Showing posts with label Pauline Oliveros. Show all posts
Showing posts with label Pauline Oliveros. Show all posts

Sunday, November 27, 2016

Sunday Session: November 27, 2016

Andrew Cyrille
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Dap-Kings' Gabriel Roth recalls Sharon Jones' last days: 'She was blaming Trump' (Los Angeles Times)
* Bright Moments With Andrew Cyrille (Jazz Times)
* Review: Berlin Jazz Festival (Jazz Journal UK)
* The Truth About the Tower (Wall Street Journal)
* Exit Zero Festival Offers Global Tastes, Diverse Artists (DownBeat)
* The Forgotten Precursor to iTunes (Pitchfork)
* London jazz festival: Wayne Shorter review – living embodiment of jazz genius (The Guardian UK)
* ‘Look, they’re crucifying Him! And nobody cares!’: When Charlie Chaplin met Igor Stravinsky (DangerousMinds.net)
* The 15 Most Overlooked Albums of 2016 (VinylMePlease.com)
* The Broken Pop of James Bond Songs (LongReads.com)
* Vijay Iyer on Musical and Ethnic Identity (SPIN)
* How Chuck Berry Wrote “Johnny B. Goode” and Created the First Rock and Roll Guitar Hero (Guitar World)
* Why secret album-sharing forum What.CD was a music obsessive’s pirate paradise (FactMag.com)
* How Streaming Is Changing The Sound Of Pop Music (HypeBot.com)
* Sarah Vaughan Competition 2016 - London chanteuse Deelee Dubé takes top prize (Jazz Times)
* Leon Russell in the Dark (Village Voice)
* Rock photographer Michael Zagaris tells the stories behind his most famous shots (The Guardian UK)
* Open Space for Creativity: Cecil Taylor At Antioch (WYSO)
* ‘Alice’s Restaurant,’ an Undying Thanksgiving Protest Song (The Atlantic)
* To find success, soul singer Sharon Jones had to leave the US (PRI)
* Tyshawn Sorey: The Maestro (Jazz Times)
* How Sun Ra’s Definitive Singles Catalog Finally Saw The Light of Day (Bandcamp.com)
* Allison Miller: A Life Soaked in Music (Point of Departure)
* Pauline Oliveros Dead at 84 (Pitchfork)
* James Booker Was Hands Down the Greatest New Orleans Piano Player Ever (The Daily Beast)

Sunday, October 23, 2016

Sunday Session: October 23, 2016

Terrace Martin
Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Artists Spanning Generations Infuse BRIC JazzFest with Soul (DownBeat)
* The 2017 Rock and Roll Hall of Fame Nominees Show a Changing Institution (Esquire)
* The Timeless Modernism of "Shuffle Along" - A Broadway sort-of-revival may have tapped out early, but its beauty and importance remain undiminished (Jazz Times)
* Why Chuck Berry Is Even Greater Than You Think (Rolling Stone)
* ‘We smuggled Michael Jackson out in a room-service trolley’ – celebrity bodyguards tell their stories (The Guardian UK)
* 'Love For Sale': A History Of Pop Music That's As Personal As It Gets (NPR)
* ‘Tilted Axes‘ and ‘Rushing Past Willow’: Classical, Jazz or Rock? (Wall Street Journal
* Google and Amazon Leverage Copyright Loophole to Use Songs Without Paying Songwriters (MusicTechPolicy.com)
* The Record Labels Of The Future Are Already Here (Forbes)
* Universal caught up in $125m lawsuit as Spinal Tap star accuses Vivendi of fraud (MusicBusinessWorldwide.com)
* How De La Soul producer Prince Paul continues to rewrite the rules (TheVinylFactory.com)
* Steely Dan Returns to Beacon Theatre for Nostalgic Aja Show (DownBeat)
* Calling on a higher power to save a jazz landmark: Buddy Bolden’s home (ThisIsNOLA.org)
* Blues Run The Game (MTV)
* Herbie Hancock's Latest Voyage (NPR)
* Killer Riffs: A Guide to Parody in Popular Music (Pitchfork.com)
* 11 Artists You Still Can't Find on Any Major Streaming Service (Billboard)
* On His 90th Birthday, Chuck Berry Announces His Final Album (DigitalMusicNews.com)
* Phil Chess, Pioneering Blues and Rock Exec, Dead at 95 (Rolling Stone)
* Q&A with Terrace Martin: From Hip-Hop to Herbie Hancock (DownBeat)
* A Pure Solar World: Sun Ra and the Birth of Afrofuturism (LitHub.com)
* Experimental Pioneer Pauline Oliveros Still Wants You to Listen Closely (Vice.com)
* Concert hall acoustics in the 21st century: Interview with Sam Berkow (BachTrack.com)