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| John Coltrane |
* Former Police Guitarist Andy Summers Reminisces On Montserrat Sessions In ‘Under The Volcano’ (Forbes.com)
* Angry concert-goer files complaint with Ohio Attorney General after missing James Taylor-Jackson Browne show at Blossom (Cleveland Plain Dealer)
* Highest Trane: John Coltrane’s World-Building Ascension (Jazz Times)
* Under The Volcano Review: Inside George Martin’s Musical Paradise (DenOfGeek.com)
* The Bad Plus Reformulates Again, Now as a Quartet with Ben Monder and Chris Speed (WBGO)
* A Guide to Free Jazz Drumming on Bandcamp (Bandcamp.com)
* At an Old Juke Joint in Mississippi, the Blues Are Alive (Smithsonian)
* If you take all the world’s emotions and put them into one sound, it’s Sérgio Mendes (San Diego Union Tribune)
* The Most Influential Pop-Rock Band Ever? The Monkees! (Vanity Fair)
* The history of electronic music is inside a warehouse in Harleysville, Pa. (WHYY)
* The Light At The End of The Tunnel is Fading (Offbeat)
* Meet the archivist who saved the historic footage that became ‘Summer of Soul’ (Los Angeles Times)
* How Respect Uses Design to Illuminate the Story of Aretha Franklin (Architechtural Digest)
* Marc Ribot Makes the Case for Loud Music (LitHub.com)
* Larry Harlow, Iconic Salsa Musician And Producer, Has Died At 82 (NPR)
* First Live Steely Dan Album in 25 Years Just Days Away (Guitar Player)
* Frank Zappa: ”I think my playing is probably more derived from folk music – Middle Eastern music, Indian music, stuff like that” (Guitar World)
* My musician friends in Afghanistan are hiding their musical instruments in fear of the Taliban: Young Afghan composer Arson Fahim (IndiaTimes.com)
* Country singer Tom T. Hall dies; wrote ‘Harper Valley PTA’ (Associated Press)
* ‘They deserve a place in history’: music teacher makes map of female composers (The Guardian)
* White out! Tony Herrington calls time on the monoculture that is the experimental sound and music industry (The Wire)
* The World's Most Famous Violins Were Treated With a Secret Chemical Mix, Study Shows (ScienceAlert.com)
* Philip Glass on Artificial Intelligence and Art (Auderdy.com)
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