Sunday Session: May 23, 2021

Quincy Jones

Here's this week's roundup of various music-related items of interest:

* Pioneering composer Terry Riley finds himself comfortably marooned in Japan (ToysMatrix.com)
* Curtis Fuller (1932-2021) – A Tribute by Nils Wogram (London Jazz News)
* "Part of the Tradition is Tipping Your Hat": An Interview with Miguel Zenón (Popmatters.com)
* Sam Leak – Findings of the ‘Livestreaming Music’ survey – and a personal perspective (London Jazz News)
* Moers Festival Interviews: Fred Frith (AllAboutJazz.com)
* Long Hair And Lowriders: Latin Rock In 1971 (NPR)
* Making an Album About George Washington Carver Taught James Brandon Lewis About Himself (Bandcamp.com)
* María Grand Moves Her Music Closer to Nature (Jazz Times)
* The golden ratio: an ancient Greek formula could be responsible for most hit musicals (TheConversation.com)
* Bob Koester leaves a colossal legacy in Chicago jazz and blues (Chicago Reader)
* “Stay Literally Forever Young”: A Conversation with Irma Thomas, the Soul Queen of New Orleans (DwellerForever.blog)
* Mars Williams: The Albums That Shaped My Career (SomethingElseReviews.com)
* How a Favela Orchestra Brilliantly Used Soccer to Get Brazil Excited for Classical Music (Adweek)
* THR Icon: Quincy Jones Reflects on Career, Michael Jackson and Why He Wouldn’t Work With Elvis (Hollywood Reporter)
* Marking Legendary Golden-Age Pianist Erroll Garner's Centennial (NPR)
* Joni Mitchell’s First Song Made Her Piano Teacher Angry (UltimateClassicRock.com)
* Fifteen Questions Interview with Claire RousayFlawed, Unsure, and Deeply Human (15Questions)
* Marvin Gaye’s ‘What’s Going On’ Is as Relevant Today as It Was in 1971 (Smithsonian)
* Bob Dylan at 80: in praise of a mighty and unbowed singer-songwriter (The Guardian)
* Linda May Han Oh: the Perth muso immortalised by Pixar (Sydney Morning Herald) * Wadada Leo Smith :: Transmissions (AquariumDrunkard.com)

Sunday Session: August 16, 2020

Nubya Garcia

Here's this week's roundup of various music-related items of interest:

* Billy Childs Reveals the Influences on His Album Acceptance (Jazz Times)
* Orchestras are totally safe. Just stay away from the flute player (Wired)
* Ben Sidran: The Ballad of Tommy LiPuma (Nardis) (Jazz Times)
* Jazz Showcase founder Joe Segal dies: Chicago’s longest-running jazz impresario presented Charlie Parker and other greats (Chicago Tribune)
* 2020 NEA Jazz Masters: A Q&A with Dorthaan Kirk (SFJAZZ.org)
* David Crosby Remembers Jerry Garcia: ‘He Did Not Play for Money — He Was Chasing the Notes’ (Variety)
* The Alchemical Brothers: Brian Eno & Roger Eno Interviewed (TheQuietus.com)
* Bill Frisell On His New Trio Album, Missing Hal Willner & How COVID-19 Robbed Jazz Of Its Rapport (Grammy.com)
* Is Singing Together Safe In The Era Of Coronavirus? Not Really, Experts Say (NPR)
* Nubya Garcia On Identity, Accessibility And Independence (DownBeat)
* The Radical Legacy of Erroll Garner (Jazz Times)
* Austin leads the way to policies for reopening music venues (Offbeat)
* Venues and crew signal 'red alert' for live music and theatre (BBC)
* The Road to Dollywood (Jezebel.com)
* Sun Ra Shines Over Cafe Nine (New Haven Independent)
* Could Aloha be the low-latency app that finally makes virtual band rehearsals a reality? (MusicRadar.com)
* Ranking the best and worst years in music history (NewsChannelNebraska.com)
* Artists Clobbered By COVID-19, With 2.7 Million Creative Job Losses In The United States, Study Finds (Forbes.com)
* Fridays at Five A Talk with Snarky Puppy's Michael League (SFJAZZ.org)
* Craig Taborn by Camille Norment (BombMagazine.org)
* Film Review: “Jazz on a Summer’s Day” — A Contrarian View (ArtsFuse.org)
* RZA Wrote a New Jingle for Ice Cream Trucks to Replace ‘Turkey in the Straw’ (Rolling Stone)
* Dolly Parton Steers Her Empire Through the Pandemic — and Keeps It Growing (Billboard)
* Joey DeFrancesco Expands His Skill Set (DownBeat)
* Are Livestreams Now Music’s Primary Format and Artist Revenue Stream? (Hypebot.com)
* Joe Segal, Owner Of Chicago’s Jazz Showcase, Dies At 94 (DownBeat)
* Sonic Politics - Sound is Power (TheBattleground.eu)
* A Guide to the Music of Cecil Taylor, the Pianist Who Helped Invent Avant-Garde Jazz (Bandcamp.com)
* The year the music might die: British clubs face closure (Associated Press)
* Remembering Helen Jones Woods (1923–2020) (Jazz Times)
* How a Movie Score Is Really Made — According to a Top Hollywood Director (DigitalMusicNews.com)
* 'I feel like I'm failing at life': the terrible plight of music event staff (The Guardian)
* Kamasi Washington Breaks Down His Process to Score ‘Becoming’ (Variety)

Sunday Session: December 1, 2019

Azar Lawrence

Here's this week's roundup of various music-related items of interest:

* 63 years after jazz great Louis Armstrong played at Muhlenberg, long lost concert set for release (The Morning Call)
* Sun Ra and Me | “It’s After the End of the World, Don’t You Know That Yet?” (The Metropolitan)
* Meet the man who restores old music to its original glory (Popular Science)
* Samara McLendon Wins the 2019 Sarah Vaughan International Jazz Vocal Competition (WBGO)
* Paper Trail: Where You Can Find the Historical Documents of Jazz (Jazz Times)
* Cyrille Aimée Is Moving On (Jazz Times)
* Spotify Faces $1 Billion Lawsuit Over Intentional Copyright Infringement, Deceptive Trade Practices (DigitalMusicNews.com)
* Are your favorite Instagram guitarists faking their incredible technique? (Guitar World)
* Dave Holland: “You can improvise in open-form style for as long as you like, but you’ll never improvise ‘Giant Steps’” (Jazzwise)
* The Pristine Empire of ECM Records (The New Yorker)
* The Loneliness of a Highbrow Teenage Songwriting Robot (Bloomberg.com)
* Sun Ra Arkestra’s June Tyson Was the Queen of Afrofuturism (Bandcamp.com)
* The Who by Fire (Rolling Stone)
* A Half-Century Not Out: Art Ensemble Of Chicago Live (TheQuietus.com)
* Jazz Legend Charlie Parker Honored With Global Bird 100 Centennial Celebration (BroadwayWorld.com)
* 12 Erroll Garner Albums Reissued in Octave Remastered Series (DownBeat)
* Hank Mobley, The Master of Contrasts (DownBeat)
* Sheila Jordan, Dee Dee Bridgewater, Veronica Swift: Three Generations of Vocal Jazz (Jazz Times)
* Why New Orleans jazz legend Buddy Bolden's house should be saved (New Orleans Advocate)
* The unlikely tale of 'Do They Know It's Christmas?': An 'OK song that became something much better than it actually was' (Yahoo News)
* “Music Affects Us In A Healing Way”: Azar Lawrence Is On A Mission (UDiscoverMusic.com)
* Anne Midgette - Classical Chronicler Supreme (Perfect Sound Forever)

Sunday Session: November 24, 2019

Hazel Scott

Here's this week's roundup of various music-related items of interest:

* Who’s Fighting for Racial Equity in Classical Music? (21cm.org)
* Asleep at the Wheel Plot 50th Anniversary Album, Reunion Shows (Rolling Stone)
* Pat Metheny back with epic new album From This Place - Track Preview (Jazzwise)
* Above the World: Manhattan in June with Lee (AzureMilesRecords.com)
* Flying teapots and electric Camembert: the story of Gong, prog's trippiest band (The Guardian)
* Why You’ve Never Heard of One Of the Jazz Industry’s Royalty — Hazel Scott (Medium.com)
* Roy DeCarava: The Sounds He Saw (Jazz Times)
* In Praise of the Greatest Trombone Part in Broadway History (Slate)
* Guimarães Jazz Fest Doesn’t Play It Safe (DownBeat)
* A Deluxe Reissue of the Band’s Cozy Self-Titled LP (Has Surely Come) (Rolling Stone)
* Bossa Nova for the World - Sergio Mendes interview (SFJazz.com)
* Is there a Blackout at WBGO? (NJ.com)
* Grammy Awards Nominations: The Complete List (Variety)
* Artist in Residence (GuernicaMag.com)
* Dave Douglas Refines His Political Message with ‘ENGAGE’ (DownBeat)
* Learning from greats, teaching others, Kenny Barron is a guardian of jazz (Charleston Post and Courier)
* What happens to the brain when jazz musicians improvise? (Futurity.org)
* Why I Didn’t Give My Music to the Oxford American (Oxford American)
* The Flute In Jazz: Window On World Music (Jazz Journal)
* Leonard Cohen And Harry Nilsson Are Releasing New Albums, Whether They Like It Or Not (NPR)
* A Toast To 'My Way,' America's Anthem Of Self-Determination (NPR)
* The True Story of Erroll Garner, the First Artist to Sue a Major Label and Win (Variety)
* Gregg Rolie Looks Back on His Days With Santana, Journey, and Ringo Starr (Rolling Stone)

Sunday Session: July 8, 2018

David Murray

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Julian Lage Takes a ‘Page from the Rock ’n’ Roll Book’ (DownBeat)
* 50 Years On, The Band's 'Music From Big Pink' Haunts Us Still (NPR)
* Rain Can’t Wash Out Saratoga Jazz Fest (DownBeat)
* Ry Cooder ‘Spellbound’ by Gospel Music (DownBeat)
* Trump Tariffs Could Kill U.S. Synth Manufacturing, Says Moog (Synthtopia.com)
* Moog Says Chinese Tariffs May Force A Move Overseas (NPR)
* The Counterfeit Queen of Soul (Smithsonian)
* The Band's 'Music From Big Pink' Turns 50: How Upstate New York Informed the Americana Classic (Billboard)
* The End of Owning Music: How CDs and Downloads Died (Rolling Stone)
* Shabaka Hutchings: Britain’s Best Export (DownBeat)
* How Alan Braufman’s “Valley of Search” Brought Shine to New York’s Loft Jazz Scene (Bandcamp.com)
* Pianist Henry Butler Has Passed Away After Cancer Battle (Offbeat)
* In Chicago, the sound of the blues is fading (The Economist)
* Finding The Light with Bass Icon Dave Holland, on The Checkout (WBGO)
* Radical Transparency: A Review of Jason Moran’s The Last Jazz Fest (WalkerArt.org)
* Public Enemy Talks 'It Takes a Nation of Millions to Hold Us Back' on Its 30th Anniversary (Billboard)
* Before & After With Nicole Mitchell (Jazz Times)
* Bright Moments with David Murray (Jazz Times)
* Montreal Jazz Festival Cancels Slave Songs Show After Backlash (Hollywood Reporter)
* Trombonist Bill Watrous Dies at 79 (Jazz Times)
* This Artist Reimagined Pop Songs as Beautiful Infographics (Vice.com)
* Pianist Erroll Garner Lights Up Late Night In Amsterdam (WBGO)
* Lalah Hathaway, Questlove, Robert Glasper & More On the Impact of PBS’s ‘Soul!’ (OkayPlayer.com)
* Mickey Hart talks music, Grateful Dead, rhythm 'trancing' and giving Tipper Gore drum lessons (San Diego Union Tribune)
* Buster Williams Still is on the Upswing (DownBeat)
* Protest Voices Enrich Montreal Festival (DownBeat)
* How Innovative Jazz Pianist Vince Guaraldi Became the Composer of Beloved Charlie Brown Music (OpenCulture.com)
* What Is the Most Nostalgic Song of All Time? (Village Voice)
* How a Young Lower East Side Jazz Group Became Cult Favorites (Vulture.com)
* Billboard’s charts used to be our barometer for music success. Are they meaningless in the streaming age? (Washington Post)
* How George Clinton Made Funk a World View (The New Yorker)

Sunday Session: October 11, 2015

Erroll Garner

For your Sunday reading, here are some interesting music-related items that have hit StLJN's inbox over the past week:

* Rise of the Synthesizer: How an Electronics Whiz Kid Gave the 1980s Its Signature Sound (Collector's Weekly)
* Review: Erroll Garner - The Complete Concert by the Sea (Jazz Times)

* Max Richter breaks world records with radio performance of Sleep (FactMag.com)
* Should Composers Read Music Critics? (New Music Box)
* Why You Can Never Tune a Piano (OpenCulture.com)
* Legendary Jazz Club Uses Virtual Reality to Bring Concerts to Your Couch (Yahoo)
* Eavesdropping on Dianne Reeves and Christian McBride (Indianapolis Star)
* The new jazz age: New York City's jazz venue renaissance (The Guardian UK)
* Making waves: classical music and the rise of streaming (Gramophone UK)
* Interview with Fusion Trailblazer John McLaughlin (ProgressiveRockCentral.com)
* A Cover That Gave Jazz Lots of Soul (Wall Street Journal)
* Reel-to-reel tape is the new vinyl (TheVerge.com)
* Full Stack Music: 1 Trillion Streams, 200 Million Tickets (TechCrunch.com)
* Ethan Hawke’s Chet Baker Biopic ‘Born to Be Blue’ Sold to IFC (Variety)
* 10 Things Sun Ra Can Teach You About Band Leadership (SonicBids.com)
* Innovative Saxophonists Enliven Guelph Jazz Festival (DownBeat)

Sunday Session: June 21, 2015

Steve Coleman

For your Sunday reading, here are some interesting music-related items that have hit StLJN's inbox over the past week:

* Music is free now – and the industry only has itself to blame (New Statesman)
* Dude Builds Flamethrowing Organ: Blows Minds (Vice.com)
* What the Hell Is Happening at Gibson Guitar? (Gawker)
* Bill Evans’ “Complete Fantasy Recordings” to Be Reissued July 17 (Jazz Times)
* Jazz musician Erroll Garner's materials donated to Pitt library (Pittsburgh Post-Gazette)
* Have We Turned the Last Page in America’s Songbook? (Zocalo Public Square)
* Interview: NYC percussion legend Milford Graves (Red Bull Music Academy)
* Esperanza Spalding Turns Apprehension Into Admiration at D.C. Jazz Festival (Washington City Paper)
* An insider explains how songs get into TV shows and movies (AV Club)
* When Words Sold Music - The strange, conversational language of early Rolling Stone ads (The Atlantic)
* Chicago Blues Fest Pays Tribute to Muddy Waters, Willie Dixon (DownBeat)
* Book Review: The Sound Book (Pro Sound News)
* My Friend, Ornette Coleman (NPR)
* Steve Coleman's Analogies in Various Places (PopMatters)
* Photos: ASCAP Jazz Wall of Fame Ceremony in NYC (Jazz Times)
* John Luther Adams: Leaving Alaska (The New Yorker)
* Harold Battiste, New Orleans saxophonist, composer and educator, dies at 83 (New Orleans Times-Picayune)
* Rock and Roll Hall of Fame Dismisses At Least 16 Nominating Members (Billboard)
* Terry Riley’s Maximal Minimalist Music (The Daily Beast)
* Torrential, Gut-Bucket Jazz (New York Review of Books)