Showing posts with label Preservation Hall Jazz Band. Show all posts
Showing posts with label Preservation Hall Jazz Band. Show all posts

Sunday, July 28, 2019

Sunday Session: July 28, 2019

Antonio Sánchez
Here's this week's roundup of various music-related items of interest:

* Cannonball: A Man of the People (AllAboutJazz.com)
* Curator’s Roundtable (OpenSkyJazz.com)
* The Bohemian Caverns building has a new tenant: restaurant and jazz venue Mama ‘San (CapitalBop.com)
* The ARP 2600 is still one of the most prized synthesizers today, here’s why (MusicTech.net)
* Antonio Sánchez on Touring Political Music and the Latitude ‘Bad Hombre’ has Provided (DownBeat)
* The Spirituality of Jazz at American Baptist College (Tennessee Tribune)
* Kit Downes Strikes a Balance (DownBeat)
* Art Neville, founding member of The Meters and Neville Brothers, has died (Offbeat)
* Experimentation and a Mastery of Music at Funchal Jazz Festival (DownBeat)
* New Orleans legend Art Neville, founder of the Meters and Neville Brothers, dies at 81 (NOLA.com)
* Jessye Norman Reflects on Her Jazz Influences, in Conversation with Rhonda Hamilton (WBGO)
* New York City’s Piano Bar Players Spill Their Secrets (InsideHook.com)
* The future of music notation in a digital world (Monash.edu)
* Felix Pastorius Pursues Multiple Paths (DownBeat)
* John Simon's Musical Life: Cheap Thrills, Big Pink & Other Hearsay (PleaseKillMe.com)
* Guitarist Bill Frisell goes solo at the Regattabar in Cambridge (WickedLocal.com)
* Yes, 85 Year Old Bluesman Bobby Rush Still Has It On New LP ‘Sitting On Top Of The Blues’ (INTERVIEW)(GlideMagazine.com)
* WOKE JAZZ: The Fast-Forward Evolution of British Jazz (AllAboutJazz.com)
* Rainbows, Frogs, Dogs, And 'The Muppet Movie' Soundtrack At 40 (NPR)
* The Language I Learned From Cassettes (NPR)
* The Green New Deal: Where Spotify Stands, And Where Artists Wish It Would (NPR)
* Preservation Hall Jazz Band Pilgramage to Cuba (SFJAZZ.org)
* How Long Does It Take to Make a Classic Album? (Pitchfork.com)
* More Complex Than Fame and Fortune: Bob Moog and the Modular Synth Boom (PopMatters.com)
* The Empathy and Interplay of Sullivan Fortner (DownBeat)
* Theo Bleckmann, Joseph Branciforte Investigate the Art of Ambient Improvisation (DownBeat)
* A Conversation with Jazz Legend Ron Carter (WhatsUpNewp.com)
* The Many Threads And Generations Of Chicano Soul, All In One Place (NPR)

Sunday, March 18, 2018

Sunday Session: March 18, 2018

Charles McPherson
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Syrian refugees using music therapy to soothe the trauma of war (ABC.net.au)
* Meet the Electric Guitarist Who Gave Benny Goodman a Jolt (OZY.com)
* Inside the Gramercy: The Grit and Glamour of New York's Rock & Roll Hotel (Rolling Stone)
* The long, slow death of print music journalism (GlobalNews.ca)
* Dark and Deep Flows the River: An Interview with Wadada Leo Smith (PopMatters.com)
* The Treasured Preservation Hall Sousaphone Has Been Returned (Offbeat)
* Saudi Arabia's bootleg music shops (BBC)
* Why Labels Are Looking to Africa to Find the Next Global Pop Star (Billboard)
* Kurt Elling Remembers Jon Hendricks (Jazz Times)
* Blue Note Label Boss Don Was Is Not Ready to Give Up on Jazz (Forbes.com)
* The end of live music? (CompleteMusicUpdate.com)
* Kamasi Washington at Sydney Opera House: a defiant cry from a jazz star in his prime (The Guardian)
* Will Corporations Ruin Live Music in the Bay Area? (East Bay Express)
* Expert Introductions: The Quietus' Top 40 Genre Compilation Albums (TheQuietus.com)
* iHeartMedia Files for Bankruptcy (Variety)
* Charles McPherson: The Man and His Muse (AllAboutJazz.com)
* Chicago saxophonist Dave Rempis builds an intentional community in jazz (Chicago Reader)
* Q&A with Paal Nilssen-Love: In a Natural Way (DownBeat)
* The Residents pay tribute to Sun Ra (and Barry White) (DangerousMinds.net)
* Here's a Playlist of Songs You Know But You Can’t Name (Lifehacker.com)
* Reconsidering Gene Krupa, A Great Jazz Drummer Hiding in Plain Sight (WBGO)
* Bobby Previte: the Art of Travelling Trustingly (AllAboutJazz.com)
* Quincy Jones: 20 Great Productions (Rolling Stone)
* Which Cities Get the Most (and Least) Concerts? (Priceonomics.com)
* The Man Who Made Violins Out of New York City Buildings (AtlasObscura.com)
* Celebrating the Free Jazz Revolution, in Black and White (Village Voice)

Sunday, January 21, 2018

Sunday Session: January 21, 2018

Charles Mingus
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Interview: Paul McCartney On His Life as a Bassist | Bacon's Archive (Reverb.com)
* 25 Essential Jazz Soundtracks You Should Own (UDiscoverMusic.com)
* At Umbria, Multi-Media and Perfect Pitch (DownBeat)
* Johnny Cash's 'At Folsom Prison': Rosanne Cash Recalls Iconic Live Album (Rolling Stone)
* Too Much Music: A Failed Experiment In Dedicated Listening (NPR)
* Jimi Hendrix Collaborators on Assembling Guitarist's Long-Awaited New LP (Rolling Stone)
* Two Views From the Winter Jazzfest Marathon, Where Clamor and Conviction Abound (WBGO)
* Anchorage author chronicles 8-year friendship with Dizzy Gillespie (AlaskaPublic.org)
* For Wynton Marsalis, forgetting the roots of jazz is forgetting the history of race in America (The Undefeated.com)
* How Benny Goodman Orchestrated 'The Most Important Concert In Jazz History' (NPR)
* Notations: John Cage Publishes a Book of Graphic Musical Scores, Featuring Visualizations of Works by Leonard Bernstein, Igor Stravinsky, The Beatles & More (OpenCulture.com)
* Winter Jazzfest Gilded With Guitarists and Vocalists (DownBeat)
* Get The Lawyers In! Experts On The Del Rey vs Radiohead vs Hollies Case (TheQuietus.com)
* Interview: Vijay Iyer on Bay Area ties and how he’s not really that famous (San Jose Mercury News)
* 2018 Winter Jazzfest NYC - An overview of the marathon of jazz concerts and events during the 2018 Winter Jazzfest NYC (Jazz Times)
* Marching The Tradition Forward: Celebration of Preservation Hall Jazz Band (SFJAZZ.org)
* Swinging Along the Border: Charles Mingus' Album 'Tijuana Moods' Finds New Resonance (WBGO)
* Interview: Milford Graves (BombMagazine.org)
* Where To Start: The Cosmic Genius Of Sun Ra (ClashMusic.com)
* London’s young jazz heroes are crafting their own sound (HuckMagazine.com)

Sunday, May 14, 2017

Sunday Session: May 14, 2017

Tyshawn Sorey
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Can’t help falling in price: why Elvis memorabilia is plummeting in value (The Guardian)
* Photos & Review: Stevie, Snoop, Tank and the Bangas shine on Jazz Fest’s biggest day (Offbeat)
* Louis Armstrong and the jazz heritage of the Fair Grounds (New Orleans Times-Picayune/NOLA.com)
* Béla Fleck: Things That Sound Right (New Music Box)
* "Take Me Out to the Ball Game," Baseball's National Anthem (Neatorama.com)
* Jazz Fest wraps up with big sets from The Meters, Kings of Leon (Offbeat)
* Q&A with Orrin Evans: The Bad Plus’ New Addition (DownBeat)
* Cassettes Are Making A Comeback, But Which Artists Are Actually Selling Them? (Forbes)
* What does ‘rock music’ even mean anymore anyway? (City Pages)
* This cybernetic synth contains a brain grown from the inventor’s cells (CreateDigitalMusic.link)
* How Preservation Hall Jazz Band Found Their New Sound in Cuba (Rolling Stone)
* New Orleans Jazz & Heritage Fest: A Photo Recap (DownBeat)
* The Colonel Has a Master Plan (OtielBurbridge.com)
* Scofield Revisits His Past in Jazz at Lincoln Center Concert (DownBeat)
* The Decline of the Yellow Label (Atavist.com)
* Universal Demands Cancellation of $30 Million Deal With Prince Estate (Billboard)
* The MP3 Is Officially Dead, According To Its Creators (NPR)
* eMusic Relaunches Indie-Centric Music Service (Billboard)
* New Orleans Jazz Festival: 2nd Weekend Photos (Jazz Times)
* “Play Without Bitching About the Key,” and Other Humorous, Blunt Annotations Added to Musical Scores (OpenCulture.com)
* Here comes the science bit: why music festivals are going geek (The Guardian)
* Paradise Blue: A Fictional Jazz Club in a Real Time (DownBeat)
* The Checkout: Drummer Tyshawn Sorey Reflects on His Spectrum of Imagination (WBGO)
* In full, on vinyl, no talking: have we lost the art of listening to music? (The Guardian)
* Valdés Puts Efflorescent Pianism on Display at Birdland (DownBeat)

Sunday, April 30, 2017

Sunday Session: April 30, 2017

Hugh Masekela
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* UK music industry braced for Brexit (BBC)
* Nudity, chimps, and Dolly Parton's disembodied head: are these the worst album covers of all time? (The Telegraph)
* Trombone Shorty Pushes Tradition Forward (NPR)
* Preservation Propagation: Preservation Hall Jazz Band has left the museum behind (Offbeat)
* Hancock, Spalding, McBride Celebrate Shorter in Hometown (DownBeat)
* Review 'Chasing Trane: The John Coltrane Documentary' serves the jazz legend well (Los Angeles Times)
* Jazz Giant Wadada Leo Smith on Four Recent Collaborations (Bandcamp.com)
* Afrobeat Legend Tony Allen Honors Jazz Great With 'Tribute to Art Blakey' EP (Rolling Stone)
* Interview: Hugh Masekela on No Borders, Satchmo and reuniting the Jazz Epistles (BestOfNewOrleans.com)
* From the Magazine: Sipiagin Soars on New Sextet Album (DownBeat)
* Q&A: Henry Threadgill - Master improviser speaks on sustaining creativity (Austin Chronicle)
* Ella Fitzgerald: Beyond Words (Merriam-Webster.com)
* Duke Ellington And Copyright: Five Things You Should Know (JDSupra.com)
* Record Store Day Is Boon for Vinyl Sales (DownBeat)
* Remembering Ella Fitzgerald, Who Made Great Songs Greater (NPR)
* Stax Records Plots Massive 60th Anniversary Campaign (Rolling Stone)
* The Hidden Legacy of The Jazz Epistles, South Africa's Short-Lived But Historic Band (WBGO)
* What Controversial Changes at Harvard Mean for Music in the University (TheLogJournal.com)
* Ashok and Vijay Squeeze Blood from a Drum Machine (AAWW.org)
* The Story of Science Faction, the Company That Brought Lasers to Rock and Roll (Vice.com)
* A Jazz Classic Becomes a Picture Book (TabletMag.com)
* Q&A: Miles Mosley - The fiery, soulful bassist, singer and composer launches his Uprising (Jazz Times)
* Blue Note Jazz Festival Announces Lineup - Concerts by Metheny, Glasper, Collier, Hiromi, Tyner, Ponty and many more (Jazz Times)

Sunday, February 26, 2017

Sunday Session: February 26, 2017

Preservation Hall Jazz Band
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* How Hans Zimmer Became a Rock Star (The Atlantic)
* Larry Coryell Dies at 73 (Jazz Times)
* Paul McCartney and Ringo Starr Reunite in the Studio (Pitchfork.com)
* The American Beat of Bobby Lloyd Hicks (DaveHoekstra.com)
* Learn About Early Audiovisual Art With 10 Pioneering Works (ElectronicBeats.net)
* Tulane archive gets piece of jazz history (Tulane.edu)
* Going Deep (Oxford American)
* What Do Actual L.A. Jazz Musicians Think of La La Land's Portrayal of L.A. Jazz? (LA Weekly)
* Alt.Latino Explores Afro-Latin Music For Black History Month (NPR)
* John Coltrane's 'Interstellar Space' at 50: Legacy of a Free-Jazz Masterpiece (Rolling Stone)
* How the Doctor Who theme reveals our deepest fears about space (BBC)
* Q&A with Anoushka Shankar: Spirit of Collaboration (DownBeat)
* Jazz in the digital age: Tools for exploring the music (San Jose Mercury News)
* Listen: Preservation Hall Jazz Band Doubles Down On Afro-Cuban Connection (NPR)
* Portland Jazz Fest Grooves to Fascinating Rhythms (DownBeat)
* Joshua Bell: VR could popularize classical music (USA Today)
* Welcome to the Jazzless Age: Change in New York Times coverage spells trouble for a scene (Salon.com)
* The Rhythm Changes: Kamasi Washington Interviewed (ClashMusic.com)
* A Jazz Fact Check Of 'La La Land' (NPR)
* THEFT: A History of Music (Boing Boing)
* A New Documentary Explores The Troubled, Brilliant Life Of Pianist Bill Evans (NPR)

Sunday, September 06, 2015

Sunday Session: September 6, 2015

Marshall Allen
For your Sunday reading, here are some interesting music-related items that have hit StLJN's inbox over the past week:

* Yale Students Campaign for All That Jazz (New York Times)
* God and jazz at Yale (The Rest Is Noise)
* Watch a 1986 TV story on house music, plus too many documentaries (CreateDigitalMusic.com)
* Contemporary Opera: Pleasing Both Connoisseurs and the Masses? (WQXR)
* Sarah Vaughan to Appear on U.S. Postage Stamp in 2016 (Jazz Times)
* Preservation Hall Jazz Band’s Ben Jaffe Remembers Hurricane Katrina Ten Years Later (Relix)
* Biography of Charles Lloyd by Josef Woodard to be published in September 2015 (JazzCorner.com)
* Smith, Watts, Bey Extend Bird’s Legacy at Charlie Parker Fest (DownBeat)
* Is Copyright Duration Too Long? (Arts Law Journal)
* Noise Uprising - The Audiopolitics of a World Musical Revolution (PopMatters)
* Nashville's Cheatin' Heart: Why Country Music Has Been Obsessed With Adultery for the Last Century (Atlas Obscura)
* Billboard Music Executive Survey: Top Brass Weigh In On the Artists They Covet Most, Taylor Swift and More (Billboard)
* How long can go-go keep going? (Washington Post)
* Maria Schneider on her hometown of Windom, leading the band and working with David Bowie (MinnPost.com)
* Original 1890s Manuscript of “Happy Birthday” Found In a Filing Cabinet (DigitalMusicNews.com)
* Carla Bley conducts the Charlie Haden Jazz Liberation Music Orchestra at the Detroit Jazz Festival (Detroit Metro Times)
* Are Movie Theaters the New Music Venue?(LiveNationTV.com)
* The Last Audio Cassette Factory (Bloomberg News)
* How Record Labels Conspired To Kill Off Public Domain Beatles Music In Canada (TechDirt.com)
* Washington Lives Up to Hype in Howard Theatre Performance (DownBeat)
* The piano: Keys of the future (Washington Post)
* White Noise Wackiness (Pro Sound News)
* “Where can you go if you’re in a box?”: Marshall Allen of the Sun Ra Arkestra interviewed (FactMag.com)

Thursday, December 06, 2012

Jazz this week: Preservation Hall Jazz Band, Oikos Ensemble, Craig Pomranz, St. Louis Rivermen, Andy Coco's Rhythm Section Road Show, and more

If you feel like combining jazz and Christmas this weekend, you're in luck, as there are several holiday themed performances by local and touring musicians coming up over the next few days around the St. Louis area. And if you're not quite ready to go the full-on holiday music route just yet, you can also find funky soul-jazz, traditional New Orleans and swing music, cabaret, and more. Let's go to the highlights...

Tonight, Washington University's student jazz ensembles will perform a free concert as part of the Jazz at Holmes series. This will be the final JAH presentation of the semester; the winter/spring lineup for the series usually is announced toward the end of the break between semesters.

Also tonight, jazz-rock/fusion band Steizuello are downtown at Plush; and funk organ trio Downstereo are playing at Atomic Cowboy, where they'll be doing a regular Thursday gig until further notice.

On Friday, bassist Andy Coco's Rhythm Section Road Show opens a two-night gig at Jazz at the Bistro. This will be the Bistro debut for the Road Show, who offer up soul-jazz and funk from a variable cast of players drawn from several local bands, including Hip Grease (who originally were scheduled to play the Bistro this weekend, but bowed out a couple of weeks ago), The Feed, Gumbohead, and others.

Friday night also offers a couple of home-for-the-holidays gigs, as singer and St. Louis native Craig Pomranz will be back from NYC to present the cabaret production "The Break-Up Show" at Kranzberg Arts Center, with an encore performance on Saturday.

That same evening, drummer Montez Coleman, bassist Chris Thomas and pianist Tony Suggs will join forces at Cigar Inn in Belleville. This gig is particularly noteworthy because all three musicians are locals who have "made good" touring with internationally known performers - Coleman with Roy Hargrove and McCoy Tyner; Thomas with Dianne Reeves and Josh Redman, and Suggs with the Count Basie Orchestra.

On Saturday afternoon, the Oikos Ensemble will present their Christmas program “Follow That Star: A Jazz Nativity” at First Congregational Church United Church of Christ, 10 W. Lockwood in Webster Groves.

The production features saxophonist Rev. Cliff Aerie; his daughter, vocalist Arianna Aerie; and a cast of St. Louisans that includes singer Kim Massie, trumpeter Danny Campbell, pianist Carolbeth True, bassist Dave Troncoso, and drummer Kevin Gianino. Admission is free, but donations will be accepted to benefit the St. Louis Back Stoppers Inc., Joplin Relief Tornado Fund, Webster‐Rock Hill Ministries Food Pantry and the Bi‐State Pet Food Pantry. "Follow That Star" will be repeated on Saturday night and again on Sunday afternoon.

Also on Saturday night, singer Erin Bode and her band will give a holiday-themed performance at New Covenant Church in Weldon Spring; and singer Becky Alexander and saxophonist Sammy Hag's trio will be at Robbie's House of Jazz.

On Sunday, there's a double dose of New Orleans-style traditional jazz, starting in the afternoon as the St. Louis Jazz Club presents a matinee featuring longtime local favorites Red Lehr and the St. Louis Rivermen at the Doubletree Hotel at Westport.

Then on Sunday evening, New Orleans' own Preservation Hall Jazz Band (pictured) will present their "Creole Christmas" show at the Sheldon Concert Hall. Thought the PHJB has played in St. Louis several times in recent years, this will be the first time they've done "Creole Christmas" here, and this year also marks the 50th anniversary of the band's founding. For more about that, and some video samples of them in action, check out this post from a couple of weeks ago.

Looking beyond the weekend, on Monday the Sessions Big Band will be at BB's Jazz, Blues and Soups for their final appearance there this year; and vocal students from Webster University will present their annual cabaret showcase and benefit at the Kranzberg Arts Center, with a repeat performance on Tuesday.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Saturday, November 24, 2012

StLJN Saturday Video Showcase:
50 years with the Preservation Hall Jazz Band



This week, let's take a look at some videos featuring the Preservation Hall Jazz Band, who will be in St. Louis to perform their "Creole Christmas" show on Sunday, December 9 at the Sheldon Concert Hall.

This is the seventh year PHJB has done "Creole Christmas," though the first couple of years were in New Orleans only. This is the show's St. Louis debut, and as you'd expect from the title, it features PHJB's takes on familiar holiday favorites such as “Winter Wonderland,” “White Christmas,” “O Christmas Tree,” "Rudolph the Red-Nosed Reindeer," and others.

This year also marks the 50th anniversary of the Preservation Hall Jazz Band, and you can see their history recounted in a short documentary in the embedded video window up above. Down below, you can see a very early interview with business manager and tuba player Allan Jaffe, recorded back in 1961 for NBC's Huntley-Brinkley Report.

Below that, we've got four performance clips featuring different lineups of the PHJB, starting with a vintage 1973 version of "Just A Closer Walk With Thee," featuring Percy Humphrey (trumpet), Jim Robinson (trombone), Willie Humphrey (clarinet), Sing Miller (piano), Allan Jaffe (tuba), and Cie Frazier (drums).

Next, it's "Hindustan," taken from the band's set at the 2006 Rochester International Jazz Festival and featuring John Brunious Jr (trumpet), Ernest "Doc" Watson (saxophone), Lucien Barbarin (trombone), Carl LeBlanc (banjo), Rickie Monie (piano), Walter Payton (bass), and Joe Lastie Jr. (drums).

The fifth clip is an excerpt from a PHJB performance of "St. Louis Blues," featuring vocals from trombonist Freddie Lonzo, that was recorded in 2008 at B.B. King's in NYC.

The final video, made in February of this year at the Louisiana Music Factory in New Orleans, shows the present-day lineup of the band playing "Bourbon Street Parade," "Trouble in Mind." and a gospel-flavored arrangement of "When The Saints Go Marching In." Along with Lastie, Monie, Barbarin, and tuba player Ben Jaffe, son of Allan, this version of the band also features Mark Braud on vocals and trumpet and Charlie Gilbert on saxophone and clarinet.









Friday, April 20, 2012

Sheldon Concert Hall announces
2012-13 season schedule

The Sheldon Concert Hall has announced the 2012-13 schedule for its various season series.

As tipped earlier here on StLJN, the jazz subscription series will include a performance by trumpeter Arturo Sandoval on Saturday, October 6, while the Preservation Hall Jazz Band will offer their "Creole Christmas" show on Sunday, December 9 as a non-subscription "special concert." Other performers in the jazz series will include pianist Marcus Roberts (pictured) and his trio (Saturday, December 1); trumpeter and singer Jeremy Davenport (Saturday, February 2); and singer Dianne Reeves (Saturday, April 27).

The Sheldon's "Coffee Concert" series of mid-morning shows by local performers will include singer Dean Christopher's “Tribute to Frank Sinatra” (Tuesday, April 2 and Wednesday, April 3) and Cornet Chop Suey (Tuesday, May 7 and Wednesday, May 8). Also, the St. Louis Stompers will play special coffee concerts that are not part of the subscription series on Tuesday, October 30 and Wednesday, October 31.

Looking at the rest of the non-subscription special concerts, jazz listeners also may be interested in the hall's official 100th anniversary celebration on Thursday, October 11, which will feature a multi-genre lineup of musicians including pianist Peter Martin, saxophonist Branford Marsalis, bassist Christian McBride and drummer Ulysses Owens Jr. as well as classical singer Christine Brewer, violinist David Halen and members of the Saint Louis Symphony Orchestra.

In addition, singer Sylvia McNair will return for the Sheldon's annual ArtSounds fundraiser on Friday, November 9, and singer Denise Thimes will team with guitarist Bucky Pizzarelli for a "special concert" on Friday, February 15.

So what's the takeaway here for St. Louis jazz fans? While one really can't criticize the musical quality or skills of the jazz performers booked for 2012-13, it's also a conservative, risk-averse lineup, both in terms of musical styles and with regard to the potential box office draw of the performers. Except for Sandoval, who last played St. Louis in 2006, and Roberts, the former Wynton Marsalis sideman who's had a lower touring profile since joining the faculty at Florida State University in 2004, all of the touring bands and musicians on the schedule already have played St. Louis during the last couple of years.

While the Martin/Marsalis/McBride/Owens combo would seem to offer some real potential for surprise, the fact that it's a one-off gig for a benefit show that will be shared with other performers imposes some serious constraints. Overall, the Sheldon remains a great place to play and hear music, but it's too bad that the current circumstances there seem to preclude offering audiences more jazz that's different, new, or just previously unheard here in St. Louis.

Single tickets for the jazz series shows are priced from $35 to $45, while Coffee Concert tickets are $12 and $15. Pricing for "special concerts' varies from $20 and $25 for Thimes and Pizzarelli to up to $500 for patron seats for the 100th anniversary and ArtSounds shows. Single tickets will go on sale at 10:00 a.m., Saturday, August 11. Season subscriptions go on sale at 10:00 a.m. May 14 via phone at 314-533-9900 or the Sheldon's website.

(Edited after posting to add a link.)

Monday, March 12, 2012

Pollstar: Preservation Hall Jazz Band
to play the Sheldon in December

The online touring information service Pollstar has just added a listing showing a performance by the Preservation Hall Jazz Band (pictured) on Sunday, December 9 at the Sheldon Concert Hall.

The PHJB, the touring version of the house band at the famed New Orleans traditional music venue, has played in the St. Louis area several times in the last few years, most recently in April 2011 at the Family Arena in St. Charles as part of a joint tour with the Del McCoury Band.

The group also was one of a number of bands and musicians included in a recent poll conducted by Jazz St. Louis, asking respondents who they'd like to see play next season at Jazz at the Bistro; a PHJB show at the Sheldon would seem to render that option moot.

Although listings on Pollstar should not be considered confirmed until officially announced by the presenter or venue, the site's track record for accuracy is generally good. Either way, we'll know for sure when the Sheldon releases details on their 2012-13 season schedule in a few weeks.

Wednesday, April 13, 2011

Jazz this week: Greater St. Louis Jazz Festival, Yellowjackets, Preservation Hall Jazz Band with Del McCoury Band, Vanessa Rubin, and more

It's another busy week for jazz and creative music in St. Louis, with a number of touring musicians and groups performing here over the next several days in styles ranging from traditional New Orleans jazz to big band to fusion to free improv. Let's go to the highlights:

Tonight, the electric jazz/fusion group Yellowjackets returns to St. Louis to open a four-night stand at Jazz at the Bistro. The 'Jackets have been regular visitors to St. Louis, though this will be their first time here since former drummer Will Kennedy returned to the fold last year to replace St. Louis native Marcus Baylor, who spent ten years with them. Given their substantial local fan base, they should draw a good-sized crowd even with everything else going on this week, so advance reservations definitely are recommended.

Also tonight, the highly anticipated tour featuring the Preservation Hall Jazz Band and bluegrass star Del McCoury's band comes to the Family Arena. (The show originally was scheduled for last fall, then postponed until this week.) If you're curious as to what this combination of roots music talent sounds like, the collaborative CD American Legacies featuring both groups has just been released this week, and you can listen to it stream online for free here. Local music freelancer Dan Duchholz also wrote a nice preview story about the show for the Post-Dispatch, and you can read that online here.

Rounding out tonight's musical offerings is percussionist Tatsuya Nakatani, who will organize and perform with a "Gong Orchestra" comprised of local improvising musicians at Lemp Neighborhood Arts Center. Nakatani also will teach a free master class on improvisation and extended percussion techniques at 4:00 p.m. this afternoon at LNAC.

Tomorrow night, the Jazz at Holmes series at Washington University wraps up its spring 2011 series with the music of the Crusaders performed by a group billed as Scratch (which is the title of one of the Crusaders 1970s recordings.) Oddly, JaH has released no information about the specific lineup of players, other than the so-vague-as-to-be-useless description of "some of St. Louis' best musicians," so there's not much more to say about this show.

Update, 10:50 a.m., 4/14/11 - Just got a Facebook invite to the Scratch gig from one of the musicians involved, and it looks like the band is made up mostly of musicians associated in some way with SIUE: Ben Reece (tenor sax), Cody Henry (trombone), Phil Ring (guitar), Adaron "Pops" Jackson (keyboards), Nick Jost (bass) and Miles Vandiver (drums).

Also on Thursday, Simon Shaheen will play at SIUE's Meridian Ballroom. Shaheen, a Palestinian-American oud and violin player and composer who mixes Arabic music with Western sounds and has performed with Bill Laswell, Henry Threadgill and the Klezmatics, is appearing as part of SIUE's Arts and Issues series.

On Friday, the public portion of the 2011 Greater St. Louis Jazz Festival begins with the Vanguard Jazz Orchestra playing at the Touhill Performing Arts Center. Descended from the Thad Jones-Mel Lewis Orchestra, the VJO has been a Monday night fixture at NYC's Village Vanguard for more than 40 years, serving as a proving ground for several generations of players and arrangers. The UMSL Jazz Ensemble will open the festival's shows on both Friday and Saturday, and they'll by joined onstage by the legendary Clark Terry, who, though no longer able to play trumpet due to health issues, will pick up the mic to sing his famously mushmouthed blues "Mumbles."

Also on Friday, guitarist Brian Vaccaro's trio plays at Robbie's House of Jazz; and guitarist Eric Slaughter's trio will hold forth at the Cigar Inn in Belleville.

The GSLJF continues on Saturday as bassist Ron Carter (pictured) returns to St. Louis for the first time since the mid-1980s to perform at the TouPAC. One of the most recorded and most influential bassists of the past 50 years, Carter will play with his Golden Striker trio, featuring pianist Mulgrew Miller and guitarist Russell Malone. For more about them and the VJO, and some video samples of both groups, please see this post from last Saturday.

Also on Saturday, New Music Circle present the premiere of its Laptop Orchestra Project at the William A. Kerr Foundation, which is at 21 O'Fallon St on the riverfront, just north of Laclede's Landing. The event will feature musicians Jim Hegarty, Steven Thomas, Joseph Potthoff, James S. Hegarty and Thomas Zirkle using laptop computers to perform improvised works and original compositions, as well as pieces by the Princeton Laptop Orchestra, which originated the laptop ensemble concept.

On Sunday, saxophonist Paul DeMarinis will lead his group in an early evening performance at Second Baptist Church for the St. Louis Jazz and Blues Vespers series, and the Northern Illinois University Jazz Ensemble, directed by saxophonist Ronald Carter, will perform at Robbie's.

Robbie's web site this week also added a note that trumpeter Randy Brecker will appear a guest artist with the NIU band, but StLJN has been unable to verify that information as of this writing.

Update - 8:30 p.m., 4/13/11: The itinerary on Brecker's website shows Sunday, April 17 as the final day of a five-performance tour with the NIU Jazz Ensemble, but identifies the venue as the Sheldon Concert Hall. The Sheldon's website makes no mention of the show, so it would appear that Robbie's somehow wound up as a substitute venue, and Brecker will indeed be there.

Update - 10:50 p.m., 4/13/11: Just heard from Dorothy Edwards, the co-owner/general manager of Robbie's, who confirmed that Randy Brecker will be in the house on Sunday night. Spread the word...

Looking beyond the weekend, on Monday singer Vanessa Rubin will be at SIUE for two free events sponsored by the university's Singer's Society. She'll lead a master class for vocalists at 3:00 p.m., then perform in concert that night with the SIUE Vocal Jazz Ensemble. Both events are open to the public, and will take place at Dunham Hall on the SIUE campus.

Also on Monday, pianist Peter Martin and singer Erin Bode are performing at Roberts Orpheum Theater as part of benefit kicking off St. Louis Design Week 2011; and the Sessions Big Band returns to BB's Jazz, Blues and Soups.

For more jazz-related events in St. Louis this weekend and beyond, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

(Edited after posting to add info about Clark Terry's appearance and to fix a couple of typos. Updated to include more details on Randy Brecker's appearance with the NIU Jazz Ensemble.)

Friday, April 08, 2011

So What: Local News, Notes & Links

Here's the latest wrap-up of assorted links and short local news items of interest:

* Veteran music scribe Dan Durchholz has written a preview story for the Post-Dispatch/STLtoday about next Wednesday's concert by the Preservation Hall Jazz Band (pictured) and Del McCoury Band at the Family Arena; read it online here.

* St. Louis musicians will stage a benefit performance to help raise money for relief efforts in Japan next Monday, April 11 at The Chapel, 6238 Alexander Drive. Performers will include members of the Saint Louis Symphony, Arianna String Quartet, Dave Black, Erin Bode, Farshid Etniko, Todd Mosby, Dawn Weber, and many others. There will be two sets, at 7:30 and 9:30. Tickets are $15, cash at the door only, and include two drinks. All performers are donating their services, and 100% of the proceeds from the ticket sales and a silent auction will go to Red Cross Japan Earthquake and Pacific Tsunami Fund. For more information call 314-721-0943.

UPDATE, 3:00 p.m., 4/8/11 - Terry Perkins has more details on the Japan relief concert in an article for the St. Louis Beacon here.

* The Art & Air Festival is looking for performers for this year's event via the "2011 Art & Air Idol" contest. Selected contestants will compete on Wednesdays in May in preliminary rounds held at Llywellyn’s Pub in Webster Groves. The winner gets a chance to perform on the main stage at Art & Air 2011, which will be held June 3-5 on the grounds of Eden Theological Seminary in Webster. The contest is open to "acoustic-oriented musicians, solo to small group," and organizers tell StLJN they're looking specifically for some jazz performers. The deadline for entry is April 20; you can find out more and submit an application here.

* While back in his hometown last month to perform at the Kranzberg Arts Center, singer and St. Louis native Craig Pomranz was profiled by local PBS affiliate KETC's program Living St. Louis and reporter Ruth Ezell; check out the YouTube video of the segment here.

* The P-D reports that the historic Wildey Theatre in Edwardsville is set to reopen next week as venue for movie and live performances, and that pianist Jean Kittrell, apparently coming out of retirement for the occasion, will perform at the venue's open house next Tuesday, April 12.

* Radio station KWMU, home to Dennis Owsley's Sunday night program Jazz Unlimited, next week will break ground on their new headquarters and studios in Grand Center. The facility is expected to be ready in 2012.

Friday, October 15, 2010

Preservation Hall Jazz Band, Del McCoury postpone concert at Family Arena

The concert by the Preservation Hall Jazz Band and the Del McCoury Band that had been scheduled for next Saturday, October 23 at the Family Arena in St. Charles has been postponed until April 13, 2011. Here's the statement that went up today on the site of Metrotix, the ticket agency for the show:
"Due to circumstances beyond our control, The Del McCoury Band & Preservation Hall Jazz Band show originally scheduled for October 23 has been postponed. The new date for the show will be April 13, 2011. Tickets for the original date will be honored. If you are unable to attend the new date, ticket holders can receive a face value refund at their original point of purchase. For more information, call MetroTix at 314.534.1111."

Thursday, September 16, 2010

Notes from the Net: Bitches Brew turns 40; new CDs from Vijay Iyer and The Bad Plus; plus news, reviews, interviews, and more

Here's the latest compilation of assorted news briefs and links related to jazz, improvisation, and creative music in St. Louis, including news of musicians originally from the Gateway City, recent visitors, and coming attractions, plus assorted other items of interest:

* We start, as usual, with some Miles Davis news, much of it related in some way to this year's 40th anniversary re-release of Bitches Brew. The website LAist has a look at a panel discussion on the 40th anniversary of Bitches Brew at the Grammy Museum in Los Angeles, featuring saxophonist Bennie Maupin, who played on the sessions; actor Don Cheadle, who's set to portray the trumpeter in the proposed film biography; Davis's nephew Vince Wilburn, Jr. and his son, Erin Davis; and others.

On a similar note, the New York Times' Ben Ratliff devoted a good part of recent podcast to Miles and the recording of Bitches Brew. In somewhat-related news, here's a beer enthusiast's review of the new Bitches Brew ale, the brewers of which claim Miles as inspiration. Lastly, Miles Davis Online recently asked readers to pick their favorites from a gallery of Davis' album covers.

* Following up on some recent visitors to St. Louis, guitarist Pat Metheny's Orchestrion Tour, which played here in May at the Touhill, is set to resume in October for 19 more shows, mostly in the northeast US.

* Meanwhile, bassist Christian McBride and his band Inside Straight, including St. Louis' own Peter Martin on piano, recently were featured on NPR's Jazz Set. McBride and Martin did a duo concert last Saturday at the Sheldon Concert Hall, and the bassist will be back here in March for a Ray Brown tribute at Jazz at the Bistro.

* Speaking of Martin, he and fellow MAXJAZZ recording artists Russell Malone and Romero Lubambo will perform this weekend with vocalist Dianne Reeves at the 53rd annual Monterey Jazz Festival. Malone will be at the Bistro next month to celebrate his upcoming release on the St. Louis-based MAXJAZZ, while Lubambo will play with Martin at the Sheldon in December.

* In other news of coming attractions, singer and guitarist Jonathan Butler recently was featured on CNN. Butler will be in St. Louis next Friday for a concert at the 560 Music Center.

* Singer Jane Monheit just did an interview with Jazz Times discussing the Great American Songbook and her favorite contemporary composers. Monheit comes back to St. Louis in December for four nights at the Bistro.

* Also on the road right now are pianists Mulgrew Miller and Kenny Barron, seen here together at the Detroit Jazz Festival; singer/guitarist John Pizzarelli, who just did a Duke Ellington-themed show at Scullers in Boston; and the Preservation Hall Jazz Band, who were just in Indiana at Goshen College. Miller and Barron are here next week at the Bistro; Pizzarelli will return to St. Louis in April to play the Sheldon, and the PHJB will perform with the Del McCoury Band in October at the Family Arena in St. Charles.

* Pianist Vijay Iyer's new solo CD was featured on NPR's "Piano Jazz," reviewed in DownBeat and on the blog Music and More, and served as impetus for a feature about Iyer in the Wall Street Journal. Iyer will be in St. Louis with the Golden Quartet in November for a New Music Circle-sponsored concert at the 560 Music Center.

* Speaking of new records, The Bad Plus' latest album Never Stop is out this week, and already has been featured on NPR and on the website Spinner, and reviewed by Music and More. They'll be back in St. Louis in January to kick off the new year at Jazz at the Bistro.

* In other recording news, the band Yellowjackets have signed a deal with Mack Avenue Records. The 'Jackets, with drummer Will Kennedy back in the fold after the departure last year of St. Louis native Marcus Baylor, will return to St. Louis in April to play at the Bistro.

* Also, Rebirth Brass Band (pictured) have signed with Basin Street Records, also home to trumpeter, singer and St. Louis native Jeremy Davenport and many other jazz artists. The label "worked with Rebirth from the sidelines" in 2005 on Throwback, an album that reunited the band with founding member and now labelmate Kermit Ruffins. Rebirth are expected to release their first album on Basin Street in February 2011. They'll be in St. Louis on Thursday October 7 to perform at The Gramophone.

* Finally, those with an interest in unusual musical instruments and/or extended instrumental techniques may enjoy this recent New York Times piece about "Robert Dick's Glissando Headjoint and Other Inventions"

Tuesday, August 24, 2010

Notes from the Net: Miles' box set of box sets; John Hicks honored in NYC; plus news, reviews, interviews and more

Here's the latest compilation of assorted news briefs and links related to jazz, improvisation, and creative music in St. Louis, including news of musicians originally from the Gateway City, recent visitors, and coming attractions, plus assorted other items of interest:

* The big Miles Davis news this time out is the release on September 14 of The Genius of Miles Davis , a new collection bringing together eight deluxe multi-CD box sets, including 43 CDs of music, which were originally released on Columbia/Legacy between 1996 and 2007.

Presented in a replica of Miles' own trumpet case (pictured), the collection contains Miles Davis & Gil Evans: The Complete Columbia Studio Recordings (6 CDs); Miles Davis Quintet 1965-1968 (6 CDs); The Complete Bitches Brew Sessions (4 CDs); Miles Davis & John Coltrane: The Complete Columbia Recordings, 1955-1961 (6 CDs); The Complete In A Silent Way Sessions (3 CDs); The Complete Jack Johnson Sessions (5 CDs); Seven Steps: The Complete Columbia Recordings Of Miles Davis, 1963-1964 (7 CDs); and The Complete On The Corner Sessions (6 CDs).

Extras include a replica of the 'Gustat' Heim 2 model mouthpiece used by Davis; a "previously unseen and unavailable fine art lithograph" by the trumpeter himself; and a "boutique-worthy" T-shirt with an image of Davis playing his horn.

In other Miles-related news, the 40th anniversary of the release of Davis' influential Bitches Brew has prompted "Miles Davis: Forty Years of Freedom - The legacy of Bitches Brew," an article by Geoffrey Himes in the September issue of Jazz Times. Also, the 40th anniversary reissue edition of the album is reviewed here for AllAboutJazz.com by Doug Collette, and the music from the sessions also was celebrated earlier this month at a concert in Los Angeles. Last but certainly not least, here's audio of a recently rediscovered interview from 1970 with Teo Macero, in which Macero, who produced Davis' Columbia recordings, discusses the making of albums like Bitches Brew and Live Evil.

* Speaking of recently unearthed recordings, trumpeter and St. Louis native Clark Terry's episode of the NPR program "Marian McPartland's Piano Jazz" recently was posted online. Terry also is one of several jazz legends interviewed for the Visionary Project, an archive of African American oral history. You can check out Terry's interview here.

* Updating the world via his Twitter feed, saxophonist and former St. Louisan Oliver Lake writes that he recently went to Belgium with the World Saxophone Quartet and percussion group M'boom to play the Middelheim Jazz Festival; did a week at NYC's Birdland with Trio 3 and pianist Geri Allen; and is set to play the Jazz Standard this week with his Organ Quartet, featuring Jared Gold.

* Another Oliver - the late composer, alto saxophonist and St. Louisan Oliver Nelson - recently was the subject of a post on Doug Ramsey's blog Rifftides.

* Remember that Greg Osby live NPR broadcast from the Village Vanguard we told you about here? The saxophonist, composer and St. Louis native's gig also was reviewed by the New York Times' Nate Chinen here, and has been archived for online streaming and downloading here.

* A section of West 139th St at Frederick Douglass Boulevard in Harlem has been renamed "John Hicks Way" in honor of the late jazz pianist and former St. Louisan. WBGO’s Josh Jackson reports on the renaming here, and there's a photo of the new street sign bearing Hicks' name here.

* Saxophonist Chris Cheek has a new CD, Jugendstil II, recorded for ESP Disk in collaboration with the venerable sax master Lee Konitz and bassist Stephane Furic Leibovici. Here's a review of the album written for AllAboutJazz.com by Raul d'Gama Rose.

* Turning to news of coming attractions, pianist Vijay Iyer has a new CD, Solo, that's attracting lots of interest after the success of his previous release Historicity. AllAboutJazz.com already has up three reviews of the disc: one here written by Bruce Lindsay, here by Lyn Horton, and here by Chris May. Meanwhile, About.com's Jacob Teichrow has a review of the new Iyer disc here, and the pianist is interviewed for a feature about the release by the Los Angeles Times' Chris Barton here. Iyer will return to St. Louis to play with trumpeter Wadada Leo Smith's Golden Quartet in November at the 560 Music Center under the auspices of New Music Circle.

* Dave Brubeck celebrated his 90th birthday a bit early this month at the Newport Jazz Festival. Brubeck is scheduled to come back here in October to perform at the Sheldon Concert Hall as part of the American Arts Experience -St. Louis festival.

* In other Newport-related news, pianist Hiromi's performance is documented here by NPR's "Jazz Set," and the network's recording of the Preservation Hall Jazz Band's concert at the parallel Folk Festival can be heard here. Hiromi will play with bassist Stanley Clarke in February at Jazz at the Bistro, while the PHJB's tour with the Del McCoury Band comes here in October to the Family Arena in St. Charles.

* After his recent hospitalization in France, singer Al Jarreau resumed his European tour. Jarreau said on his website he expects to complete the rest of the European tour and fulfill other concert commitments in the United States, Japan and elsewhere after doctors in Marseille successfully treated him for arrhythmia, or heart palpitations. Jarreau is scheduled to perform in February at the Touhill Performing Arts Center under the auspices of Jazz St. Louis.

* Apparently, tenor saxophonist Wilton Felder is the Jazz Crusader having health challenges that have forced the postponement of the group's St. Louis appearance, originally scheduled for next month at the Touhill. Interestingly, Felder was replaced on the band's date in Long Beach by Euge Groove, who was just here last weekend at the Pageant.

* Speaking of Groove, he's just released Groove On This, a new "interactive album" on data DVD. The recording is designed to be listened to and played with on something called the Beamz Player Interactive Music System, which allows listeners to remix songs in real time, among other things.

* In more news of recent visitors, saxophonist Boney James, who played the Bottleneck Blues Bar last month, is still glad to be back on stage touring after a serious auto accident and dental surgery sidelined him for several weeks earlier this year.

* Signer and pianist Harry Connick Jr, who played here in June at the Fox Theatre, recently brought his big band to the Hollywood Bowl.

* In other miscellaneous news from around the jazz internet, The Bad Plus' pianist Ethan Iverson recently "rebooted" his widely read blog Do The Math; Argentine pianist Esteban Sehinkman has posted online a free "real book" of compositions by Argentine jazz musicians; and photographer William Gottlieb's jazz photos in the Library of Congress have just entered the public domain.

* Finally, condolences to the family, friends and fans of Kansas City saxophonist and jazz-scene elder statesman Ahmad Alaadeen, who recently died after a battle with cancer. Plastic Sax's Bill Brownlee penned a nice tribute to Alaadeen for the Kansas City Star, which you can read online here.

Wednesday, May 26, 2010

Metrotix offering online ticket presale for Preservation Hall Jazz Band & Del McCoury

Starting today, Metrotix is having an online presale of tickets for the Preservation Hall Jazz Band/Del McCoury concert scheduled for October 23 at the Family Arena.

Tickets officially go on sale to the general public at 10:00 a.m Friday, May 28, but online buyers can purchase tickets beginning at 10:00 a.m. Wednesday, May 26 until 10:00 p.m. Thursday, May 27. To access the offer, go here and enter the promo code "CIRCLE."

Thursday, May 20, 2010

Preservation Hall Jazz Band, Del McCoury to perform October 23 at Family Arena

What happens when New Orleans jazz meets bluegrass? The Preservation Hall Jazz Band and singer/guitarist Del McCoury (pictured) and his band are exploring the possibilities of combining the two forms of American roots music on a joint tour this year that includes a just-announced concert at 7:00 p.m. Saturday, October 23 at the Family Arena in St. Charles.

The PHJB should need no introduction to StLJN readers, as the venerable traditional jazz repertory ensemble has made it to St. Louis on a fairly regular basis in recent years, playing everywhere from Powell Symphony Hall to the Argosy Casino in Alton.

McCoury's career in music began back in the 1960s with a year spent playing behind bluegrass legend Bill Monroe. He continued to record and play music part-time while working in construction and logging, and his career finally took off in earnest in the 1980s after his sons Ronnie and Rob McCoury joined his band. They moved to Nashville, began touring incessantly, and in addition to their popularity with bluegrass fans, also have become active on the jam band circuit, playing festivals and sharing the stage with bands like Phish and String Cheese Incident.

The idea for a collaboration between McCoury and the Preservation Hall Jazz Band was hatched in 2008, when McCoury went to New Orleans to record two songs for a CD benefiting the hall’s music outreach program for kids. He and his band performed at Preservation Hall during the 2009 New Orleans Jazz & Heritage Festival, and McCoury then invited PHJB's Ben Jaffe to play tuba with him at the Grand Ole Opry. For their joint tour, each band will play a set, and then they'll join forces for a finale. You can read more about the McCoury/PHJB collaboration in this article by Keith Spera published last October in the New Orleans Times-Picayune.

Down below, you can see a short video made to promote the tour, and an excerpt from a McCoury/PHJB performance of the gospel standard "I'll Fly Away" recorded by an audience member during a show at B.B. King's in NYC.

Tickets for the Preservation Hall Jazz Band and the Del McCoury Band at Family Arena are priced from $25.50 to $70.50, and go on sale at 10:00 a.m. Saturday, May 28 via Metrotix and at the Family Arena box office.