Sunday Session: May 26, 2019

Aretha Franklin

Here's this week's roundup of various music-related items of interest, drawn from StLJN's inboxes, newsfeeds, and assorted other sources:

* "Over the Rainbow" Composer Seeks Pot of Gold from Apple (Forbes.com)
* ‘Fake Artists’ Have Billions of Streams on Spotify. Is Sony Now Playing the Service at Its Own Game? (Rolling Stone)
* Doris Day: Her Jazziest Moment (Jazz Times)
* Aretha in church (TheBlueMoment.com)
* Blue Note boss Don Was: 'Jazz can't become synonymous with pop again' (The Guardian)
* Burnt Sugar Applying Heat for 20 Years (DownBeat)
* Ray Charles - Confessin’ The Blues (FYIMusicNews.ca)
* Scientists create the loudest possible sound (NewAtlas.com)
* Wire Playlist: Free Jazz In Japan, Sounds From The First Decade (The Wire)
* Idagio—the Spotify for Classical Music—Has Changed My Life (Vogue)
* National Endowment for the Arts Announces 2020 NEA Jazz Masters (Arts.gov)
* Kamasi Washington: 'Right now it feels like people are really open to jazz, the freedoms, the abstract side of it' (List.co.uk)
* How Nashville plans to save Music Row, a threatened cultural treasure (Curbed.com)
* The Borderless Music of Antonio Sánchez (DownBeat)
* Pacific Ocean coup: how Ronald Reagan helped bury a Beach Boy at sea (The Guardian)
* How Panic! at the Disco Cornered the Market on Trumpet-Heavy Hits (Variety)
* Flashback: Ornette Coleman Sums Up Solitude on ‘Lonely Woman’ (Rolling Stone)
* Pianist gives concert from vertical piano hanging from construction crane (WPXI)
* 20 Questions for New Artists Sidebar: The Economic Reality of Streaming (MusicTechPolicy.com)
* Repair Of Iconic ’60s Era Synthesizer Turns Into Long, Strange Trip For Engineer (SanFrancisco.CBSLocal.com)
* Resonance Records’ Further Exploration of Wes Montgomery (DownBeat)
* The Shed Attempts to Inject Culture Into Hudson Yards (The New Yorker)
* Flying Lotus and His Grandmother Talk Being in a Family Bound by Music (Pitchfork.com)
* Sofar Sounds house concerts raises $25M, but bands get just $100 (TechCrunch.com)
* ECM At Big Ears: A Boundless Label Meets A Broadminded Festival (NPR)
* Frantic, Distorted, Defiant: When Punk Jazz Upended the Underground (Jazz Times)
* How synthesizer pioneer Bob Moog brought electronic music to the masses (Fast Company)