Bop To Free Jazz (UDiscoverMusic.com)
* Congress Passes Covid-19 Relief Bill With Funding for Live Music Venues (Rolling Stone)
* Kids Became A&R's 'Secret Weapon' In a Work From Home Year (Billboard)
* Listening to the Joy in James Baldwin’s Record Collection (Hyperallergic.com)
* The Importance Of Mary Halvorson’s Recordings During The Pandemic Year (DownBeat)
* The Royal Bopsters Keep Their Group Identity Alive (Jazz Times)
* When Will Live Music Return? (Rolling Stone)
* Thelonious Monk: An Alternative Top Ten Albums Of Deep And Staggering Genius (AllAboutJazz.com)
* Can a trippy VR film bring classical music to a new generation? (The Guardian)
* Dayna Stephens Fulfills Long-Held Dreams (DownBeat)
* 'Jazz is just a reflection of life': The musical genius of Jerry Granelli (CBC)
* Sonny Rollins: Bright Moments (Jazz Times)
* Ma Rainey’s Moment: The Mother Of The Blues Gets Her Due (Slate.com)
* R.I.P. Leslie West, Legendary Mountain Frontman Dies at 75 (ConsequenceOfSound.net)
* “Music is my way of being in the world”: remembering “Blue” Gene Tyranny (The Wire)
* Frank Zappa’s 10 greatest albums of all time (FarOutMagazine.co.uk)
* Holiday Shopping Sends Vinyl Album Sales Soaring to Another Record Week (Billboard)
* Modern Hollywood Discovers Its Jazz ‘Soul’ (The Nation)
* When Sonny Rollins Went Dutch (DownBeat)
* A Bessie Smith Christmas (Jazz Times)
* Paul McCartney: read the exclusive track-by-track story of ‘McCartney III’ (NME.com)
* Music made 2020 better, but we failed to make 2020 better for musicians (TechCrunch.com)

Sunday, December 13, 2020

Sunday Session: December 13, 2020

Branford Marsalis
Here's this week's roundup of various music-related items of interest:

* Revisit a Vibrant San Francisco Music Scene in Harlem of the West (San Francisco Classical Voice)
* The Treasure in Frank Zappa’s Secret Subterranean Vault (The New Yorker)
* Bob Dylan sells his entire catalog of songs to Universal (CNN)
* Paul McCartney opens up about friendship with John Lennon in new interview (NME.com)
* Matthew Shipp at 60 (CliffordAllen.me)
* How John Coltrane Introduced the World to His Radical Sound in the Groundbreaking Recording of “My Favorite Things” (OpenCulture.com)
* Knocking Down Barriers: An Interview with Abdul Wadud, 1980 (PointOfDeparture.org)
* 'Sittin' In: Jazz Clubs of the 1940s and 1950s' Opens a Portal to the Past, and a Dialogue (WBGO)
* Wait, Bob Dylan Owned ‘The Weight’? An Explainer (Rolling Stone)
* There Goes the Neighborhood: What really caused the decline of 18th & Vine (ScalawagMagazine.org)
* Meet säje, the vocal supergroup thriving on female empowerment (Jazz.fm)
* ‘Mostly Hard Times’: How the City’s Few Jazz Clubs Are Hanging On, Barely (Curbed.com)
* Whit Dickey on the Path to Wisdom (Jazz Times)
* Jazz City: The Once — and Future — Sound of Memphis (Memphis Flyer)
* Ukulele Ike, a.k.a. Cliff Edwards, Sings Again (Jazz Times)
* Tough Times for Jazz Promotion (Interview No. 5 with Wendy Kirkland of Chesterfield Jazz Club) (London Jazz News)
* 82% of Musicians Earn Less Than $270 a Year From Spotify and Other Music Streaming Music Platforms, Study Finds (DigitalMusicNews.com)
* The New Vocabulary of Funkadelic (1970) (AquariumDrunkard.com)
* 'I'm a song catcher': 60 years of Arhoolie Records, the label for a lost America (The Guardian)
* Mary Lou Williams, Writ Large (DownBeat)
* Branford Marsalis on the Music of ‘Ma Rainey’s Black Bottom,’ and Chadwick Boseman’s Performance (Variety)
* George Benson Innovates, Crafts Pop Hits (DownBeat)
* Concert Industry Lost $30 Billion in 2020 (Variety)
* Our Revels Now Are Ended (The American Scholar)
* Joni Mitchell: “I know what I want and I’m not afraid to stand up for it” (New Statesman)
* He's the Leader: An Interview with Aretha's "Main Man" Fonzi Thornton (PopMatters.com)
* “Then there was the time I was buried in a hole”: Phil Minton at 80 (The Wire)
* Berkeley jazz clarinetist marks the days of pandemic in ‘Plague Diary’ (San Francisco Chronicle)
* Charley Pride, Pioneering Black Country Singer, Dead at 86 (Rolling Stone)

Sunday, September 06, 2020

Sunday Session: September 6, 2020

Makaya McCraven
Here's this week's roundup of various music-related items of interest:

* Play what you see: how graphic scores can unleash your inner musical genius (The Guardian)
* At home with Paul McCartney: His most candid interview yet (GQ)
* Trent Reznor talks ‘Watchmen’ score, covering Bowie’s “Life on Mars” & more in new interview (BrooklynVegan.com)
* Chick Corea: Chelsea boy makes good (Bay State Banner)
* The Friendship Of Kahil El’Zabar And David Murray Grows Deeper (DownBeat)
* Stonehenge enhanced sounds like voices or music for people inside the monument (Science News)
* Dolly Jones, the First Recorded Female Jazz Trumpeter (Reverb.com)
* Endless Field Records in the Wild (Jazz Times)
* In Memoriam: Saxophonist Mark Colby (DownBeat)
* Kenny Washington’s Slow Rise to Vocal Stardom (Jazz Times)
* Who will own the virtual concert space? (Music Industry Blog)
* Makaya McCraven: Cross Border Traffic (AllAboutJazz.com)
* Personal Story: My failed music career (New Statesman)
* Live Music Is On Life Support (Offbeat)
* Wynton Marsalis: ‘Continue to fight for the world you envision’ (San Jose Mercury News)
* Meet the Man Who Used Kraftwerk, Fela Kuti, and Other Fascinating Music to Try to Lure Aliens to Earth (Pitchfork.com)
* Maria Schneider Split Between Natural, Digital Worlds (DownBeat)
* “It Takes a While to Perfect Your Soul”: A Conversation With Sonny Rollins (Tidal.com)
* The Jazz Collective Drowning Out Far-Right Rallies with Terrible Music (Vice.com)
* The John Cage work performed over 639 years (DW.com)

Sunday, May 24, 2020

Sunday Session: May 24, 2020

Gary Bartz
Here's this week's roundup of various music-related items of interest:

* Bluesman Lucky Peterson Dies at 55 (Billboard)
* Remembering Michael McClure: The Real Lizard King (PleaseKillMe.com)
* Jorge Santana, Guitarist Who Helped Shape the Sound of Latin Rock with Malo, Is Dead at 68 (WBGO)
* Remembering the passion of Alto Madness creator Richie Cole (Chicago Tribune)
* From Chuck Berry to John Lennon: 8 songs that Paul McCartney couldn’t live without (FarOutMagazine.co.uk)
* Pondering The Future of The Arts – If They Have One (ArtAndSeek.org)
* Pandemic Spurs Marc Ribot, Music Workers Alliance To Demand Economic Fairness (DownBeat)
* Brown Sugar: The Story of Lucille Wilson Armstrong (LouisArmstrongHouse.org)
* Alvin Lucier (BurningAmbulance.com)
* Social distancing in UK clubs “financially unviable”, new survey states (DJMag.com)
* The Durability Of Drummer Rashied Ali’s Survival Records (DownBeat)
* Gene Perla’s Brighter Day (Local802AFM.org)
* For Jazz Legend Gary Bartz, “Hearing is Like A Fingerprint” (Bandcamp.com)
* The Dizzy Chronicles: Legendary jazz musician trapped in Spokane by Mount St. Helens eruption (Spokane Spokesman-Review)
* Archie Shepp: Memoirs of a Gunfighter (Jazz Times)
* What if Louis Armstrong had succumbed to the last pandemic? (Chicago Tribune)
* Exclusive First Look at New Photograph of Blues Legend Robert Johnson (Vanity Fair)
* Ivan Neville on battling back from coronavirus and pneumonia: 'Don't let this take me' (NOLA.com)
* Music Revenue to Drop 25% in 2020, but Long-Term Outlook Is Good: Goldman-Sachs (Variety)
* Jazz Coalition Announces the First Wave of Awardees From Its Commission Fund (WBGO)
* The records that changed my life, from A (Joan Armatrading) to Z (Frank Zappa), and 58 more (San Diego Union Tribune)
* Jazz history lost: How a string of deaths from Covid-19 has left the jazz community in a state of shock (The-TLS.co.uk)
* Grégoire Maret Under The Influence Of ‘Americana’ (DownBeat)
* A Conversation With ...Danny Weis (FYIMusicNews.ca)
* Eric Clapton, B.B. King’s ‘Riding with the King’ to Be Reissued With Two Unreleased Tracks (Rolling Stone)
* How the Coronavirus Is Affecting America’s Vinyl Record Industry (Pitchfork.com)
* An Overdue Ovation for Ernie Watts (Jazz Times)
* Covid Conversations, Volume 2: Deborah Gordon (LarryBlumenfeld.com)
* Stranded musicians surrounded by wolves outside ‘haunted’ castle after bus breaks down (New York Daily News)

Sunday, July 21, 2019

Sunday Session: July 21, 2019

Shabaka Hutchings
Here's this week's roundup of various music-related items of interest:

* Nile Rodgers: ‘I’d always talk about strange jazz with David Bowie’ (The Guardian)
* Bromberg violin collection to be broken up after Library of Congress deal falls through (Wilmington News Journal)
* Talking More Music with George Benson (Jazz Times)
* Paul McCartney Brings Ringo Starr to the Stage for End-of-Tour Surprise (Variety)
* Space Is Still the Place for Marshall Allen and the Sun Ra Arkestra (PopMatters.com)
* Capturing The Undersung Blues People Of The Rural South (NPR)
* John Patitucci’s Soulful Bass (Jazz Times)
* Steve Turre joins the stellar Armstrong Summer Camp faculty to celebrate its 25th Anniversary (Louisiana Weekly)
* What every songwriter and publisher needs to know about the Music Modernization Act (TheFader.com)
* Chick Corea Looks Back on His Long History With Latin Jazz (Billboard)
* Damon Locks: In the Style of Mavericks (DownBeat)
* From Concert Halls to the Streets at The Copenhagen Jazz Festival (DownBeat)
* Ornette Coleman and the Emancipation of the Individual (Sound American)
* Jazz, Zen, and Hip-Hop: The 2019 Montreal Jazz Festival (AllAboutJazz.com)
* Billy Lester, an Insightful Jazz Pianist Hiding in Plain Sight, Finally Has His Moment to Shine (WBGO)
* Pianist Bobo Stenson Discusses Solo Work and Freedom in European Jazz (DownBeat)
* For Julian Lage, Love Hurts and Music Heals (Jazz Times)
* Thirty Years Ago, Ronald Langestraat Took Jazz to Outer Space (Bandcamp.com)
* The Murky Ethics of Posthumous Music (The Atlantic)
* As Exclusivity Takes Charge, How Will Music Streaming Change? (Hypebot.com)
* 'An Endless Fiasco': Indie Retailers Describe Worsening Breakdown in Getting CDs, Vinyl Delivered to Record Stores (Billboard)
* David Crosby Celebrates His Ornery Self in the Documentary “Remember My Name” (The New Yorker)
* Get To Know Shabaka Hutchings, The Nipsey Hussle-Inspired British Jazz Maestro (Complex.com)
* Paul McCartney Has Been Secretly Writing an ‘It’s a Wonderful Life’ Musical (Variety)
* Faith Winthrop, jazz singer who founded Glide community choir, dies at 87 (San Francisco Chronicle)
* Five Things You Should Know About Mary Halvorson (SFJAZZ.org)
* An Essential Guide to Brian Eno: "Ignorable as It Is Interesting" (Exclaim.ca)
* In First For Berklee, Students Join The Circus (Sort Of) To Make Music Fit For Clowns (WBUR)
* Ron Carter, Beatniks and Corrective History (DownBeat)
* Roger and Brian Eno, and Daniel Lanois Expand ‘Apollo’ Soundtrack for Moon-Landing Anniversary (DownBeat)
* Jazz Generated by a Neural Network Is Absolutely Terrifying (Futurism.com)
* On And On And On: A Guide to Generative Electronic Music (Bandcamp.com)
* Alan Lomax and the Search for the Origins of Music (TabletMag.com)
* Do You Know Randy Weston? (MusicAficionado.com)

Sunday, June 30, 2019

Sunday Session: June 30, 2019

Dave Bartholomew
Here's this week's roundup of various music-related items of interest:

* In Memoriam: Dave Bartholomew (WWOZ)
* Dave Bartholomew, A Father Of Rock And Roll, Dead At 100 (NPR)
* Paul McCartney opens up about Abbey Road, the Beatles' breakup in wide-ranging interview (CBS News)
* Spotify: We ‘overpaid’ songwriters and their publishers in 2018, and we would like our money back (MusicBusinessWorldwide.com)
* The hologram concert revolution is here, whether you like it or not: Meet the company touring Whitney Houston and Buddy Holly (Fast Company)
* Tacuma and The Last Poets Move Beyond the Nation’s Combative Moment (DownBeat)
* Pro Audio Weighs the Troubles with Tariffs (Pro Sound News)
* The music industry is tackling streaming fraud with a pointless ‘Code’. It won’t work… but these ideas might (MusicBusinessWorldwide.com)
* 'Frank Zappa Coloring Book' to Be Released in November (Hollywood Reporter)
* Scenes From The Life Of A Young Jazz Musician (AllAboutJazz.com)
* This Drum Company Has Hardly Changed Since Lincoln Was President. Now It Serves the World's Best Musicians (Inc)
* Tony Bennett Boldly Delivers Imaginative Set at Ravinia (DownBeat)
* Riding high with Stanley Clarke (Jerusalem Post)
* No Cliches Allowed: Guitar Innovator Mary Halvorson Forges a New Way Ahead (SFJAZZ.org)
* Universal Music Group Archivist: Vault Fire Damage 'Surprisingly Overstated,' But Any Loss Is 'Painful for Us' (Billboard)
* A Beginner’s Guide to the epic music of King Crimson (TrebleZine.com)
* Took You By Surprise: John and Paul’s Lost Reunion (Longreads.com)
* Sadao Watanabe, Japan's godfather of jazz, passes on his wisdom (Japan Times)
* Searching for Scrapper Blackwell, the Most Popular Bluesman You've Never Heard (GuitarWorld.com)
* College music department resurrects long-lost funk music (Associated Press)
* Jenny Scheinman on Risk, Adventure and Starting a New Band with Allison Miller (DownBeat)
* Terence Blanchard on How Dr. John Captured the Sound of New Orleans (Time)
* Sound Hounds: How One Research Team Is Helping Preserve the Acoustics of Historic Places (SavingPlaces.org)
* Saying goodbye to Dr. John: Mac Rebennack’s memorial (Offbeat)
* The Accidental Beatle (Slate)
* British jazz gets a chance to shine at Glastonbury (The Guardian)

Sunday, January 06, 2019

Sunday Session: January 6, 2019

Ron Carter
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* A Jazz Conversation with Ted Gioia (Jazz Profiles)
* Ron Carter: Still Searching for the Right Notes (AllAboutJazz.com)
* Paul McCartney opens up about Abbey Road, the Beatles' breakup in wide-ranging interview (CBS News)
* The West Coast Jazz Revival (City Journal)
* Jeff Goldblum: Not a Hollywood Square (Jazz Times)
* Helen Sung: Words and Music (Jazz Times)
* These early Louis Armstrong recordings are among the flood of works now in the public domain (New Orleans Times-Picayune)
* New Orleans Is Not Coachella: Guest Editorial (Offbeat)
* Herbie Nichols’ Third World (WFIU)
* Jazz Musician Plays Acoustic Guitar While Undergoing Brain Surgery, Helping Doctors Monitor Their Progress (OpenCulture.com)
* The Price, Cost and Value of Digital Music (DownBeat)
* Is this the end of owning music? (BBC)
* Bill Charlap: Life, Love, Songs, and Pianos (Stereophile)
* DJ Art Laboe, 93, spins oldies to link inmates and family (Associated Press)
* Dickey Betts returns to performing following brain surgery (Sarasota Herald-Tribune)
* Album Sales Are Dying as Fast as Streaming Services Are Rising (Rolling Stone)
* How Soul Train became the most radical show on American television (DazedDigital.com)
* Blue Note “As Important As The Beatles Or Dylan” Says Don Was (UDiscoverMusic.com)
* Bootsy Collins Announces Retirement from Live Bass Playing (NoTreble.com)
* Carlos Santana Announces New EP, Signs to Concord Records (Jambands.com)
* 12 New Jazz Artists to Watch in 2019 (Paste)
* The Jazz Glories of 1959, One Day at a Time: A Conversation with Critic Natalie Weiner (WBGO)
* Green Book Director Peter Farrelly Defends Film Amid Criticism by Don Shirley’s Family (Vanity Fair)
* Spike Lee’s Secret Weapon For 30 Years: ‘BlacKkKlansman’ Composer Terence Blanchard (IndieWire.com)

Sunday, September 16, 2018

Sunday Session: September 16, 2018

Billy Cobham
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* For Chelsea native Chick Corea, one passion, many paths (Boston Globe)
* Pianist Matthew Shipp can make magic with the perfect partner (Chicago Reader)
* Bassist Eric Revis works at the conflux of the mainstream and its far-out tributaries (Chicago Reader)
* Conversation with Billy Cobham, Part 1: The Art of Creation (SomethingElseReviews.com)
* Conversation with Billy Cobham, Part 2: Brian Gruber and Ronnie Scott’s (SomethingElseReviews.com)
* Monterey Jazz Festival celebrates 40 years in Japan – and China could be the next stop (South China Morning Post)
* Hank Mobley, the greatest sax player you never heard (The Spectator)
* Channeling the cosmic imperfections of Sun Ra’s record sleeves (TheVinylFactory.com)
* Israeli music scene jolted by international boycott movement (Associated Press)
* Documentary Offers Intimate Portrait of a Demur Abercrombie (DownBeat)
* Barre Phillips announces his farewell record End To End (The Wire)
* Guantánamo Mixtape: This Would Be the Soundtrack to Hell (LitHub.com)
* Quincy review – portrait of a musical legend fails to sing (The Guardian)
* Musicians, Labels and Festival Programmers Anxious Over Brexit (DownBeat)
* Live Review: 2018 Detroit Jazz Festival (Jazz Times)
* The Untold Stories of Paul McCartney (GQ)
* No Boundaries: The Many Sides of Steven Bernstein (SFJAZZ.org)
* Fifteen Questions Interview with Olivia Block (15questions.net)
* The 200 Best Albums of the 1980s (Pitchfork.com)
* 'I didn’t just fade off the planet.’ Reconnecting with ’70s funk queen Betty Davis (Washington Post)
* No more heroes: how music stopped meaning everything (Irish Times)
* Count Basie Orchestra Knows Pop Music (DownBeat)
* Jazz in the Display Case (Jazz Times)
* With 'Emanon,' legendary saxophonist Wayne Shorter finds a way to marry comic books and jazz (Los Angeles Times)
* In Memoriam: Randy Weston (DownBeat)
* Cuong Vu Keeps it Close to Home for ‘Change In The Air’ (DownBeat)
* Former Bad Plus pianist still 'loves playing in the Midwest' despite rocketing career (Minneapolis Star-Tribune)
* Wilco Guitarist Nels Cline Reclaims Mood Music In The City Of Brotherly Love (NPR)
* Berkeley's Legendary Fantasy Studios to Close Its Doors (KQED)
* Trumpet Colossus Kenny Dorham Towers Alongside the Jazz Gods (Austin Chronicle)
* The World On Six Strings (ArtForum.com)

Sunday, January 21, 2018

Sunday Session: January 21, 2018

Charles Mingus
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Interview: Paul McCartney On His Life as a Bassist | Bacon's Archive (Reverb.com)
* 25 Essential Jazz Soundtracks You Should Own (UDiscoverMusic.com)
* At Umbria, Multi-Media and Perfect Pitch (DownBeat)
* Johnny Cash's 'At Folsom Prison': Rosanne Cash Recalls Iconic Live Album (Rolling Stone)
* Too Much Music: A Failed Experiment In Dedicated Listening (NPR)
* Jimi Hendrix Collaborators on Assembling Guitarist's Long-Awaited New LP (Rolling Stone)
* Two Views From the Winter Jazzfest Marathon, Where Clamor and Conviction Abound (WBGO)
* Anchorage author chronicles 8-year friendship with Dizzy Gillespie (AlaskaPublic.org)
* For Wynton Marsalis, forgetting the roots of jazz is forgetting the history of race in America (The Undefeated.com)
* How Benny Goodman Orchestrated 'The Most Important Concert In Jazz History' (NPR)
* Notations: John Cage Publishes a Book of Graphic Musical Scores, Featuring Visualizations of Works by Leonard Bernstein, Igor Stravinsky, The Beatles & More (OpenCulture.com)
* Winter Jazzfest Gilded With Guitarists and Vocalists (DownBeat)
* Get The Lawyers In! Experts On The Del Rey vs Radiohead vs Hollies Case (TheQuietus.com)
* Interview: Vijay Iyer on Bay Area ties and how he’s not really that famous (San Jose Mercury News)
* 2018 Winter Jazzfest NYC - An overview of the marathon of jazz concerts and events during the 2018 Winter Jazzfest NYC (Jazz Times)
* Marching The Tradition Forward: Celebration of Preservation Hall Jazz Band (SFJAZZ.org)
* Swinging Along the Border: Charles Mingus' Album 'Tijuana Moods' Finds New Resonance (WBGO)
* Interview: Milford Graves (BombMagazine.org)
* Where To Start: The Cosmic Genius Of Sun Ra (ClashMusic.com)
* London’s young jazz heroes are crafting their own sound (HuckMagazine.com)

Sunday, December 31, 2017

Sunday Session: December 31, 2017

Donny Hathaway
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's inboxes over the past week:

* Jazz trumpeter Irvin Mayfield keeps on making music, despite federal indictment (New Orleans Advocate)
* Is Music Getting Shorter? How Hot 100 Hits Downsized In 2017 (Billboard)
* Holiday travel woes? Try flying with a tuba (Cincinnati Enquirer)
* 'This Christmas': How a Chicago postal worker and Donny Hathaway created a holiday classic (Chicago Tribune)
* The Bad Plus Interviews 2017: Introduction (Bebopified.com)
* Interview: Jamie Saft (Burning Ambulance)
* This Is The Odd Writing Technique Used by David Bowie, Kurt Cobain, and Bob Dylan (Curiosity.com)
* Streaming Services and the End of Music Collection (Variety)
* Brian Eno Presents a Crash Course on How the Recording Studio Radically Changed Music: Hear His Influential Lecture “The Recording Studio as a Compositional Tool” (1979) (OpenCulture.com)
* Hackers Can Rickroll Thousands of Sonos and Bose Speakers Over the Internet (Wired)
* Paul McCartney's One on One Tour Earns $132 Million in 2017 (Billboard)
* Jazz Master Eddie Palmieri Doesn't Miss A Beat at 81 (NPR)
* Sidran, Willis Deliver Intense Sets in Paris (DownBeat)
* In A New Book, A Musician And A Scientist Describe Their Lives At the South Pole (KUT)
* Five visions for the future of music (BBC)
* Deluxe Reissue of Sonny Rollins’ “Way Out West” Out Feb. 16 (Jazz Times)
* 'The Coolest Job In The World': Fenway's Organist Talks Music And Baseball (WBUR)
* Tropicalia Music Still Speaks To Young Marginalized Urban Brazilians (NPR)
* Not dead yet: Record executives fight for compact disc's future (CBC)
* The explosive influence of Chicago’s AACM and the records it created (TheVinylFactory.com)
* A bluesy winter night in New York with Slim Harpo (Salon.com)

Sunday, December 10, 2017

Sunday Session: December 10, 2017

Sunny Murray
Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Who can fill the role of Tom Lehrer today? (The Economist)
* Pete Escovedo: Rhythms of Life (Jazz Times)
* Paul McCartney’s Lost Experimental Christmas Album That He Made For The Beatles Has Surfaced Online (Uproxx.com)
* Spotify Attorney Estimates the Service Infringed 300,000 Songs in Settlement Hearing (SPIN)
* Why Sun Ra Matters (Philadephia Jazz Project)
* The Problem with Muzak - Spotify’s bid to remodel an industry (The Baffler)
* The Chief of Entertainers - Trumpet virtuoso Dizzy Gillespie was a jazz prophet, a musical genius, and a scatterbrained whirlwind (TheAmericanScholar.org)
* Electrifying Photos of Cuba's Thriving Music Scene (Vice.com)
* Louis Armstrong’s home in Queens is now a museum (Curbed.com)
* Historic Austin Music Venue Is Being Sold on eBay (DigitalMusicNews.com)
* Lloyd Price's Personality: Long Live The Real King! (JazzWeekly.com)
* David Bowie Sang For Devo, and Mark Mothersbaugh Might Have the Tapes (BedfordAndBowery.com)
* How I Got 10,000 Spotify Plays For a Totally Fake Song (DigitalMusicNews.com)
* Last.fm Was the Only Music Social Network That Made Sense (Vice.com)
* Jazz Legend Sonny Rollins on Retiring His Sax, His Legacy, and the Secret to Life (Vulture.com)
* Quincy Jones is about to launch the 'Netflix of jazz' (Mashable.com)
* Next Wave Forever: John Cale at Seventy-Five (The New Yorker)
* New Jimi Hendrix LP Unearths 10 Previously Unheard Recordings (Rolling Stone)
* Inside the Shady World of the Musical Hologram (Vice.com)
* The Legacy of Buddy Rich (Jazz Times)
* This Kenyan drummer is fighting to make more space for women in percussion (TED.com)
* Eric Clapton Talks Addiction, Cream's Brilliance, the Future of the Guitar (Rolling Stone)
* RIP: Sunny Murray, pioneering free jazz drummer (TinyMixTapes.com)
* Drummer Sunny Murray Dies at 81 (Jazz Times)
* Enacting Change in the Performing Arts World Begins with Changing the Conservatory Culture (AmericansForTheArts.org)
* David Sedaris: Songs for My Father - A conversation with the best-selling author and humorist on his lifelong love of jazz (Jazz Times)

Sunday, July 02, 2017

Sunday Session: July 2, 2017

Geri Allen
Here's the weekly roundup of various music-related items of interest that have landed in StLJN's inbox over the past week:

* Rescuing the Treasures of a Dead Jazz Legend - Sun Ra, Alton Abraham, and the Taming of the Freak (LitHub.com)
* The Untold and Deeply Stoned Story of the First U.S. Rock Festival (Rolling Stone)
* How Japan’s Landscape Inspired a New Kind of Electronic Music (Bandcamp.com)
* A Ticket to Rock Royalty: Gregg Allman’s Midnight Ride through New Orleans (Offbeat)
* Dee Dee Bridgewater: Her Memphis Roots Are Showing (Jazz Times)
* Jazzfest review: Hudson raised the NAC Theatre's roof with its jazz-rock (Ottawa Citizen)
* Wadada Leo Smith, Mary Halvorson Among Winners in DownBeat Critics Poll (DownBeat)
* How Countries Around the World Fund Music—and Why It Matters (Pitchfork,com)
* Geri Allen, Brilliantly Expressive Pianist, Composer and Educator, Dies at 60 (WBGO)
* Geri Allen, Pianist Who Reconciled Jazz’s Far-Flung Styles, Dies at 60 (New York Times)
* Heartbroken Jazz Aficionados Agree: Geri Allen Brought ‘Spirit to the Music’ (DiverseEducation.com)
* Randy Weston: Music of The Earth (AllAboutJazz.com)
* Classical music's blurred boundaries (Gramophone)
* Still Dreaming: Joshua Redman's Tribute To A Tribute (NPR)
* A Brief History of Music That Doesn't Need to Be Listened To (Vice.com)
* Jazz great Branford Marsalis shares humble life lessons in Vancouver (Metro News)
* Boundaries - An Interview with George Lewis (Atavist.com)
* Sony Music to start manufacturing its own vinyl for the first time in nearly 30 years (MusicBusinessWorldwide.com)
* Will The Next Pop Culture Icon Be Augmented Reality? (HypeBot.com)
* Paul McCartney and Sony Settle Beatles Copyright Suit (UltimateClassicRock.com)
* Can Synthesizers Compose Music? Nearly 50 Years Ago, This One Could (LA Weekly)
* Video: Foley Artists – How Movie Sound Effects Are Made (ASoundEffect.com)
* In Stargoon’s Car (The Paris Review)
* Sustaining Americana - What do you get for the genre that has everything? (No Depression)

Sunday, June 25, 2017

Sunday Session: June 25, 2017

Ahmad Jamal
Here's the weekly roundup of various music-related items that have landed in StLJN's inbox over the past week:

* 'It’s just me, on the phone in my son’s bedroom.' The church hall that became contemporary music’s hottest venue (The Guardian)
* Thelonious Monk: Lost Liaison - Inside the Forgotten 1959 Studio Session (Jazz Times)
* Is the Printed Circuit Board a Form of Musical Notation? (New Music Box)
* The Story Behind ‘I’ll Be Around’ (Wall Street Journal)
* Alice Coltrane: “The Gifts God Gave Him” (Jazz Times)
* Team-Ups & Supergroups Power San Francisco Jazz Festival (DownBeat)
* In New Orleans, Party Buses Drive The Legacy Of Bounce Music (TheFader.com)
* Generation Next: Four Voices From Seattle (AllAboutJazz.com)
* The Story of Tropicália in 20 Albums (Pitchfork.com)
* Christian Scott aTunde Adjuah On World Cafe (NPR)
* Money Ain’t a Thang: 11 of the Most Expensive Albums Ever Produced (Soundfly.com)
* Philadelphia Orchestra composer Hannibal finds humanity amid the loss (Philly.com)
* Tony Bennett to Receive Library of Congress Gershwin Prize (Rolling Stone)
* Ann Hampton Callaway Says Her Return to Singing Is ‘Scary and Thrilling’ (Playbill)
* Q&A with Ahmad Jamal: Continuum of Influence (DownBeat)
* "My goal is to reach people on an emotional level" — The Kenny Barron interview (Ottawa Citizen)
* Paul McCartney on making music with Kanye West: ‘You basically don’t write songs’ (NME.com)
* Why my guitar gently weeps - The slow, secret death of the six-string electric. And why you should care (Washington Post)
* Mills College’s Plan to Ax Jazz Legend Roscoe Mitchell Draws International Outrage (East Bay Express)
* Red Hook Jazz Festival: Neighborhood Feel, Avant Sound (DownBeat)
* The Secret Lives of Playlists (CashMusic.org)
* What I'm Listening to Now: Mats Gustafsson (AllAboutJazz.com)
* Why didn’t famous composers write national anthems? (Classical-Music.com)
* The Ethereal Genius of Craig Taborn (New York Times)
* Artist’s Choice: Bobby Watson on Unsung New York Masters - The saxophonist and educator reflects on his mentors (Jazz Times)
* Langston Hughes Creates a List of His 100 Favorite Jazz Recordings: Hear 80+ of Them in a Big Playlist (OpenCulture.com)
* Bon Iver’s Dad Helped Me Discover the Secret Jazz History of His Hometown (Vice.com)
* Is Jazz Still Sexist? (Jazz Times)
* The Weird World Of One-Hit Wonders (UDiscoverMusic.com)

Sunday, February 26, 2017

Sunday Session: February 26, 2017

Preservation Hall Jazz Band
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* How Hans Zimmer Became a Rock Star (The Atlantic)
* Larry Coryell Dies at 73 (Jazz Times)
* Paul McCartney and Ringo Starr Reunite in the Studio (Pitchfork.com)
* The American Beat of Bobby Lloyd Hicks (DaveHoekstra.com)
* Learn About Early Audiovisual Art With 10 Pioneering Works (ElectronicBeats.net)
* Tulane archive gets piece of jazz history (Tulane.edu)
* Going Deep (Oxford American)
* What Do Actual L.A. Jazz Musicians Think of La La Land's Portrayal of L.A. Jazz? (LA Weekly)
* Alt.Latino Explores Afro-Latin Music For Black History Month (NPR)
* John Coltrane's 'Interstellar Space' at 50: Legacy of a Free-Jazz Masterpiece (Rolling Stone)
* How the Doctor Who theme reveals our deepest fears about space (BBC)
* Q&A with Anoushka Shankar: Spirit of Collaboration (DownBeat)
* Jazz in the digital age: Tools for exploring the music (San Jose Mercury News)
* Listen: Preservation Hall Jazz Band Doubles Down On Afro-Cuban Connection (NPR)
* Portland Jazz Fest Grooves to Fascinating Rhythms (DownBeat)
* Joshua Bell: VR could popularize classical music (USA Today)
* Welcome to the Jazzless Age: Change in New York Times coverage spells trouble for a scene (Salon.com)
* The Rhythm Changes: Kamasi Washington Interviewed (ClashMusic.com)
* A Jazz Fact Check Of 'La La Land' (NPR)
* THEFT: A History of Music (Boing Boing)
* A New Documentary Explores The Troubled, Brilliant Life Of Pianist Bill Evans (NPR)

Sunday, August 14, 2016

Sunday Session: August 14, 2016

"A Great Day In Harlem"
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* We’ve Passed Peak Vinyl – Here Comes The Collapse (Stereogum)
* What It Takes for an Independent Record Store to Survive Now (Pitchfork)
* Twang Time: Scofield Explores Country Music on New Album (DownBeat)
* A Conversation With ... Norah Jones (FYIMusicNews.ca)
* Norah Jones Teams with Jazz Icons for Day Breaks (DownBeat)
* Kittens, Kisses, And Razorblades: Behind Star Trek's Iconic Sounds (AudibleRange.com)
* 5 Musicians Pick Their Favorite Herbie Hancock Recordings (NPR)
* The Collapse of Music Dealers and Music Licensing’s “Race to the Bottom” (ConsequenceOfSound.net)
* Harry Connick Jr. joining daytime talk world and all that jazz (Fresno Bee)
* Herman Leonard’s intimate portraits of jazz greats draw viewers into smoky clubs (Washington Post)
* Paul McCartney Looks Back: The Rolling Stone Interview (Rolling Stone)
* SoundGirls Go To Camp (Pro Sound News)
* Bonerama Sends Love to Roswell Rudd (MySpiltMilk.com)
* Reviving a Detroit jazz legacy: Terry Jean Pollard was queen of the vibes (Detroit Metro Times)
* Tunisia’s Dying Jazz (Foreign Policy)
* From Gladiators to Bog Bodies: How inventive, evocative museum sound design is created today (ASoundEffect.com)
* Epic Records Whips Up Hit Album Out of Thin Air (and Online Streams)(New York Times)
* Tony Bennett's Season of Celebration: At 90, the Singer Reflects On A Life Rich with Collaborations, from Frank Sinatra to Lady Gaga (Billboard)
* Randy Weston Archive Provides Glimpse Into the History of Jazz in America and Africa (Harvard.edu)
* A visual chronicle of Tokyo’s disappearing jazz bars (TheVinylFactory.com)
* 12 Sound Artists Changing Your Perception of Art (Artnet.com)
* Cruisin’: Vintage photos of cars tricked out with record players (DangerousMinds.com)
* Stoop Summit - How a Harlem brownstone was immortalized when the living legends of jazz assembled there for an iconic photograph (New York Daily News)
* Inside Elvis Presley's Legendary Man-Cave Studio (Rolling Stone)
* Review: Herbie Hancock, Basking in a Boundless Legacy of Fusion (New York Times)
* Saving American Music: Heather West (ElmoreMagazine.com)
* Robert Glasper Experiment Returns with Eclectic ArtScience (DownBeat)

Sunday, March 27, 2016

Sunday Session: March 27, 2016

Arturo O'Farrill
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Malcolm McLaren's son to burn £5m of punk memorabilia (The Guardian UK)
* Vijay Iyer/Wadada Leo Smith: A Cosmic Rhythm With Each Stroke (The Quietus)
* What Happens When Pop/Alternative Radio Runs Out of Alternatives? (Billboard)
* Coltrane Church to vacate Western Addition at end of April (San Francisco Chronicle)
* Ray Davies: The Lonely Kink (Rolling Stone)
* Historic days for US and Cuba, accompanied by jazz (Jazz Beyond Jazz)
* How we made Motown (The Guardian UK)
* Paul McCartney strikes out to gain control of his share of the Beatles catalogue (The Guardian UK)
* Concord to Release Lee Ritenour Vinyl Box Set (Jazz Times)
* 10 Records You Might Have Owned That Are Now Worth a Fortune (MentalFloss.com)
* Vinyl sales in 2015 worth more than Spotify Free and YouTube combined (FactMag.com)
* Verve to Release “Jazz at the Philharmonic: The Ella Fitzgerald Set” (Jazz Times)
* Cosmic Slop: Pedro Bell’s fantastic, far-out and funky Funkadelic album art (DangerousMinds.net)
* Jazz Record Mart collection is now in distinguished company (Medill Reports Chicago)
* For jazz pianist, Obama's trip to Cuba 'beyond what I'd ever thought I'd see' (PRI)
* Born To Be Blue: Chet Baker In 5 Songs (NPR)
* Uri Caine: In dialogue with music history (Stuff.co.nz)
* Blue Note Becomes Apple Music Curator, Reissues Gems on Vinyl (DownBeat)
* Award-winning Composer David Baker Dies At 84 (Indiana Public Media)

Sunday, July 12, 2015

Sunday Session: July 12, 2015

Miguel Zenón
For your Sunday reading, here are some interesting music-related items that have hit StLJN's inbox over the past week:

* Facebook Is Negotiating Music Video Licensing With Major Labels. (Digital Music News)
* Paul McCartney Opens Up About Lennon, Yoko, and More (Esquire)
* Here’s What Apple Music Looks Like to Artists (Create Digital Music)
* Zenón Spotlights Identities Project at Chicago’s Jazz Showcase (DownBeat)
* The Wall of Sound (Vice.com)
* Sonifying the world (Aeon)
* The Anxious Ease of Apple Music (The New Yorker)
* The Finger’s on the Self-Destruct Button - The Ugly Truth about Apple, Google, Spotify, and the Rest of the Music Streaming Universe (Medium.com)
* SESAC to Buy HFA (New Music Box)
* SubCulture in New York Cancels Much of Its Schedule (New York Times)
* Rdio bets big on curation with new label and influencer radio station (Venture Beat)
* Why the AACM and AfriCOBRA still matter (Chicago Reader)
* I’m An Independent Artist And Apple Music Screwed Up My Entire Discography (Digital Music News)
* Masters Behind the Mix: A Behind the Scenes Glimpse Into Music Making With Audio Engineer Jim Anderson (Atlantic Records)
* This Is What 70 Years of Computing Sounds Like (Vice.com)
* Violinist Kevin Yu Invents a High-Tech Tux Shirt (Violinist.com)
* Why We’ll Never Have an Iconic Record Cover Like ‘Dark Side of the Moon’ Again (Medium.com)
* Statistical universals reveal the structures and functions of human music (Proceedings of the National Academy of Sciences)
* The Power of Creation in an Age of Destruction (New Music Box)
* Glasper, Valdés Joyfully Explore Diverse Material in San Francisco (DownBeat)
* Sony Music Tells Court It's Not Their Job To Make Artists Money (Hypebot.com)
* Did Rock and Roll Pacify America? (The Atlantic)