Showing posts with label Linda Sharrock. Show all posts
Showing posts with label Linda Sharrock. Show all posts

Sunday, August 01, 2021

Sunday Session: August 1, 2021

Billie Holiday
Here's this week's roundup of various music-related items of interest:

* Charles Mingus: An Essential Top Ten Albums (AllAboutJazz.com)
* Laura Nyro: the phenomenal singers’ singer the 60s overlooked (The Guardian)
* Buddy Guy: “When you pick up a guitar, you have something of your own even if you don’t realize it” (Guitar World)
* The United States vs. Billie Holiday vs. the Truth (Jazz Times)
* Fire Music Documentary to See National Release (Jazz Times)
* Ryan Adams, Shunned by the Music Business and ‘Scared,’ Pleads for Labels to Rescue His Career (Variety)
* This Is Your Brain On Vinyl, and Other Tales From Obsessive Collecting in the Pandemic (Jezebel.com)
* BREAKING NEWS: Three major music venues in New Orleans will require vaccination cards or negative Covid tests for entry (Offbeat)
* John Pizzarelli’s Ode to Pat Metheny (DownBeat)
* Dee Dee Bridgewater Returns to Rome (DownBeat)
* Low Fidelity: Vintage Vinyl and The Precarious State of the Indie Record Store (DecibelMagazine.com)
* Jim Keltner: A Before & After Listening Session (Jazz Times)
* Blues guitar legend Buddy Guy looks back on a special career (Associated Press)
* Fred Rzewski’s Classical Call To Arms (Bandcamp.com)
* (Back) In The Club: Jazz United Considers the Return of Live Concerts (WBGO)
* A Beginner’s Guide to Frank Zappa (Guitar Player)
* A Guide to the Late Recordings of Experimental Vocalist Linda Sharrock (Bandcamp.com)
* Do You Hear What I See? (New Music Box)

Sunday, November 12, 2017

Sunday Session: November 12, 2017

John McLaughlin
Here's the roundup of various music-related items of interest that have appeared in StLJN's inbox over the past week:

* Let's face the facts: Facebook controls classical music (OvergrownPath.com)
* Arts Critics Are Disappearing From Newspapers. Or, Wait, Is That The Good News? (ArtAndSeek.org)
* A Hard Day's Night: Solving a Beatles mystery with mathematics (ABC.net.au)
* Essential Solos: 40 Great Improvisations (Jazz Times)
* Van Morrison Announces New Album 'Versatile' (Rolling Stone)
* Field Notes: John McLaughlin & Jimmy Herring in NYC - Thinking about a jazz-guitar icon’s U.S. farewell tour (Jazz Times)
* Joni Mitchell Talks Exes, Addictions and Music in Candid, All-Access Biography (Rolling Stone)
* The demons and obsessions of jazz genius Thelonious Monk (The Guardian)
* Critic bashing - Defending the Music Media (Atavist.com)
* Blue Note Records Unveils a New Subscription Boxed Set Series, Blue Note Review (WBGO)
* The Strange World Of... Linda Sharrock (TheQuietus.com)
* The rise of ‘three-car garage rock’ (Curbed.com)
* Why the indie band never dies: fake breakups, permanent adolescence and cash comebacks (The Guardian)
* Bill Frisell Receives Honorary Degree and Is Subject of Film (Jazz Times)
* I went to see La Monte Young playing in his New York loft, and you should do the same (Medium.com)
* 'Only 17th-century industrial bluegrass will do': your favourite weird records (The Guardian)
* 'Their DNA is forever ingrained in the keys' - Roman Rabinovich on playing composers' own pianos (TheArtsDesk.com)
* After Six Decades in the Vault, 'Ella at Zardi's' Brings New Shine to Ella Fitzgerald's Centennial (WBGO)
* Malleable Structures: An Interview with Tyshawn Sorey (Atavist.com)
* How Concert Ticket Prices Vary Across the U.S. (Wanderu.com)
* The Many Faces of Jazz Today: The Big Picture (AllAboutJazz.com)
* Return of the Top 40 Troubadour: How Singer-Songwriters Reclaimed Pop Radio (Billboard)
* Pat Metheny: Driving Forces (AllAboutJazz.com)
* ‘In five seconds my life changed. I was worse than the worst jazz snob’ (Irish Times)
* A Jazz Centennial of a Seamier Sort: The End of Storyville, As Remembered Through the Ages (WBGO)
* Paul Buckmaster, Essential Arranger for David Bowie and Elton John, Dead at 71 (Rolling Stone)
* Meet Rufus Harley, the First Jazz Bagpiper (AtlasObscura.com)
* Herbie Hancock: ‘I like to discover new rules so I can break them’ (The Guardian)