Sunday Session: November 29, 2020

Maria Schneider

Here's this week's roundup of various music-related items of interest:

* 'The Last Shall Be First': A Lost Chapter Of Gospel, Saved From Extinction (NPR)
* Ntozake Shange on Sun Ra and How She Came to Have Her Name (LitHub.com)
* Jazz Composer Maria Schneider Takes on the "Data Lords" in Song (PopMatters.com)
* Nile Rodgers on ‘A Love Supreme’: ‘It Felt Like I Was Getting a Look Into Coltrane’s Soul’ (Rolling Stone)
* Excluded, Penalized, Indebted, Harassed: A Study of Systemic Discrimination Against Women in Opera (MiddleClassArtist.com)
* JT Video Premiere: Sonny Rollins in Holland Mini-Documentary (Jazz Times)
* Calming monkeys with piano music is harder than you think (CNN)
* Veronica Swift’s Unconventional Turns (DownBeat)
* A Tense New Classical Work Bottles The Feeling Of A Police Stop (NPR)
* Chops: Drummers Go Off the Grid (Jazz Times)
* 'I thought ours was better': Keith Richards on recording a Beatles song, solo work and new Rolling Stones (USA Today)
* I'm a sound technician. Losing my hearing was devastating (CBC)
* Jeff Gold – ‘Sittin’ In – Jazz Clubs of the 1940s and 1950s’ (London Jazz News)
* 'Frank didn't adhere to any movements': behind the Zappa documentary (The Guardian)
* Buddy Bolden, Known As ‘The Father Of Jazz’ Honored In New Opera (WABE)
* Chick Corea: Accomplishing the goal of art (BBC)
* Warner is signing double the number of artists via AI-driven A&R tool Sodatone than it did last year. Now, it’s hired a global head of Data Science. (MusicBusinessWorldwide.com)
* The legend of Yahya Abdul-Majid (CapitalBop.com)
* The Checkout: Meet Laura Perrudin, A French Harpist with a Jagged Edge (WBGO)
* All doom and boom: what’s the heaviest music ever made? (The Guardian)
* Zev Feldman of Resonance Records (‘Bill Evans Live at Ronnie Scott’s’) (London Jazz News)
* 'People in their 40s were crying': the sad final days of New York's coolest record store (The Guardian)
* How old, ambient Japanese music became a smash hit on YouTube (ArsTechnica.com)
* Charles McPherson Turns to Ballet (Jazz Times)
* Branford and Wynton Marsalis Are Keeping New York's Jazz Scene Alive (Town and Country)
* 'I will remember this for the rest of my life': John Fogerty on rerecording classic songs with his kids (USA Today)

Sunday Session: September 1, 2019

Johnny Hodges

Here's this week's roundup of various music-related items of interest:

* Before & After: Miguel Zenón (Jazz Times)
* Inside the Jazz Household of Jason Moran and Alicia Hall Moran (Vogue)
* Music Charts Reflect The Changing Pace Of Culture And Society, Scientists Say (Forbes.com)
* Standing Grand gives concert sound while saving space (NewAtlas.com)
* The Survival of Iggy Pop (The New Yorker)
* Artist Spotlight: Theo Croker (Jazz Times)
* Roscoe Mitchell Returns (Chicago)
* Are Opening Acts Becoming A Thing Of The Past? (UltimateClassicRock.com)
* Jazzmeia Horn is Steeped Tradition, Yet Fully Planted in the Present (DownBeat)
* 89 year-old piano legend Ahmad Jamal announces first solo album (JazzFM.com)
* Do vintage electric guitars really sound better with age? (Guitar)
* Improviser Evan Parker on the ‘Weight of Tradition’ and Staying in Motion (DownBeat)
* Charlie Parker Fest Captures A Bit of Bird’s Freewheeling Spirit (DownBeat)
* After Katrina, a priceless musical archive was thought lost. It showed up in Torrance (Los Angeles Times)
* Benny Carter vs. Johnny Hodges: Who Was Better? (Jazz Times)
* Moor Mother preaches Afrofuturist techno-gospel on Analog Fluids of Sonic Black Holes (FactMag.com)
* See Inside Jazz Great Dave Brubeck's Groovy Connecticut Home (Town and Country)
* What Ever Happened To The Pop Song Fade-Out? (WPR)
* Nile Rodgers On Writing Smash Hits And Reworking David Bowie's 'Let's Dance' (NPR)
* Delmark Records Focused on ‘a New Era’ of Creativity (DownBeat)
* Christian Sands & the Legacy of Erroll Garner (Jazz Times)
* 50 years on, soul music legend Don Bryant is getting the success he deserves (TheNational.ae)
* Haynes family: a slice of Roxbury history (Bay State Banner)
* Inside Steinway Piano’s secret underground vault (Fast Company)
* Saxophonist Dave Rempis builds a band with the stamina for deep dives (Chicago Reader)
* A Bird’s Life: How Charlie Parker Changed The Course Of Jazz History (UDiscoverMusic.com)
* Why Art Pepper’s Straight Life is still the most harrowing jazz memoir ever (Jazz Times)
* Santana's Debut Album Turns 50 Years Old (NPR)
* Jazz Is a Music of Perseverance Against Racism and Capitalism (TruthOut.org)
* The coming death of just about every rock legend (The Week)

Sunday Session: July 21, 2019

Shabaka Hutchings

Here's this week's roundup of various music-related items of interest:

* Nile Rodgers: ‘I’d always talk about strange jazz with David Bowie’ (The Guardian)
* Bromberg violin collection to be broken up after Library of Congress deal falls through (Wilmington News Journal)
* Talking More Music with George Benson (Jazz Times)
* Paul McCartney Brings Ringo Starr to the Stage for End-of-Tour Surprise (Variety)
* Space Is Still the Place for Marshall Allen and the Sun Ra Arkestra (PopMatters.com)
* Capturing The Undersung Blues People Of The Rural South (NPR)
* John Patitucci’s Soulful Bass (Jazz Times)
* Steve Turre joins the stellar Armstrong Summer Camp faculty to celebrate its 25th Anniversary (Louisiana Weekly)
* What every songwriter and publisher needs to know about the Music Modernization Act (TheFader.com)
* Chick Corea Looks Back on His Long History With Latin Jazz (Billboard)
* Damon Locks: In the Style of Mavericks (DownBeat)
* From Concert Halls to the Streets at The Copenhagen Jazz Festival (DownBeat)
* Ornette Coleman and the Emancipation of the Individual (Sound American)
* Jazz, Zen, and Hip-Hop: The 2019 Montreal Jazz Festival (AllAboutJazz.com)
* Billy Lester, an Insightful Jazz Pianist Hiding in Plain Sight, Finally Has His Moment to Shine (WBGO)
* Pianist Bobo Stenson Discusses Solo Work and Freedom in European Jazz (DownBeat)
* For Julian Lage, Love Hurts and Music Heals (Jazz Times)
* Thirty Years Ago, Ronald Langestraat Took Jazz to Outer Space (Bandcamp.com)
* The Murky Ethics of Posthumous Music (The Atlantic)
* As Exclusivity Takes Charge, How Will Music Streaming Change? (Hypebot.com)
* 'An Endless Fiasco': Indie Retailers Describe Worsening Breakdown in Getting CDs, Vinyl Delivered to Record Stores (Billboard)
* David Crosby Celebrates His Ornery Self in the Documentary “Remember My Name” (The New Yorker)
* Get To Know Shabaka Hutchings, The Nipsey Hussle-Inspired British Jazz Maestro (Complex.com)
* Paul McCartney Has Been Secretly Writing an ‘It’s a Wonderful Life’ Musical (Variety)
* Faith Winthrop, jazz singer who founded Glide community choir, dies at 87 (San Francisco Chronicle)
* Five Things You Should Know About Mary Halvorson (SFJAZZ.org)
* An Essential Guide to Brian Eno: "Ignorable as It Is Interesting" (Exclaim.ca)
* In First For Berklee, Students Join The Circus (Sort Of) To Make Music Fit For Clowns (WBUR)
* Ron Carter, Beatniks and Corrective History (DownBeat)
* Roger and Brian Eno, and Daniel Lanois Expand ‘Apollo’ Soundtrack for Moon-Landing Anniversary (DownBeat)
* Jazz Generated by a Neural Network Is Absolutely Terrifying (Futurism.com)
* On And On And On: A Guide to Generative Electronic Music (Bandcamp.com)
* Alan Lomax and the Search for the Origins of Music (TabletMag.com)
* Do You Know Randy Weston? (MusicAficionado.com)

Sunday Session: April 9, 2017

Dave Holland

Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Amy Helm pays tribute to her father and the Band with The Last Waltz Remembered (Calgary Herald)
* N.E.A. to Honor Jazz Masters Under a Cloud of Uncertainty (New York Times)
* Scott LaFaro, The Short Life of a Master Bassist (NEPR)
* The 30 Top Instruments and Innovations of Roland’s Ikutaro Kakehashi (1930-2017) (Electronic Musician)
* Revisiting Sonny Rollins’s Score for “Alfie,” a Musical Masterwork That Transcended the Film (The New Yorker)
* Keith Richards on His Hero Chuck Berry: 'The Granddaddy of Us All' (Rolling Stone)
* Interview: How ‘Dark Side of the Moon’ shaped the music of ‘Legion’ (DailyDot.com)
* How Significant Is the Music Industry's Rebound? (The Atlantic)
* Lawrence English, Philosopher Of Sound, Kindly Requests You Lay Down (NPR)
* John McLaughlin: The Last Long Haul (Jazz Times)
* The NEA Jazz Masters Tribute Concert Transcends Its Fraught Political Moment (NPR)
* Second volume of rare Sun Ra singles to be released as 10×7″ box set (TheVinylFactory.net)
* Impeach The President: A Loop History (RedBullMusicAcademy.com)
* Trumpeting women in jazz (Harvard.edu)
* All for One, One for All: Dave Holland in Conversation (Vortex)
* NEA Jazz Masters Concert Perpetuates ‘Sanctity of the Arts’ (DownBeat)
* With Fewer Venues, Jazz Musicians Take Array Of Gigs, And Lean On New Skills (WBUR)
* Harry Shearer: Why My 'Spinal Tap' Lawsuit Affects All Creators (Rolling Stone)
* A Quest to Rename the Williamsburg Bridge for Sonny Rollins (The New Yorker)
* Why Nature Sounds Help You Relax, According to Science (Health.com)
* Q&A with Adam Rudolph: Musical Modularity (DownBeat)
* Buddy Bolden's blues: The birth of a mad genius -- and of jazz (New Orleans Times-Picayune/NOLA.com)
* Nile Rodgers Talks Rock Hall Induction: 'Everything Is Rock & Roll' (Rolling Stone)
* L.A. Jazz Is Having a Moment. So Why Are So Many of the City's Jazz Clubs Closing? (LA Weekly)

Sunday Session: February 5, 2017

Maria Schneider

Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* How Chic’s ‘Good Times’ Launched Rap (Wall Street Journal)
* What would it take to make audio 'cool' again? (CNet.com)
* The story of Ash Koosha, now banned from the USA (DazedDigital.com)
* Volnovod is a robot sculpture that uses wire to make sound visually (CreateDigitalMusic.link)
* David Byrne's New Doc 'Contemporary Color' Shows Off 'Art Sport' And Indie Stars (NPR)
* From The Critic's Desk: A Preview Of 2017 In Jazz (NPR)
* Newport Jazz Festival Announces First Wave of Artists for 2017 (Jazz Times)
* Bob Dylan's New Triple Album Reimagines The Classics (NPR)
* ‘Dog Breath in the Year of the Plague’: A fanboy’s appreciation of Frank Zappa’s ‘Uncle Meat’ (DangerousMinds.net)
* Unreleased Bill Evans Trio Album To Be Released March 24 (DownBeat)
* How a pair of former Detroit Lions helped inspire one of Marvin Gaye’s most defining records (TheUndefeated.com)
* First Listen: Miguel Zenón, 'Típico' (NPR)
* Trombone Shorty Signs with Blue Note, To Release Label Debut in April (DownBeat)
* Colleagues, Collaborators Remember Michael Brecker in NYC Concert (DownBeat)
* How Embattled LA DIY Venue The Smell Is Using VR to Preserve Its Legacy (Vice.com)
* For The Last Time: Rock Is Not Dead, You’re Just Not Paying Attention (Uproxx.com)
* Is the era of weird instruments over? (Perfect Sound Forever)
* From Joni Mitchell to Laura Marling: how female troubadours changed music (The Guardian)
* Maria Schneider ‘Attacking the Data Lords’ (DownBeat)
* Is Spotify Going Bankrupt In 2017? Wall Street Delivers Another Red Flag (DigitalMusicNews.com)

Sunday Session: December 18, 2016

Dr. John

Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Nile Rodgers Reflects on Working With Prince & David Bowie: 'Both Saw the World In Ways Unlike We See the World' (Billboard)
* Eating raccoon with Dr. John (New Orleans Times-Picayune)
* Chuck Jones’ “How the Grinch Stole Christmas” on Records (CartoonResearch.com)
* Before & After With Snarky Puppy's Michael League - Lots of insight, on little sleep (Jazz Times)
* Giving a Great Jazz Storyteller His Due (The New Yorker)
* Buddy Bolden house in danger (CradleOfJazzTour.com)
* Stanton Moore: Keeping Time and Making Time (JazzEdMagazine.com)
* WFMT expands, rebrands Jazz Network (RobertFeder.com)
* 'The Jingle King' Tracks Decline Of Original Music In Advertising (NPR)
* Jazz and Classical—Musical, Cultural, Listening Differences (New Music Box)
* High Notes: This Year Was Terrible, but at Least Local Jazz Labels Are Thriving (Village Voice)
* Wadada Leo Smith and Vijay Iyer: In Search of Cosmic Rhythm (TheLogJournal.com)
* Mack Avenue Expands Roster with Graves, Childs & DeFrancesco (DownBeat)
* Jazz Musicians the Beat Poets and French Existentialists Loved (KCRW)
* Picking Up the Piedmont Blues (Oxford American)
* John Luther Adams on Translating Birdsong and Paying Attention to the World’s Immensity (RedBullMusicAcademy.com)
* The Doors Reflect on Earliest Concerts, Jim Morrison's Genius (Rolling Stone)
* How ‘Mozart in the Jungle’ Brought an Obscure, Avant-Garde Piece of Classical Music to Rikers Island (FlavorWire.com)