Sunday Session: July 26, 2020

Charles Tolliver

Here's this week's roundup of various music-related items of interest:

* After The All-Stars: Live At The Lighthouse 1960-1972 (WFIU)
* Of “St. James Infirmary” and COVID-19 (Jazz Times)
* Wynton Marsalis On The Future Of New York City (Gothamist.com)
* Emitt Rhodes, RIP (BrooklynVegan.com)
* Soft Machine today (TheBlueMoment.com)
* Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho (AllAboutJazz.com)
* Electric Sitars of the Psychedelic Era (Reverb.com)
* Setbacks Are Not Defeats For James Carter, Regina Carter (DownBeat)
* The Force Is Still Strong with John Williams (The New Yorker)
* The Man They Called ‘Trane’, Remembering A Jazz Giant (UDiscoverMusic.com)
* Muddy Waters’ Former Chicago Home to Be Converted Into Museum (Rolling Stone)
* Q magazine's demise signals the end of the old music press (The Guardian)
* The Shifting Technique Of Kurt Rosenwinkel (DownBeat)
* Vocalist Annie Ross Dies At 89 (DownBeat)
* Sing into the funnel please: inside the Covid-19 lab hoping to declare singing safe (The Guardian)
* A Genre of Myths: A Jazz Reading List (Longreads.com)
* Annie Ross 1930–2020 (Jazz Times)
* Back To Square One, Uh, Phase Two (Offbeat)
* Lift Every Voice And Sing: Twenty Rousing #BlackLivesMatter Albums (AllAboutJazz.com)
* From a funk band to The Rex to Downbeat magazine. Jazz pianist Kris Davis won’t be pigeonholed (Toronto Star)
* Trane of No-Thought: How Meditation Inspired Jazz Great John Coltrane (LionsRoar.com)
* Gregory Porter To Perform For Launch Of NASA’S Mars 2020 Mission (UDiscoverMusic.com)
* Annie Ross, Mid-Century Jazz Icon, Dead At 89 (NPR)
* The Newport Rebels and Jazz as Protest (JStor.org)
* The Golden Age: A Newport Jazz Festival Special (NPR)
* Composer Maria Schneider Returns, With A Reckoning, On 'Data Lords' (WBGO)
* Self-Determined, Then and Now: A Focus on Charles Tolliver (WBGO)
* In Conversation: Kamasi Washington, Robert Glasper, 9th Wonder, and Terrace Martin Invite You to Their Dinner Party (FloodMagazine.com)
* We Bet You Miss Weddings. America's Greatest Wedding Band Does Too (GQ)
* ‘Sex Machine’ at 50: Bootsy Collins Recalls ‘Twilight Zone’ Origins of Funky James Brown Hit (Rolling Stone)
* How Long Can New Orleans Survive Without Live Music? (Slate.com)

Items re-ordered 8/1/20 to fix a display issue.

Sunday Session: July 5, 2020

Freddy Cole

Here's this week's roundup of various music-related items of interest:

* John Scofield Honors Steve Swallow on New Album (Jazz Times)
* Revisiting the lost recording of Pink Floyd jamming with jazz violinist Stephane Grappelli on ‘Wish You Were Here’ (FarOutMagazine.co.uk)
* Identifying a melody by studying a musician’s body language (News.MIT.edu)
* Freddy Cole, Singer Who Eluded the Shadow of His Brother Nat "King" Cole, Has Died at 88 (WBGO)
* How Jazz Is Coping with COVID-19 (Jazz Times)
* Pixar’s Upcoming “Soul” May Have a Problem: No Actual Soul Music, Most of the Artists Included So Far Are White (ShowBiz411.com)
* Spike Lee and Terence Blanchard Talk Scoring to Picture on ‘Da 5 Bloods’ (Watch) (Variety)
* In conversation with saxophonist Kamasi Washington (Bay State Banner)
* Making Music With Brain Waves And Heartbeats (AEON.co)
* Making A New Kind Of Scene: New York City's Five Spot (WFIU)
* Societal Reckoning Over Racism Encompasses The Jazz Community (DownBeat)
* Jacques Coursil 1938–2020 (The Wire)
* The car radio turns 90 this year. Here’s how it all came about (AJournalOfMusicalThings.com)
* 48 Hours With Backpack Jazz Producer Kassa Overall (Oregon Public Broadcasting)
* Who in their right mind would go to a "herd immunity" music festival? (Mic.com)
* Full Spectrum: Derrick Hodge Sees Endless Possibilities In Music (DownBeat)
* Reflections on unlocking live music by Tony Dudley-Evans (London Jazz News)
* Thurston Moore: Into the Out World (Jazz Times)
* The Kosmische Path Less Traveled: Nine Krautrock Rarities to Know (Bandcamp.com)
* Can the music take flight again? (Financial Times)
* Eddie Henderson On Maturity And Revisiting Bop Standards (DownBeat)
* The Short and Curious Life of Wade Legge (Buffalo Rising)
* Experiment Without Inhibition: A Celebration of Anthony Braxton (River Cities Reader)
* Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums (AllAboutJazz.com)
* A Conversation with Zappa, Vol. 1 (American Songwriter)
* An encounter with Keith Tippett (The Wire)
* With YouTube Music, Google is holding my speakers for ransom (Ars Technica)
* Georgia Anne Muldrow Finds ‘The Sound Of Mixed Emotions’ (DownBeat)
* The Summer Of ’70: What Was It Good For? Absolutely…American Top 40 (RadioInsight.com)
* Musicians and Composers Respond to a Chaotic Moment (The New Yorker)
* Plunge into the world of Sun Ra and the Outer Space Visual Communicator (CDM.link)
* Five Black Jazzworld Figures Detail How Racism Impacts The Industry (DownBeat)

Sunday Session: July 14, 2019

Abdullah Ibrahim

Here's this week's roundup of various music-related items of interest:

* All hail young blues aristocrat Christone ‘Kingfish’ Ingram (Guitar)
* An evening with João Gilberto, the bright wallflower of bossa nova (The Guardian)
* Burning Its Way Toward A Musical Sweet Spot - Interview With Burnt Sugar Founder Greg Tate (SFJAZZ.org)
* How Richmond jazz legend Lonnie Liston Smith is bridging generations (WTVR)
* Herbie Hancock still experimenting after six musical decades (Vancouver Sun)
* When Mingus met Mitchell (Jazz Journal)
* The Black Swan: A History of Race Records (AllAboutJazz.com)
* Snapshot NY: Tiny Harlem Apartment Home To Popular Jazz Parlor (NewYork.CBSLocal.com)
* Artist Spotlight: Vijay Iyer (Jazz Times)
* An Eight-Second Film of 1915 New Orleans and the Mystery of Louis Armstrong’s Happiness (The New Yorker)
* Kamasi Washington Says Security Guard Assaulted His Father at Austria Show, Cuts Set Short (Pitchfork.com)
* ‘Getz At The Gate’: A Scintillating Performance By A Dynamic Stan Getz (UDiscoverMusic.com)
* Sun Ra: The Philadelphia Years (RedBullMusicAcademy.com)
* Sisters of Swing (Vanity Fair)
* 'We need to put inclusion at the start of the process': the disabled musicians making their own instruments (The Guardian)
* Ernest Dawkins on AACM, Conduction and Dictators (DownBeat)
* Seamus Blake Is Playing Between Many Worlds (Jazz Times)
* Steps Taken That Could Determine The Fate Of The Former Home Of Jazz Musician Cab Calloway (Baltimore.CBSLocal.com)
* Finding 'The Balance': Jazz Legend Abdullah Ibrahim Looks To Past, Present And Future (NPR)
* Ban Brass Bands On Frenchmen? (Offbeat)
* Mini model of Stonehenge created by scientists could reveal how the ancient monument SOUNDED during the mysterious rituals held at the site more than 2,000 years ago (Daily Mail)
* A jazz legend said he was in desperate need of money. His friends had questions (Washington Post)
* An Alternate Canon of Afrofuturist Classics (RedBullMusicAcademy.com)
* Jimmie Vaughan Digs into Covers (DownBeat)
* Flutes you: Lizzo and the woodwind renaissance (The Guardian)
* The Legacy of Live Aid, 30 Years Later (The Atlantic)
* The Science of Sound: An Interview with Alvin Lucier (SecondInversion.com)
* In Conversation: The Fast-Paced Life of Bill Frisell (Jazz in Europe)
* Janis Siegel: Answering the Calling of Vocal Jazz (Jazz Times)

Sunday Session: May 26, 2019

Aretha Franklin

Here's this week's roundup of various music-related items of interest, drawn from StLJN's inboxes, newsfeeds, and assorted other sources:

* "Over the Rainbow" Composer Seeks Pot of Gold from Apple (Forbes.com)
* ‘Fake Artists’ Have Billions of Streams on Spotify. Is Sony Now Playing the Service at Its Own Game? (Rolling Stone)
* Doris Day: Her Jazziest Moment (Jazz Times)
* Aretha in church (TheBlueMoment.com)
* Blue Note boss Don Was: 'Jazz can't become synonymous with pop again' (The Guardian)
* Burnt Sugar Applying Heat for 20 Years (DownBeat)
* Ray Charles - Confessin’ The Blues (FYIMusicNews.ca)
* Scientists create the loudest possible sound (NewAtlas.com)
* Wire Playlist: Free Jazz In Japan, Sounds From The First Decade (The Wire)
* Idagio—the Spotify for Classical Music—Has Changed My Life (Vogue)
* National Endowment for the Arts Announces 2020 NEA Jazz Masters (Arts.gov)
* Kamasi Washington: 'Right now it feels like people are really open to jazz, the freedoms, the abstract side of it' (List.co.uk)
* How Nashville plans to save Music Row, a threatened cultural treasure (Curbed.com)
* The Borderless Music of Antonio Sánchez (DownBeat)
* Pacific Ocean coup: how Ronald Reagan helped bury a Beach Boy at sea (The Guardian)
* How Panic! at the Disco Cornered the Market on Trumpet-Heavy Hits (Variety)
* Flashback: Ornette Coleman Sums Up Solitude on ‘Lonely Woman’ (Rolling Stone)
* Pianist gives concert from vertical piano hanging from construction crane (WPXI)
* 20 Questions for New Artists Sidebar: The Economic Reality of Streaming (MusicTechPolicy.com)
* Repair Of Iconic ’60s Era Synthesizer Turns Into Long, Strange Trip For Engineer (SanFrancisco.CBSLocal.com)
* Resonance Records’ Further Exploration of Wes Montgomery (DownBeat)
* The Shed Attempts to Inject Culture Into Hudson Yards (The New Yorker)
* Flying Lotus and His Grandmother Talk Being in a Family Bound by Music (Pitchfork.com)
* Sofar Sounds house concerts raises $25M, but bands get just $100 (TechCrunch.com)
* ECM At Big Ears: A Boundless Label Meets A Broadminded Festival (NPR)
* Frantic, Distorted, Defiant: When Punk Jazz Upended the Underground (Jazz Times)
* How synthesizer pioneer Bob Moog brought electronic music to the masses (Fast Company)

Sunday Session: April 14, 2019

Amina Claudine Myers

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Nenette Evans: My Life With Bill (AllAboutJazz.com)
* The Eclectic Mr. Klein (Jazz Times)
* Harold Danko: His Own Sound, His Own Time (AllAboutJazz.com)
* ECM @ 50 (AllAboutJazz.com)* “The most in depth concert in over 35 years”: Rod Stewart and Jeff Beck to reunite on stage (NME.com)
* Ed Palermo Enjoys a ‘Lousy Day’ with New Album (DownBeat)
* Alan Lomax’s Massive Music Archive Is Online: Features 17,000 Historic Blues & Folk Recordings (OpenCulture.com)
* Interview: Pianist Amina Claudine Myers (JazzRightNow.com)
* Knocking on doors in search of Philadelphia’s jazz history (WHYY)
* Jazz Heavyweights Herbie Hancock And Kamasi Washington Announce Joint Tour (NPR)
* Keystone Korner Club Revived in Baltimore (Jazz Times)
* Emmet Cohen Wins American Pianists Association Competition (DownBeat)
* Susan Tedeschi, Derek Trucks Dig Deep (DownBeat)
* George Benson talks back (Offbeat)
* Inside the Barry Harris Method (Jazz Times)
* Ambient in Outer Space: Seven Artists Exploring the Final Frontier (Bandcamp.com)
* Works of Wadada Leo Smith Celebrated at Third CREATE Festival (DownBeat)
* Four-year legal battle over estate of legendary blues musician Muddy Waters continues in DuPage courtroom (Chicago Tribune)
* AIM’s Gee Davy on the future of generative Artificial Intelligence in music (MusicBusinessWorldwide.com)
* Angel of Harlem: How a patron saint to a forgotten generation of musicians came to face her greatest challenge yet (ABC News)
* Space for the Wrong: An Interview with Frederic Rzewski (Atavist.com)
* Jazzman Dave Douglas finds inspiration in Dizzy Gillespie (Houston Chronicle)
* Hi-Fi Cocktail Bars Aren’t Just for Tokyo Anymore (Bloomberg.com)
* Holographic Frank Zappa Plays Guitar Solo in New Tour Promo (Rolling Stone)
* Berklee's Institute Of Jazz And Gender Justice Aims To Combat Sexism In Jazz (WBUR)
* The Songsmiths of Sesame Street (The Atlantic)
* Spotify, the Decline of Playlists and the Rise of Podcasts (Music Industry Blog)

Sunday Session: April 7, 2019

James Carter

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* James Carter Revisits the Music of Django Reinhardt (Westword)
* CD REVIEW.. Bill Evans – Evans in England (Ronnie Scotts, Dec 1969) (London Jazz News)
* Hannibal Lokumbe: Always Go With the Feeling (New Music Box)
* Hardly Anyone on the Pop Charts Writes Their Own Music (Alone) Anymore (Rolling Stone)
* Live Review: Big Ears Festival 2019 (Jazz Times)
* We Spoke To The Head Of Music At Ronnie Scott’s About The Rise Of British Jazz (Complex.com)
* Galactic Takes Over Historic New Orleans Venue Tipitina’s (DownBeat)
* Steve Cropper reflects on a lifetime of playing guitar with a who's who of musical titans (Straight.com)
* Colonel Sanders at the Rave: Kentucky Fried Chicken’s Presence at Ultra Music Festival Was Disturbing (Pitchfork.com)
* Sounds from Tomorrow's World - Sun Ra and the Chicago Years, 1946-1961 (UChicago.edu)
* Red Bull Music Academy, Radio to Shut Down After 21-Year Run (Rolling Stone)
* Jazz pioneer Buddy Bolden’s historic house cited for demolition by neglect (New Orleans Times-Picayune)
* Kamasi Washington Is Finding That There Are No Wrong Notes (GQ)
* Pharoah Sanders: Spirit Ascending (BrooklynRail.org)
* Tibetan Musical Notation Is Beautiful (OpenCulture.com)
* Premiere: Hear the Title Track from Melissa Aldana’s Upcoming Motéma Album, ‘Visions’ (DownBeat)
* Melvin Gibbs Isn’t Looking Back (Jazz Times)
* Ruthie Foster, the Blues, and a Town That Needs Lifting (No Depression)
* ‘Old Town Road’ and the History of Black Cowboys in America (Rolling Stone)
* Country Music Excludes Women, Especially Over Age 40, Study Finds (NPR)
* Aaron Diehl: paradox at the piano (Rochester City Newspaper)

Sunday Session: December 30, 2018

Wayne Shorter

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Robot improves your guitar playing by zapping you with a taser when you screw up (DigitalTrends.com)
* "The Chipmunk Song" Turns 60: Secrets of a Holiday Novelty Smash (Hollywood Reporter)
* Luminous PoKempner pix of Sun Ra’s celestial music (Jazz Beyond Jazz)
* What Streaming Music Services Pay (Updated for 2019) (DigitalMusicNews.com)
* Jazz legend Wayne Shorter on personal tragedy, career triumphs (CBS News)
* Artists We Lost in ’18 (DownBeat)
* The Best Music Books of 2018 (Billboard)
* Jazz in Focus: The Photos of Arthur Elgort (Jazz Times)
* A Musique Concrète Landmark Closes Its Doors (Hyperallergic.com)
* Interview: Jorma Kaukonen (Relix)
* Where Have All the Music Magazines Gone? (LongReads.com)
* Renovation unearths Seattle Prohibition-era jazz club art (Crosscut.com)
* Over 2,000 Musicians Perform At London's Annual Jazz Festival (Forbes.com)
* Kamasi Washington to Debut Short Film at Sundance (Jazz Times)
* Gary Giddins: A Conversation About Jazz (Jazz Profiles)
* Music lyrics are getting angrier, sadder over time, study finds (Detroit Free Press)
* Original Woodstock Site to Host 50th Anniversary Concert (Hollywood Reporter)
* Presley’s ‘Comeback Special’ still relevant, 50 years later (Associated Press)
* 2,200 jobs at risk as HMV collapses into administration (Sky News)
* Green Book: A Serious Comedy and Jazz Allegory (AllAboutJazz.com)

Sunday Session: July 29, 2018

Art Ensemble of Chicago

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Art Ensemble of Chicago Reunites in Norway (DownBeat)
* In Conversation: Billy Joel (Vulture.com)
* The right place at the right time: The jazz education of Charles McPherson (Santa Fe New Mexican)
* Terence Blanchard & the E-Collective: Fusion for Humanity (Jazz Times)
* Making Music For A Living is Harder Than Ever (Offbeat)
* Remembering Frank Sinatra’s Time-Stopping Performance At The Sands (UDiscoverMusic.com)
* A new youth movement is energizing the high-end audio market (CNet.com)
* The Rise Of The Sampling Pad In The Modern Drummer’s Setup (MusicThinkTank.com)
* Kongsberg Festival Teams Up Improvisors (DownBeat)
* 10 All-Time Great Jazz Quartets (Jazz Times)
* Streaming services are seeing a jazz renaissance amongst younger fans (BBC)
* Kamasi Washington Wants To Free Your Mind (HighSnobiety.com)
* Jazz Legend Wayne Shorter Announces 'Emanon,' A Multiverse-Inspired Triple Album (WBGO)
* New Book Chronicles the Saga of Jazz in Washington D.C. (DownBeat)
* Michael Franks Is Happy to Be “Some Old Jazz Guy” (Jazz Times)
* Steven Van Zandt Creates a Free School of Rock: 100+ Free Lesson Plans That Educate Kids Through Music (OpenCulture.com)
* Nellie McKay’s Affability Refracted by Humorous Worldview (DownBeat)
* You Don’t Need to Be a Musician to Get a Record Deal in 2018 (Rolling Stone)
* Django Festival Allstars: Strong Picking Hands and Big Hearts (Jazz Times)
* Spotify Hits 180 Million Users — and Loses Even More Money (Rolling Stone)
* Don Was, Dave McMurray Continue Telling Detroit’s Story (DownBeat)
* The state of jazz: Talking with A.B. Spellman (Santa Fe New Mexican)
* Historic home of blues artist W.C. Handy returned to family (Times of Northwest Indiana)
* Catalog of Fania Records, the Motown of Latin Music, Is Sold (New York Times)

Sunday Session: July 15, 2018

Brian Blade

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* 'You can't judge a generation's taste': making Now That’s What I Call Music (The Guardian)
* Brian Blade & The Fellowship Band Leaves Michael Bourne Mouth Agape in Montreal (WBGO)
* Kamasi Washington, the wisest man on Earth (TheFader.com)
* How did Irvin Mayfield, the man with the golden trumpet, end up in the poorhouse? (New Orleans Advocate)
* The Adventurous World of Brazilian Experimental Music (Bandcamp.com)
* MIT Develops AI That Can Isolate and Edit the Individual Instruments in a Song (DigitalMusicNews.com)
* An AI system for editing music in videos (MIT.edu)
* ‘Skyrockets in flight/Afternoon delight’: The story behind Starland Vocal Band’s one big hit (Washington Post)
* In Istanbul, a Display of National Music Culture (DownBeat)
* NEA Announces 2019 Jazz Masters (Jazz Times)
* Coltrane, Kamasi and the art of looking both directions at once (TheVinylFactory.com)
* Synths may be spared worst of US trade war – for now (CDM.link)
* Global Notation: a new notation system for world music (Sheffield.ac.uk)
* The Jazz Pianist Who Made One Masterpiece And Disappeared (VinylMePlease.com)
* Before Björk, There Was the Last Incan Princess (MessyNessyChic.com)
* How Ads Get Away with *Almost* Plagiarizing Existing Music (Vice.com)
* 10 Essential One-Track Albums (TrebleZine.com)
* “A Band At The Top Of Their Game”: Ravi Coltrane Talks John’s “Classic Quartet” (UDiscoverMusic.com)
* New $50,000 prize in improvised music gives its first awards to Joe McPhee and Susan Alcorn (Chicago Reader)
* Ellis Marsalis Jazz Piano Competition Winners Announced (Jazz Times)
* The GroundUP Festival Brings Even More Heat to Miami, on Jazz Night in America (WBGO)
* Who Is Benefitting From the Nostalgic Vintage Releases in African Music? (OkayAfrica.com)
* The Sonic Arts Union’s Handmade Electronic Music, 1966-1976 (RedBullMusicAcademy.com)
* Chicago label Still Music rescues decades of house history from a south-side storage locker (Chicago Reader)
* A Conversation with La Monte Young, Marian Zazeela and Jung Hee Choi (RedBullMusicAcademy.com)

Sunday Session: July 1, 2018

Don Cherry

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Catherine Russell: Queen of the Armstrong Blues (Jazz Times)
* Legendary Experimental Composer Jon Hassell Is Still Dreaming Up New Worlds (Vice.com)
* What happened to the blues? (Chicago Defender)
* DC Jazz Festival Reaches New Peak with Sanders, Carrington (DownBeat)
* Spotify Can Boost an Artist’s Royalties by $163,000 With One Playlist Add, Study Calculates (DigitalMusicNews.com)
* DownBeat Announces Winners of 2018 Critics Poll (DownBeat)
* Joe Lovano and Dave Douglas step up with Sound Prints at the Village Vanguard (Jazzwise)
* The Saxophone’s Unlikely Journey Out of Meme Hell (Vice.com)
* Thelonious Monk Inside Out: A Fresh Perspective On His Music (AllAboutJazz.com)
* The Story of Don Cherry’s Forgotten Classic “Home Boy (Sister Out)” (Bandcamp.com)
* Swedish Jazz, Excavated (DownBeat)
* How Did A Major Label Manage To Lose A John Coltrane Record? (TheQuietus.com)
* Composing Your Thoughts (Nautilus)
* WOULD SUIT MUSIC SCHOOL: How Total Refreshment Centre became the collaborative heart of London (TheVinylFactory.com)
* R+R=NOW’s Robert Glasper On Being Free AF For Juneteenth, ‘Collagically Speaking’ & More [Interview] (OkayPlayer.com)
* Kamasi Washington, the wisest man on Earth (TheFader.com)
* Jazz great Sheila Jordan's 70-year career was launched by a single song (Minneapolis Star-Tribune)
* A Year After Geri Allen’s Death, A Tribute From Howard University (DownBeat)
* John Coltrane's 'Lost Album' Is A Window Into His Pursuit Of The Impossible (NPR)
* The Average Working Musician Makes Less Than an Uber Driver, Study Finds (DigitalMusicNews.com)
* Antiquated copyright laws threaten aging musicians: Guest opinion (Portland Oregonian)
* A sound supreme: lost John Coltrane treasures rediscovered (Irish Times)
* When Miles Davis and Charlie Parker were in SF, this was the go-to club (San Francisco Chronicle)
* Deep Dive with Lewis Porter: Considering John Coltrane's 'Lost Album,' From All Directions (WBGO)
* This music is designed for extraterrestrials. Listen carefully (BigThink.com)
* Jon Hassell at 81: Visionary Composer-Trumpeter Reflects on a Half Century of Music on His Own Terms (Billboard)
* Angry George Benson fans BOO legendary star and demand refunds when he loses his voice and can't sing during Royal Albert Hall concert (Daily Mail)
* Raymond Scott, the musical genius you probably don't know, is getting his own L.A. festival (Los Angeles Times)
* 50th anniversary editions of The Band's 'Music From Big Pink' due Aug. 31 (Los Angeles Times)
* Ravi Coltrane On the State of Jazz & Why John Coltrane's Lost Album Couldn't Have Been Found at a Better Time (Billboard)

Sunday Session: April 22, 2018

Kamasi Washington

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Why the Hell Can’t Hollywood Make a Decent Music Festival Movie? (Los Angeles)
* A record shop life (TheBlueMoment.com)
* Cape Town Festival Honors Hugh Masekela (DownBeat)
* The Unlikely Pairing of Louis Armstrong With Ella Fitzgerald Is (Still) Pure Bliss (Mother Jones)
* Laurindo Almeida: Forgotten Genius of Guitar Arrangement (Acoustic Guitar)
* Bill Charlap: “I’m Not a Composer” (Jazz Times)
* Beyond 'Blurred Lines': How Forensic Musicology Is Altering Pop's Future (Rolling Stone)
* The State of the Music Cities Union (Medium.com)
* This Must Be David Byrne (GQ)
* Kendrick Lamar's 'DAMN.' Wins Historic Pulitzer Prize In Music (NPR)
* Pulitzer Prize Administrator Explains How Kendrick Lamar Won (Billboard)
* This Year’s Other Two Pulitzer Finalists on Losing to Kendrick Lamar (Slate)
* What the classical-music world can learn from Kendrick Lamar’s Pulitzer Prize (Washington Post)
* Should Artists Get a Cut When Their Songs Land On Branded Playlists on Spotify? (Billboard)
* Kamasi Washington on how South Central shaped his experiential new record (DazedDigital.com)
* My Amazing Day…and Night, with Jimi Hendrix (GovindaGallery.com)
* Los Tigres Del Norte Perform At Folsom Prison 50 Years After Johnny Cash (NPR)
* 10 of the Best Music Podcasts (Variety)
* Tiger Lily Records: The wild story of the tax scam label run by the notorious Morris Levy (Part II) (DangerousMinds.net)
* "Jazz & Social Justice": A Playlist by Angela Davis (SFJAZZ.org)
* Vinyl: Ornette Coleman’s Revolution (DownBeat)
* Global Recorded Music Revenues Grew By $1.4 Billion in 2017 (Music Industry Blog)
* Outlaws of the Airwaves: The Rise of Pirate Radio Station WBAD (KCRW)
* What Is HD Vinyl and Is It Legit? (Gizmodo)
* The great Record Store Day debate and why we like vinyl so much, anyway (Alternative Press)
* The Beatles: In Defense of Revolution 9 (Den of Geek)

Sunday Session: April 15, 2018

Nina Simone

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* The British jazz explosion: meet the musicians rewriting the rulebook (The Guardian)
* Monika Herzig’s SHEroes Addresses Gender in Jazz (DownBeat)
* Why Hip-Hop Is Taking Center Stage On Netflix's Original Music Programming (Forbes.com)
* At Tiny Telephone music studio, recording to tape is not a metaphor (KALW)
* MATA at 20 (New Music Box)
* How Drummer Albert "Tootie" Heath Learned to Play Jazz (Westword)
* Philadelphia native James Mtume returns to celebrate 35th anniversary of ‘Juicy Fruit’ (New Pittsburgh Courier)
* Jimmie Vaughan’s B-3 Vibe (Jazz Times)
* The Deceptively Accessible Music of Cecil Taylor (The Atlantic)
* Illuminating Cecil Taylor with Pianist Jason Moran, on The Checkout (WBGO)
* Turning The Tables: The 150 Greatest Albums Made By Women (As Chosen By You) (NPR)
* “All at Full Fullness”: Remembering Cecil Taylor - Steve Coleman, Vijay Iyer, Jason Moran, Matthew Shipp and Wadada Leo Smith pay tribute to an avant-jazz icon (Jazz Times)
* All That Jazz: A #JazzAppreciationMonth Podcast Round-up (Arts.gov)
* Music Publishers Win Major Copyright Fight Over Streaming of Legendary Rock Concerts (Hollywood Reporter)
* Composer Tyondai Braxton: 'I'm at war with myself. That's what the piece sounds like' (The Guardian)
* Spotify could kill Jazz, Soul and Classical music. Really. (SoulTracks.com)
* Q&A with Al Di Meola: In a Good Place (DownBeat)
* The New Jazz Torchbearer: Kamasi Washington on His Musical Message (Rolling Stone)
* Cecil Taylor and the Art of Noise (The New Yorker)
* The Revolutionary Genius of Cecil Taylor (The New Yorker)
* The British Guitar Embargo: When Brits Were Banned from Buying American (Reverb.com)
* How Nina Simone Captivated a New Generation (Rolling Stone)
* In Memoriam: Cecil Taylor (DownBeat)
* ‘It’s an insane project’: Toronto resident documenting city’s live-music history through posters (The Globe and Mail)
* Esperanza Spalding: Redefining Production - The bassist, composer and bandleader on her innovative recent "pop-up" album, "Exposure" (Jazz Times)
* How Musicians Are Using Field Recordings to Capture the Politics of Place (Pitchfork.com)
* ‘A Singular Sound, A Singular Force’: Artists Remember Jazz Great Cecil Taylor (BedfordAndBowery.com)
* Saxophonist Kamasi Washington Announces New Album 'Heaven and Earth' With Two Teaser Videos (NextBop.com)
* Hitting Reboot: Manhattan Transfer (DownBeat)
* American orchestras: Revamping the model, or embracing the obvious? (Washington Post)

Sunday Session: March 18, 2018

Charles McPherson

Here's the roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Syrian refugees using music therapy to soothe the trauma of war (ABC.net.au)
* Meet the Electric Guitarist Who Gave Benny Goodman a Jolt (OZY.com)
* Inside the Gramercy: The Grit and Glamour of New York's Rock & Roll Hotel (Rolling Stone)
* The long, slow death of print music journalism (GlobalNews.ca)
* Dark and Deep Flows the River: An Interview with Wadada Leo Smith (PopMatters.com)
* The Treasured Preservation Hall Sousaphone Has Been Returned (Offbeat)
* Saudi Arabia's bootleg music shops (BBC)
* Why Labels Are Looking to Africa to Find the Next Global Pop Star (Billboard)
* Kurt Elling Remembers Jon Hendricks (Jazz Times)
* Blue Note Label Boss Don Was Is Not Ready to Give Up on Jazz (Forbes.com)
* The end of live music? (CompleteMusicUpdate.com)
* Kamasi Washington at Sydney Opera House: a defiant cry from a jazz star in his prime (The Guardian)
* Will Corporations Ruin Live Music in the Bay Area? (East Bay Express)
* Expert Introductions: The Quietus' Top 40 Genre Compilation Albums (TheQuietus.com)
* iHeartMedia Files for Bankruptcy (Variety)
* Charles McPherson: The Man and His Muse (AllAboutJazz.com)
* Chicago saxophonist Dave Rempis builds an intentional community in jazz (Chicago Reader)
* Q&A with Paal Nilssen-Love: In a Natural Way (DownBeat)
* The Residents pay tribute to Sun Ra (and Barry White) (DangerousMinds.net)
* Here's a Playlist of Songs You Know But You Can’t Name (Lifehacker.com)
* Reconsidering Gene Krupa, A Great Jazz Drummer Hiding in Plain Sight (WBGO)
* Bobby Previte: the Art of Travelling Trustingly (AllAboutJazz.com)
* Quincy Jones: 20 Great Productions (Rolling Stone)
* Which Cities Get the Most (and Least) Concerts? (Priceonomics.com)
* The Man Who Made Violins Out of New York City Buildings (AtlasObscura.com)
* Celebrating the Free Jazz Revolution, in Black and White (Village Voice)

Sunday Session: December 24, 2017

Stephen "Thundercat" Bruner

Here's the roundup of various music-related items of interest that have shown up in one of StLJN's inboxes over the past week:

* Chicago Jazz Pianist Willie Pickens Is Remembered For Performing And Teaching (NPR)
* Spotify Executives Are Earning Seven-Figure Salaries, Tax Returns Show (DigitalMusicNews.com)
* Saxophonist Ralph Carney Dead at 61 (Pitchfork.com)
* Music and technology: Blurred lines (ITProPortal.com)
* After Losing Ground In the Streaming Era, Rock Charts Its Comeback (Billboard)
* Disney, Netflix and the Squeezed Middle: The Real Story Behind Net Neutrality (Music Industry Blog)
* Irvin Mayfield, New Orleans Jazz Pillar, Indicted For Laundering Library Funds (NPR)
* Congresswoman Sheila Jackson Lee to Head New Jazz Caucus, Presents New Preservation Bill (Billboard)
* Kevin Mahogany, Jazz Singer with a Big Sound and a Soulful Style, Has Died at 59 (WBGO)
* The Power of the People: Kamasi Washington on artistic freedom and intellectual expansion (TheKey.xpn.org)
* Bassist and Singer-Songwriter Thundercat Talks About 'Drunk,' and A Year in the Spotlight (WBGO)
* New instrument composes music based on human body's biorhythms (CBC.ca)
* 50 Out of the Top 50 SoundCloud Artists are Rappers (DigitalMusicNews.com)
* Donald Fagen Discusses the Loss of Walter Becker and Steely Dan's Future (Rolling Stone)
* Adam Rogers: Rhythm, Guitar (Jazz Times)
* How British Jazz Won The Underground In 2017 (TrenchTrenchTrench.com)
* Plundering dead artists for Christmas sales is more than creepy (TheConversation.org)
* Mississippi Goddam: Dr. Nina Simone Remembered (FashionUnfiltered.com)
* Sunny Murray 1936–2017: Eye Of The Storm (The Wire)
* A Look Back At 4 Jazz Luminaries Who Died In 2017 (NPR)
* YouTube, Music Labels End Standoff, Move Toward Paid Service (Bloomberg.com)
* Call to rename Williamsburg Bridge after saxophonist Sonny Rollins gains steam (Brooklyn Daily Eagle)
* Why hip-hop, once ostracized in clubs, is ruling the festival circuit (Los Angeles Times)
* 'Jazz Night In America' Remembers Artists We Lost In 2017 (NPR)
* Is Secretive Virtual Reality Startup Magic Leap Dreaming Up the Future of Music? (Pitchfork.com)
* How the U.S. Used Jazz as a Cold War Secret Weapon (Time)
* RIP, Roswell Rudd (Ottawa Citizen)
* Roswell Rudd Dies at 82 - Trombonist and composer bridged gap between early jazz and the avant-garde (Jazz Times)
* I’m Dreaming Of A Blue Christmas (London Jazz Collector)
* Analog For The People: Synth Master Tatsuya Takahashi On Engineering Fun (NPR)
* ‘Santa Baby’ composer Phil Springer, 91, still can't figure out why his sexy Christmas song endures (Los Angeles Times)

Sunday Session: September 3, 2017

Thelonious Monk

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Elvis Presley’s Archivist on the Heartbreak of Tapes Trashed by RCA, Scouring the South for Lost Recordings (Variety)
* Esperanza Spalding’s Pop Culture Loves (Smithsonian)
* Tin Men and the Telephone: the jazz band you control with a smartphone (The Guardian)
* Review: The Mingus Prom (Jazz Journal)
* The Devo De-Evolution Of Golfer Chi Chi Rodriguez (WBUR)
* Close Encounters of the 4th Kind with the Sun Ra Arkestra in San Francisco (PopMatters.com)
* Pharaoh’s Den, the Sun Ra-themed grocery store in Philadelphia (DangerousMinds.net)
* Kurt Rosenwinkel: A Whole New Vista (Jazz Times)
* Hancock-Washington Double Bill Rocks the Hollywood Bowl (DownBeat)
* INTERVIEW: Marilyn Mazur (London Jazz News)
* Review: Oslo Jazz Festival 2017 (Jazz Times)
* Q&A with Sean Jones: The Spirit Calling (DownBeat)
* Woody Shaw Takes on “’Round Midnight,” the Trumpeter’s Supreme Challenge (The New Yorker)
* The Omnivorous Mind of Pamela Z (San Francisco Classical Voice)
* Where's the Best Seat in the Concert Hall? (WQXR)
* The South Side’s Last Remaining Jazz Landmarks (Chicago magazine)
* Rock ’N’ Roll: America’s Midlife Crisis (Talkhouse.com)
* Pop music is rejecting the piano. Why? (The Economist)
* ‘The Simpsons’ Composer Alf Clausen Fired (EXCLUSIVE) (Variety)
* Review: Jazz re:freshed Live at Nublu in NYC (Jazz Times)
* Traditional Radio Faces a Grim Future, New Study Says (Variety)
* How we made Roy Ayers' "Everybody Loves the Sunshine" (The Guardian)
* Stevie Wonder Reflects On Motown, God And Prince (NPR)
* Off Minor Prophet: Thelonious Monk at 100 (Think Christian)
* Son of Jazz Great Thelonious Monk Sues California Brewery (USNews.com)
* Hudson: Upstate New York’s Supergroup (Jazz Times)
* From Jazz Clubs to Classrooms (The Nation)
* Revitalization project honors jazz great, Toledo native Art Tatum (Toledo Blade)
* Kirk Knuffke’s Time: The Story of Some of the Year’s Best Jazz (Village Voice)
* Avant-garde elder Roscoe Mitchell celebrates 50 years of Nessa Records (Chicago Reader)
* Quincy Jones Looks Back on the Making of Michael Jackson's 'Bad' (Rolling Stone)
* A Brand You Can Trust? Record Nerds’ 20 Favorite Labels From the 20th Century (Variety)
* Jazz trumpeter Hino attacks schoolboy drummer (The Asahi Shimbun)
* First Listen: Arturo O'Farrill & Chucho Valdés, 'Familia: Tribute To Bebo & Chico' (NPR)
* Meet the Ace of Cups, the Haight’s (Almost) Forgotten All-Girl Band (KQED)

Sunday Session: August 13, 2017

Rudresh Mahanthappa

Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Kamasi Washington: An Opinion of Difference (Jazz Times)
* Neither bills nor advancing age can dim the glow of a drummer's dream (Los Angeles Times)
* Was Elvis a thief? Yes! No! Maybe? Music stars weigh in on Presley's legacy (San Diego Union Tribune)
* Field Notes: Newport 2017, Day One - Cécile McLorin Salvant and more at the fest's first McBride-led edition (Jazz Times)
* Field Notes: Newport 2017, Day Two - A touching tribute to Geri Allen highlights Saturday at Fort Adams (Jazz Times)
* Field Notes: Newport 2017, Day Three - The fest wraps with plenty of sun and groove (Jazz Times)
* The Power of Sound: Using the Shepard Tone In Filmmaking (PremiumBeat.com)
* Suzanne Ciani and the Subliminal Property of Being Human (The Paris Review)
* 'The Green Book' Guided Black Travelers to L.A.'s Central Avenue Jazz Scene (KCET)
* Interim Thoughts on the Life and Career of Chubby Checker (PopMatters.com)
* Grammys boss knuckles under China censors as show readies tour (Japan Times)
* Anything is possible when jazz master Henry Threadgill plays at Newport (Boston Globe)
* AI and music: will we be slaves to the algorithm? (The Guardian)
* Southern Exposure: Searching for clues to the death of a bandleader (Daily Astorian)
* Jimmy Webb, Writer of Glen Campbell Classics, Remembers ‘My Big Brother, My Co-Culprit’ (Variety)
* Creating the world’s largest cat sound effects library – with Yarron Katz (ASoundEffect.com)
* Why do stars like Adele keep losing their voice? (The Guardian)
* Forebears: The Mercurial And Majestic Dinah Washington (NPR)
* Q&A with Rudresh Mahanthappa: Connected Spaces (DownBeat)
* The Internet Doesn’t Matter, You’re Making Music in L.A. (Vulture.com)
* Know your customers: Costa Pilavachi on the classical recording industry (Rhinegold.co.uk)
* Steve Martin Explains His Love of Banjo Music: 'It Rivals Any Specialized Genre' (Billboard)
* The Rich History—and Present—of Latin American Prog (Bandcamp.com)
* SoundCloud Saved By The Bell Of A Big Chunk Of Financing (NPR)
* Eagle Saloon unveils historical plaques, window displays (Offbeat)
* Party Over Here: An Oral History of Kool Herc’s Historic Back-to-School Jam (MassAppeal.com)
* When Mistakes/Studio Glitches Give Famous Songs Their Personality: Pink Floyd, Metallica, The Breeders, Steely Dan & More (OpenCulture.com)