In conjunction with the award recognizing Maness as 2020's top "Arts Collaborator," the Council produced a brief video about him, which you can see here.
* Rhino Records and the Miles Davis estate have released an official music video for "So Emotional," a track from Davis' "lost" album Rubberband that was released late last year. The track and the video both feature vocalist Lalah Hathaway (daughter of the late singer, pianist and former St. Louisan Donny Hathaway), and you can see the video online here.
This week's calendar of live jazz and creative music in St. Louis includes cabaret from a Broadway veteran; a solo concert from one of today's top young jazz pianists; four visiting players teaming up for a one-time-only collaboration, and more. Let's go to the highlights...
Wednesday, January 29
Singer and actor Norm Lewis, who's starred on Broadway in shows including Miss Saigon and Phantom of the Opera, performs for the first of two nights at Jazz St. Louis as part of their series of co-presentations with Cabaret Project of St. Louis.
Thursday, January 30
Drummer Demarius Hicks leads a quartet in a free concert for the Jazz at Holmes series at Washington University, and trumpeter Brady Lewis and BLStet return to The Dark Room.
Friday, January 31
Pianist Aaron Diehl(pictured, top left), who's played here before accompanying singer Cecile McLorin Salvant, makes his solo St. Louis debut performing in the "Annual Carlin Concert" for Washington University's department of music at the 560 Music Center.
Also on Friday, the ad hoc ensemble billed as the Jazz at Lincoln Center Group performs for the first of two nights at Jazz St. Louis. The group features four musicians who are doing educational residencies for the organization this week: saxophonist Camille Thurman(pictured, bottom left), trumpeter Pharez Whitted, bassist Endea Owens, and drummer Steve Fidyk.
Monday, February 3
Kicking off Black History Month, saxophonist Harvey Lockhart and his quartet will present "Yardbird Suite: A Charlie Parker Centennial Concert" at Winifred Moore Auditorium on the Webster University campus.
For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.
(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)
It's been a good winter for St. Louis fans of jazz piano. We've got three top-shelf pianists performing here in as many weeks, starting last night with Matthew Shipp at the 560 Music Center; continuing next week with Aaron Diehl at the same venue; and then Christian Sands, who will be performing a program titled "Remembering Erroll Garner" on Saturday, February 8 at The Sheldon
Erroll Garner was a major star in jazz from the 1940s until his death at age 52 in 1977. He's probably most remembered today as the composer of the standard "Misty," but Garner's distinctive self-taught piano style, which incorporated elements from stride to bebop - effectively bridging the pre- and post-WWII eras of jazz - earned much respect from his contemporaries and still offers plenty to consider and enjoy.
Though Sands, a 31-year-old graduate of Manhattan School of Music who's originally from Connecticut, has played here before with bassist Christian McBride, his upcoming Sheldon performance will be his first here as a bandleader. So today's collection of videos attempts to provide an introductory overview of his playing via a half-dozen relatively recent performances, starting in the first video up above, which includes three tunes that Sands played in October 2018 at Paste Studio in NYC.
After the jump, you can see Sands, bassist Luques Curtis, and drummer and East St. Louis native Terreon Gully doing "My Funny Valentine" in November of last year at Cadogan Hall in London.
The next three videos show Sands performing "Can't Find My Way Home" in October 2019 at the Kahilu Theatre in Honolulu, HI; "Song Of The Rainbow People," recorded in 2018 at the Blue Whale in Los Angeles; and "L-O-V-E" in the studios of radio station WBGO in Newark, NJ.
The final clip features the pianist offering his take on a somewhat unlikely piece of material, the children's song "If You're Happy and You Know It," as recorded in February 2016 at Xavier University in Cincinnati, OH.
* A recent episode of the podcast The Funky Blues Show focused on St. Louis, offering "a celebration of the Jazz and Blues tradition of one of the great musical cities of the USA, with music from Albert King, Roosevelt Sykes, Chuck Berry, Clark Terry, Donny Hathaway and many more."
* St. Louis County will get a new outdoor music venue later this year with the opening of Saint Louis Music Park, a new 4,500 seat facility at the Centene Community Ice Center in Maryland Heights. The venue will debut on May 25 with a show featuring pop singer Kesha and hip-hop star Big Freedia, with operators promising to book acts from a variety of musical genres going forward.
Multi-instrumentalist and St. Louis native J.D. Parran(pictured) is coming home to team up with poet K. Curtis Lyle and a group of local improvisors for a performance at 8:00 p.m. Saturday, February 8 at Xavier Hall on the campus of St. Louis University.
The concert is part of the "Jazz 'n Tongues" music-and-poetry series sponsored by SLU and the Nu-Art Series. Nu-Art's impresario George Sams will be part of the ensemble on trumpet and flugelhorn, along with bassist Darrell Mixon, violinist Alyssa Avery, and cellist Tracy Andreotti.
This week's calendar of live jazz and creative music in St. Louis features a solo performance from a singular pianist, the local debut of a rising star on organ, a new album release from a hometown favorite band, and more.
Let's go to the highlights...
Wednesday, January 22
Organist Delvon Lamarr and his trio will make their St. Louis debut with the first of five nights of performances continuing through Sunday at Jazz St. Louis.
The Seattle-based Lamarr, who cites Booker T and the MGs as a major influence, formed the band in 2015 and they've issued two recordings so far, both of which made the top 10 of the US jazz albums chart.
Friday, January 24
Pianist Matthew Shipp(pictured, top left) will perform in a solo concert presented by New Music Circle and Washington University at 560 Music Center. (Shipp also will present a free "artist talk" on Friday afternoon in Room 102 of the Music Classroom Building on the Wash U campus.)
Shipp's improvised solo performances defy easy description, but you can sample several of them via video in this post from Saturday before last.
Sunday, January 26
The Funky Butt Brass Band(pictured, bottom left) will promote the release of their latest recording Onward with a matinee performance at Off Broadway; and jazz-fusion trio Tracer, aka pianist Ptah Williams, bassist Darrell Mixon and drummer Gary Sykes, continues their weekly residency at Troy's Listening Room.
For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.
(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)
This week, let's take a look at some videos featuring pianist Aaron Diehl, who's coming to St. Louis to perform on Friday, January 31 at the 560 Music Center.
The event is a solo piano recital presented by Washington University as its "Annual Carlin Concert," honoring the legacy of Seth Carlin, the internationally renowned pianist who taught at Wash U for 37 years. Carlin was a classical pianist who also enjoyed listening to jazz, and so in keeping with the occasion, Diehl will be playing vintage jazz and stride piano pieces from James P. Johnson, Fats Waller, and others, plus works by George Gershwin, Aaron Copland, and Louis Gottschalk.
As a contemporary pianist with classical training who also is noted for his interest in pre-WWII jazz styles and material, Diehl seems particularly well-equipped for the task. You can get a taste of the range of his talents starting in the first video up above, which documents Diehl's part of "Rags, Strides, and Stomps," a show at the 2015 Jazz in Marciac festival (also featuring fellow pianists Joey Alexander and Sullivan Fortner). In the clip, Diehl performs "The Original Jelly Roll Blues" by Jelly Roll Morton, "Viper's Drag" by Fats Waller, and James P. Johnson's "Concerto Jazz-A-Mine."
After the jump, you can see him play another Johnson piece, "Caprice Rag," as recorded by an audience member at a show last year at the New Brunswick Performing Arts Center in New Jersey.
Next, you can see Diehl and trumpeter Dominick Farinacci take on Waller's "Honeysuckle Rose" in a clip from 2009, followed by another video from that same year showing the pianist soloing on W.C. Handy's "St. Louis Blues" during a celebration of the music of Louis Armstrong at Jazz at Lincoln Center in New York.
Those are followed by two videos showing Diehl playing notated works from the classical tradition, starting with an excerpt from his performance last November of Gershwin's "Rhapsody in Blue" with the Pacific Symphony in Costa Mesa, CA, and then Diehl and his trio playing Philip Glass' 2014 composition "Piano Etude No 16" in a live-in-the-studio video just released earlier this month by Mack Avenue Records.
The final video is an hour-long interview with Diehl, recorded in March 2019 at Library of Congress, in which he discusses jazz history with the Library's James Wintle.
Here's StLJN's latest wrap-up of assorted links and short news items of local interest:
* A memorial service for the late Bryan Cather, ragtime historian and president of the Friends of Scott Joplin, will be held at 11:00 a.m. Saturday, January 25 at St. John's Episcopal Church, 3664 Arsenal (across from Tower Grove Park).
* The recent vinyl reissue box set (pictured) of Miles Davis' The Legendary Prestige Quintet Recordings was reviewed by Jazz Times.
Titled Music From and Inspired by Miles Davis: Birth Of The Cool, the album has 28 tracks of music and dialog from the film selected by Nelson. One of those tracks is a previously unheard recording, "Hail to the Real Chief," which combines unreleased studio trumpet performances by Davis with music by drummer Lenny White, performed by White, Davis' nephew Vince Wilburn, Jr, Marcus Miller, Jeremy Pelt, Antoine Roney, John Scofield, Bernard Wright, and others. You can listen to "Hail to the Real Chief" here.
* Also on the Miles Davis beat, fans of the trumpeter are being invited to submit original artwork to be used on an upcoming vinyl single release of "Miles Runs The Voodoo Down" from Bitches Brew. For details, go to http://secret-7.com/
* KDHX's Chuck Lavazzi reviewed recent cabaret shows at Blue Strawberry by singers Christy Simmons and Emily Skinner.
This week's calendar of live jazz and creative music in St. Louis puts the spotlight on hometown performers, with the return of a local favorite couple who have moved away, a show teaming up two bands with distinctive approaches to jazz fusion, and more.
Let's go to the highlights...
Wednesday, January 15
Bassist Jahmal Nichols, who's spent most of his time in recent years on the road with singer Gregory Porter, is back home for a visit and will lead his own band for the first of two nights performing at Jazz St. Louis.
Also on Friday, multi-instrumentalist Lamar Harris will perform for the first of two nights at Jazz St. Louis.
Elsewhere around town, electro-jazz trio Vehachi plays at the house-concert venue the Judson House, and The Way Out Club hosts"Descension 1" the first installment in a new experimental music series produced by Josh Levi, this time featuring Jack Callahan aka die Reihe, Brain Transplant, and Martin Carriel and Joann McNeil. Saturday, January 18
Multi-instrumentalist Joe Bozzi and his band return to Evangeline's, and The Dark Room features pianist Jesse Gannon at the dinner hour and drummer Kaleb Kirby's quintet for the late show.
Sunday, January 19
Singer and bassist Janet Evra(pictured, bottom left) performs for brunch at Evangeline's, while singer and guitarist Tommy Halloran is on stage at The Dark Room.
For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.
(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)
Scofield will perform on Friday, featuring music from his most recent recording Combo 66 with a band including keyboardist Gerald Clayton, bassist Vicente Archer, and drummer Bill Stewart.
His last gigs in St. Louis were an October 2017 date with the group Hudson at The Sheldon, and a week co-leading a band with saxophonist Joe Lovano in April, 2018 at Jazz St. Louis.
Jones will play on Saturday, teaming up with choreographer, dancer and vocalist Brinae Ali to present "Dizzy Spellz," which is described as "an Afro-futuristic lens exploring the intersection of cultural and spiritual dilemmas within the African Diaspora through the music of Dizzy Gillespie."
A frequent visitor to St. Louis in recent years, Jones' most recent gig here was with the "Bistro All-Stars"(also including saxophonist Tia Fuller, vibraphonist Warren Wolf, and pianist Peter Martin) in February of last year at Jazz St. Louis.
The GSLJF also includes two days of adjudication, clinics, and performances by area high school big bands on the Wednesday and Thursday preceding the public concerts. This year's festival will be the first under the direction of pianist and educator Adaron "Pop" Jackson, who took over leadership of the University of Missouri-St. Louis' jazz program last fall after the retirement of former director and festival founder, bassist Jim Widner.
Tickets for both concerts are scheduled to go on sale, prices TBA, on Friday, January 24 via the Touhill box office.
The event is presented by Washington University as its "Annual Carlin Concert," honoring the legacy of Seth Carlin, the internationally renowned pianist who taught at Wash U for 37 years. Acknowledging the classical tradition, Diehl's program will include works by Gershwin, Copland, and Gottschalk, as well as music by James P. Johnson, Fats Waller, Willie "The Lion" Smith, and more.
Diehl, who turns 35 this year, is one of the top jazz pianists to emerge on the national scene in the last decade. He has released four albums as a leader, and has toured and/or recorded as a sideman with Wynton Marsalis, the Jazz at Lincoln Center Orchestra, Wycliffe Gordon, Warren Wolf, Lew Tabackin, Matt Wilson, and more. Diehl currently serves as musical director for singer Cécile McLorin Salvant, and performed here in St. Louis most recently in October 2019, accompanying her in a concert at The Sheldon.
Tickets for Aaron Diehl's performance at 560 Music Center are $20 for adults, $15 seniors and Wash U faculty and staff, $5 students, free for Wash U students with ID, and are on sale now online and at the Edison Theatre box office on campus.
Today, StLJN's video spotlight is focused on pianist Matthew Shipp, who will be performing a solo concert presented by New Music Circle and Washington University on Friday, January 24 at 560 Music Center.
With a distinctive style that defies easy comparisons, Shipp has said he sees his playing as part of the "black mystery school" of pianists, led by Thelonious Monk and including other singular talents such as Mal Waldron, Randy Weston, Cecil Taylor, Sun Ra, and Andrew Hill.
Since moving to New York in mid-80s, Shipp has been credited as leader or co-leader on nearly 70 recordings, playing solo; with a trio; in duos with bassist William Parker, saxophonists Roscoe Mitchell and Evan Parker, and others; and in larger groupings including stellar players such as trumpeters Wadada Leo Smith and Roy Campbell and saxophonist Marshall Allen. Shipp also forged enduring partnerships with two saxophonists, the late David S. Ware and Ivo Perelman, recording 20 albums with the former and, to date, more than 30 with the latter.
The last time Shipp was here in St. Louis, in March 2015, he performed with bassist Michael Bisio at The Stage at KDHX. This time, he'll be playing solo, and so today's post features several videos of his solo work, starting up above with a set recorded in September 2018 at Zurcher Gallery in New York City.
After the jump, there are four more sets of solo piano by Shipp in reverse chronological order, starting with one from April 2018 at a venue called Kaleidophon in Ulrichsberg, Austria, followed by another from November 2017 recorded at the Teatro Colon in Buenos Aires, Argentina.
Then, there's a set from August 2015 at Jazzfestival Saalfelden in Austria, and one from February 2014 recorded at Cafe Oto in London.
The final video shows Shipp playing a duo set with his frequent collaborator, bassist William Parker, in June 2019 during the 24th annual 24th Vision Festival at Roulette Intermedium in Brooklyn, NY.
Here's StLJN's latest wrap-up of assorted links and short news items of local interest:
* The second episode of saxophonist David Sanborn's new online video series "Sanborn Sessions" went "live" this week on YouTube and elsewhere.
The episode is an all-St. Louis affair with singers Michael McDonald and Brian Owens (pictured, with Sanborn) as the featured guests, and you can see it in the video embed at the bottom of this post.
* Bryan Cather, a ragtime historian and president of the Friends of Scott Joplin, has died. He was 53 years old, and was found Sunday by friends at his south St. Louis home after he apparently suffered a heart attack.
Cather came to St. Louis in 2004 from Arlington, TX, and subsequently played a major role as a volunteer with the Friends and the Scott Joplin House State Historic Site, as detailed in this obituary in Syncopated Times. Funeral arrangements are pending, but the article says that "a memorial service is likely to be held at Bryan’s John’s Episcopal Church in the Tower Grove Neighborhood of St. Louis and his cremains will be interred in Oklahoma."
* Treasure Shields Redmond, daughter of East St. Louis Poet Laureate Eugene Redmond, was a guest Thursday on St. Louis Public Radio's "St. Louis On The Air" to talk about the "Historic Jazz & Poetry Excursion" tour of East St. Louis, in which trumpeter Miles Davis and his now-restored childhood home play a major role.
This week's calendar of live jazz and creative music in St. Louis includes the return of one of the most acclaimed trios in modern jazz, a visit from a Broadway diva performing in an intimate cabaret setting, and more.
Let's go to the highlights...
Wednesday, January 8 The Bad Plus(pictured, top left) continue their decade-plus-long tradition of a week of January performances here, playing for the first of five nights continuing through Sunday at Jazz St. Louis.
Since their appearance here last year, TBP in October released a new album, Activate Infinity, their second since pianist Orrin Evans replaced founding member Ethan Iverson in 2018.
The album, their first for the British label Edition Records, features eight tracks of new original material, with two written by Evans, two by drummer Dave King, and four by bassist Reid Anderson. Fans can expect to hear most of those new pieces during their shows here, and given the trio's continuing popularity here, advance reservations are advised.
Thursday, January 9
Keyboardist Mo Egeston will have new original material plus some guest stars for an "All-Star Birthday Groove" performance at Joe's Cafe, and Dean Christopher returns with his "Rat Pack and More" show to LoRusso's Cucina.
Friday, January 10
Singer and actress Emily Skinner(pictured, bottom left), known for her leading roles in musicals including Billy Elliot, Side Show, and Dinner at Eight, will present her cabaret show "Broadway My Way" for the first of two nights at Blue Strawberry.
For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.
(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)
Today, it's time for the fifth and final installment of StLJN's winter/spring 2020 jazz preview, featuring videos of noteworthy bands and musicians who will be coming to St. Louis to perform over the next few months. You can see part one here, part two here, part three here, and part four here.
Resuming in chronological order where last week's post left off, the first video features percussionist Claire Rousay and saxophonist Michael Foster, who will perform in a concert presented by New Music Circle on Friday, April 24 at the Urb Arts gallery. You can see them in the video embed up above performing a duo show last April in San Antonio, TX.
Next, it's swing and jump blues band Davina and the Vagabonds, who will be back in town on Saturday, April 25 for their first performance ever at Blue Strawberry. They can be seen in the first video after the jump, which documents a full set of music recorded in February 2018 at Knuckleheads Saloon in Kansas City.
After that, it's pianist Connie Han, who will make her St. Louis debut with shows starting Wednesday, April 29 and continuing through Sunday May 3 at Jazz St. Louis. She is featured in today's third video performing her original composition "Grüvy" from her debut album Crime Zone in September 2018 at the Dirty Dog Jazz Cafe in Grosse Pointe, MI.
That same weekend, multi-instrumentalist Brian Culbertson will return to play on Saturday, May 2 at The Pageant. Video number four is an excerpt from Culbertson's DVD Colors of Love Tour - Live in Las Vegas that shows him performing "Feelin' It/Funkin'".
The following week, singer Paulo Szot will make his St. Louis cabaret debut with performances on Wednesday, May 6 and Thursday, May 7 at Jazz St. Louis, wrapping up their series of co-presentations this season with Cabaret Project of St. Louis. Szot is featured in today's fifth video, singing "This Nearly Was Mine" from the musical South Pacific in May 2018 at at Feinstein's/54 Below in New York City.
Video number six features singer Nicole Henry, who will be performing on Wednesday, May 13 through Sunday, May 17 at Jazz St. Louis, and shows her singing "Teach Me Tonight" in Bovember 2017 at at the Dirty Dog Jazz Cafe.
The penultimate clip spotlights pianist Orrin Evans of The Bad Plus, who will return with his own trio to perform Wednesday, May 20 through Sunday May 24 at Jazz St. Louis. Since recent footage of Evans' trio seems relatively hard to come by, you can see him here in a clip from September 2013 with bassist Eric Revis and drummer Karriem Riggins perform his original composition "The Answer" at the Jazz Standard in NYC.
The final video features percussionist Poncho Sanchez, a frequent visitor and local favorite here who will return to perform Wednesday, May 27 through Sunday, May 31 at Jazz St. Louis. Sanchez and his band are seen performing the title song from his new album Trane's Delight during a show in September 2019 at Spaghettini in Seal Beach, California.
You can see the rest of today's videos after the jump...
* Funeral arrangements for the late pianist, singer and saxophonist Hugh "Peanuts" Whalum have been announced. A wake and memorial jam session is scheduled from 3:00 p.m. to 7:00 p.m. today at Archway Memorial Chapel, 111 Taylor Road in Hazelwood. A funeral Mass will take place at 11:00 a.m. tomorrow, Saturday, January 4, at St. Elizabeth Mother of John church, 4330 Shreve Ave in St. Louis, with a repast immediately following. Burial will be at 10:00 a.m. Monday, January 6 at Jefferson Barracks National Cemetery.
While this weekend feels like a bit of a post-holiday lull, thanks to the way the calendar lined up this year, there still are some noteworthy jazz and creative music performances happening around St. Louis over the next few days to get 2020 started. Let's go to the highlights...
Thursday, January 2
Pianist and singer Rick Jensen presents his cabaret show "With A Little Help From My Friends," featuring guest vocalists Beverly Brennan, Robert Breig, Dionna Raedeke and Angie Nicholson, at Blue Strawberry.
Also on Thursday, The Dark Room has guitarist Dave Black playing at the dinner hour and saxophonist Scooter Brown for late night sets; and saxophonist Vince Sala returns to The Pat Connolly Tavern.
Friday, January 3
Pianist Ptah Williams plays for dinner at The Dark Room; saxophonist Kendrick Smith continues his weekly gig at Thurman's in Shaw; and bassist Darrell Mixon leads a trio at Cigar Inn.
Also on Saturday, "Out Sounds," a new experimental music series affiliated with New Music Circle, will present Austin, TX-based improvising percussionist and instrument inventor Lisa Cameron in a performance at Flood Plain.
For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.
(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)
It's the start of a new month and a new year, and that means it's time to check in on StLJN's sibling site Heliocentric Worlds, when each day there's posted a new online music video, drawing on genres including jazz, blues, soul, funk, classic rock, prog rock, experimental and more.
The most-watched videos added to the site last month were:
Other recent posts have featured videos with performances by Fred Frith, Creedence Clearwater Revival, Gary Clark Jr, Tom Waits, Jazz at Lincoln Center Orchestra, Bruce Springsteen, Magic Slim and the Teardrops, Sonic Youth, Pharoah Sanders & John Hicks, The Specials, Robert Cray, MC5, Philip Glass Ensemble, SFJAZZ Collective, Dweezil Zappa, Michael Brecker, Taylor Ho Bynum 9-tette, Bill Bruford's Earthworks, Johnny Shines & Robert Lockwood, Jr, Led Zeppelin, Gong, Bill Frisell, Johnny Guitar Watson, Joe Pass, Sonny Terry & Brownie McGhee, and Bernard Purdie.
To see all these videos, plus thousands more from the thoughtfully selected archives, just use your computer, tablet, phone or other Internet device to visit https://heliocentricworlds.blogspot.com/.
