Showing posts with label Billy Cobham. Show all posts
Showing posts with label Billy Cobham. Show all posts

Sunday, October 27, 2019

Sunday Session: October 27, 2019

Billy Cobham
Here's this week's roundup of various music-related items of interest:

* The strange revival of vinyl records (The Economist)
* A stroke of genius: Guitarist and Brookline native wins MacArthur fellowship (WickedLocal.com)
* Q&A: Herb Alpert (TheaterJones.com)
* Mingus’s Lost String Quartet (London Review of Books)
* In Reversal, WNYC Says New Sounds Will Stay On The Airwaves (Gothamist.com)
* Kinks 1969 epic chimes with Britain’s mood today, says singer Ray Davies (The Guardian)
* The Renaissance of Marilyn Crispell (DownBeat)
* The 2010s: Classical Music's Decade Of Reckoning (NPR)
* Adam Rudolph: The Matrix Reloaded (Jazz Times)
* When the Beatles Walked Offstage: Fifty Years of “Abbey Road” (The New Yorker)
* 'Fresh Air' Marks The Centenary Of The Birth Of Jazz Singer Anita O'Day (NPR)
* Shorter, Salvant and Benson Among DownBeat Readers Poll Winners (DownBeat)
* Come blow your horn: the glory days of Ronnie Scott's jazz club – in pictures (The Guardian)
* How Untitled Goose Game adapted Debussy for its dynamic soundtrack (TheVerge.com)
* The dorky recorder you had in school just got a futuristic remake (CDM.link)
* Billy Cobham: Blowin’ in the Crosswinds (Jazz Times)
* How ‘Moonlight Serenade’ Defined a Generation (Smithsonian)
* Uri Caine Pays Tribute to Octavius Catto (DownBeat)
* Summoning the ghosts of Record Row (Chicago Reader)
* Joe Lovano’s New Septet Echoes the Past, Looks to the Future (DownBeat)
* Jazz Foundation of America Honors Roy Haynes, Raises $475K at Annual Loft Party (DownBeat)
* The Long Journey of Charlie Parker’s Saxophone (Smithsonian)
* The Hissing of Vintage Tapes (Tedium.co)
* What Makes Music Enjoyable? It’s Complex, But Measurable (Forbes.com)
* Nubya Garcia in Full ‘Blume’ (DownBeat)
* How the Internet Archive is Digitizing LPs to Preserve Generations of Audio (Archive.org)
* The “cost of living” in Spotify streams (Alex.Leonard.ie)
* The Necessity of Musical Hallucinations (Nautil.us)
* The Rise and Fall of Hip-Hop's First Godmother: Sugar Hill Records' Sylvia Robinson (Billboard)

Sunday, December 16, 2018

Sunday Session: December 16, 2018

Nancy Wilson
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* American Pop Music No Longer The Global King, But Its Christmas Music Can't Be Beat (Forbes.com)
* The Untold Labor That Helped Make Charlie Chaplin’s Film Scores (The Atlantic)
* Michael League: Snarky Puppy's Jazz-Schooled, Grassroots Visionary (AllAboutJazz.com)
* John Scofield: Old and New Inspirations (DownBeat)
* Blood on the Tracks: How Bob Dylan Birthed Bootleg Culture (ConsequenceOfSound.net)
* Jason Moran offers sublime tribute to WWI hero and ragtime pioneer James Reese Europe (Washington Post)
* Charles Lloyd is not into ‘ageism.’ The musician still loves touring at 80 (Durham Herald-Sun)
* The Wild Story Behind Aretha Franklin’s Long-Delayed Documentary (Vulture.com)
* Dave Douglas Interview (BurningAmbulance.com)
* We Jazz Festival Fosters Surprise and Discovery in Helsinki (DownBeat)
* Rediscovered Duke Ellington Film to Be Reshown After More Than 50 Years (Jazz Times)
* In a world of ‘algorithmic culture,’ music critics fight for relevance (Columbia Journalism Review)
* Wayne Shorter: How the Future Would Be (Stereophile)
* Streambait Pop - The emergence of a total Spotify genre (TheBaffler.com)
* Interview with Billy Cobham – Crosswinds and more! (Jazz in Europe)
* WFMU’s Free Music Archive Is Saved, Moving to New Home (Pitchfork.com)
* Donny McCaslin: In a Different Place (Jazz Times)
* Is It Important To Own Music? (Offbeat)
* The Cure, Janet Jackson, Radiohead Among Rock & Roll Hall Of Fame Inductees For 2019 (NPR)
* John Coltrane’s Giant Steps and My Favorite Things Earn Gold Status (Jazz Times)
* Nancy Wilson, Legendary Vocalist And NPR 'Jazz Profiles' Host, Dies At 81 (NPR)
* Placemakers: Why Midsize Cities Are the Next Music Hubs (Hypebot.com)
* Van Morrison Discusses How Music Used to Be More Spontaneous and Communal (The New Yorker)
* Photographer Spends 10 Years Tracking Down The Original Locations Of Vinyl Covers (Demilked.com)
* 15 Saxophone Albums You Should Hear (SFJAZZ.ORG)

Sunday, September 16, 2018

Sunday Session: September 16, 2018

Billy Cobham
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* For Chelsea native Chick Corea, one passion, many paths (Boston Globe)
* Pianist Matthew Shipp can make magic with the perfect partner (Chicago Reader)
* Bassist Eric Revis works at the conflux of the mainstream and its far-out tributaries (Chicago Reader)
* Conversation with Billy Cobham, Part 1: The Art of Creation (SomethingElseReviews.com)
* Conversation with Billy Cobham, Part 2: Brian Gruber and Ronnie Scott’s (SomethingElseReviews.com)
* Monterey Jazz Festival celebrates 40 years in Japan – and China could be the next stop (South China Morning Post)
* Hank Mobley, the greatest sax player you never heard (The Spectator)
* Channeling the cosmic imperfections of Sun Ra’s record sleeves (TheVinylFactory.com)
* Israeli music scene jolted by international boycott movement (Associated Press)
* Documentary Offers Intimate Portrait of a Demur Abercrombie (DownBeat)
* Barre Phillips announces his farewell record End To End (The Wire)
* Guantánamo Mixtape: This Would Be the Soundtrack to Hell (LitHub.com)
* Quincy review – portrait of a musical legend fails to sing (The Guardian)
* Musicians, Labels and Festival Programmers Anxious Over Brexit (DownBeat)
* Live Review: 2018 Detroit Jazz Festival (Jazz Times)
* The Untold Stories of Paul McCartney (GQ)
* No Boundaries: The Many Sides of Steven Bernstein (SFJAZZ.org)
* Fifteen Questions Interview with Olivia Block (15questions.net)
* The 200 Best Albums of the 1980s (Pitchfork.com)
* 'I didn’t just fade off the planet.’ Reconnecting with ’70s funk queen Betty Davis (Washington Post)
* No more heroes: how music stopped meaning everything (Irish Times)
* Count Basie Orchestra Knows Pop Music (DownBeat)
* Jazz in the Display Case (Jazz Times)
* With 'Emanon,' legendary saxophonist Wayne Shorter finds a way to marry comic books and jazz (Los Angeles Times)
* In Memoriam: Randy Weston (DownBeat)
* Cuong Vu Keeps it Close to Home for ‘Change In The Air’ (DownBeat)
* Former Bad Plus pianist still 'loves playing in the Midwest' despite rocketing career (Minneapolis Star-Tribune)
* Wilco Guitarist Nels Cline Reclaims Mood Music In The City Of Brotherly Love (NPR)
* Berkeley's Legendary Fantasy Studios to Close Its Doors (KQED)
* Trumpet Colossus Kenny Dorham Towers Alongside the Jazz Gods (Austin Chronicle)
* The World On Six Strings (ArtForum.com)

Sunday, March 11, 2018

Sunday Session: March 11, 2018

Herbie Hancock
Here's the roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Ben Sidran Remembers Tommy LiPuma (Jazz Times)
* An ‘Astral Weeks’ origin story, told 50 years after Van Morrison fled to Boston (Boston Globe)
* Big Ears 2018 – Q&A With Milford Graves (ArtsKnoxville.com)
* McCoy Tyner In The ’70s: Part 1 (BurningAmbulance.com)
* Herbie Hancock 'still learning,' as eclectic music icon works on new album with Kendrick Lamar, Wayne Shorter and more (San Diego Union Tribune)
* Why are concert tickets going on sale so early? And where does all that cash go? (Kansas City Star)
* 7 Candid Photos of Jazz Legends (BBC)
* Like A Cosmic Newspaper: Val Wilmer On Sun Ra (TheQuietus.com)
* How the classical took control of the jazz in ‘Rhapsody in Blue’ (San Francisco Chronicle)
* Mere Virtuosity - Variations on a Slippery Idea (VQROnline.org)
* Inside the Bizarre, Booming Business of Turning Hit Songs into Baby Lullabies (Thrillist.com)
* Q&A with Steven Bernstein: On Respectability (DownBeat)
* Founder of Tower Records dies at 92 while drinking whiskey and watching the Oscars (Sacramento Bee)
* Herbie Hancock Taps Kendrick Lamar, Thundercat for New Album (Rolling Stone)
* NPR’s Tiny Desk Is Actually Not Tiny at All (Vice.com)
* NME to close print edition after 66 years (The Guardian)
* Big Ears Announces Full 2018 Lineup (DownBeat)
* An Impressive Audio Archive of John Cage Lectures & Interviews: Hear Recordings from 1963-1991 (OpenCulture.com)
* There’s a Tuba Crime Wave Sweeping America (Wall Street Journal)
* The Many Dimensions of Drummer, Composer and Bandleader Allison Miller (WBGO)
* Van Morrison teams up with Hammond hero Joey DeFrancesco on new album You’re Driving Me Crazy (Jazzwise)
* A Cherished BBC Radio Show Asks Celebrities to Pick a Desert Island Survival Kit (AtlasObscura.com)
* For iconic jazz club Village Vanguard, music rather than food is its main gig (New York Business Journal)
* Taylor Ho Bynum Presents New Suite in Hartford (DownBeat)
* Linda Ronstadt: From Tucson to Rock and Roll Hall of Fame, her lifetime love affair with music (AZCentral.com)
* The Original Noise Artist: Hear the Strange Experimental Sounds & Instruments of Italian Futurist, Luigi Russolo (1913) (OpenCulture.com)
* An Interview with Billy Cobham, Genius Drummer with Mahavishnu Orchestra, Miles Davis, Peter Gabriel, Etc. Etc. (The Stranger)
* Kobalt invests $150m in independent artists to challenge ‘stupidity’ of traditional major label deals (MusicBusinessWorldwide.com)
* Her Tiny Apartment is New York’s Most Secret Jazz Club (MessyNessyChic.com)