Showing posts with label Black Artists Group. Show all posts
Showing posts with label Black Artists Group. Show all posts

Sunday, January 31, 2021

Black Artists Group documentary to air Tuesday, February 2 on Nine Network

The documentary The Black Artists Group of St. Louis: Creation Equals Movement will be broadcast at 8:00 p.m. Central time this coming Tuesday, February 2 on Nine Network.

The film, which was written and directed by Bryan Dematteis, tells the story of the multi-disciplinary arts group that operated in St. Louis in the late 1960s and early 70s and helped launch the careers of musicians including Oliver Lake, Hamiet Bluiett, Charles "Bobo" Shaw, Baikida Carroll, Floyd LeFlore, and others.

It was first made available to local audiences in November 2020 as part of the St. Louis International Film Festival, but this will be the first, and so far only, scheduled airing on free TV. (Unlike many other Nine Network programs, it will not be available for later viewing on the station's app or website.)

Nine Network has produced a promotional trailer for the broadcast, which you can see in the embedded video window below.


Friday, December 11, 2020

So What: Local News, Notes & Links

Here's StLJN's latest wrap-up of assorted links and short news items of local interest:

* The new documentary The Black Artists’ Group of St. Louis: Creation Equals Movement is the subject of an article by Terry Perkins for DownBeat magazine.

* As the centennial of Clark Terry’s birth approaches - the trumpeter was born here in St. Louis on December 14, 1920 - IMDb's online video channel is streaming Keep On Keepin’ On, the 2014 documentary about Terry and his protege Justin Kauflin. The film can be seen for free (with registration) on IMDb's website and via the IMDB channel on Amazon Prime video.

* The Bosman Twins (pictured) were guests this week on Thursday's episode of the online talk show "OwnYourNow." (Their segment begins 34 minutes into the program and runs for about 15 minutes.)

* A recently completed mural honoring the late trumpeter Lester Bowie in his birthplace of Frederick, MD, was the subject of a feature story in the local paper, the Frederick News Post. (Bowie was born in Frederick, but grew up and began his music career in St. Louis)

* The St. Louis Post-Dispatch notes the death a couple of weeks ago of pianist Herb Drury at age 92 with an unbylined obituary.

* Also from the Post, Dead Wax Records has moved to a new, larger location on the south side and is spinning off a sibling store called Weirdo Records, as reported by Kevin Johnson.

Friday, November 20, 2020

So What: Local News, Notes & Links

Here's StLJN's latest wrap-up of assorted links and short news items of local interest:

* Keyboardist Michael Silverman has been nominated for the Smooth Jazz Network's "Best Breakout Artist" award for 2020. Silverman (pictured) is one of 12 musicians contending for the prize. Listener/reader voting for the award continues through Monday, November 30.

* The documentary The Black Artists’ Group: Creation Equals Movement was touted as one of five "must see" films at this year's St. Louis International Film Festival in an article by the Riverfront Times' Evan Suit. SLIFF and the online screenings of the film continue through this Sunday, November 22.

* The Post-Dispatch's Kevin Johnson reports that the Kranzberg Arts Foundation and Jazz St. Louis will extend their "Open Air" concert series into 2021. The Grand Center presenters are expected to announce 40 additional weeks of programming for the series, with January and February's shows to be revealed early next month.

* Pianist Peter Martin's company Open Studio, which produces jazz instructional videos and educational materials, recently reached 50,000 subscribers to their YouTube channel, and to commemorate the occasion, they've compiled a video featuring the "Top 7 Highlights from 2020 with Peter Martin and Adam Maness."

* Also from the Post's Kevin Johnson, the Old Rock House, which had reopened on a limited basis this summer, will close temporarily again until some time in 2021, due to the recent resurgence in COVID-19 cases in the metropolitan area and the state.

* Singer Steve Brammeier's recent performance at Blue Strawberry was reviewed by KDHX's Chuck Lavazzi.

Friday, November 06, 2020

So What: Local News, Notes & Links

Here's StLJN's latest wrap-up of assorted links and short news items of local interest:

* Drummer and St. Charles native Dave Weckl announced this week on social media that he will present a free live online drum lesson at 10:00 a.m. Pacific time tomorrow, Saturday, November 7.

Weckl (pictured) will "review hand technique, take your questions, and do some giveaways" via a livestream on his YouTube channel and Facebook page.

* Trumpeter Jim Manley was the guest on last Friday's episode of KTRS radio's "In The Know with Ray Hartmann."

* Bryan Dematteis, director of the documentary The Black Artists Group of St. Louis: Creation Equals Movement that is screening online this month as part of the St. Louis International Film Festival was interviewed by St. Louis Public Radio's Jeremy Goodwin.

* In related news, Dematteis also recorded a brief video interview about his film with the Post-Dispatch's Ben Simon.

* Singer (and physician) Ken Haller's return performance last week at Blue Strawberry was reviewed by KDHX's Chuck Lavazzi.

Friday, October 30, 2020

So What: Local News, Notes & Links

Here's StLJN's latest wrap-up of assorted links and short news items of local interest:

* Singer and multi-instrumentalist Tonina Saputo (pictured) gave St. Louis Post-Dispatch readers a look into her living space in a recent feature in the paper's "At Home" series

* Saxophonist Greg Osby was interviewed by JazzFuel.com.

* Drummer Rob Silverman was one of the guests on last week's Modern Drummer Magazine video podcast.

* Radio station WSIE, headquartered on the campus of Southern Illinois University Edwardsville, recently reached the milestone of 50 years on the air, and trumpeter Jim Manley has written and recorded a new tune, "Blasting the Airwaves (50 Years of WSIE)," to commemorate the occasion.

* Singer Erika Johnson is hosting a new podcast, "My Black Auntie (MBA)," presenting what she calls "an educated Black woman's perspective with sass and class."

* The Black Artists’ Group of St. Louis: Creation Equals Movement, the new documentary that will get its local premiere next month at the St. Louis International Film Festival, was the subject of a feature story by the St. Louis American's Chris King.

* Pianist, singer and St. Louis native John McDaniel was home this past Sunday to do a performance and webcast from Blue Strawberry, and KDHX's Chuck Lavazzi reviewed the show.

* Miles Davis may have been known for "cooking" on the bandstand, but the trumpeter was no stranger to the kitchen either, according to the latest episode of Jazziz magazine's "Miles Monday" podcast, which features Davis' nephew, drummer and producer Vince Wilburn Jr. and "rising-star jazz musicians and culinary media personalities" Adeev and Ezra Potash.

Wednesday, October 28, 2020

Local premiere of Black Artists Group documentary among music films at 2020 St. Louis International Film Festival

A long-awaited documentary about St. Louis' Black Artists Group (BAG) will make its local debut at the 2020 St. Louis International Film Festival, which will take place online from November 5-22.

Directed by Bryan Dematteis and co-produced by St. Louis native, trumpeter, arts impresario, and former BAG member George Sams, The Black Artists’ Group of St. Louis: Creation Equals Movement is described in the festival's program like this:
"The Black Artists’ Group of St. Louis (BAG) formed in the late 1960s as an arts collective devoted to raising Black consciousness, battling social injustice, and exploring the far reaches of experimental performance. Beyond St. Louis, BAG’s musicians became influential in Europe and in New York, where members helped to found the Loft Jazz scene.

Locally, the group’s spirit lives on in the many St. Louis musicians who cut their chops learning to play in BAG’s community arts classes. Among those featured in the film are Lake, Hemphill, Charles “Bobo” Shaw, Malinke Elliott, Hamiet Bluiett, J.D. Parran, Portia Hunt, Shirley LeFlore, George Sams, Percy Green II, Patricia Cruz, Ben Looker, and Dennis Owsley."
Dematteis, Sams, and founding BAG members Malinke Elliott and Oliver Lake also have recorded a Q&A session, which will be available to watch online following screenings of the film.

For more information on how to purchase access and stream The Black Artists' Group of St. Louis: Creation Equals Movement, go here.

(Earlier this year, StLJN ran a series of six "Saturday Video Showcase" posts highlighting the work and musical legacy of various BAG members: Part 1, 2, 3, 4, 5 and 6.)

Other music-related films that will be screening as part of SLIFF this year include:

Zappa: Directed by former St. Louisan Alex Winter (Bill in the Bill & Ted... movies), this documentary about the late guitarist and composer "had unfettered access to the Zappa family trust and its vast trove of archival footage." It includes interviews with Frank Zappa’s widow, the late Gail Zappa, plus former sidemen such as Mike Keneally, Ian Underwood, Steve Vai, Bunk Gardner, Scott Thunes, Ruth Underwood, Ray White, and more.

River City Drumbeat: A documentary about Louisville, KY music educator Edward “Nardie” White and the after-school community drum corps he has led for nearly 30 years.

The Oratorio: Co-Directed by former St. Louisan Mary Anne Rothberg and Martin Scorsese, this documentary tells "the story of an 1826 performance that forever changed America’s cultural landscape with the introduction of Italian opera to New York City."

The Sit-In: Harry Belafonte Hosts "The Tonight Show": A documentary that recounts how for one week in 1968, Belafonte "took a predominantly White institution and transformed it into a multicultural and political experience," featuring Black guests from entertainment, politics, and more.

The Ballad of John Henry: A documentary by St. Louis-based filmmaker Matthew Rice "provides a fresh perspective on the song and folk tale by exploring a myriad of related subjects."

Saturday, June 06, 2020

StLJN Saturday Video Showcase:
The BAG legacy, part 6



Today, it's the sixth and final post of a series spotlighting music made by former members of St. Louis' Black Artists Group. You can see part one of the series, including some basic background information about BAG, here; part two here; part three here; part four here, and part five here.

Today's post pulls together some interviews-on-video related to BAG, starting up above with the first of three parts of "BAG and Beyond: Old and New Friends," which was recorded on September 14, 2008 at George Sams' Metropolitan Gallery here in St. Louis under the auspices of his Nu-Art Series, and features a conversation/group interview with former BAG members and associates.

The group includes Sams and fellow trumpeter Rasul Siddik, saxophonists Oliver Lake and Hamiet Bluiett, drummer Charles "Bobo" Shaw, visual artists Oliver Jackson and Giuseppe Pirone, and poets and writers Michael Castro, Eugene Redmond, Quincy Troupe, and Shirley LeFlore.

After the jump, you can see the second and third parts of that program, followed by another group interview, "Shared Exploration: Music and the Visual Arts," recorded last September at the National Gallery of Art in Washington DC. The panel for this included Lake, Jackson, multi-instrumentalist and U. City native Marty Ehrlich, and Harry Cooper, the National Gallery's senior curator and head of modern art, and was moderated by poet and critic A.B. Spellman.

That's followed by an extended solo interview with Hamiet Bluiett, recorded in October 2016 at the National Jazz Museum in Harlem and conducted by saxophonist Bruce Williams, one of several musicians who helped continue the World Saxophone Quartet after the death of founding member (and former BAG member) Julius Hemphill.

Last, but not least, it's the (so far as we can tell) latest trailer for "Black Artists' Group of St. Louis: The Documentary," the release status of which seems to be "pending" at this time.

That release date is something StLJN will be looking into soon, but in the meantime, you can see the rest of today's videos after the jump...

Saturday, May 30, 2020

StLJN Saturday Video Showcase:
The BAG legacy, part 5



After a week off to commemorate the birthday of Miles Davis, this week we resume our look at music made by former members of St. Louis' Black Artists Group, the multi-disciplinary arts organization that operated here in the late 60s and early 70s and helped launch the careers of a number of successful creative musicians.

You can see part one of this series of posts, which includes some links to background information about BAG, here; part two here; part three here; and part four here.

This week's installment features sounds from two BAG-affiliated musicians who also were classmates at St. Louis' Sumner High School, trumpeter George Sams and drummer Charles "Bobo" Shaw.

While a number of the musicians involved with BAG went to Paris and/or New York after the group dissolved, Sams headed to the West Coast, settling in the San Francisco area.

That's where he formed Middle Passage, the group seen in the first video up above, which was recorded in 1984 at a performance in the Bay Area. Along with Sams, the ensemble included violinist India Cooke, cellist Kash Killion, and drummer Anthony Brown, and in this clip, they're playing one of Sams' compositions called "Back Home Again."

After the jump, you can see a performance by United Front, another group that Sams was involved with while living out west. In that clip, recorded in 1985 at the Great American Music Hall in San Francisco, they're doing a piece based on Langston Hughes' poem "Ballet of the Landlord," which is declaimed by saxophonist Lewis Jordan as Sams provides trumpet commentary and pianist Rudi Mwongozi, bassist Mark Izu, and drummer Anthony Brown set the rhythmic pace.

Sams eventually moved back to St. Louis, where he has served as a consultant to the Missouri Arts Council and various other arts groups: presented live music and poetry under the banner of The Nu-Art Series; and, for a time, ran the now-closed Metropolitan Gallery downtown, which served as a venue for many Nu-Art productions.

Recently, he's been co-presenting some concerts with St. Louis University's department of music, and has begun playing more gigs again, mostly improvised music dates like the one shown in today's third video, which was recorded in March 2018 at Southern Illinois University in Carbondale. As part of the School of Music's "Outside the Box Festival of New Music," Sams performed a set of free improv with flute player Fred Tompkins, pianist Greg Mills, bassist Claude Montgomery, and clarinetist Eric Mandat.

Sadly, his Sumner classmate Charles "Bobo" Shaw is no longer active, having passed away in January 2017. Shaw (who can be seen drumming with BAG in the very first clips in part one of this series) had his greatest impact in the 70s and 80s. He performed frequently in New York and in Europe, and recorded for a number of different labels as a leader and a sideman with Oliver Lake, Lester Bowie, saxophonist Frank Lowe, violinist Billy Bang, and others. 

Shaw also eventually moved back to St. Louis, and though health and personal issues ultimately limited his live performances, he did play out around town in a number of different contexts in the last years of his life.

You can see excerpts from three of those gigs below, starting with a duo performance by Shaw and pianist David Parker, playing Parker's "Scott Joplin Blues" in 2014 at the late-lamented Tavern of Fine Arts.

Next, there's an excerpt from "Drum Line II," presented by Sams in 2011 at the Metroplitan Gallery, and featuring four St. Louis drummers - Shaw, Jerome "Scrooge' Harris, Gary Sykes, and Johnny Johnson - trading grooves and licks while paying tribute to the city's tradition of drum and bugle corps.

The final video shows Shaw in May 2010 at the old studios of radio station KDHX on Magnolia Ave in south St. Louis, performing with a group called Melodies of the Kabbalah. In contrast to the free-wheeling improvisations in the other clips, "Latin Moderato 75" has Shaw in an accompanying role, supporting the ensemble of keyboardist Michael Loveman, bassist Josh Weinstein (of KDHX's "All Soul, No Borders"), violinist Brien Seyle, and fellow drummer Brian Sullivan

StLJN's look at the legacy of the Black Artists Group will wrap up next week with some interviews and, perhaps, some other BAG-related ephemera. 'Til then, you can see the rest of today's videos after the jump...

Saturday, May 16, 2020

StLJN Saturday Video Showcase:
The BAG legacy, part 4



This week continues our look at music made by former members of St. Louis' Black Artists Group, which existed for a relatively brief time in the late 60s and early 70s and helped launch the careers of a number of successful creative musicians.

You can see part one of the series, which includes some links to background information about the group here, part two here, and part three here.

This week's installment features music from trombonist Joseph Bowie and saxophonist/flutist Luther Thomas, whose respective careers share a few important characteristics.

Bowie and Thomas were two of the youngest musicians affiliated with BAG, both still teenagers when the group was founded. Both wound up in New York City at the turn of the 1980s and got some notice for their involvement in the downtown scene mixing free jazz, funk and punk rock. Both subsequently expatriated to Europe, and stayed there. And both have made music that exhibits one of the distinctive features of St. Louis creative musicians: the mixing of free improvisation with rhythms and motifs from blues, funk, and other popular genres.

In addition to playing jazz and improvised music, a number of the BAG musicians also did casual gigs with bluesmen like Albert King and Little Milton, and the influence of that music shows up in various ways in their individual catalogs. For example, Joseph Bowie in the late 70s formed the band Defunkt, featuring raucous, sometimes free-form soloing over often-frantic funk beats, and it has remained one his main musical vehicles ever since.

You can get a good sampling of Defunkt's sound in the first video up above, a full show recorded in 1981 at the Metropol in Berlin, Germany for the TV program Rockpalast. In addition to Bowie on trombone and vocals, this version of Defunkt featured two more St. Louisans, guitarists Richard Martin and Kelvyn Bell, plus Bowie's longtime associates Kim Clarke on bass and John Mulkerin on trumpet, and drummer Kenneth Joseph Martin.

Defunkt also references tradition in other ways, as demonstrated in the video after the jump, which features their version of Charlie Parker's "Au Privave" as recorded in 2017 in Leverkusen, Germany by Bowie, Mulkerin, Bell, Clarke, and drummer Garry "G-Man" Sullivan.

Bowie also has "up-sized" a number of Defunkt songs, creating expanded arrangements for a project called Big Band Funk. You can see and hear what that sounds like in the third video, an absolutely bonkers (in a good way) version of one of Defunkt's signature songs, "Make Them Dance," that was recorded in 2008 with a group of student musicians called the Barbary Coast Ensemble at Dartmouth College.

Bowie is still living in Europe, still releasing new music, and, until the recent shutdown of live music around the world, playing gigs. Sadly, the same can't be said for Luther Thomas, who passed away in 2009 when he was just 59 years old.

While none of his projects ever got quite as much worldwide attention as Defunkt, he seems to have worked regularly while living in Denmark and over the course of his career released a number of albums, at least one of which, 1977's Funky Donkey, is considered an underappreciated classic and was reissued in 2006.

While there's much less video documentation of Luther Thomas available online, before he passed, he did set up a YouTube channel, on which he posted the next clip, a short excerpt of a performance by his Dizzazz Quartet that he described thusly: "This is MY personal blend and what TRULY think that I sound like: an OliverLake LesterBowie Dolemite NiggahsWithAnAttitude LesterYoung SunRa TyroneDavis MartinLutherKing RoscoeMitchell & PTBarnum COCKTAIL, mixed and blended ON the SPOT."

That's followed by an excerpt from a show at the 2008 Copenhagen Jazz Fest by Thomas' QuartetDK, with Nils Davidsen on bass, Jeppe Gram on drums and Mikkel Mark on piano. The final video also is from the 2008 Copenhagen Jazz Festival, and features Thomas mixing it up with guitarist Eugene Chadbourne, Davidsen and drummer Kresten Osgood.

It looks as if might be enough remaining BAG-related video material for one more post in this series next week, but if not...well, you'll just have to wait and see. In the meantime, you can see the rest of today's videos after the jump...

Saturday, May 09, 2020

StLJN Saturday Video Showcase:
The BAG legacy, part 3



This week, StLJN's look at music from former members of the Black Artists Group (BAG) continues with some videos featuring the sounds of trumpeter Baikida Carroll and multi-instrumentalist J.D. Parran.

You can see part one, featuring videos of BAG-related ensembles the World Saxophone Quartet, Clarinet Family and more, plus some links to background info, here. Part two, with music from saxophonists Oliver Lake and Hamiet Bluiett, is here.

Like Lake and Bluiett, both Carroll and Parran have enjoyed diverse and productive careers since their early days with BAG, and while their respective catalogs resist easy summary, you can at least sample a few of their works, starting up above with a video of Carroll doing a solo performance recorded in October 2001 at the Museum of Contemporary Art San Diego.

After the jump, you can see Carroll teamed up with Oliver Lake plus violinist Jason Kao Hwang and drummer Nasheet Waits in a set recorded on October 2014 at The Stone in New York City.

The next clip shows Carroll as part of bassist Charlie Haden's American Jazz Quartet, along with saxophonist Dewey Redman and drummer Paul Motian, and shows the first half of a set in 1986 at a festival in Germany.

Parran is featured in the next three videos, starting with one of his group Deep Ecology Trio recorded in January 2018 at the Clemente Center in NYC. Along with the leader, the ensemble includes guitarist Cristian Amigo and percussionists Andrew Drury and Jackson Krall.

The penultimate video is a recording of "Elevated Moon," described as "a ‘ritualistic happening’ with a combination of sound, movement, visual vibrance, and light projections" created by Parran and Amir Bey, who's credited with "installation, costumes, poetry, astrology." This performance was in November 2019 at Roulette in Brooklyn, NY, and also features the work of Bill Toles (lighting, stage direction), Michael TA Thompson (drums, percussion), and Chihiro Cute-Beat Kobayashi (dance).

The final video shows Parran's group Secret Music Society, as recorded in December 2017 at the Clemente Center, with Parran, Jackson Krall (drums, percussion), Mark Hennen (piano, percussion), ​Michelle Yung (flute, percussion), Elliott Levin (tenor sax, flute, poem), and Larry Roland (bass, percussion).

Look for part four of this series in this spot next week, featuring music from still more former members of the Black Artists Group. You can see the rest of today's videos after the jump...

Saturday, May 02, 2020

StLJN Saturday Video Showcase:
The BAG legacy, part 2



This week, let's check out some more videos featuring music made by former members of the influential Black Artists Group, which existed here in St. Louis from 1968 to 1972 and helped launch the careers of a number of notable creative musicians. Today's focus is on two of the most prominent BAG alumni, alto saxophonist Oliver Lake and baritone saxophonist Hamiet Bluiett.

(You can see the first part of this series, featuring the only known online videos of a "core" BAG ensemble plus full sets of two of the groups it spawned, the World Saxophone Quartet and Bluiett's Clarinet Family, here. A third installment next week will feature videos from some other members of BAG.)

Today's first three clips show off some different aspects of the work of Oliver Lake, starting up above with a full set of his big band, recorded in October 2017 at Roulette in Brooklyn, NY. While a number of different soloists including the leader are featured at various points, the compositions and arrangements are all Lake's, and together give a good sample of some of his ideas for large ensemble.

After the jump, you can see two more videos featuring Lake, both recorded in October 2014 when he was curating a week-long residency at the creative music performance space The Stone in New York City. The first is a trio set featuring Lake, drummer Andrew Cyrille and bassist Santi Debriano, and the second documents Lake's Organ Quartet, with trumpeter Freddie Hendrix, organist Jared Gold, drummer Chris Beck and special guest, tenor saxophonist Billy Harper.

The next three videos show Bluiett with three different ensembles, starting with a trio set recorded in January 2016 in NYC featuring Bluiett with bassist William Parker and drummer Hamid Drake. Given Drake's affiliation with the Association for the Advancement of Creative Musicians (AACM), this group represents a meeting of improvisational styles forged among similarly minded musicians in both St. Louis and Chicago.

The following clip captures part of a set by a sextet led by Bluiett in 1999 at the Knitting Factory in NYC, in which the leader is joined by guitarist Ed Cherry, bassist Jaribu Shahid, percussionists Chief Bey and Leopoldo Fleming, and drummer Nasheet Waits.

Last but not least, there's a full set from the group billed as Hamiet Bluiett's Bio-Electric Ensemble, recorded during the annual Vision Festival in June 2013 at Roulette, and featuring Bluiett, Hamid Drake, pianist D.D. Jackson, bassist Harrison Bankhead, and what has to have been one of the first high-profile gigs for the young keyboard phenom Matthew Whittaker, then just 12 years old. (Whitaker, a New Jersey native who's still just 19 years old, headlined a weekend at Jazz St. Louis last season.)

Look for more videos featuring musicians associated with BAG next week in this space. You can see the rest of today's videos after the jump...

Saturday, April 25, 2020

StLJN Saturday Video Showcase:
The BAG legacy, part one



For the next couple of weeks, let's revisit part of St. Louis creative music history by looking at some videos featuring musicians who were part of the Black Artists Group, a multi-arts collective that produced music, poetry, dance, theater and visual arts here from 1968 to 1972.

Partly inspired by and operating similarly to Chicago's Association for the Advancement of Creative Musicians (AACM), BAG helped launch the careers of a number of notable musicians, including saxophonists Hamiet Bluiett, Julius Hemphill, Oliver Lake and J.D. Parran; trumpeters Baikida Carroll and Floyd LeFlore, trombonist Joseph Bowie, drummer Charles "Bobo" Shaw, and more.

At its peak, the group was getting funding from organizations such as the Rockefeller Foundation and the Danforth Foundation to present performances and educational programs in local schools, as well as from their headquarters at 2665 Washington Blvd in what's now the Grand Center district.

By 1972, much of that funding had dried up, and most of the BAG musicians moved on, some heading to Europe and subsequently to New York City, where a number of them would play significant roles in the "loft jazz" scene of the 1970s.

Though not much documentation survives of what BAG did during its busiest years, there was one "official" album credited to the group, In Paris, Aries 1973, which, as the title implies, was recorded in Europe while a number of the musicians were living there as expatriates.

The first video up above, also recorded in 1973 in Paris, is part of what seems to be the only footage available online of an ensemble billed as the Black Artists Group, in this case including Lake, Carroll, Bowie, guitarist Jimmy Jones, and drummer Donald Robinson. The performance continues after the jump in today's second video.

Even though BAG may have been relatively short-lived, its influence continued to be felt through the continuing careers of the musicians who were part of it. One of the most significant groups to emerge after BAG was the World Saxophone Quartet, formed in 1977 by Lake, Bluiett, Hemphill, and saxophonist David Murray.

Their innovations, combining free jazz with arranged material in a band without a traditional rhythm section, proved to be both artistically influential and relatively popular by the non-commercial standards of creative music.

You can see and hear the WSQ's original lineup in the third video, recorded in 1987 at JazzFest Berlin in Germany and featuring material from their 1986 album Plays Duke Ellington.

Around that same time, Bluiett pursued a somewhat-similar concept with his band Clarinet Family, bringing together a half-dozen clarinetists including fellow St. Louisan and ex-BAG member J.D. Parran for a 1984 recording on the Black Saint label and live performances including the fourth video, a full set of music recorded in November 1984, also in Berlin.

The fifth video is an interview of Lake and Bluiett, recorded in March 2014, and the final clip is an interview with Bluiett alone, recorded in 2016 under the auspices of instrument makers P Mauriat North America.

While these clips just begin to scratch the surface, the history of the Black Artists Group was documented extensively in the 2004 book BAG: Point from which creation begins: the Black Artists' Group of St. Louis, written by Benjamin Looker, then a graduate of Washington University working on a master's at Yale, now an associate professor of American Studies at St. Louis University.

You can listen to interviews with Looker, Parran and another former BAG member, playwright and poet Malinke Elliott, in a 2006 episode of St. Louis Public Radio's "St. Louis History in Black and White" podcast. In February of that same year, several ex-members of BAG and Looker also took part in a symposium at Washington University exploring BAG's history and legacy.

Lake spoke about his experiences with BAG in a 2017 interview with Bandcamp Daily, and also was interviewed briefly by Psychedelic Baby magazine in 2018 when In Paris, Aries 1973 got a limited-edition reissue from Aguirre Records.

There's also a documentary film about BAG that's been in production for several years, with a trailer here and a Facebook page, though there's still no word about when the film might be released.

Next week, we'll take a look at some more music from Oliver Lake and Hamiet Bluiett, as well as videos featuring other former members of the Black Artists Group. You can see the rest of today's videos after the jump...

Thursday, October 04, 2018

Hamiet Bluiett 1940 - 2018

Photo from the KETC program "Living St. Louis"
Hamiet Bluiett, a native of Brooklyn, IL who co-founded the World Saxophone Quartet and redefined the capabilities of the baritone sax in improvised music, died Thursday, October 4 at St. Louis University Hospital. He was 78 years old.

Bluiett, whose birthday was September 16, had been gravely ill for some time, and according to a Facebook post from his daughter Anaya, was taken off respiratory support last week.

As a child, Bluiett (pictured) studied piano, trumpet, and clarinet before settling on baritone saxophone at the age of ten. He played his first local gigs in Brooklyn, East St. Louis, and elsewhere as a teenager, and after graduating from high school, served in the Navy band starting in 1961.

Returning to St. Louis after his stint in the Navy, Bluiett helped found the Black Artists Group, leading the BAG big band for two years before the group split up and some members moved to Europe.

Bluiett moved to New York City in 1969, working with Charles Mingus, saxophonist Sam Rivers' big band, and others. Then in December 1976, he played what was supposed to have been a one-off concert in New Orleans with alto saxophonists and former BAG members Julius Hemphill and Oliver Lake and tenor saxophonist and clarinetist David Murray.

That led directly to the official founding in 1977 of the World Saxophone Quartet, which subsequently turned out to be a significant musical outlet for all four members, touring and performing at major festivals, concert halls and clubs all over the globe for the next 30 years.

With the WSQ and in other projects, Bluiett pushed the baritone sax beyond previously perceived limits, playing with speed, precision, range, and timbral variation rivaling that usually heard from the best alto and tenor players of his time. In mid-career, he also picked up the clarinet again and began incorporating it into some of his performances.

Further exploring the idea of groups of similar instruments playing together, Bluiett later formed the Bluiett Baritone Nation, made up entirely of baritone saxophones (plus a drummer), and Clarinet Family, a group of eight clarinetists playing clarinets of various sizes.

In all, Bluiett recorded more than 20 albums with the World Saxophone Quartet, plus nearly two dozen as a leader on labels including India Navigation, Black Saint, Soul Note, and Justin Time. He also recorded or performed with drummer Beaver Harris' 360 Degree Music Experience, saxophonist James Carter (a latter-day substitute member of WSQ, who Bluiett considered something of a protege), arranger and pianist Gil Evans, pianist Abdullah Ibrahim, and numerous others.

Beset with back problems and other ailments, Bluiett moved back to Brooklyn in 2002, then returned to New York City in 2012 for several years, until a series of strokes starting in 2014 led him to move back to the Midwest once again a couple of years ago.

Bluiett in 2006 was the subject of a video profile from the KETC program Living St. Louis, which can be seen online here.

He is survived by two sons, Pierre Butler and Dennis Bland, and two daughters, Ayana Bluiett and Bridgett Vasquaz; a sister, Karen Ratliff; and eight grandchildren. Bluiett was married twice, with one marriage ending with the death of his wife and the other in divorce.

On a personal note, I had the chance to interview Hamiet Bluiett a couple of times, once for the short-lived "New Music St. Louis" program on KDHX in the mid-1990s, and again (briefly) for the Riverfront Times in 2006 before the WSQ played at what then was called Jazz at the Bistro. He was an entertaining and informative interview subject, as well as an outstanding musician, and he'll be missed greatly.

A funeral service for Hamiet Bluiett will be held at 10:00 a.m. Friday, October 12 at Lovejoy Temple Church of God, 511 Canal Street in Brooklyn, IL, followed by burial at 12:30 p.m. at Jefferson Barracks National Cemetery in St. Louis.

(Updated 10/7/18 with information about survivors and funeral services.)

Monday, January 16, 2017

Charles "Bobo" Shaw 1947-2017

Charles Wesley "Bobo" Shaw, a St. Louis drummer who helped found the Black Artists Group, co-led the Human Arts Ensemble, and played with many prominent jazz and creative musicians of the past half-century, has died at a nursing care facility in St. Louis. He was 69 years old.

St. Louis trumpeter, arts administrator and impresario George Sams, who was friends with Shaw for nearly 60 years, said the drummer had been hospitalized with multiple ailments in early December, first at Barnes Jewish Hospital and then at St. Alexius.

He was transferred to Heritage Care Center in north county about three weeks ago, Sams said, and was placed in hospice care there last Thursday, where he remained until his death at about 6:00 a.m. Monday.

Shaw was born September 15, 1947 in Pope, Mississippi. Moving to St. Louis as a young child, in 1953 he joined the American Woodsman drum and bugle corps, a group whose other alumni include Sams, trumpeter Clark Terry, saxophonist Oliver Lake, and drummer Philip Wilson. Shaw also also played with the drum corps associated with Tom Powell Post American Legion #77, studied drums with jazz musicians Joe Charles and Elijah Shaw and with Bernie Snyder of the Saint Louis Symphony Orchestra, and along the way, learned trombone and bass as well.

In the mid-1960s, he helped found the Black Artists Group, a cooperative organization of musicians, writers, poets, actors, and visual artists whose members included Lake, saxophonists Hamiet Bluiett and Julius Hemphill, trumpeter Lester Bowie, and many others. Although the group, unlike Chicago's similarly conceived and still active Association for the Advancement of Creative Musicians, was relatively short-lived, its influence continues to be felt through the music of its former members and the ensembles they subsequently established, including the World Saxophone Quartet (with Lake, Bluiett, Hemphill, and David Murray) and the funk band Defunkt, led by trombonist Joseph Bowie, the younger brother of Lester Bowie.

Along with several other BAG members, Shaw moved to Europe later in the 1960s, returning to the USA in 1971 and eventually ending up in New York City. His musical collaborations during this time included work with Anthony Braxton, Steve Lacy, Frank Wright, Alan Silva, Michel Portal, Cecil Taylor, and Frank Lowe, as well as with St. Louis musicians such as Lake, Hemphill, the Bowie brothers, saxophonist Luther Thomas, and guitarist Richard Martin. In the 1980s, he played with violinist Billy Bang, and in all, Shaw recorded at least 10 albums as a leader or co-leader, and appeared on more than a dozen other recordings with Bang, Lake, Lester Bowie, Defunkt, Braxton, Lowe, violinist Leroy Jenkins, and others.

Beset by health issues and personal problems, Shaw performed less frequently in later years, though he did take part in several concerts this decade for Sams' Nu-Art Series at the Metropolitan Gallery downtown and in some improvised performances at the now-shuttered Tavern of Fine Arts.

One of his last major concerts in New York was during the 2015 Vision Festival at Judson Memorial Church as part of Bluiett's Telepathic Orchestra, an all-star ensemble also featuring Sams, multi-instrumentalist and St. Louis native J.D. Parran, saxophonists Kidd Jordan and Charles Gayle, flutist Siraz al-Hasan, harpist Riza Priantup, tuba player Joe Daley, pianist D.D. Jackson, bassist William Parker, percussionist Warren Smith, and a string section including violinists Mazz Swift, Jason Kao Hwang, Jean Cook, Judith Insell, and Elektra Kurtis, cellist Tomeka Reid, and bassist Mark Schmied. You can see that performance on video here.

Survivors include a sister, Marian Shaw Matthews of Washington, DC; six daughters, Concere, Antasiah, Myah, Erica, Tracy and Lorene Sabbane Shaw; and a grandchild.

A memorial service and celebration of the life of Charles "Bobo" Shaw will be held at 5:00 p.m. Thursday, January 26 at Eddie Randle & Sons Funeral Home, 4600 Natural Bridge Ave, St. Louis, MO 63115.

Updated 1/23/18 to correct Shaw's date of birth and add information on survivors and the memorial services. 

Friday, April 29, 2016

So What: Local News, Notes & Links

Here's this week's wrap-up of assorted links and short news items of local interest:

* Writing for DownBeat, Terry Perkins reported on last week's reunion of former members of the Black Artists Group for a discussion and performance at Jazz at the Bistro.

* The reunion of former BAG members included saxophonist Oliver Lake, who's now playing with bassist Reggie Workman and drummer Andrew Cyrille as Trio 3 at NYC's Village Vanguard through Saturday.  

Lake also was named this week as co-recipient of a $25,000 grant from the Multi-Arts Production (MAP) Fund to support the development and staging of Interruption!, a live performance piece for 14-piece ensemble with music by Rob Reddy and a libretto written and performed by Lake.

* Two St. Louis musicians, drummer Emanuel Harrold and bassist Jahmal Nichols, can be heard on the new album from singer Gregory Porter, which NPR made available online this week for a "First Listen."

* Guitarist Todd Mosby is featured on the latest episode of the podcast A Concert Pitch. Mosby will play music from his new album On Eagle Mountain on Saturday night at Focal Point.

* The Black Rep's production of Twisted Melodies, a play about singer/songwriter, pianist and former St. Louisan Donny Hathaway's battle with mental illness, was reviewed by Kenya Vaughn of the St. Louis American and by HEC-TV's Two On The Aisle. The one-man show by Kelvin Roston Jr. (pictured) closes this Sunday, May 1.

* A proposal from The 442s was one of three selected for Forest Park's new artist-is-residence program.

* The St. Louis Post-Dispatch's annual "Go List" issue has named Jazz St. Louis' Ferring Jazz Bistro as the "Best Place to Hear Jazz."

* Saxquest has posted to Facebook a photo album from saxophonist David Liebman's appearance there last Saturday.

Wednesday, October 21, 2015

Jazz this week: Kevin Eubanks, St. Louis Gypsy Jazz Festival, Banu Gibson, and more

The wide variety of music encompassed by the label "jazz" will be on full display this week in St. Louis, with performances of big band swing, cabaret, free improv, Gypsy jazz, ragtime, and numerous other sub-genres and allied musics happening at local venues.

Here's a look at some of the most noteworthy shows coming up...

Wednesday, October 21
Guitarist Kevin Eubanks and his trio begin a four-night stand at Jazz at the Bistro. Since leaving his steady gig on television, the former Tonight Show bandleader has done work for some educational and charitable causes; toured on his own and with bassist Dave Holland; and made several recordings for Mack Avenue Records, the most recent of which was a duet album with fellow guitarist Stanley Jordan that came out earlier this year.

For more about what Eubanks (pictured, top left) has been up to recently, check out the interview he did back in April with the Voice of America program Beyond Category.

Also on Wednesday, Cabaret Project St. Louis presents their monthly "Open Mic Night" at the Tavern of Fine Arts; and guitarist and singer Tommy Halloran plays at Nathalie's.

Thursday, October 22
The Jazz at Holmes series at Washington University will present a tribute to the music of Ornette Coleman featuring saxophonist Dave Stone, while the Gaslight Cabaret Festival resumes with singer and impressionist Dean Christopher performing "Everybody Loves Somebody Sometime: A Tribute to Dean Martin" at the Gaslight Theater.

Also on Thursday, singer Joe Mancuso and keyboardist Curt Landes will take the stage at Thurman Grill.

Friday, October 23
Organized by singer Eve Seltzer and guitarist Ben Wood of the band Franglais, the first-ever St. Louis Gypsy Jazz Festival begins the first of three days and nights of performances at Evangeline's.

The event will include three evening shows followed by late-night jam sessions, plus brunch-time shows on Saturday and Sunday. In addition to Franglais (pictured, center left) the lineup features St. Louis' own Coco Rico, plus visiting acts including accordionist Dallas Vietty, singer Miles Griffith, and the bands Swing '39 and Bedlam Swing. You can see videos of all the participating acts in this post from last Saturday.

Also on Friday, Minnesota's Davina & The Vagabonds will bring their swinging jump blues to the Old Rock House; Ken Haller performs his cabaret show "Mama's Boy" at the Gaslight Theater; and the Gateway City Big Band plays for dancers at the Casa Loma Ballroom.


Saturday, October 24
The Friends of Scott Joplin will present pianists Frank LiVolsi and John Reed-Torres (pictured, center left) in an "East Coast Meets West Coast" concert of ragtime music at the Scott Joplin House State Historic Site's Rosebud Cafe.

Elsewhere on Saturday, trumpeter Jim Manley and guitarist Randy Bahr's "All-Star Band" plays at Nathalie's; singer and actor Jeffrey M. Wright does cabaret at the Gaslight Theater; and the Wire Pilots play original fusion music at the Tavern of Fine Arts.

Sunday, October 25
Bassist Jim Widner's Big Band, having shed its former alternate identity as the St. Louis Jazz Orchestra, will play a matinee at the Touhill Performing Arts Center.

Meanwhile, singer Banu Gibson will be back in town for the first time since 2010 to perform a matinee program of music from singer-songwriter Randy Newman at the Sheldon Concert Hall.

Then that evening, singer Lina Koutrakos and pianist and singer Rick Jensen will wrap up the Gaslight Cabaret Festival's weekend with their show "Two For The Road" at the Gaslight Theater.

Monday, October 26
The music department at Webster University will present its annual TKT Scholarship Benefit at Winfred Moore Auditorium on the Webster campus. The event raises money for scholarships awarded in the names of Terry Jackson, Kirk Cappello and Tony Saputo, three former Webster students who died in the 1991 plane crash that :killed eight members of country singer Reba McIntyre's band.

This year's theme is "Jazz Interpretations of Pop Hits of the 1960s," as performed by members of the jazz faculty, the Webster University jazz Singers, and guest vocalists.

Also on Monday, saxophonist "Blind" Willie Dineen and the Broadway Collective return to BB's Jazz, Blues & Soups,

Tuesday, October 27
The Luminary presents "Change is a Sound: Free Jazz and Collective Practice in Political Movements," an event featuring a conversation between percussionist Charles "Bobo" Shaw, a founding member of the Black Artists Group, and St. Louis University's Ben Looker, who wrote The Point From Which Creation Begins, a book about the history of BAG. KDHX's Josh Weinstein will spin BAG-related recordings before and after.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

Friday, September 25, 2015

So What: Local News, Notes & Links

Here's the latest wrap-up of assorted links and short news items of local interest:

* Singer Tony Bennett's performance last Saturday night at Lindenwood University was reviewed for the St. Louis Post-Dispatch by Dan Durchholz.

* This week's "Jazz St. Louis at 20" festivities at Jazz at the Bistro were previewed in articles in the Post-Dispatch and in Ladue News. Jazz St. Louis also has posted to Facebook some photos from Wednesday night's show featuring Christian McBride, Cyrus Chestnut, Gregory Hutchinson, Russell Malone, Terell Stafford, and Tim Warfield.

* Speaking of pictures, there's a photo set from last Saturday's Old Webster Jazz and Blues Festival now online at the KDHX website.

* Singer-guitarist John Pizzarelli talked about his just-released album of Paul McCartney songs with KMOX radio's Charlie Brennan.

* A brief article in St. Louis magazine previews the upcoming season from New Music Circle.

* Music from the STL Free Jazz Collective (pictured) is included in the latest edition of Taran's Free Jazz Hour podcast.

* The Midwest Jazz-tette has produced and uploaded to YouTube a new promotional video/electronic press kit.

* Saxophonist Oliver Lake will be back in action next week with Trio 3 for three dates at the Blue Note in NYC. Lake, bassist Reggie Workman and drummer Andrew Cyrille will be joined by a different guest pianist every night, with The Bad Plus' Ethan Iverson playing on Tuesday, Vijay Iyer on Wednesday, and Jason Moran on Thursday.

* A new exhibit at the Luminary Center for the Arts that includes posters, poetry chapbooks, and other materials from the Black Artists Group is the subject of a story on St. Louis Public Radio. Titled "The Marvelous is Free," the exhibit displays the BAG artifacts with "other art from The Black Arts Movement, Gay Rights Movement and the fight for Latino rights during the late 1960s and early ’70s," and will continue through November 6.

Friday, March 13, 2015

So What: Local News, Notes & Links

Here's the latest wrap-up of assorted links and short news items of local interest:

* Jazz St. Louis has scheduled auditions for their 2015-16 JazzU program for June 1 through June 4 at the JSL HQ on Washington Ave.

High school musicians who are interested in trying out will find an application form and audition information on the the JSL website.

* Fact magazine published a feature story highlighting "20 essential records from the 1970s underground," and the list includes three albums with a St. Louis connection: Julius Hemphill's Dogon A.D., Luther Thomas Human Arts Ensemble's Funky Donkey Vol. 1, and the Black Artists Group's In Paris, Aries 1973.

* Saxophonist David Sanborn has set Tuesday, April 7 as the release date for his new album Time and the River. If you didn't buy a copy of the recording (pictured) through Sanborn's crowdfunding campaign, you can pre-order it now via Amazon and iTunes.

* Saxophonist Greg Osby answered 10 questions from the music website Textura.

* The recently opened vinyl shop Rich's Record Emporium in Collinsville was the subject of a feature story in the Belleville News-Democrat.

* And speaking of record stores, the list of special and limited edition releases for Record Store Day 2015, which falls on Saturday, April 18, was announced this week. (Though most of the special releases are various flavors of rock and pop music, there are some items of interest to jazz listeners, too.)

* Neal Richardson's show last week for the Gaslight Cabaret Festival was reviewed by Chuck Lavazzi of KDHX.

* Jazz radio update: This Saturday on Radio Arts Foundation-St. Louis, Calvin Wilson's “Somethin’ Else” program will delve into music recorded for the Columbia label during the 1980s by trumpeter Woody Shaw and saxophonist Arthur Blythe.

"Somethin' Else" can be heard at 8:00 p.m. Saturdays on 107.3 FM, 96.3 HD-2, and online at http://www.rafstl.org/listen.

Thursday, January 15, 2015

Black Artists Group video from 1973 performance in France now online



Today, let's wish a very happy birthday to trumpeter and St. Louis native Baikida Carroll, who was born on this day in 1947.

Carroll (pictured) first gained wide attention in the late 1960s as a member of St. Louis' Black Artists Group, and after the group's  members went their separate ways a few years later, continued to perform and record with Oliver Lake and other associated musicians.

He's made four albums as a leader - one per decade in the 1970s, 80s, 90s and 2000s - and also has recorded as a supporting musician with many well-known jazz and creative music performers, including Muhal Richard Abrams, Jack DeJohnette, John Carter, David Murray, Carla Bley, Sam Rivers, and more. Carroll also has composed scores for a number of theatrical productions and films, including the PBS American Playhouse production of Ntozake Shange's "For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf."

To help celebrate Carroll's birthday, we've got some rarely seen footage of the Black Artists Group performing in 1973 in France, which was posted online just last week and came to StLJN's attention via the Twitter feed of trombonist Joseph Bowie, brother of Lester Bowie and also a BAG veteran.

The two clips, which together are slightly more than 26 minutes long, are from the last of 21 episodes of a 1973 French TV program, Jazz Harmonie. They feature a latter-day lineup of BAG musicians including Carroll, Bowie on trombone and percussion, saxophonist Oliver Lake, guitarist Jimmy Jones, and drummer Donald Robinson, performing three selections: "Suite," "Rhythm," and "Harlem Color."

(This is, so far as StLJN can determine, the only live performance footage available online of any of the BAG lineups or events from around that time, and as such, should be considered a rarity. We hope you enjoy!)



Tuesday, September 09, 2014

Floyd LeFlore, trumpeter and co-founder
of Black Artists Group, dead at age 74

StLJN has learned from reliable sources that trumpeter Floyd LeFlore, who co-founded St. Louis' Black Artists Group, performed and recorded with most of the city's important "free jazz" musicians, and later served as a board member for New Music Circle, has died. Available public records list his year of birth as 1940 and his age at death as 74.

LeFlore was born in Mississippi, but as a young child moved with his family to St. Louis, where his uncle Clarence "Bucky" Jarman was a guitarist. He attended Sumner High School at the same time as a number of other notable local jazz musicians, including fellow trumpeters Lester Bowie and David Hines, saxophonist Oliver Lake, pianist John Hicks, and drummers Jerome "Scrooge" Harris and Philip Wilson.

After serving in the military from 1962 to 1965, LeFlore returned home and got involved in the city's rapidly changing music scene, becoming a member of what's generally acknowledged as St. Louis' first organized, recurring "free jazz" ensemble, the Oliver Lake Art Quartet, with Lake, Harris, and bassist Carl "Arvinia" Richardson.

With many of the musicians mentioned above, LeFlore then helped to start the Black Artists Group in 1968. When a number of the BAG co-founders moved to Europe in 1972, LeFlore initially remained in St. Louis, but he later went to Paris and stayed for a couple of years, touring and recording with BAG on their "official" debut album Black Artists Group - In Paris, Aries 1973.

Around this same time, LeFlore also recorded with Oliver Lake; the BAG-related Human Arts Ensemble; saxophonist Luther Thomas; and Solidarity Unit, Inc, which featured Lake, Richardson, drummer Charles "Bobo" Shaw, trombonist Joseph Bowie, trumpeter Baikida Carroll, guitarist Richard Martin, and bassist Kada Kayan. He also picked up occasional sideman work, ranging from early gigs with blues guitarist Albert King to a one-off local show with the Arkestra of legendary pianist and bandleader Sun Ra.

In the 1980s, LeFlore recorded and gigged with pianist David Parker, and in the early 1990s he became a board member of New Music Circle. He served on the organization's music committee and was a featured performer in several concerts produced by NMC, including his music/theater piece “Ritualistic Revival,” with LeFlore performing his own poetry and dialogue in the role of the Rev. Alonzo Alphonso Jones.

At this point, this story gets personal for me. As an NMC board member and later administrator during those years, I was fortunate to get to know and work closely with Floyd LeFlore, playing keyboards on some shows he was involved in, and also line-producing "Ritualistic Revival" and several other events he conceived.

Although he was having some trouble with his chops around that time, due to the lingering effects of an auto accident in which he had injured his mouth and lip, LeFlore was still an inventive player and, perhaps more important, an inspiring presence - just a great person to work with and be around. In the near future, I hope to do another post paying tribute to Floyd LeFlore that will draw more on some of those memories as well as archival materials from those years.

Floyd LeFlore's first and only recording as a leader, the 1998 CD-EP City Sidewalk Street Song Suite, was praised by Terry Perkins in a Riverfront Times review for combining “elements of straight-ahead jazz, R&B, funk and traditional children’s street rhymes into a seamless and highly entertaining recording.”

In the early 2000s, LeFlore performed a few gigs around the St. Louis area with saxophonist Freddie Washington as the Divinity Jazz Quintet. He also took part in the BAG retrospective convened in 2006 at Washington University, but otherwise had been mostly inactive in recent years. At present, there's no information available as to the cause of his death.

(Updated 9/12/14 with information from the obit published by the St. Louis American.)

LeFlore is survived by his ex-wife Shirley Bradley LeFlore, daughters Lyah Beth LeFlore, Jacie Price, and Hope Price Lindsay; four grandchildren, Noelle Lindsay, Jordan Lindsay, Jullian Price Baez, and Bella Grace LeFlore Ituen; and one sister, Cynthia A. LeFlore.

A memorial service will be held at 10:00 a.m. Saturday, September 13, 2014 at McClendon Mortuary, 12140 New Halls Ferry Road, St. Louis MO, 63033.