StLJN Saturday Video Showcase: Winter/spring 2018 jazz preview, part 2

This week, it's part two of StLJN's winter/spring 2018 jazz preview, featuring videos of the jazz and creative music performers who will be visiting St. Louis in the first few months of the new year. (You can see part one here.)

Picking up in mid-January where last week's installment ended, the first video up above features singer Storm Large, who will be returning to perform on Wednesday, January 17 at the Sheldon Concert Hall. Large has presented her cabaret show here a couple of times before, but this concert will feature her band Le Bonheur, who back her up in this 2014 performance of "I've Got You Under My Skin."

That same week, The Bad Plus will return to St. Louis to present their first-ever live shows featuring their new pianist Orrin Evans, starting Wednesday, January 17 and continuing through Saturday, January 20 at Jazz at the Bistro.

With founding pianist Ethan Iverson' departure from the trio being a long-planned event, Evans already has recorded an album, Never Stop 2, with TBP, but will be making his live-performance debut with group during their St. Louis run.

Given those circumstances, there's really no way to "preview" their shows here, but after the jump, you can see a performance by the original TBP lineup from this year's Moers Festival in Germany, followed by a clip of Evans, rethinking the standard "Autumn Leaves" with bassist Vicente Archer and drummer Obed Calvaire, in 2012 at NYC's Jazz Standard.

The same night TBP concludes their run, Grand Center also will be the site of a "Winter Jazz Fest" at the Grandel Theatre, featuring a headlining performance by Yellowjackets, plus saxophonist Eric Marienthal performing with St. Louis' own Bach to the Future, and more.

The next clip, shot by the prolific St. Louis videographer James Ross, shows Yellowjackets performing "Civil War" during their last visit here in September of this year at Jazz at the Bistro.

After that, there's a video of Marienthal playing Eddie Harris' "Cold Duck Time" at Vandojam 2017, an event presented by the reed and mouthpiece manufacturer Vandoren at the 2017 NAMM show in Los Angeles.

Next up is saxophonist Maceo Parker, who's playing Wednesday, January 24 through Saturday, January 27 at the Bistro, making his long-awaited debut at that venue. Parker can be seen in today's sixth clip performing "Pass the Peas" in August 2017 at the Music Box in San Diego, CA.

While Parker is funking up the Bistro on Saturday night, a couple of blocks away the Kranzberg Arts Center will present "Come Together - Barb Jungr & John McDaniel Perform The Beatles" on Saturday, January 27.

This is the St. Louis debut of a show that Jungr, a British-born cabaret singer, and McDaniel, the pianist, singer and Kirkwood native who gained national celebrity as musical director for Rosie O'Donnell's talk show, have been doing for a couple of years now. In the penultimate video, a promotional clip featuring excerpts from several songs, you can get an idea as to how they go about reinterpreting the Fab Four's catalog.

Last but not least, today's final video features pianist Cyrus Chestnut, who will be back with his trio to perform starting Wednesday, January 31 through Saturday, February 3 at the Bistro.

Chestnut, a familiar visitor to St. Louis who last played here in May, 2016 at The Sheldon, can be seen in fine form with bassist Michael Hawkins and drummer Neal Smith, playing a whole set recorded in August 2017 at the Montclair Jazz Festival in New Jersey.

Look for part three of StLJN's winter/spring 2018 jazz preview next week in this space. You can see the rest of today's videos after the jump...

Sunday Session: July 30, 2017

Mal Waldron

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Jimmy Heath: A Little Bird Told Me (Jazz Times)
* Such Sweet Thunder: inside Duke Ellington's literary world (Jazzwise)
* REVIEW: Mary Halvorson Octet at the Village Vanguard in New York (London Jazz News)
* Mary Halvorson Makes Village Vanguard Debut (DownBeat)
* Scott Hanley signs on as jazz station GM (Current.org)
* The night I drove George Melly home from the Cricklewood Tavern (The Guardian)
* Why Vinyl’s Boom Is Over (Wall Street Journal)
* The Ultimate Playlist Of Banned Wedding Songs (FiveThirtyEight.com)
* New Orleans music legend Dr. John reflects on a lifetime of song and adversity (San Diego Union Tribune)
* The 150 Greatest Albums Made By Women (NPR)
* Fascinating Algorithm: Dan Tepfer's Player Piano Is His Composing Partner (NPR)
* Q&A with David Lynch’s Music Collaborator Dean Hurley – Part 1: Working On and “Protecting the Experience” of Twin Peaks: The Return (SynchBlog.com)
* Q&A with David Lynch’s Music Collaborator Dean Hurley – Part 2: Being “Open Creatively” and “Knowing When to Walk Away” (SynchBlog.com)
* After Surviving Lightning Strike, Vocalist Evans Prepares for Comeback (DownBeat)
* How SoundCloud's broken business model drove artists away (TheVerge.com)
* A New Job At Wesleyan, A New Album And A New Direction For Drummer Tyshawn Sorey (Hartford Courant)
* Keith Richards says the Rolling Stones will record new, original music 'very shortly' (New York Daily News)
* How Southern-Soul Survivor Don Bryant Finally Got His Second Chance (Rolling Stone)
* Steely Dan’s Donald Fagen Tours With Young ‘Nightflyers’ (Wall Street Journal)
* Free at Last: Mal Waldron’s ecstatic minimalism. (The Nation)
* Hippies, Guns, and LSD: The San Francisco Rock Band That Was Too Wild For the Sixties (CollectorsWeekly.com)
* Changing the face of American orchestras, one player at a time (Cincinnati.com)
* Alan Lomax’s Timeless American Recordings Find a New Audience (Bandcamp.com)
* The Top Ten Most Overrated Drummers Of All Time (TheZReview.com)
* A Fearless and Kind Leader—Remembering Geri Allen (1957-2017) (New Music Box)
* UK Music chief warns of 'perfect storm' facing music industry (MusicWeek.com)
* Roscoe Mitchell Captures the Eternal Now on Remarkable New Album (Village Voice)
* 45 45s That Changed The World (UDiscoverMusic.com)
* What is Jack DeJohnette's Native American Spirit Name? (WBGO)
* Orrin Evans on Joining the Bad Plus (Jazz Times)
* Angels and Demons at Play: Jim Knipfel on Reclaiming Sun Ra’s Legacy (BelieverMag.com)
* The Jazz & Blues Art Box — instant collection, rare data trove (Jazz Beyond Jazz)
* The sound illusion that makes Dunkirk so intense (Vox.com)
* How I Taught My Computer to Write Its Own Music (Nautil.us)
* The reissue racket: how many more ‘classic’ albums will be repackaged? (The Guardian)
* Whatever Happened to Indie Rock? (Popmatters.com)
* Watch the Making of a Hand-Crafted Violin, from Start to Finish, in a Beautifully-Shot Documentary (OpenCulture.com)

Sunday Session: May 14, 2017

Tyshawn Sorey

Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Can’t help falling in price: why Elvis memorabilia is plummeting in value (The Guardian)
* Photos & Review: Stevie, Snoop, Tank and the Bangas shine on Jazz Fest’s biggest day (Offbeat)
* Louis Armstrong and the jazz heritage of the Fair Grounds (New Orleans Times-Picayune/NOLA.com)
* Béla Fleck: Things That Sound Right (New Music Box)
* "Take Me Out to the Ball Game," Baseball's National Anthem (Neatorama.com)
* Jazz Fest wraps up with big sets from The Meters, Kings of Leon (Offbeat)
* Q&A with Orrin Evans: The Bad Plus’ New Addition (DownBeat)
* Cassettes Are Making A Comeback, But Which Artists Are Actually Selling Them? (Forbes)
* What does ‘rock music’ even mean anymore anyway? (City Pages)
* This cybernetic synth contains a brain grown from the inventor’s cells (CreateDigitalMusic.link)
* How Preservation Hall Jazz Band Found Their New Sound in Cuba (Rolling Stone)
* New Orleans Jazz & Heritage Fest: A Photo Recap (DownBeat)
* The Colonel Has a Master Plan (OtielBurbridge.com)
* Scofield Revisits His Past in Jazz at Lincoln Center Concert (DownBeat)
* The Decline of the Yellow Label (Atavist.com)
* Universal Demands Cancellation of $30 Million Deal With Prince Estate (Billboard)
* The MP3 Is Officially Dead, According To Its Creators (NPR)
* eMusic Relaunches Indie-Centric Music Service (Billboard)
* New Orleans Jazz Festival: 2nd Weekend Photos (Jazz Times)
* “Play Without Bitching About the Key,” and Other Humorous, Blunt Annotations Added to Musical Scores (OpenCulture.com)
* Here comes the science bit: why music festivals are going geek (The Guardian)
* Paradise Blue: A Fictional Jazz Club in a Real Time (DownBeat)
* The Checkout: Drummer Tyshawn Sorey Reflects on His Spectrum of Imagination (WBGO)
* In full, on vinyl, no talking: have we lost the art of listening to music? (The Guardian)
* Valdés Puts Efflorescent Pianism on Display at Birdland (DownBeat)

Sunday Session: April 2, 2017

Regina Carter

Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Streaming Music Services, From Most Screwed to Least Screwed (Gizmodo)
* Hardware Store With a Jazzy Past Prepares to End its 95-Year Run (WTTW)
* How Artificial Intelligence Is Changing Music Making (Billboard)
* With a big benefactor, Detroit Jazz Festival aims to find other revenue sources (CrainsDetroit.com)
* Fragments of Louis Armstrong when he was on the cusp of greatness (New Orleans Times-Picayune/NOLA.com)
* How inner city apartment developments have killed Australian rock’n’roll (Domain.com.au)
* Here’s how technology is fueling the home-recording industry (DailyNews.com)
* Orrin Evans Among Headliners of Inaugural Philly Jazz Fest (DownBeat)
* Big Ears 2017: Where Jeff Tweedy Is Noise Star, Symphony Plays on Floor (Rolling Stone)
* Chick Corea Announces ‘The Musician’ Documentary Film & Live Album (Jambase.com)
* The Microscopic Septet - Pioneers Across Jazz Boundaries (PopMatters.com)
* Meet the encephalophone: An instrument you can play with your mind, just by thinking (Seattle Times)
* Carter Honors First Lady of Song with New Ella Tribute Album (DownBeat)
* Q&A with ‘I Called Him Morgan’ Filmmaker Kasper Collin (DownBeat)
* Jazz great Arthur Blythe, who grew up in San Diego, is dead at 76 (San Diego Union Tribune)
* Dizzy in the Daylight (New York Review of Books)
* Sculpting Sound: The Life of a Field Recordist (RedBullMusicAcademy.com)
* Rolling Stones Drummer Charlie Watts Plots New Big Band Record (Rolling Stone)
* Where Have All The Bob Seger Albums Gone? (NPR)
* Once We Listened to the Beatles. Now We Eat Beetles. (Bloomberg.com)
* When a record label gets into making cool, weird instruments (Create Digital Music)
* Big Ears Festival Embraces Jazz Experimentalism (DownBeat)
* Christian Scott aTunde Adjuah Talks Jazz as Protest Music, Trap Influence (Rolling Stone)
* The Poetry of Pop (The Paris Review)
* Monterey Jazz Festival Announces Lineup and Artists-in-Residence (Jazz Times)
* Q&A with Allan Holdsworth: “The Man Who Changed Guitar Forever” (DownBeat)
* Artificial Intelligence: Your New Best Friend? (ProSoundNetwork.com)
* Was Chuck Berry the lone genius he’s made out to be? (TheConversation.com)
* U.S. Music Industry Sees First Double Digit Growth in Almost 20 Years as Streaming Takes Over (Billboard)
* Never Mind Her Stellar Jazz Career, Young Ella Fitzgerald Just Wanted to Dance (Smithsonian)
* 7 Indie Labels On How Technology Has Changed Their World (Pitchfork)