Here's this week's wrap-up of assorted links and short news items of local interest:
* The Tavern of Fine Arts (pictured), the Central West End restaurant and bar that has presented numerous jazz, free improv, cabaret, and classical music performances over the past five years, will close permanently at the end of service next Saturday, June 25.
In a message posted on the venue's website, proprietors Aaron Johnson and Matt Daniels wrote, "While the performances have often attracted large audiences, and we have always paid the bills, the business is not profitable." Next week's performances will go on as scheduled, but the closing means the cancellation of a CD release party planned by local free improvisors for next month, as well the loss of the venue for recurring events including poetry readings, a monthly free improv jam session, and Cabaret Project St. Louis' monthly "open mic."
* KDHX has posted online photo albums from Genesis Jazz Project's concert last Thursday at Chesterfield Amphitheater; the New Orleans Suspects' show on Friday at the Broadway Oyster Bar; and Saturday's "Summer Gras" at Old Rock House.
* Bjorn Rannheim of The 442s was interviewed about the band's new release RELAY on Radio Arts Foundation - St. Louis.
* Saxophonist Christopher Braig has started a podcast called, fittingly enough, Sax St. Louis Podcast, offering "an eclectic mix of music, jazz, saxophone history, interviews, performing and educational topics relating to the greater St. Louis music community." Episode 1 is online now, with a second installment promised soon.
* The culinary offerings at The Dark Room were the subject of features this past week in the Ladue News and on the morning newscast at KTVI/Fox 2.
* In a new entry on his blog Devil at the Confluence, author, historian, and illustrator Kevin Belford takes a deep dive into the question of how Jelly Roll Morton got credit for a recording of the song "Soap Suds" that actually was made by the St. Louis Levee Band.
* Belford also posted to Vimeo a 30-second clip from Blues for Charlie O'Brien, a "doc in progress" about the former St. Louis police detective who in the 1950s helped revive interest in the city's early blues and jazz performers.
* A new entry on Marc Myers' blog Jazzwax looks into the connection between guitarist Grant Green's 1965 album I Want to Hold Your Hand and the line of "Little LPs" produced for stereo jukeboxes by Blue Note records.
* Drummer Kimberly Thompson was honored for her work on NBC's Late Night with Seth Meyers at the SESAC Film & Television Composers Awards Dinner held on June 1 in Santa Monica, CA. The performing rights organization presented more than 100 awards to music composers in the categories of network TV, local TV, cable TV, film composing, jingles, and streaming media.
* Bassist and St. Louis native Dan Loomis will debut "Job's Trial's - Our Trials," a new jazz oratorio he composed for bass, guitar, drums, voices, and a narrator, in a performance next Friday, June 24 at IBeam Brooklyn in NYC.
* The website Boiler Room has posted online a video of trumpeter and St. Louis native Keyon Harrold's performance at Revive Music's 10th anniversary event last month in NYC.
* Saxophonist Eric Person and his band Meta-Four are booked to perform at the 2016 Hudson Valley Jazz Festival, which takes place August 11-14 in Peekskill, NY.
A Jon Batiste holiday jam session
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