Showing posts with label Gary Clark Jr. Show all posts
Showing posts with label Gary Clark Jr. Show all posts

Sunday, January 19, 2020

Sunday Session: January 19, 2020

Gregory Porter
Here's this week's roundup of various music-related items of interest:

* Beatles' Abbey Road tops US bestselling vinyl LPs of the 2010s (The Guardian)
* Gary Clark Jr.: "Music is my religion" (CBS News)
* Jason Moran is making jazz history. Don’t miss it.  (Washington Post)
* “If You’re in the Song, Keep on Playing”: An Interview With Pharoah Sanders (The New Yorker)
* Jonathan Kreisberg: A Spirit Captured in Constant Motion (AllAboutJazz.com)
* A music artist says Apple Music pays her 4 times what Spotify does per stream, and it shows how wildly royalty payments can vary between services (Business Insider)
* The Sound and Myth of Charlie Parker at 100 (DownBeat)
* Jazz singer Gregory Porter is an ex-lineman with a blues-infused soul (TheUndefeated.com)
* Umbria Goes Pop (DownBeat)
* The Past Year, And Decade, In Music Listening: Video Rules, The Boy's Club Remains (NPR)
* New remastered Charlie Parker box set coming this February (JazzFM.com)
* Spotlight: Capitol Records Architect Louis Naidorf Sets the Record Straight on Myth of Tower's Iconic Design (Billboard)
* How Chicago Label International Anthem Is Rewriting the Rules of Jazz (Pitchfork)
* For Its Fifth Collection, Newvelle Issues Material From Staaf, Douglas (DownBeat)
* Telstar: The Song, And The Future That Never Was (PleaseKillMe.com)
* Alex Winter’s Frank Zappa Doc ‘Zappa’ Premieres at South by Southwest (Rolling Stone)
* Watch a Video For "Revival," the Lead Single From Gregory Porter's Forthcoming Album (WBGO)
* New Orleans Jazz & Heritage Festival Announces 2020 Lineup (Jazz Times)
* Jazz pianist Kris Davis on pushing the boundaries of the piano (CBC Radio)
* Andrew Cyrille Lays His Declaration of Musical Independence on UT (Austin Chronicle)
* Inspired by John Cage, an Italian Collector Commissioned Leading Artists to Transform Pianos Into Weird and Wonderful Sculptures—See Them Here (ArtNet.com)

Sunday, March 06, 2016

Sunday Session: March 6, 2016

For your Sunday reading, some interesting music-related items that have turned up recently in StLJN's inbox:

* Ginger Baker Cancels Tour Due to 'Serious Heart Problems' (Rolling Stone)
* Mavis Staples’ HBO doc hits relevant Civil Rights notes (Arts Journal)
* Resonance Records Presents LARRY YOUNG - IN PARIS: THE ORTF RECORDINGS With Never-Before-Released Tracks by The Jazz Organist And Pianist (JazzCorner.com)
* Content ID and the Rise of the Machines (Electronic Frontier Foundation)
* Is Jazz The Brand (Offbeat)
* Kamasi Washington Presents Jazz-Rock Spectacle in New York (DownBeat)
* Today’s best country music songwriter is a Twitter bot (Dangerous Minds)
* Sun Ra's Voice On Earth (WELD)
* Is the Album Review Dead? (Vice.com)
* Swing Vote: What Would the Presidential Election Sound Like as Jazz? (The Atlantic)
* Jazz Legend Archie Shepp Reflects On John Coltrane’s Quest For Musical Freedom (Consequence of Sound)
* Ron Carter Named Artist-in-Residence at Detroit Jazz Fest (Jazz Times)
* Why is China’s music market still so small? (Quartz.com)
* Jean-Paul Sartre on How American Jazz Lets You Experience Existentialist Freedom & Transcendence (OpenCulture.com)
* Sarah Vaughan forever stamp to be unveiled in Newark (New York Amsterdam News)
* How One Museum Is Fighting To Preserve The History Of Recorded Sound (Fast Company)
* Music is getting worse, unless of course it isn’t (CreateDigitalMusic.com)
* How Ahmad Jamal’s The Awakening became a hip hop sample goldmine (TheVinylFactory.com)
* Blanchard’s Incisive Jazz Opera Packs Powerful Punch (DownBeat)
* Nina Simone Estate Slams Biopic Star Zoe Saldana (Rolling Stone)
* How Steely Dan Returned to Form by Remaining 'Two Against Nature' (UltimateClassicRock.com)
* Shuggie Otis plays guitar (Financial Times)
* Gary Clark Jr: Blues Brother (Wax Poetics)