Showing posts with label Tony Allen. Show all posts
Showing posts with label Tony Allen. Show all posts

Sunday, May 03, 2020

Sunday Session: May 3, 2020

Tony Allen
Here's this week's roundup of various music-related items of interest:

* Mark Guiliana Meets Kneebody (Jazz Times)
* Billboard's Coverage of 1918 PANDEMIC Reveals Eerie Similarities (Billboard)
* Charles Tolliver Set To Issue New Album Through UK Label Gearbox (DownBeat)
* Charlie Parker's Story to Be Told in Graphic Novel 'Chasin' the Bird' (Exclusive) (Hollywood Reporter)
* Because You're Mine: Searching For The Children Of Screamin' Jay Hawkins (NPR)
* How One Article Changed Fair Use (PlagiarismToday.com)
* How Aaron Parks Creates New Worlds On His Second Little Big Album (DownBeat)
* Jazz Artists Join Music Workers Alliance Call for Economic Justice Online (Jazz Times)
* Gary Bartz And Maisha Spark An Intergenerational Conversation (DownBeat)
* Why We Picked Erroll Garner’s Last Album As This Month’s Classics Release (VinylMePlease.com)
* A Month To Celebrate Jazz, Turned Tragic (NPR)
* Kurt Rosenwinkel: One World, One Music (Blues.gr)
* Donald Fagen is Keeping His Sense of Humor in Isolation (Rolling Stone)
* David Crosby on Live Music’s Uncertain Future — and Why He Hasn’t Given Up on Reuniting CSNY (Rolling Stone)
* Tony Allen, Pioneering Afrobeat Drummer, Has Died (Rolling Stone)
* Novelty and Identity: An Interview With Colin Stetson (PopMatters.com)
* Tony Allen, Afrobeat's Foundational Drummer, Has Died At Age 79 (NPR)
* At the drive-in: ENO to stage opera at a safe physical distance (The Guardian)
* The Music Industry Is About to Put Out a Lot of Very, Very Uplifting Songs (Rolling Stone)
* So Drive-In Concerts Are a Thing Now (LoudWire.com)
* Wayne Escoffery On Yale, Repertoire And Humble Warriors (DownBeat)
* Herbie Hancock and the recurring bridging of time (Johannesburg Mail & Guardian)
* How Do We Safely Reopen Music Venues? (Offbeat)
* 84% of Freelance Musicians Still Haven’t Received Government Relief (DigitalMusicNews.com)
* Missouri Governor Says Concerts Can Resume Monday (Billboard)

Sunday, September 24, 2017

Sunday Session: September 24, 2017

Trombone Shorty
Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Not Just Jazz: Inside Concord Music's Buying Spree (Billboard)
* Forget Carnegie Hall. Musicians rush to rural Colorado to play the Tank (Los Angeles Times)
* Have we reached peak Hans Zimmer? (The Guardian)
* How Fela Kuti Drummer Tony Allen Rediscovered His Jazz Roots (Rolling Stone)
* Marcus Miller: The Multi-Faceted Musician (Jazz Times)
* Monterey Jazz Festival 2017: Story of Some Grooves (Jazz Times)
* ‘Cash Me Outside’ Girl Signing Marks The Official Split of the Music Industry (DigitalMusicNews.com)
* We Are Never Getting Back Together: How Avoiding a Reunion Can Secure a Band’s Legacy (ConsequenceOfSound.net)
* Ravi Coltrane brings ‘Love Supreme’ to SFJazz (San Jose Mercury News)
* Why the star of California Symphony’s next concert looks like vacuum cleaner (San Jose Mercury News)
* Mary Hallock Greenewalt’s Illuminated Music (RedBullMusicAcademy.com)
* Can Music Heal Trauma? Exploring the Therapeutic Powers of Sound (Pitchfork.com)
* Remembering Grant Hart, 1961-2017 (City Pages)
* Concord Music Buys Savoy Label Group, Adding Jazz Recordings From Coltrane, Davis And Parker: Exclusive (Billboard)
* Harmonies That Welcomed Imagination—Remembering John Abercrombie (1944-2017) (New Music Box)
* Songs Of Discomposure: Quietus Writers Pick Their Most Disturbing Pieces Of Music (TheQuietus.com)
* Ann Richards: Dreams Have a Way of Fading (Jazz Times)
* Trombone Shorty Is Big On New Orleans, Music Education & Rap (Grammy.com)
* The 50 Best Jazz Singers Of All Time (UDiscoverMusic.com)
* 'An All-Around Musician': Steely Dan Guitarists Share Their Experiences of Working With Walter Becker (Billboard)
* Genres Blur & Swirl in Monterey’s ‘Big Tent’ (DownBeat)
* The Song That Never Ends: Why Earth, Wind & Fire's 'September' Sustains (NPR)
* Notes from the Custerdome: A Jazz Appreciation of Steely Dan (New Music Box)
* Deep Dive with Lewis Porter: The Inspiration(s) Behind John Coltrane's "Impressions" (WBGO)
* A Frank Zappa Hologram Is Going on Tour (Guitar World)
* Esperanza Spalding Talks Recording an Album in 77 Hours, Sexism in Music & Nicki Minaj (Billboard)
* Ageless Corea & Gadd Dazzle at Blue Note in NYC (DownBeat)
* Pete Turner, Photographer with an Eye for Color and an Ear For Jazz, Dies at 83 (WBGO)
* Soul Singer Charles Bradley Dies at 68 (Billboard)
* Charles Bradley Remembered: A Great Soul Man Who Found the Light in Darkness (Billboard)

Sunday, July 16, 2017

Sunday Session: July 16, 2017

Tony Allen
Here's the weekly roundup of various music-related items of interest that have landed in StLJN's inbox over the past week:

* Stream-ripping is 'fastest growing' music piracy (BBC)
* Record Rendezvous: Cleveland cradle of rock 'n' roll sits empty, awaits new life (photos) (Cleveland.com)
* Mulatu Astatke’s “Ethiopia” Is A Love Letter To His Homeland (Bandcamp.com)
* Here’s what happened the last time audio producers got better data (NiemanLab.org)
* Ornette Coleman Takes Flight Again, in Music and Film, This Week at Lincoln Center (WBGO)
* Esperanza Spalding: Jazz Musician, Grammy Award Winner and Now Museum Curator (Smithsonian)
* Kansas City's American Jazz Museum Should Belong To The Entire City, Officials Say (KCUR)
* Lady Gaga's Trumpet Player on 'Insane' Gig With Stevie Wonder, Rose Bar Residency & 'Making It' in NYC (Billboard)
* No Heroes: Lester Bangs on Stage (NoSuchThingAsWas.com)
* Producers Rejoice: Legal Sampling Is Now As Easy As Online Shopping (Video) (AmbrosiaForHeads.com)
* Newark Sings a New Tune on Road To Revival (Wall Street Journal)
* Original Dixie Dregs Announce Reunion (NoTreble.com)
* 6 Nina Simone Songs Brilliantly Sampled by Rappers (Pitchfork.com)
* Spotify denies it’s playlisting fake artists. So why are all these fake artists on its playlists? (MusicBusinessWorldwide.com)
* So… who’s actually behind Spotify’s fake artists? (MusicBusinessWorldwide.com)
* Why Spotify’s fake artists problem is an Epidemic. Literally. (MusicBusinessWorldwide.com)
* A Lot of Noise on Spotify (IllusionOfMore.com)
* Women of Jazz: Stream a Playlist of 91 Recordings by Great Female Jazz Musicians (OpenCulture.com)
* This Woman Has Engineered Pop’s Biggest Recent Hits, from ‘Melodrama’ to ‘1989’ (Vice.com)
* For Chamber Music in Silicon Valley, Hoodies and Haydn Don’t Mix (KQED)
* The Crate Crisis: How the Used Vinyl Market is Changing (GetItOnVinyl.com)
* Is the threat of a copyright lawsuit stifling music? (BBC)
* NEW AGE: jazz in 2017 (M-Magazine.com)
* Diminuendo: Is Classical Music Journalism Fading to Silence? (San Francisco Classical Voice)
* Afrobeat Drummer Allen’s Quartet Pays Tribute to Blakey at Poisson Rouge (DownBeat)
* What Can Listening to Nature Teach Us? (EarthEasy.com)
* Mary Halvorson Pushes Jazz Guitar Into New Territory (Village Voice)
* SoundCloud sinks as leaks say layoffs buy little time (TechCrunch.com)
* The avant-garde jazz of Griot Galaxy (Detroit Metro Times)
* Rochester Jazz Fest Emphasizes Jazz at the Fascinating Fringes (DownBeat)
* Bria Skonberg: 5 songs that changed my life (CBCMusic.ca)
* 'A Pocketful Of Blues': Charles Lloyd On 'Passin' Thru' (NPR)
* Photos: 2017 North Sea Jazz Festival (Jazz Times)
* Q&A with Ethan Iverson: Addition through Subtraction (DownBeat)
* Power of the Mind: You Can Play This Instrument Using Just Your Thoughts (Newsweek)
* Van Morrison will salute his blues heroes on new album, 'Roll With the Punches' (Los Angeles Times)
* Robert Mugge’s 1986 film Sonny Rollins: Saxophone Colossus to be rereleased (The Wire)
* The Emergence of A New Black Avant-Garde: Experimental Music and Text (BrooklynRail.org)
* Vijay Iyer: Taking Stock of the Ojai Music Festival Experience (TheLogJournal.com)
* The Story Behind the Surge in Vinyl Film Soundtracks (Paste)

Sunday, April 30, 2017

Sunday Session: April 30, 2017

Hugh Masekela
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* UK music industry braced for Brexit (BBC)
* Nudity, chimps, and Dolly Parton's disembodied head: are these the worst album covers of all time? (The Telegraph)
* Trombone Shorty Pushes Tradition Forward (NPR)
* Preservation Propagation: Preservation Hall Jazz Band has left the museum behind (Offbeat)
* Hancock, Spalding, McBride Celebrate Shorter in Hometown (DownBeat)
* Review 'Chasing Trane: The John Coltrane Documentary' serves the jazz legend well (Los Angeles Times)
* Jazz Giant Wadada Leo Smith on Four Recent Collaborations (Bandcamp.com)
* Afrobeat Legend Tony Allen Honors Jazz Great With 'Tribute to Art Blakey' EP (Rolling Stone)
* Interview: Hugh Masekela on No Borders, Satchmo and reuniting the Jazz Epistles (BestOfNewOrleans.com)
* From the Magazine: Sipiagin Soars on New Sextet Album (DownBeat)
* Q&A: Henry Threadgill - Master improviser speaks on sustaining creativity (Austin Chronicle)
* Ella Fitzgerald: Beyond Words (Merriam-Webster.com)
* Duke Ellington And Copyright: Five Things You Should Know (JDSupra.com)
* Record Store Day Is Boon for Vinyl Sales (DownBeat)
* Remembering Ella Fitzgerald, Who Made Great Songs Greater (NPR)
* Stax Records Plots Massive 60th Anniversary Campaign (Rolling Stone)
* The Hidden Legacy of The Jazz Epistles, South Africa's Short-Lived But Historic Band (WBGO)
* What Controversial Changes at Harvard Mean for Music in the University (TheLogJournal.com)
* Ashok and Vijay Squeeze Blood from a Drum Machine (AAWW.org)
* The Story of Science Faction, the Company That Brought Lasers to Rock and Roll (Vice.com)
* A Jazz Classic Becomes a Picture Book (TabletMag.com)
* Q&A: Miles Mosley - The fiery, soulful bassist, singer and composer launches his Uprising (Jazz Times)
* Blue Note Jazz Festival Announces Lineup - Concerts by Metheny, Glasper, Collier, Hiromi, Tyner, Ponty and many more (Jazz Times)