Showing posts with label Charlie Watts. Show all posts
Showing posts with label Charlie Watts. Show all posts

Sunday, August 08, 2021

Sunday Session: August 8, 2021

Stevie Wonder
Here's this week's roundup of various music-related items of interest:

* Snug Harbor canceling performances due to rising Covid cases (Offbeat)
* Don Marquis, esteemed jazz author and New Orleans Jazz Museum founder, has died at 88 (NOLA.com)
* At Lollapalooza 2021, there's one question hanging over everything (AVClub.com)
* Musical artist Suzanne Ciani feeds deepfake program below Morrison Hall (DailyCal.org)
* Anatomy Of A Bad Gig: Recalling A Show 40 Years Ago Where Virtually Nothing Went Right (ProSoundWeb.com)
* Labels are going to become more like VCs than they probably want to be (Music Industry Blog)
* Study: Consumption of music streaming declined significantly during COVID-19 lockdowns worldwide (EurekAlert.org)
* Alan Rubin: Mr. Fabulous in Every Way (AllAboutJazz.com)
* End of an era: Trumpets owners reminisce after developers buy legendary jazz club (NorthJersey.com)
* NC jazz musician releases album via legendary record label (Durham Herald Sun)
* Rolling Stones’ Charlie Watts Drops Out of U.S. Tour After Medical Procedure (Rolling Stone)
* Steve Vai reflects on working with Frank Zappa: "If you didn’t have the goods, you didn’t last. Frank expected everybody to rise to the occasion" (Guitar World)
* Interns Turned Engineers Take the Reins at SF’s Historic Different Fur Studios (KQED)
* Eddie Palmieri On Pioneering Latin Jazz & His Blue Note Residency: "We're Talking About The Greatest Jazz Room In The World" (Grammy.com)
* Blues Great Buddy Guy on His ‘American Masters’ Documentary, Hitting the Road Again at 85, and Why the Blues Is Like Golf (Variety)
* As Delta Variant Spreads, Artists and Venues Scramble to Keep Concerts Safe (Yahoo News)
* When Stevie Wonder Blended Funk, Soul And Social Commentary On ‘Innervisions’ (Yahoo News)
* George Harrison’s Son Dhani on the “Pandora’s Box” Process of Remastering All Things Must Pass at 50 (Consequence.net)

Sunday, March 04, 2018

Sunday Session: March 4, 2018

Muhal Richard Abrams
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Why the hottest films are now music documentaries (The Guardian)
* Brenda Navarrete Brings A Spiritual Drumbeat To The Female Vanguard Of Cuba (NPR)
* Guitarist Bill Frisell Shares Memories of Working With Rock Greats: Exclusive Interview (UltimateClassicRock.com)
* Where Did 'Jazz,' the Word, Come From? Follow a Trail of Clues, in Deep Dive with Lewis Porter (WBGO)
* Gibson Boss Blames Guitar Stores for Financial Woes (UltimateClassicRock.com)
* Jason Moran Remembers Muhal Richard Abrams (Jazz Times)
* Dave Douglas on Monk and Dizzy (GreenleafMusic.com)
* Antonio Sánchez Performs ‘Birdman’ Score at UCLA (DownBeat)
* The Van Gelder Studio: Peek inside the room where classic jazz happened (NorthJersey.com)
* David Bowie's Last Secret Weapon (Forbes)
* Legendary Songwriter Carl Sigman’s Son on the Loss of his Father’s Archives (American Songwriter)
* At the Guthman Competition, innovative instruments just might predict the future of music (Atlanta)
* What Muhal Meant: The Liberating Credo of Muhal Richard Abrams (Village Voice)
* Charlie Watts: it wouldn't bother me if Rolling Stones split (The Guardian)
* Live Review: Dave Douglas Presents “Dizzy Atmosphere” at JALC (Jazz Times)
* The CD Business Isn’t Dying—It’s Just Evolving (Fast Company)
* Pianists Recall Geri Allen’s Legacy at PDX Festival (DownBeat)
* Terence Blanchard talks back (Offbeat)
* The first black-owned record label in the U.S. wanted to “uplift” black people through music (Timeline.com)
* A Guide to Anthony Braxton’s Robust Jazz Discography on Bandcamp (Bandcamp.com)
* Spotify Was a Terrible Business. Then the Record Labels Stepped In (Bloomberg.com)
* Reid Miles, The Guy Who Designed Blue Note (Jazz in Europe)
* Mapping the places that made Central Avenue swing (Curbed.com)
* Jazz's New British Invasion (Rolling Stone)
* Dave Burrell Remembers Sunny Murray (Jazz Times)
* On “Black Times,” Afrobeat Artist Seun Kuti Extends His Father’s Legacy (Bandcamp.com)
* Chasing The American Dream with Cuban Pianist Alfredo Rodríguez (WBGO)

Sunday, April 02, 2017

Sunday Session: April 2, 2017

Regina Carter
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Streaming Music Services, From Most Screwed to Least Screwed (Gizmodo)
* Hardware Store With a Jazzy Past Prepares to End its 95-Year Run (WTTW)
* How Artificial Intelligence Is Changing Music Making (Billboard)
* With a big benefactor, Detroit Jazz Festival aims to find other revenue sources (CrainsDetroit.com)
* Fragments of Louis Armstrong when he was on the cusp of greatness (New Orleans Times-Picayune/NOLA.com)
* How inner city apartment developments have killed Australian rock’n’roll (Domain.com.au)
* Here’s how technology is fueling the home-recording industry (DailyNews.com)
* Orrin Evans Among Headliners of Inaugural Philly Jazz Fest (DownBeat)
* Big Ears 2017: Where Jeff Tweedy Is Noise Star, Symphony Plays on Floor (Rolling Stone)
* Chick Corea Announces ‘The Musician’ Documentary Film & Live Album (Jambase.com)
* The Microscopic Septet - Pioneers Across Jazz Boundaries (PopMatters.com)
* Meet the encephalophone: An instrument you can play with your mind, just by thinking (Seattle Times)
* Carter Honors First Lady of Song with New Ella Tribute Album (DownBeat)
* Q&A with ‘I Called Him Morgan’ Filmmaker Kasper Collin (DownBeat)
* Jazz great Arthur Blythe, who grew up in San Diego, is dead at 76 (San Diego Union Tribune)
* Dizzy in the Daylight (New York Review of Books)
* Sculpting Sound: The Life of a Field Recordist (RedBullMusicAcademy.com)
* Rolling Stones Drummer Charlie Watts Plots New Big Band Record (Rolling Stone)
* Where Have All The Bob Seger Albums Gone? (NPR)
* Once We Listened to the Beatles. Now We Eat Beetles. (Bloomberg.com)
* When a record label gets into making cool, weird instruments (Create Digital Music)
* Big Ears Festival Embraces Jazz Experimentalism (DownBeat)
* Christian Scott aTunde Adjuah Talks Jazz as Protest Music, Trap Influence (Rolling Stone)
* The Poetry of Pop (The Paris Review)
* Monterey Jazz Festival Announces Lineup and Artists-in-Residence (Jazz Times)
* Q&A with Allan Holdsworth: “The Man Who Changed Guitar Forever” (DownBeat)
* Artificial Intelligence: Your New Best Friend? (ProSoundNetwork.com)
* Was Chuck Berry the lone genius he’s made out to be? (TheConversation.com)
* U.S. Music Industry Sees First Double Digit Growth in Almost 20 Years as Streaming Takes Over (Billboard)
* Never Mind Her Stellar Jazz Career, Young Ella Fitzgerald Just Wanted to Dance (Smithsonian)
* 7 Indie Labels On How Technology Has Changed Their World (Pitchfork)