Here's StLJN's weekly wrap-up of assorted links and short news items of local interest:
* Singer Chuck Flowers (pictured) was interviewed on the webcast "Jazz in the AM."
* Saxophonist David Sanborn has released a clip from his most recent "Online Sessions" video, a version of "Georgia On My Mind" recorded with organist Joey DeFrancesco and drummer Billy Kilson.
* In a new video for Rhythm magazine, drummer Dave Weckl reveals the details of his home studio setup for playing and teaching online.
* Also on the Weckl beat, he and fellow drummer Rob Silverman were the guests on last week's Modern Drummer podcast, discussing their most recent recordings and the drumming contest being sponsored by the magazine and their label Autumn Hill Records.
* The Post-Dispatch's Kevin Johnson this week reported that Atomic Cowboy, the long-running bar, restaurant and music venue in The Grove neighborhood, has closed permanently and put all its equipment and fixtures up for auction.
* Also from Kevin Johnson in the Post, a look at how cabaret venue Blue Strawberry has adapted to present different types of live music during the pandemic.
* An article at UDiscoverMusic.com takes a retrospective look at Miles Davis' classic 1950s album Steamin' with the Miles Davis Quintet.
* In more Miles Davis-related news, tattoo artist Kat Von D is being sued by a Los Angeles photographer who alleges that a tattooed image of Davis rendered by Von D for one of her customers infringes on his copyrighted photo of the trumpeter.
* And finally, a short feature in Far Out magazine recounts the story of the time in 1969 when Davis was asked by guitarist Jimi Hendrix to form a "supergroup" that also would have included drummer Tony Williams and Beatles bassist Paul McCartney.
Showing posts with label closing. Show all posts
Showing posts with label closing. Show all posts
Friday, February 12, 2021
Friday, April 28, 2017
So What: Local News, Notes & Links
Here's StLJN's latest wrap-up of assorted links and short news items of local interest:
* I Called Him Morgan, the new documentary film about the life and death of trumpeter Lee Morgan (pictured), opens its St. Louis run today at the Tivoli Theatre in University City. You can see a list of show times here.
* The website St. Louis Musicians Unite has a new post this week about St. Louis jazz, combining a mention of Jazz Appreciation Month, a (much-appreciated!) acknowledgement of StLJN's recent 12th anniversary, and a video annotation of our current "Jazz this week" post.
Edited by Christopher Davis, STLMU has content covering a variety of musical genres and interests, and also has a very active Twitter account, with daily updates on live music shows happening around town.
* Guitarist Bill Frisell is the subject of a feature story by the Riverfront Times' Roy Kasten. Frisell performs with his trio tonight at The Ready Room.
* Saxophonist and former St. Louisan Oliver Lake has a new release on his Passin' Thru label. Offered on CD and as a digital download, Right Up On features Lake collaborating on a program of original compositions with the Flux Quartet, a string quartet specializing in contemporary music.
* @Nesbys, the Sunset Hills restaurant and bar with a musical menu including occasional live jazz on weekends and a weekly jam session on Wednesday nights, will close after service this Saturday, April 29.
In a message on Facebook, the proprietors said, "The Econolodge stigma, and what will happen to the hotel in the future, as well as its patrons, was impacting our business. We are looking for another place where we can be successful for years to come!" According to the message, the owners will continue their catering business while looking for a new restaurant location, a process they hope to facilitate with help from a GoFundMe campaign.
* Two students in Jazz St. Louis' JazzU program have been selected for the 2017 edition of the Monterey Jazz Festival's Next Generation Jazz Orchestra. Trombonist Wyatt Forhan, a student at St. Dominic High School in O'Fallon, MO, and drummer Christian McGhee, who attends Westminster Christian Academy in Town and Country, will tour with the band this summer.
* The upcoming Tennessee Williams Festival St. Louis will include a production of Bertha in Paradise running from Wednesday, May 3 through Sunday, May 14 at the Curtain Call Lounge.
Imagining an alternate fate for the title character from Williams' play Hello from Bertha, the musical features singer Anita Jackson and pianist Charles Creath delivering "a saucy stew of bawdy songs" including "I Want A Little Sugar In My Bowl", "If It Don't Fit Don't Force It," and "I've Got You Under My Skin."
* I Called Him Morgan, the new documentary film about the life and death of trumpeter Lee Morgan (pictured), opens its St. Louis run today at the Tivoli Theatre in University City. You can see a list of show times here.
* The website St. Louis Musicians Unite has a new post this week about St. Louis jazz, combining a mention of Jazz Appreciation Month, a (much-appreciated!) acknowledgement of StLJN's recent 12th anniversary, and a video annotation of our current "Jazz this week" post.
Edited by Christopher Davis, STLMU has content covering a variety of musical genres and interests, and also has a very active Twitter account, with daily updates on live music shows happening around town.
* Guitarist Bill Frisell is the subject of a feature story by the Riverfront Times' Roy Kasten. Frisell performs with his trio tonight at The Ready Room.
* Saxophonist and former St. Louisan Oliver Lake has a new release on his Passin' Thru label. Offered on CD and as a digital download, Right Up On features Lake collaborating on a program of original compositions with the Flux Quartet, a string quartet specializing in contemporary music.
* @Nesbys, the Sunset Hills restaurant and bar with a musical menu including occasional live jazz on weekends and a weekly jam session on Wednesday nights, will close after service this Saturday, April 29.
In a message on Facebook, the proprietors said, "The Econolodge stigma, and what will happen to the hotel in the future, as well as its patrons, was impacting our business. We are looking for another place where we can be successful for years to come!" According to the message, the owners will continue their catering business while looking for a new restaurant location, a process they hope to facilitate with help from a GoFundMe campaign.
* Two students in Jazz St. Louis' JazzU program have been selected for the 2017 edition of the Monterey Jazz Festival's Next Generation Jazz Orchestra. Trombonist Wyatt Forhan, a student at St. Dominic High School in O'Fallon, MO, and drummer Christian McGhee, who attends Westminster Christian Academy in Town and Country, will tour with the band this summer.
* The upcoming Tennessee Williams Festival St. Louis will include a production of Bertha in Paradise running from Wednesday, May 3 through Sunday, May 14 at the Curtain Call Lounge.
Imagining an alternate fate for the title character from Williams' play Hello from Bertha, the musical features singer Anita Jackson and pianist Charles Creath delivering "a saucy stew of bawdy songs" including "I Want A Little Sugar In My Bowl", "If It Don't Fit Don't Force It," and "I've Got You Under My Skin."
Friday, June 17, 2016
So What: Local News, Notes & Links
Here's this week's wrap-up of assorted links and short news items of local interest:
* The Tavern of Fine Arts (pictured), the Central West End restaurant and bar that has presented numerous jazz, free improv, cabaret, and classical music performances over the past five years, will close permanently at the end of service next Saturday, June 25.
In a message posted on the venue's website, proprietors Aaron Johnson and Matt Daniels wrote, "While the performances have often attracted large audiences, and we have always paid the bills, the business is not profitable." Next week's performances will go on as scheduled, but the closing means the cancellation of a CD release party planned by local free improvisors for next month, as well the loss of the venue for recurring events including poetry readings, a monthly free improv jam session, and Cabaret Project St. Louis' monthly "open mic."
* KDHX has posted online photo albums from Genesis Jazz Project's concert last Thursday at Chesterfield Amphitheater; the New Orleans Suspects' show on Friday at the Broadway Oyster Bar; and Saturday's "Summer Gras" at Old Rock House.
* Bjorn Rannheim of The 442s was interviewed about the band's new release RELAY on Radio Arts Foundation - St. Louis.
* Saxophonist Christopher Braig has started a podcast called, fittingly enough, Sax St. Louis Podcast, offering "an eclectic mix of music, jazz, saxophone history, interviews, performing and educational topics relating to the greater St. Louis music community." Episode 1 is online now, with a second installment promised soon.
* The culinary offerings at The Dark Room were the subject of features this past week in the Ladue News and on the morning newscast at KTVI/Fox 2.
* In a new entry on his blog Devil at the Confluence, author, historian, and illustrator Kevin Belford takes a deep dive into the question of how Jelly Roll Morton got credit for a recording of the song "Soap Suds" that actually was made by the St. Louis Levee Band.
* Belford also posted to Vimeo a 30-second clip from Blues for Charlie O'Brien, a "doc in progress" about the former St. Louis police detective who in the 1950s helped revive interest in the city's early blues and jazz performers.
* A new entry on Marc Myers' blog Jazzwax looks into the connection between guitarist Grant Green's 1965 album I Want to Hold Your Hand and the line of "Little LPs" produced for stereo jukeboxes by Blue Note records.
* Drummer Kimberly Thompson was honored for her work on NBC's Late Night with Seth Meyers at the SESAC Film & Television Composers Awards Dinner held on June 1 in Santa Monica, CA. The performing rights organization presented more than 100 awards to music composers in the categories of network TV, local TV, cable TV, film composing, jingles, and streaming media.
* Bassist and St. Louis native Dan Loomis will debut "Job's Trial's - Our Trials," a new jazz oratorio he composed for bass, guitar, drums, voices, and a narrator, in a performance next Friday, June 24 at IBeam Brooklyn in NYC.
* The website Boiler Room has posted online a video of trumpeter and St. Louis native Keyon Harrold's performance at Revive Music's 10th anniversary event last month in NYC.
* Saxophonist Eric Person and his band Meta-Four are booked to perform at the 2016 Hudson Valley Jazz Festival, which takes place August 11-14 in Peekskill, NY.
* The Tavern of Fine Arts (pictured), the Central West End restaurant and bar that has presented numerous jazz, free improv, cabaret, and classical music performances over the past five years, will close permanently at the end of service next Saturday, June 25.
In a message posted on the venue's website, proprietors Aaron Johnson and Matt Daniels wrote, "While the performances have often attracted large audiences, and we have always paid the bills, the business is not profitable." Next week's performances will go on as scheduled, but the closing means the cancellation of a CD release party planned by local free improvisors for next month, as well the loss of the venue for recurring events including poetry readings, a monthly free improv jam session, and Cabaret Project St. Louis' monthly "open mic."
* KDHX has posted online photo albums from Genesis Jazz Project's concert last Thursday at Chesterfield Amphitheater; the New Orleans Suspects' show on Friday at the Broadway Oyster Bar; and Saturday's "Summer Gras" at Old Rock House.
* Bjorn Rannheim of The 442s was interviewed about the band's new release RELAY on Radio Arts Foundation - St. Louis.
* Saxophonist Christopher Braig has started a podcast called, fittingly enough, Sax St. Louis Podcast, offering "an eclectic mix of music, jazz, saxophone history, interviews, performing and educational topics relating to the greater St. Louis music community." Episode 1 is online now, with a second installment promised soon.
* The culinary offerings at The Dark Room were the subject of features this past week in the Ladue News and on the morning newscast at KTVI/Fox 2.
* In a new entry on his blog Devil at the Confluence, author, historian, and illustrator Kevin Belford takes a deep dive into the question of how Jelly Roll Morton got credit for a recording of the song "Soap Suds" that actually was made by the St. Louis Levee Band.
* Belford also posted to Vimeo a 30-second clip from Blues for Charlie O'Brien, a "doc in progress" about the former St. Louis police detective who in the 1950s helped revive interest in the city's early blues and jazz performers.
* A new entry on Marc Myers' blog Jazzwax looks into the connection between guitarist Grant Green's 1965 album I Want to Hold Your Hand and the line of "Little LPs" produced for stereo jukeboxes by Blue Note records.
* Drummer Kimberly Thompson was honored for her work on NBC's Late Night with Seth Meyers at the SESAC Film & Television Composers Awards Dinner held on June 1 in Santa Monica, CA. The performing rights organization presented more than 100 awards to music composers in the categories of network TV, local TV, cable TV, film composing, jingles, and streaming media.
* Bassist and St. Louis native Dan Loomis will debut "Job's Trial's - Our Trials," a new jazz oratorio he composed for bass, guitar, drums, voices, and a narrator, in a performance next Friday, June 24 at IBeam Brooklyn in NYC.
* The website Boiler Room has posted online a video of trumpeter and St. Louis native Keyon Harrold's performance at Revive Music's 10th anniversary event last month in NYC.
* Saxophonist Eric Person and his band Meta-Four are booked to perform at the 2016 Hudson Valley Jazz Festival, which takes place August 11-14 in Peekskill, NY.
Friday, June 20, 2014
So What: Local News, Notes & Links
Here's the latest wrap-up of assorted links and short local news items of interest:
* Best wishes and healing thoughts to trumpeter Adam Hucke, who's back home and recovering today after being hit in the arm by a stray bullet early this morning at the Broadway Oyster Bar.
According to a report on KMOV, two cars were involved in a gun battle on Broadway near Gratiot around 2:00 a.m. when Hucke, who was working with blues guitarist and singer Mike Aguirre, was hit.
No other details about the incident are available, but Hucke, best known as a member of the Funky Butt Brass Band, was treated and released by a local hospital and expects to be OK.
* Miles Davis' Take Off: The Complete Blue Note Albums, the recent reissue of the trumpeter's early 1950s sessions for the label (pictured), was reviewed by AllAboutJazz.com's Marc Davis.
* Meanwhile, in the latest news from Miles Ahead, actor Don Cheadle's forthcoming film about Davis, it seems that actress Zoe Saldana has dropped out of the project, but shooting still is scheduled to begin next month in Cincinnati.
* The Miles Davis Jazz Festival has posted on Facebook an album of photos from this year's fest.
* HEC-TV has posted online Don Wolff's video tribute to the late Mat Domber, founder of the jazz indie label Arbors Records.
* In related news, the audio version of Wolff's "I Love Jazz" program now can be heard on TuneIn.com.
* Bassist Jim Widner's big band camp for high school students was the subject of a feature story in the UMSL Current.
* The downtown bar and restaurant Lola, which occasionally presented jazz along with R&B, neo-soul and hop-hop, is closing. The story from the Post-Dispatch's Kevin Johnson cites increased competition from other venues, as well as differences among the partners.
* The Big Little Band has posted on Facebook an album of photos from their performance last week at The Abbey in Belleville.
* Jazz radio update: On this Saturday's episode of Radio Arts Foundation - St. Louis' “Somethin’ Else”, host Calvin Wilson will spotlight the music of Duke Ellington's collaborator Billy Strayhorn as interpreted by musicians including saxophonists Joe Henderson and Branford Marsalis and pianist Matthew Shipp.
After that on "The Jazz Collective," host Jason Church will be spinning tunes by Brian Culbertson, Omar Hakim, Pete McGuinness Jazz Orchestra, Nathan East, The New Mastersounds, Chuck Mangione, Acoustic Alchemy, Wes Montgomery, Gato Barbieri, Jimmy Smith, Dave Panico, Jim Manley, and more.
Wilson's program airs at 8:00 p.m. Saturdays, followed by Church at 9:00 p.m., on 107.3 FM, 96.3 HD-2, and online at http://www.rafstl.org/listen.
* Best wishes and healing thoughts to trumpeter Adam Hucke, who's back home and recovering today after being hit in the arm by a stray bullet early this morning at the Broadway Oyster Bar.
According to a report on KMOV, two cars were involved in a gun battle on Broadway near Gratiot around 2:00 a.m. when Hucke, who was working with blues guitarist and singer Mike Aguirre, was hit.
No other details about the incident are available, but Hucke, best known as a member of the Funky Butt Brass Band, was treated and released by a local hospital and expects to be OK.
* Miles Davis' Take Off: The Complete Blue Note Albums, the recent reissue of the trumpeter's early 1950s sessions for the label (pictured), was reviewed by AllAboutJazz.com's Marc Davis.
* Meanwhile, in the latest news from Miles Ahead, actor Don Cheadle's forthcoming film about Davis, it seems that actress Zoe Saldana has dropped out of the project, but shooting still is scheduled to begin next month in Cincinnati.
* The Miles Davis Jazz Festival has posted on Facebook an album of photos from this year's fest.
* HEC-TV has posted online Don Wolff's video tribute to the late Mat Domber, founder of the jazz indie label Arbors Records.
* In related news, the audio version of Wolff's "I Love Jazz" program now can be heard on TuneIn.com.
* Bassist Jim Widner's big band camp for high school students was the subject of a feature story in the UMSL Current.
* The downtown bar and restaurant Lola, which occasionally presented jazz along with R&B, neo-soul and hop-hop, is closing. The story from the Post-Dispatch's Kevin Johnson cites increased competition from other venues, as well as differences among the partners.
* The Big Little Band has posted on Facebook an album of photos from their performance last week at The Abbey in Belleville.
* Jazz radio update: On this Saturday's episode of Radio Arts Foundation - St. Louis' “Somethin’ Else”, host Calvin Wilson will spotlight the music of Duke Ellington's collaborator Billy Strayhorn as interpreted by musicians including saxophonists Joe Henderson and Branford Marsalis and pianist Matthew Shipp.
After that on "The Jazz Collective," host Jason Church will be spinning tunes by Brian Culbertson, Omar Hakim, Pete McGuinness Jazz Orchestra, Nathan East, The New Mastersounds, Chuck Mangione, Acoustic Alchemy, Wes Montgomery, Gato Barbieri, Jimmy Smith, Dave Panico, Jim Manley, and more.
Wilson's program airs at 8:00 p.m. Saturdays, followed by Church at 9:00 p.m., on 107.3 FM, 96.3 HD-2, and online at http://www.rafstl.org/listen.
Friday, June 06, 2014
Robbie's House of Jazz closing at end of June
After a run of nearly five years in suburban Webster Groves, Robbie's House of Jazz will close forever at the end of June.
The club's last public show on Thursday, June 26 will feature New Hampshire based singer Wendee Glick with pianist Dave Venn's band; the final Friday and Saturday of the month both are booked for private parties.
The space at 20 Allen Ave has been a jazz club for ten years now, operating under the management of Harold and Cookie Whitfield as Cookie's Jazz and More for five years before Robbie's GM Dorothy Edwards and her husband Robert Edwards took over in August 2009.
Now, with their five-year lease coming to an end, Dorothy Edwards told StLJN that she wants to continue presenting jazz, but plans to look for another space. "I like Webster. It's a very nice facility and everything," she said. However, as anyone who's been there can tell you, the Allen Ave location - off Lockwood Ave, the main drag of downtown Webster, on a corner at the end of a block hard by the railroad tracks - isn't what you'd call high-profile. "I just want to do something more visible," Edwards explained.
"So I'm going to be taking my time, looking and seeing what's out there," she said, "hopefully to be up and running by the fall," if all goes to plan. Edwards said she is concentrating her search on the central corridor, mentioning possibilities in several mid-county municipalities and the Central West End, but she also plans to view at least one potential space on Cherokee St. in south St. Louis as well.
She said any new version of Robbie's likely would continue the Tuesday night jam sessions, which have proved popular with local music students, and that she also wants to continue to feature up-and-coming touring musicians who otherwise might not find a place to play in St. Louis.
Until a new space is located, Edwards said she'll be booking duos on Saturday nights at the lounge at the Omni Majestic Hotel downtown, and possibly presenting events at other venues as well. The Robbie's website should be updated with all the final month's events within the next day or two, she said.
StLN will have more on this story as developments warrant...
The club's last public show on Thursday, June 26 will feature New Hampshire based singer Wendee Glick with pianist Dave Venn's band; the final Friday and Saturday of the month both are booked for private parties.
The space at 20 Allen Ave has been a jazz club for ten years now, operating under the management of Harold and Cookie Whitfield as Cookie's Jazz and More for five years before Robbie's GM Dorothy Edwards and her husband Robert Edwards took over in August 2009.
Now, with their five-year lease coming to an end, Dorothy Edwards told StLJN that she wants to continue presenting jazz, but plans to look for another space. "I like Webster. It's a very nice facility and everything," she said. However, as anyone who's been there can tell you, the Allen Ave location - off Lockwood Ave, the main drag of downtown Webster, on a corner at the end of a block hard by the railroad tracks - isn't what you'd call high-profile. "I just want to do something more visible," Edwards explained.
"So I'm going to be taking my time, looking and seeing what's out there," she said, "hopefully to be up and running by the fall," if all goes to plan. Edwards said she is concentrating her search on the central corridor, mentioning possibilities in several mid-county municipalities and the Central West End, but she also plans to view at least one potential space on Cherokee St. in south St. Louis as well.
She said any new version of Robbie's likely would continue the Tuesday night jam sessions, which have proved popular with local music students, and that she also wants to continue to feature up-and-coming touring musicians who otherwise might not find a place to play in St. Louis.
Until a new space is located, Edwards said she'll be booking duos on Saturday nights at the lounge at the Omni Majestic Hotel downtown, and possibly presenting events at other venues as well. The Robbie's website should be updated with all the final month's events within the next day or two, she said.
StLN will have more on this story as developments warrant...
Friday, July 12, 2013
So What: Local News, Notes & Links
Here's the latest wrap-up of assorted links and short local news items of interest:
* The Frontenac Grill, which frequently featured live jazz on Wednesday evenings and Saturday afternoons, has closed.
* Quartette Humaine, the new album from saxophonist David Sanborn and pianist Bob James, was reviewed by Mike Joyce of Jazz Times and Curt Davenport of Curt's Jazz Cafe.
Meanwhile, C. Andrew Hovan of AllAboutJazz.com reviewed Sanborn & James' set last month at the San Francisco Jazz Festival.
* Oliver Lake was in Oakland last week for four gigs featuring four different lineups of musicians. His evening of duets with Roscoe Mitchell was reviewed by Richard Scheinin of the San Jose Mercury News, while Lake's show with saxophonist Philip Greenlief and guitarist Ross Hammond was the subject of a post, with photos, by blogger Mark Pino of Disaster Amnesiac.
* The Post-Dispatch's Sarah Bryan Miller looked at the impact of Terence Blanchard's Champion on the recently concluded season of Opera Theater of St. Louis.
* Saxophonist and one-time Webster University student John Zorn is celebrating his 60th birthday this year with a variety of concerts and recordings, as chronicled in recent feature stories from the New York Times and Jewish Week. This weekend, Zorn is performing with guests including Mike Patton, Marc Ribot and Trevor Dunn at the Barbican in London.
* KDHX (88.1 FM) has launched a Kickstarter campaign raising funds to build a stage at the station's new headquarters in Grand Center, just a few doors down from Jazz at the Bistro. The live performance space will seat 125 people for what's being called "an intimate listening room experience."
Premiums for contributions to the campaign include everything from a t-shirt (pictured) on up to private parties at the venue and even naming rights for the green rooms. The goal is to raise $50,000 by July 26; as of this writing, the campaign has attracted 79 backers who have pledged $3,762.
* Continuing with our radio update, this Saturday's edition of Calvin Wilson's "Somethin' Else", will feature the latest music from guitarists Bill Frisell, Pat Metheny and John Scofield. Right after that, Jason Church's "The Jazz Collective" will showcase tracks from trumpeter Dawn Weber's new project, plus music from Christian McBride, Peet Project, Spyro Gyra, David Sanborn and Ramsey Lewis.
Wilson's show is broadcast at 8:00 p.m. Saturdays and Church's at 9:00 p.m. on Radio Arts Foundation - St. Louis via 107.3 FM, 96.3 HD-2 and online at http://www.rafstl.org/listen.
* The Frontenac Grill, which frequently featured live jazz on Wednesday evenings and Saturday afternoons, has closed.
* Quartette Humaine, the new album from saxophonist David Sanborn and pianist Bob James, was reviewed by Mike Joyce of Jazz Times and Curt Davenport of Curt's Jazz Cafe.
Meanwhile, C. Andrew Hovan of AllAboutJazz.com reviewed Sanborn & James' set last month at the San Francisco Jazz Festival.
* Oliver Lake was in Oakland last week for four gigs featuring four different lineups of musicians. His evening of duets with Roscoe Mitchell was reviewed by Richard Scheinin of the San Jose Mercury News, while Lake's show with saxophonist Philip Greenlief and guitarist Ross Hammond was the subject of a post, with photos, by blogger Mark Pino of Disaster Amnesiac.
* The Post-Dispatch's Sarah Bryan Miller looked at the impact of Terence Blanchard's Champion on the recently concluded season of Opera Theater of St. Louis.
* Saxophonist and one-time Webster University student John Zorn is celebrating his 60th birthday this year with a variety of concerts and recordings, as chronicled in recent feature stories from the New York Times and Jewish Week. This weekend, Zorn is performing with guests including Mike Patton, Marc Ribot and Trevor Dunn at the Barbican in London.
* KDHX (88.1 FM) has launched a Kickstarter campaign raising funds to build a stage at the station's new headquarters in Grand Center, just a few doors down from Jazz at the Bistro. The live performance space will seat 125 people for what's being called "an intimate listening room experience."
Premiums for contributions to the campaign include everything from a t-shirt (pictured) on up to private parties at the venue and even naming rights for the green rooms. The goal is to raise $50,000 by July 26; as of this writing, the campaign has attracted 79 backers who have pledged $3,762.
* Continuing with our radio update, this Saturday's edition of Calvin Wilson's "Somethin' Else", will feature the latest music from guitarists Bill Frisell, Pat Metheny and John Scofield. Right after that, Jason Church's "The Jazz Collective" will showcase tracks from trumpeter Dawn Weber's new project, plus music from Christian McBride, Peet Project, Spyro Gyra, David Sanborn and Ramsey Lewis.
Wilson's show is broadcast at 8:00 p.m. Saturdays and Church's at 9:00 p.m. on Radio Arts Foundation - St. Louis via 107.3 FM, 96.3 HD-2 and online at http://www.rafstl.org/listen.
Monday, February 11, 2013
Rue Lafayette closes
Rue Lafayette, the Lafayette Square cafe and boutique that featured live jazz regularly on weekends, has closed. According to reports published today on STLtoday and the website of St. Louis magazine, the closing is a byproduct of divorce proceedings between proprietress Araceli Kopiloff and her co-owner and soon-to-be-ex-husband.
The venue (pictured) had presented live jazz during Saturday and Sunday brunch and on occasional evenings, featuring retro jazz and swing performers such as Miss Jubilee, the Sidemen, Wack-A-Doo, and others. Miss Jubilee, who had been playing at brunch there most Sundays, now will move over to a regular slot on that day at BB's Jazz Blues and Soups, performing weekly from noon to 4:00 p.m beginning this coming Sunday, February 17.
The St. Louis magazine story said, "Kopiloff confided that she has attempted a variety of measures to keep Rue Lafayette open, including selling the business to a third party, but no agreement has yet been reached." A post on Kopiloff's Facebook page, since deleted, also mentioned the possibility of reopening under new management. Watch this space for news of any further developments.
The venue (pictured) had presented live jazz during Saturday and Sunday brunch and on occasional evenings, featuring retro jazz and swing performers such as Miss Jubilee, the Sidemen, Wack-A-Doo, and others. Miss Jubilee, who had been playing at brunch there most Sundays, now will move over to a regular slot on that day at BB's Jazz Blues and Soups, performing weekly from noon to 4:00 p.m beginning this coming Sunday, February 17.
The St. Louis magazine story said, "Kopiloff confided that she has attempted a variety of measures to keep Rue Lafayette open, including selling the business to a third party, but no agreement has yet been reached." A post on Kopiloff's Facebook page, since deleted, also mentioned the possibility of reopening under new management. Watch this space for news of any further developments.
Friday, August 17, 2012
So What: Local News, Notes & Links
Here's the latest wrap-up of assorted links and short local news items of interest:* The Delmar Lounge, the long-running bar and restaurant in U City's Loop district, has closed. The Riverfront Times' restaurant writer Ian Froeb has the news here, and local rapper Tef Poe penned an account of the venue's last night for the RFT Music Blog here.
The Delmar featured live jazz at various times over the last 15 years, through several changes in ownership and management. Most recently, there were several weekly gigs of interest to jazz fans, including a Monday night jam; pianists Ptah Williams and Jesse Gannon on Wednesdays and Thursdays, respectively; and funk trio Downstereo on Sundays. Coming in the wake of the shuttering of both Brandt's and Riddle's a couple of years ago, the closing of the Delmar Lounge now leaves the Loop area completely devoid of any venues regularly featuring live, local jazz.
* Keyboardist Brian Culbertson talked with the Post-Dispatch's Kevin Johnson about his joint tour with saxophonist David Sanborn, which hits The Pageant next Thursday. (Sanborn also chimes in a bit toward the end of the piece.)
* And speaking of The Pageant, they've announced that their box office, Suite 100, now is also a Ticketmaster outlet for the region, selling tickets to Ticketmaster events at other local venues such as the Verizon Wireless Amphitheater, Edward Jones Dome, Scottrade Center, and Peabody Opera House.
* The Sheldon Concert Hall has posted on Facebook a photo album of pianist Peter Martin & singer Christine Brewer rehearsing "This Present Past," a new work by Martin that was commissioned for The Sheldon's 100th Anniversary Celebration concert on Thursday, October 11.
* Author, artist and preservation activist Kevin Belford will speak about his book Devil At The Confluence: The Pre-War Blues Music of St. Louis at 7:00 p.m. on Thursday, August 30 at the Missouri State Archives, 600 W. Main Street in Jefferson City. The free event is sponsored by the Friends of the Missouri State Archives.
* Jazz St. Louis has announced the selection of musicians for this year's Jazz St. Louis All-Stars, the premiere group representing the organization's extensive jazz education programs for area middle school and high school students. The 2012-13 All-Stars (pictured, photo courtesy of Jazz St. Louis) will include guitarist Zach Aria (Maplewood Richmond Heights HS), bassist Kevin Baudrexl (Lindbergh HS), trombonist Kevin Killeen (Webster Groves HS), saxophonist Matthew Leininger (Lindbergh HS), trumpeter Khamali Moore (Metro HS) and drummer Zachary Morrow (University City HS).
Friday, January 13, 2012
So What: Local News, Notes & Links
Here's the latest wrap-up of assorted links and short local news items of interest:* There's good news in this week's blog entry from Gwen Terry, wife of legendary trumpeter and St. Louis native Clark Terry. After spending three months in the hospital and having his right leg amputated below the thigh, Terry (pictured) has improved enough that doctors are about to let him return home.
In related news, Terry will be the subject of a tribute this Sunday night on Canada's Jazz.FM91. The 30 minute program will air at 10:00 p.m. Eastern time (9:00 p.m. here in St. Louis) and will be hosted by Celine Peterson, daughter of the legendary jazz pianist Oscar Peterson as part of the station's “Host Your Own Radio Show” series. The program can be streamed from anywhere in the world via http://www.jazz.fm.
* Speaking of radio, St. Louis' Smooth 96.3 HD-3 and its sister station KFTK-HD2 recently were featured in an article in Radio World, highlighting a promotion the stations did in conjunction with a concert last year by Steve Tyrell at the Sheldon. Smooth 96.3's main man Jason Church also tells StLJN that they've recently set up a Facebook fan page to keep listeners informed about what's going on at the station.
* One of The Bad Plus' sets last week at Jazz at the Bistro was reviewed for the Riverfront Times by Ryan Wasoba. Jazz St. Louis also has posted TBP's setlist from the week.
* Once again this year, Jazz St. Louis is polling fans about who they'd like to see perform next season at Jazz at the Bistro. Choices in this year's poll include trumpeters Arturo Sandoval and Dave Douglas; saxophonist Joe Lovano; pianists Jason Moran and Hiromi Uehara; singers Gregory Porter, Gretchen Parlato, Karrin Allyson, and Sachal Vasandani; and the Preservation Hall Jazz Band. You can cast your ballot on the Jazz St. Louis Facebook page or on the front page of the JSL website. (Look on the right-hand side of the page for the poll.)
* Following up on last week's story that Webster Records will close on January 31, the RFT's Diana Benanti filed a report that added a key bit of info, namely that the proximate cause for the closing would seem to be that the store's lease is up at the end this month. Other coverage of the shuttering of the long-running retailer came from the Webster-Kirkwood Times, St. Louis Business Journal, KSDK, the Webster Groves site for Patch.com, and even a brief mention as part of larger trend story on NPR about the difficulties facing niche stores in the Internet age.
Thursday, January 05, 2012
Webster Records to close January 31
According to a story by Deb Peterson published Wednesday on STLtoday.com, Webster Records will close permanently on January 31.The story says the store has been in operation for 58 years, which would make it St. Louis' longest-running independent music retailer and one of the more long lived businesses in the Old Webster business district of Webster Groves. It's been a haven for local jazz fans throughout the years, stocking recordings from smaller labels that were hard to find elsewhere, and presenting occasional in-store events with local jazz musicians.
The story also said, "Until the shop is shuttered, remaining inventory will be on sale, store manager Jim Lovins said in an email. Starting today it's 30 percent off of retail and prices will be discounted through the month, he added."
Although no specific reasons for the closing were cited, and current owner Jennifer Bellm was not available for comment, one can surmise that the store, like many other indie music retailers, just couldn't survive both the long current economic downturn and the drastic ongoing changes in the music business brought on by the advent of digital distribution.
Unknown at this time is whether the store's closing will have an effect on the Old Webster Jazz and Blues Festival, for which Bellm has been a prime mover in recent years. StLJN will have more on that if and when there are any developments.
A personal note: Yr. humble editor grew up in Webster Groves and went to Bristol Elementary just a couple of blocks away, so while I can't be absolutely certain, I think Webster Records probably was the first music store I ever visited on my own, without parental supervision.
This was when the store was in its original location, across the street and down the block from the current address. Original owners Roy and Dorothy Gleason built their business primarily on classical, jazz, Broadway cast albums and pre-rock-era pop music, along with an apparently profitable niche business in square dance records, which had their own little section in the store. Eventually they began to stock more rock records as well, but most of my purchases were jazz records out of the bargain bin at the front of the store, which held both cut-outs and LPs that had been marked down for clearance.
Since the Gleasons' clientele tended more toward trad jazz, big bands and swing, whatever avant-garde jazz stuff found its way into the store - presumably through some sort minimum-order arrangement with distributors - often languished for a long time before being relegated to the bargain bin.
And so by the time I was in high school and starting to investigate the various styles of jazz in earnest, I occasionally was able to make some sweet scores there, grabbing Impulse LPs by Archie Shepp, Elvin Jones, Marion Brown and others for cheap prices, even by 1970s standards. Webster is also where I scored my prized vinyl copy of Sun Ra's Heliocentric Worlds Volume 2, a record on the rather spottily distributed ESP-Disk label that I hunted for two years before finally finding it there, albeit at full price, probably a then-outrageous-seeming six bucks or so. Although I haven't shopped at Webster Records since moving away from Webster Groves in the 1980s, I'll always have fond memories of the store for those experiences, and I'm sorry to see it close.
(Edited after posting to fix a typo.)
Labels:
closing,
Old Webster Jazz Festival,
Webster Records
Tuesday, November 01, 2011
Spruill's becomes Lavish, ending long run of Saturday jazz matinees
One of St. Louis' longest running weekly jazz gigs, the Saturday afternoon sessions by saxophonist Willie Akins at Spruill's, has come to a final ending with the closing of the club.In a story published yesterday, the Post-Dispatch's Kevin Johnson wrote that the space at 1101 Jefferson formerly occupied by Spruill's is being refitted as a new nightclub, Lavish, by the owners of several other trendy local nightspots.
Akins' Saturday afternoon shows were a staple at Spruill's for many years, often attracting touring musicians passing through town as well as student players hoping for a chance to sit in.
He continues to play around town despite recent health problems that led friends and colleagues to stage a fundraiser for his medical expenses over Labor Day weekend. In addition to leading his own group, Akins (pictured) can be heard performing with bassist Bob DeBoo and others.
Saturday, July 09, 2011
So What: Local News, Notes & Links
Here's the latest wrap-up of assorted links and short local news items of interest:* The retail store Drum Headquarters, which has been selling gear to St. Louis percussionists for three decades, has closed.
In a statement posted on the company's website, owner Jim Uding wrote in part, "These are difficult times for specialized retailers and of course, Drum Headquarters is no exception. Since purchasing the business in 2005, a perfect storm of events including epic negative economic conditions and the accelerating changes brought on by technology have produced a wave of challenges bigger than I could withstand." Customers with unfinished business will be contacted directly, and drum lessons will continue through the end of July.
* The summer St. Louis Record Collector and CD Show is tomorrow, Sunday, July 10. The quarterly sale of records, CDs and music-related collectables takes place from 10:00 a.m. to 3:00 p.m. at the American Czech Hall, 4690 Lansdowne on the south side. Call 314-821-9121 for more info.
* Legendary St. Louis guitarist, teacher, author, and businessman Mel Bay (pictured) has finally gotten a star on the St. Louis Walk of Fame.
* In his latest entry for St. Louis magazine's Look/Listen blog, Dennis Owsley sets aside musical matters for a month to lament the coarsening of culture in the USA and wonder about our nation's seeming contempt for education.
Labels:
closing,
Dennis Owsley,
Drum Headquarters,
Mel Bay,
St. Louis magazine
Tuesday, June 07, 2011
Brandt's Cafe and Red Carpet Lounge closes
St. Louis has lost another venue for live jazz, as Brandt's (pictured), the health food deli-turned-bar and restaurant that's been a staple in the Delmar Loop for 25 years, has closed. The announcement was posted Sunday on Brandt's Facebook page, and the Post-Dispatch's Kevin Johnson has a story on the closing here.In the Post article, Brandt's co-owner Adam Brandt (nephew of founder and former owner Jay Brandt) blames recent street crime in the Loop area for the venue's demise. His assertion is disputed by quotes from Joe Edwards, owner of Blueberry Hill and other business ventures on the street, and vehemently contradicted by the story's commenters, who place the blame for Brandt's collapse on poor management and substandard food and service.
Based on the available evidence, I'd have to side with the commenters. Clearly, whatever crime issues the Delmar Loop may be experiencing at present, many businesses, including numerous restaurants and bars, continue to thrive there. Moreover, there's been an ongoing pattern of Brandt's communications with customers and the press getting fewer and further between over the four years since Jay Brandt sold out. Weekly emails touting food and drink specials and the live music lineup were discontinued, and the website and music schedule went without updates for weeks at a time, with the site eventually falling into the hands of domain-jackers. While the ability to run a website doesn't necessarily correlate with the skills needed to run a restaurant and music venue, a failure to promote can doom almost any business.
In March, yr. humble StLJN editor greeted reports of an "ultralounge" makeover to Brandt's club with what in hindsight has turned out to be quite justifiable skepticism. (Johnson's story notes that the manager responsible for the makeover actually was fired before the "grand reopening" took place.)
In the post, I asked, "Is this latest attempt to cater to the trendy crowd a savvy business decision, or a desperation move?" Guess we know the answer to that now, eh? Not long after that, I got several reports from local musicians about last-minute cancellations and disagreements over previously agreed-upon wages, which usually are a reliable indicator that a place is going down for the last time.
It's never good to lose a venue for live music, and I feel badly for former owner Jay Brandt, a decent guy and a genuine friend to many St. Louis musicians. Although the space formerly occupied by Brandt's no doubt will be snapped up by another business without delay, the club's unique connection to St. Louis music history - Jay's parents operated a club in Gaslight Square, and he booked many musicians from that era into his place - is something that's now gone forever.
Update - 5:00 p.m., 6/8/11: In the wake of yesterday's story getting more than 120 comments, the Post published another article on the Brandt's closing today, co-credited to Stephen Deere and Kevin Johnson. It recaps yesterday's story, quotes a couple of U. City council members on crime in the Loop and the difficulties of the restaurant business, and notes that Brandt's had received unfavorable reviews on websites like urbanspoon.com and yelp.com. Adam Brandt is quoted as saying he lost $300,000 on the venture, but as for specific evidence that crime is up in the Loop area, "The University City Police Department could not immediately provide statistics to refute or support the statement. Capt. Mike Ransom said it would take time to look up the numbers."
The comments on this story are similar to the earlier responses, though there seems to be a few more commenters contending that "thugs" are a significant problem in the neighborhood. However, there are very few mentions of specific incidents, and, other than a report of a cell phone being stolen from a sidewalk table, none seem to have a connection to Brandt's.
Moreover, several of the most vociferous complaints come from commenters who seem to feel threatened by the mere presence of groups of young people, black people, young black people, and/or people with piercings and/or tattoos - seriously, a couple of commenters actually mention this - and so should be considered with that in mind. Absent credible reports of serious crimes in the area, or statistical evidence that there's recently been a significant increase in crime, from here it still looks like Brandt's problems were, alas, mostly of their own making.
Labels:
Brandt's,
closing,
Kevin Johnson,
St. Louis Post-Dispatch
Friday, November 05, 2010
So What: Local News, Notes & Links
Here's the latest wrap-up of links and short local news items of interest that you may have missed:* Riddle's Penultimate Wine Bar and Cafe (pictured), a mainstay in the U. City Loop area for 25 years, has closed "indefinitely," as reported variously this week by the Riverfront Times, Post-Dispatch and St. Louis magazine. Unfortunately, this means the loss of another local venue for jazz, as Riddle's had featured pianist Ptah Williams as a regular performer on Wednesdays, as well other local groups such as the St. Louis Jazz X-Tet, who recently had ended their long-running Sunday night gig there.
* On a slightly cheerier note, the city of St. Louis and the Grand Center district, home to music venues including Jazz at the Bistro, the Sheldon and the Kranzberg Arts Center, have ended the enforcement of on-street parking meters in the district after 7:00 p.m., reversing a decision made earlier this year to write tickets until 10:00 p.m..
* The fall edition of the St Louis Record Collector Show, which is held four times a year at the American Czech Hall, 4690 Lansdowne at Kingshighway, takes place from 10:00 a.m. to 3:30 p.m. this Sunday, November 7. A variety of vendors will offer all sorts of media and memorabilia, including LPs, 78s, 45s, CDs, posters, pictures, DVDs, VHS tapes, magazines, ephemera and more.
* PNC Financial Services Group , which recently entered St. Louis by taking over the locations of National City banks, this week offered to donate a total of $1 million to midsize and large St. Louis arts groups over the next two years through its PNC Arts Alive program. Applications for the grants, which will be for $20,000 or more, begin immediately, with winners to be announced in June. Here's hoping that our town's qualifying jazz presenters, such as Jazz St. Louis and the Sheldon, will get a share of the cash.
(Photo of Riddle's from the Riverfront Times.)
Friday, July 24, 2009
St. Louis Jazz Cafe closes
The St. Louis Post-Dispatch's Kevin Johnson is reporting today in a blog post that the St. Louis Jazz Cafe has closed, effective immediately. The club, located downtown at 1500 St. Charles in the Terra Cotta Lofts building, had been open for just four months.
Operation manager Tim Simms is quoted in Johnson's story saying that although the abrupt timing of the shutdown was due to noise complaints from neighbors - the Terra Cotta Lofts is a residential building - the cafe had been losing money due to lack of a late-night crowd. A commenter on the post, which you can read in its entirety here, said that "the place was packed on Fridays and Saturdays (”noise”) and empty the rest of the week (”losing money”)". According to the story, the cafe's owners hope to reopen in a new location, but there was no indication as to a time frame.
Even in good times, the restaurant/bar business can be a tough way to make a dollar, and given the state of the overall economy this year, and the inherent problems with this particular location, I suppose this doesn't come as a great shock. Still, the loss of any local jazz venue is unfortunate for listeners and players alike. Here's hoping that the St. Louis Jazz Cafe's proprietors are both sincere about their expressed desire to reopen, and successful in finding a new, more suitable location.
Operation manager Tim Simms is quoted in Johnson's story saying that although the abrupt timing of the shutdown was due to noise complaints from neighbors - the Terra Cotta Lofts is a residential building - the cafe had been losing money due to lack of a late-night crowd. A commenter on the post, which you can read in its entirety here, said that "the place was packed on Fridays and Saturdays (”noise”) and empty the rest of the week (”losing money”)". According to the story, the cafe's owners hope to reopen in a new location, but there was no indication as to a time frame.
Even in good times, the restaurant/bar business can be a tough way to make a dollar, and given the state of the overall economy this year, and the inherent problems with this particular location, I suppose this doesn't come as a great shock. Still, the loss of any local jazz venue is unfortunate for listeners and players alike. Here's hoping that the St. Louis Jazz Cafe's proprietors are both sincere about their expressed desire to reopen, and successful in finding a new, more suitable location.
Friday, December 19, 2008
More on Cookie's closing
This is the final weekend for Webster Groves music venue Cookie's Jazz and More, and I talked with owner Harold Whitfield about the club's closing for a story now posted on the Riverfront Times music blog A to Z. Learn more about why the club is closing and why it may not be the end of jazz in the space being vacated by reading the whole article here.
Labels:
closing,
Cookie's,
press coverage,
Riverfront Times
Monday, December 15, 2008
Lucas School House to close at the end of the month
The Soulard music venue Lucas School House will close after a final show on New Year's Eve. The RFT's Annie Zaleski broke the story in a blog post last Friday, and the Post's Kevin Johnson also has an item on his blog today.
Over the last two and half years, Lucas School House featured a variety of musical genres, emphasizing rock, Americana and singer-songwriters, but also hosting jam bands, monthly events from Cafe Soul shows and the occasional jazz or world music gig. The eclectic guitarist Adrian Legg will play there this Thursday, and the final show on New Year's Eve will feature Grateful Dead tribute band Jake's Leg.
Inthe release quoted in both the linked stories, owner Dan Jameson says he'll be back soon with another larger music venue, but not in the Soulard neighborhood. StLJN will be watching that situation, and we'll have more as it develops further.
Over the last two and half years, Lucas School House featured a variety of musical genres, emphasizing rock, Americana and singer-songwriters, but also hosting jam bands, monthly events from Cafe Soul shows and the occasional jazz or world music gig. The eclectic guitarist Adrian Legg will play there this Thursday, and the final show on New Year's Eve will feature Grateful Dead tribute band Jake's Leg.
Inthe release quoted in both the linked stories, owner Dan Jameson says he'll be back soon with another larger music venue, but not in the Soulard neighborhood. StLJN will be watching that situation, and we'll have more as it develops further.
Tuesday, July 01, 2008
Cabaret at Savor closes
If you follow local restaurant news, you already may have seen the items last week on the Sauce magazine Web site (scroll down to the entries from 6/27/08) and in Deb Peterson's column in the St. Louis Post-Dispatch announcing that Savor, the swanky eatery at 4356 Lindell in the Central West End, would close its doors for the final time this past Saturday night.
Unfortunately, the restaurant's closing also means the end of the Cabaret at Savor, which operated under separate management in the same building. Here's the email announcement from producer Jim Dolan:
Unfortunately, the restaurant's closing also means the end of the Cabaret at Savor, which operated under separate management in the same building. Here's the email announcement from producer Jim Dolan:
"Closing Was Sudden, UnexpectedHere's hoping Dolan is successful in finding another space. StLJN will have updates on his progress as the situation develops.
I am writing to tell you that The Cabaret at Savor is closed.
The Cabaret at Savor presented its last show on Saturday, June 28. The 64-seat room opened as a cabaret in October of 2006, and presented some of the top names in Manhattan cabaret, including Steve Ross, Maude Maggart, Paula West, Eric Comstock and Barbara Fasano, Mary Cleere Haran, Craig Rubano, Jeff Harnar, Barbara Brussell, John McDaniel and many others. It had also become a favorite venue for cabaret singers and musical theatre artists from St. Louis.
It's a loss, for me personally and for all here who love cabaret. The room was a terrific cabaret space, and both the singers and the audiences liked its elegant and cozy design. Unfortunately, I learned just 48 hours prior that Savor, the restaurant, was closing over the weekend. I have been working with the building owners to keep the cabaret space upstairs open, but at this time that appears not to be an option. I am looking for a new space, and hope to have an announcement soon. My thanks to all the wonderful singers and musicians, to those who did sound and lights, and especially to our audience. You made it a great room."
Thursday, December 27, 2007
Will New Year's Eve be the finale for Finale?
An article in today's Post-Dispatch by pop critic Kevin Johnson confirms that Finale Music and Dining in Clayton will close permanently following the New Year's Eve celebration featuring Wild, Cool and Swingin'.
While the closing had been rumored since September, when it was announced that the hotel building housing the club would be converted to condos for senior citizens, this is the first time anyone from Finale has spoken on the record to confirm the news. Owner Steve Schankman told Johnson that he's keeping all the fixtures and equipment from the club and is seeking another location in the mid-county area, with hopes of opening a new incarnation of Finale in the spring.
Here's hoping that Schankman is successful in his quest to find a new home for Finale, which over the past three years has featured a number of touring jazz acts as well as local jazz performers and a variety of other entertainment.
While the closing had been rumored since September, when it was announced that the hotel building housing the club would be converted to condos for senior citizens, this is the first time anyone from Finale has spoken on the record to confirm the news. Owner Steve Schankman told Johnson that he's keeping all the fixtures and equipment from the club and is seeking another location in the mid-county area, with hopes of opening a new incarnation of Finale in the spring.
Here's hoping that Schankman is successful in his quest to find a new home for Finale, which over the past three years has featured a number of touring jazz acts as well as local jazz performers and a variety of other entertainment.
Tuesday, August 14, 2007
Crossings Taverne and Grille is closing
Crossings Taverne and Grille, the Webster Groves restaurant and bar that has featured live jazz music several nights a week for the last few years, is closing. An item in Sauce magazine - scroll down to the entries for August 3 - says the establishment's landlords want to raise the rent when the current lease expires on August 20, and reports that Crossings' operators were disinclined to renew at the new rate.
In retrospect, the signs that Crossings was in trouble have been coming for several months. In late spring, they stopped sending out email updates on who would be performing there. Then, they stopped updating their Web site (which now comes up with an "account suspended" message from their hosting provider). In July, the club closed unexpectedly for a "vacation" without first notifying the bands scheduled to perform, with the result being that at least one musical act that had been booked didn't learn of the closing until they arrived at the club to set up for their gig.
The Sauce magazine item says Crossings' operators want to reopen at a new location. Meanwhile, the owners of the building shouldn't have much trouble attracting a new tenant to the site in the Old Webster business district, an area that, Crossings' failure notwithstanding, seems to have very few retail vacancies.
Will Crossings succeed in finding a new location? Will another restaurant/bar take Crossings' place? And will either one feature jazz music as part of a live entertainment policy? Nothing else to do but stay tuned...
In retrospect, the signs that Crossings was in trouble have been coming for several months. In late spring, they stopped sending out email updates on who would be performing there. Then, they stopped updating their Web site (which now comes up with an "account suspended" message from their hosting provider). In July, the club closed unexpectedly for a "vacation" without first notifying the bands scheduled to perform, with the result being that at least one musical act that had been booked didn't learn of the closing until they arrived at the club to set up for their gig.
The Sauce magazine item says Crossings' operators want to reopen at a new location. Meanwhile, the owners of the building shouldn't have much trouble attracting a new tenant to the site in the Old Webster business district, an area that, Crossings' failure notwithstanding, seems to have very few retail vacancies.
Will Crossings succeed in finding a new location? Will another restaurant/bar take Crossings' place? And will either one feature jazz music as part of a live entertainment policy? Nothing else to do but stay tuned...
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