Sunday Session: May 23, 2021

Quincy Jones

Here's this week's roundup of various music-related items of interest:

* Pioneering composer Terry Riley finds himself comfortably marooned in Japan (ToysMatrix.com)
* Curtis Fuller (1932-2021) – A Tribute by Nils Wogram (London Jazz News)
* "Part of the Tradition is Tipping Your Hat": An Interview with Miguel Zenón (Popmatters.com)
* Sam Leak – Findings of the ‘Livestreaming Music’ survey – and a personal perspective (London Jazz News)
* Moers Festival Interviews: Fred Frith (AllAboutJazz.com)
* Long Hair And Lowriders: Latin Rock In 1971 (NPR)
* Making an Album About George Washington Carver Taught James Brandon Lewis About Himself (Bandcamp.com)
* María Grand Moves Her Music Closer to Nature (Jazz Times)
* The golden ratio: an ancient Greek formula could be responsible for most hit musicals (TheConversation.com)
* Bob Koester leaves a colossal legacy in Chicago jazz and blues (Chicago Reader)
* “Stay Literally Forever Young”: A Conversation with Irma Thomas, the Soul Queen of New Orleans (DwellerForever.blog)
* Mars Williams: The Albums That Shaped My Career (SomethingElseReviews.com)
* How a Favela Orchestra Brilliantly Used Soccer to Get Brazil Excited for Classical Music (Adweek)
* THR Icon: Quincy Jones Reflects on Career, Michael Jackson and Why He Wouldn’t Work With Elvis (Hollywood Reporter)
* Marking Legendary Golden-Age Pianist Erroll Garner's Centennial (NPR)
* Joni Mitchell’s First Song Made Her Piano Teacher Angry (UltimateClassicRock.com)
* Fifteen Questions Interview with Claire RousayFlawed, Unsure, and Deeply Human (15Questions)
* Marvin Gaye’s ‘What’s Going On’ Is as Relevant Today as It Was in 1971 (Smithsonian)
* Bob Dylan at 80: in praise of a mighty and unbowed singer-songwriter (The Guardian)
* Linda May Han Oh: the Perth muso immortalised by Pixar (Sydney Morning Herald) * Wadada Leo Smith :: Transmissions (AquariumDrunkard.com)

Jazz this week: Fred Frith, "A Very Manley Christmas," The Motet, and more

This week's calendar of live jazz and creative music in St. Louis includes the long-awaited return of an influential experimental guitarist, a whole bunch of holiday-themed shows, and more. Let's go to the highlights...

Wednesday, December 11
The Jazz St. Louis Big Band will perform Duke Ellington's arrangements of Tchaikovsky's 'Nutcracker' plus more Ellington favorites at Jazz St. Louis, with one more performance on Thursday.

Elsewhere in Grand Center, the weekly "Wednesday Night Jazz Crawl" will feature Miss Jubilee at The Stage at KDHX, the jam session led by bassist Bob Deboo at the Kranzberg Arts Center, and bassist Ben Wheeler's Sketchbook at The Dark Room.

Thursday, December 12
The Jazz at Holmes series at Washington University wraps up the semester with a free concert from the university's jazz combo students; singer Tony Viviano returns to Fallon's Grill & Tap; and saxophonist Kendrick Smith brings his trio to The Dark Room.

Friday, December 13
Trumpeter Jim Manley (pictured, center left) returns with his holiday show "A Very Manley Christmas" for the first of two nights at Jazz St. Louis.

Also on Friday, guitarist Dave Black and multi-instrumentalist Sandy Weltman bring their "3rd Annual Holiday Show" to Focal Point, and singer and impressionist Dean Christopher reprises his "A Rat Pack Christmas" at Blue Strawberry

Elsewhere around town, the Second Generation Swing Band plays for dancers at the Casa Loma Ballroom, and traditional jazz and swing band Annie and the Fur Trappers return to the Frisco Barroom.

Saturday, December 14
Guitarist Fred Frith (pictured, top left) will perform solo in a concert presented by New Music Circle at Joe's Cafe. He'll also present a free artist talk/workshop on Sunday afternoon at 14th Street Artist Community.

Frith has been an important voice in improvised music for nearly a half-century, bringing innovative guitar techniques to a variety of bands and collaborative projects. For a brief overview of his storied career, plus some videos of recent solo performances, take a look at this post from Saturday before last.

Also on Saturday, the Oikos Ensemble presents this year's edition of their annual "Jazz Noel" program in a matinee at Parkway United Church of Christ (with another performance on Sunday at First Congregational Church in Webster Groves); and Chicago pianist Paul Asaro, last seen here in November as part of the Nevermore Jazz Ball, headlines an evening at Casa Loma Ballroom.

Sunday, 
December 15
Sarah Jane and the Blue Notes are back to perform for brunch at the Angad Arts Hotel, while just across Grand, guitarist and singer Tommy Halloran will play at The Dark Room,

Then on Sunday night, Denver-based funk/jam band The Motet (pictured, bottom left) returns to the Old Rock House. After putting out their ninth album Death or Devotion in January, they've been doing shows all year to promote the release, including the current 30-date tour that brings them here.

Monday, December 16
Eclectic instrumental quintet The 442s and some special guests will perform in their annual "Holiday Spectacular" for the first of two nights at 560 Music Center.

Tuesday, December 17
Cabaret Project St. Louis presents a "gala holiday edition" of their monthly "Singers Open Mic" at Sophie's Artist Lounge.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

StLJN Saturday Video Showcase: Spotlight on Fred Frith

This week, let's have a look at some videos featuring guitarist Fred Frith, who's coming to St. Louis to perform in a concert presented by New Music Circle on Saturday, December 14 at Joe's Cafe. While he's in town, he also will present a free master class on Sunday, December 15 at the 14th St. Artists Collective in north St. Louis.

Fred Frith, who turned 70 this year, was born in Sussex, England and first came to wide attention in the late 1960s and early 70s as a member of the art-rock band Henry Cow. His 1974 album Guitar Solos made a splash showcasing his unusual approach to improvising, using lots of effects and deploying various found objects, including ball bearings, egg beaters, drumsticks and many more, both to strike the guitar and sometimes to "prepare" it in a manner recalling John Cage's prepared pianos.

In 1979, Frith moved to New York City, where he became part of the then-burgeoning downtown experimental music scene, which led to him forming groups such as Massacre and Skeleton Crew and eventually, collaborating with Brian Eno, Robert Wyatt, Syd Barrett, Mike Oldfield, The Residents, John Zorn, Bill Laswell, and many others.

Frith in the 1980s also began writing music for dance, film, and theater. After spending a couple of years living in Germany, he moved in 1997 to Oakland, CA to join the faculty at Mills College, where he taught composition until retiring last year, all the while maintaining an active performing and recording schedule.

For his St. Louis show - his first since a duo performance with John Zorn many years ago at The Sheldon - Frith will be playing solo, and so today, we've collected some performance videos including four solo shows, starting up above with a full performance recorded in April of this year at the Torino Jazz Festival in Turin, Italy.

After the jump, there are two more solo concerts, from February 2019 in Ottensheim, Austria and June 2016 in Paris, France.

Next is a combination solo performance and Q&A session recorded in January 2013 in New York City, in which Frith plays and also talks about five of his favorite songs, followed by another older solo show from March 2007 in Mexico City.

The final video shows Frith and his West Coast trio with bassist Jason Hoopes and drummer Jordan Glenn in December 2018 at Starline Social Club in Oakland, CA.

For more about Fred Frith and his distinctive approach to guitar, check out his interview from 2013 with the website Prepared Guitar, his 2014 interview with Chicago Reader, conducted by experimental filmmaker Lori Felker, and his 2016 Q&A with HitChannel.com.

You can see the rest of today's videos after the jump...