Showing posts with label Nat Hentoff. Show all posts
Showing posts with label Nat Hentoff. Show all posts

Friday, March 17, 2017

So What: Local News, Notes & Links

Here's the latest wrap-up of the week's assorted links and short news items of local interest:

* The Riverfront Times is rethinking its annual Music Showcase this year. The paper has changed the name of the event to ShowcaseSTL, discontinued the accompanying annual music poll, and is asking readers for their suggestions as to who should perform. ShowcaseSTL will take place Saturday, June 17 at various locations in The Grove.

* On Fillmore, bassist Darin Gray's duo project with Wilco drummer Glenn Kotche, is preparing to release a new album, Happiness of Living.

* Saxophonist Roland Clark, a busy performer on the St. Louis scene from the 1970s into the 90s with his band Sound Exchange, passed away on February 23 at his home in Highland, IL. He was 82.

* Music Record Shop's new location in Grand Center is the subject of a short feature from the Post-Dispatch's Kevin Johnson.

* Organizers of the weekly jazz jam at @Nesby's have posted on Facebook a photo album from this week's session

* Keyboardist Jim Hegarty (pictured) has a new solo piano release, One Question, available as a pay-what-you-will download from Bandcamp.

* The late jazz critic, author, and essayist Nat Hentoff, who died in January at age 91, is being honored here in St. Louis tonight with an event raising funds for his daughter Jessica's not-for-profit organization Circus Harmony, which teaches circus skills to St. Louis students of all ages.

* The Piano Technicians Guild will hold their 2017 Annual Convention & Technical Institute in St. Louis from July 12 through July 15 at St Louis Union Station Hotel.

Sunday, March 05, 2017

Sunday Session: March 5, 2017

Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* We Are The Robots: Is the future of music artificial? (FactMag.com)
* Sun Records Studio: 18 Musical Milestones (Rolling Stone)
* Dot Time Records Discovers Previously Unreleased Armstrong Recordings (DownBeat)
* The fight to preserve King Records’ legacy (Cincinnati Enquirer)
* It’s a Synthesizer. It’s a Violin. It’s a Modulin (HackADay.com)
* Grammy-winning jazz superstar Gary Burton to play final concerts in March, then retire (Miami Herald)
* KCSM jazz station cuts programming (SFGate.com)
* Veteran jazzmen played with the greats (NorthJersey.com)
* Philly jazz greats celebrate publication of new book (Philadelphia Inquirer)
* Is vinyl Detroit's latest growth industry? (Detroit Metro Times)
* The Keith Jarrett Phenomenon (The Nation)
* How Raphael Saadiq is quietly keeping R&B on film, TV and the radio (KPCC)
* Lou Reed's Archives Acquired By New York Public Library For The Performing Arts (Billboard)
* Inside Lou Reed's Revelatory New Public Archive (Rolling Stone)
* UMG Alone Earns $4.5 Million a Day from Spotify, Apple Music, and YouTube (DigitalMusicNews.com)
* Saving Nina Simone’s Birthplace as an Act of Art and Politics (New York Times)
* Sending Off Nat Hentoff, With Memories and Jazz (Village Voice)
* Linda Oh Pursues New Direction on Forthcoming Album (DownBeat)
* Soundcloud Tells Guy It Needs To Kill His Account Of 8 Years Because Someone Else Trademarked His Name (TechDirt.com)
* The Internet Is Silencing Artists, According To An Artist On The Internet (TechDirt.com)
* Ride the Feedback: A Brief History of Guitar Distortion (Vice.com)
* John Hammond: The Lost Interview (Part 1: Signing Aretha and Dylan) (BestClassicBands.com)
* 9 Artists Carrying the Torch for Cosmic Jazz (Pitchfork.com)
* How A Contract Clause Led To A Fight Between Musicians And Austin's Biggest Event (NPR)
* Misha Mengelberg, Influential Dutch Pianist-Composer Behind the ICP Orchestra, Dies at 81 (WBGO)

Sunday, January 15, 2017

Sunday Session: January 15, 2017

Alice Coltrane
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Cuba Is the Missing Link in Jazz History (The Daily Beast)
* The Quiet Failure of Sony’s Giant Cassette Tape (Atlas Obscura)
* Tiny Desk Concert: Donny McCaslin (NPR)
* Naxos Launches Jazz-Only E-Commerce Site, ArkivJazz: Exclusive (Billboard)
* Thoughts While Attending the First Symphony in the Series My Wife Wanted to Buy (The New Yorker)
* Stage Oddity: The Story of David Bowie’s Secret Final Project (GQ)
* Kamasi Turns Bay Residency into Party (DownBeat)
* Why Manassas Was Stephen Stills' Best Band (MusicAficionado.com)
* WJF Artists Address Social Justice (DownBeat)
* Benny Reeves, a Motown original, is still hustlin’ — in between Uber gigs (Detroit Metro Times)
* Why Unreleased Marvin Gaye, Supremes, Beach Boys Tracks Are Suddenly Appearing: EU Copyright Law (Billboard)
* 130 Bands In Five Days: Highlights From Winter Jazzfest NYC 2017 (NPR)
* Meet Yolanda ‘Yo Yo’ Baker, America’s last disco ball maker (FactMag.com)
* Music's Weird Cassette-Tape Revival Is Paying Off (Fast Company)
* Muddy Waters' heirs still seeking answers about blues legend's estate (Chicago Tribune)
* Groovy vintage ads for classic guitars (DangerousMinds.net)
* Transfiguration and Transcendence: The Music of Alice Coltrane (Pitchfork)
* John Snyder & the Meaning of Production (Jazz Times)
* What Happens When Algorithms Design a Concert Hall? The Stunning Elbphilharmonie (Wired)
* Closing time: Why some of Canada's music clubs are losing the fight to stay open (LocalXpress.ca)
* La La Land Is Clueless About What’s Actually Happening in Jazz (Vulture.com)
* A Young Jazz Pianist Remembers His Biggest Champion: Nat Hentoff (Village Voice)

Sunday, January 08, 2017

Sunday Session: January 8, 2017

David Garibaldi
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Music History in an Alternate Universe: Imagine the Beatles Never Existed (Crixeo.com)
* Mahalia Jackson rediscovered: New CD features unreleased recordings from Historic New Orleans Collection (New Orleans Advocate)
* 'La La Land' Composer Explains Why His Music Isn't Supposed to Sound Nostalgic (Vice.com)
* ‘Kimono My House’: Sparks’ audio guide to the Los Angeles rock scene of the Sixties (DangerousMinds.net)
* How Sun Ra’s Definitive Singles Catalog Finally Saw The Light of Day (Bandcamp.com)
* Listeners Are Paying for Music Again: Subscription Streaming Soars (Pitchfork.com)
* United Record Pressing's Original Nashville Plant, Steeped in Music History, to Cease Operations (Billboard)
* 'Loft Jazz: Improvising New York in the 1970s' Explores a Vital Chapter in Downtown History (Village Voice)
* Another Good Year For Jazz Drummer Bill Stewart (Iowa Public Radio)
* Q&A: Catherine Russell (Jazz Times)
* Inside the Life of John Prine, the Mark Twain of American Songwriting (Rolling Stone)
* Give The Drummer Some: Tower of Power’s David Garibaldi (RedBullMusicAcademy.com)
* 50 Years Ago, the Wah-Wah Pedal Was Born in a Hollywood Hills Garage (LA Weekly)
* Before & After: Andy Bey - A listener, and storyteller, for the ages (Jazz Times)
* Irving Fields: Bagels and Bongos (LatinoUSA.org)
* The Self-Evidence of Kamasi Washington (Tucson Weekly)
* Curtains fall on arts critics at newspapers (Columbia Journalism Review)
* Meet The Producer Who Runs Her Opera Empire From A Two-Bedroom Apartment (NPR)
* Jazz Legends Explore Their Social Justice Legacy at Winter Jazzfest 2017 (Observer.com)
* Joe Henderson In 5 Songs (SFJAZZ.org)
* David Byrne on not being afraid to fail (TheCreativeIndependent)
* Nat Hentoff, Journalist and Social Commentator, Dies at 91 (New York Times)

Friday, December 06, 2013

So What: Local News, Notes & Links

Here's the latest wrap-up of assorted links and short local news items of interest:

* Sax and clarinet makers P. Mauriat have put on YouTube a brief new interview with St. Louis native Greg Osby, who endorses a signature line of horns for the company. 

* A Chicago blogger wonders if our town's Vintage Vinyl is the best record store on Earth. 

* Singer/guitarist Tommy Halloran was featured in a St. Louis Beacon story by Terry Perkins.

* Saxophonist Eric Person's big band gig last month at NYC's Jazz Standard was reviewed in the December issue of the New York City Jazz Record by Russ Musto, who found the leader's work "inventive" and said the group "had a supple airy sound not often heard in a big band." You can download the mag for free in .pdf format here.

* The Culture Blog at Esquire magazine's series about classic album covers looks at Miles Davis' landmark album Bitches Brew.

* Meanwhile, The Atlantic has a short feature about Never My Love, a new CD box set collecting the work of singer/songwriter, keyboardist, and St. Louis native Donny Hathaway (pictured). For additional  perspectives, the set was the subject of a feature story here by the Philadephia Daily News' Mister Mann Frisby, and reviewed here by Wax Poetics' Eric Luecking.

* KTRS' John Carney has put online an audio file of his recent interview with Jessica Hentoff about The Pleasures of Being Out of Step, the film biography of her dad, jazz critic Nat Hentoff, that was screened last month at the St. Louis International Film Festival.

* Evangeline's Bistro and Music Hall, a new eating and drinking spot in the Central West End promising live jazz and blues several night a week, will celebrate its grand opening tonight. Located at 512 N. Euclid (the corner of Euclid and Washington, Evangeline's will feature Creole and Cajun-style cuisine, with music for the opening festivities provided by guitarist John Farrar and Park Avenue Jazz.

* Jazz radio update: On this week's "Somethin' Else" program on Radio Arts Foundation - St. Louis, host Calvin Wilson features standard tunes composed by jazz musicians, performed by saxophonist Ravi Coltrane, pianist Marcus Roberts, trumpeter Terence Blanchard, and more. The program can be heard at 8:00 p.m. Saturdays via 107.3 FM, 96.3 HD-2 and online at http://www.rafstl.org/listen.

Wednesday, October 30, 2013

2013 SLIFF schedule includes music documentaries, live performances

The 2013 St. Louis International Film Festival has released its complete schedule for this year, and once again it includes several programs of potential interest to jazz fans.

Now in its 22nd year and billed as "one of the largest international film festivals in the Midwest," SLIFF this year will present more than 350 films from November 14 through November 24 at venues including the Tivoli Theatre, Plaza Frontenac Cinema, Webster University’s Winifred Moore Auditorium, Washington University's Brown Hall Auditorium, the Wildey Theatre, and the new KDHX headquarters in Grand Center.

As part of the festival, New Music Circle will present composer Olivia Block and filmmakers Sandra Gibson and Luis Recoder (pictured) in a performance at 8:00 p.m. Friday, November 15 at the Contemporary Art Museum St. Louis. The event will include "Dissolution," a solo piece for 4-channel sound by Block, and "Untitled," a collaborative work of "live cinema" for dual 16mm film projectors and electronic sound.

Tickets are $20 for regular admission. $10 for CAM members, students, and "struggling music lovers," and can be purchased in advance from Brown Paper Tickets or at the door.

Block, Gibson and Recoder also will present a free workshop and talk at 1:00 p.m. the next day, Saturday November 16, at CAM, at which they'll demonstrate their extended techniques and approaches to film and sound. This event is free and open to the public.

Other offerings of potential interest to jazz fans include:

* Bayou Maharaja: The Tragic Genius of James Booker, a biography of New Orleans pianist James Booker, will be screened at 6:30 p.m., Saturday, November 16 at Webster University's Winifred Moore Auditorium. Tickets are $12.

Booker, who seems inevitably described as an eccentric genius, was a virtuoso performer who was widely respected on the New Orleans music scene during the 1960s and 70s. The film, lauded by the Hollywood Reporter as "a must-see for aficionados of New Orleans jazz," explores the his life and the reasons why he never achieved breakout stardom.

Director Lily Keber will participate in a post-film Q&A, and the screening also will include an hour-long, Booker-inspired performance by pianist and St. Louis native Tom McDermott, who's become known as something of a New Orleans music scholar since moving there in the mid-1980s.

* The Pleasures of Being Out of Step, which looks at the life and work of journalist, author and critic Nat Hentoff, will play at 5:00 p.m. Sunday, November 17 and again at 3:30 p.m. Sunday, November 24, both times at KDHX, 3524 Washington Blvd. Tickets are $12.

Hentoff has written prolifically over the past 60 years about jazz, civil liberties, and other subjects for the Village Voice, the New Yorker, DownBeat, Jazz Times and many other publications, and has authored many books, both non-fiction and novels. He also has a St. Louis connection, as his daughter Jessica Hentoff lives here and runs the Circus Harmony foundation and school. She will in attendance at both screenings, and the film's director David L. Lewid also will be on hand on November 24.

Other music-related films showing during the festival include Harlem Street Singer, about the late blues and gospel performer Rev. Gary Davis; Something in the Water, a locally produced documentary recounting the "Real Rock Radio" glory days of St. Louis mainstay KSHE (94.7 FM); and more. You can see a listing of all the festival's music-related films here.

Tickets are now on sale for all shows, with direct links to buy tickets on each film page. For more about purchasing tickets and all-access passes, see the site's "venues and tickets" page.