Jazz this week: Lavay Smith & Her Red Hot Skillet Lickers, Linda Presgrave, Wolfgang Seligo, Paul DeMarinis Group, and more

There's quite a variety of jazz and improvised music on tap in St. Louis this weekend, so let's go right to the highlights, presented in chronological order:

Thursday night offers at least three gigs of note, starting with Austrian pianist Wolfgang Seligo, who's doing a free concert at Washington University as part of the Jazz at Holmes series.

That same evening, pianist Carolbeth True and her son David True, a drummer, are performing at Finale Music and Dining to celebrate the release of their new collaborative CD, Two Times True. Haven't heard the record yet, but Carolbeth True is one of St. Louis' most reliable jazz pianists, and so I'd certainly expect something good from what must have been a labor of love for all concerned.

(As a parenthetical note, while there are plenty of familial collaborations in jazz, the mother-son variety seems relatively rare. I know Alice Coltrane and her son Ravi Coltrane worked together on occasion, but I'm hard pressed to think of any other examples; if you, dear reader, can think of any, please share your information in the comments.)

Thursday is also the night for big band fans to get their fix at the St. Louis Jazz Orchestra's monthly show at Jazz at the Bistro. Here's hoping the SLJO will continue to draw a crowd sufficient to warrant extending their run into 2008.

On Friday and Saturday, the Bistro will host saxophonist Paul DeMarinis' group, who reportedly will be doing a bunch of new music written by DeMarinis. The band includes Debby Lennon on vocals, Dave Black on guitar, Nick Schlueter on piano, bassist Ben Wheeler and Kyle Honeycutt on drums, and though I haven't heard this particular configuration yet, a trusted source tells me they're sounding very good.

Saturday night also brings a couple of touring acts to St. Louis. Singer Lavay Smith (pictured) and Her Red Hot Skillet Lickers will perform traditional jazz and swing in a concert at the Sheldon, and pianist Linda Presgrave, a former St. Louisan now based in NYC, returns home for a quartet gig at Cookie's Jazz and More.

Also on Saturday evening, New Music Circle and the St. Louis International Film Festival are presenting a screening of the classic Japanese silent film Jujiro with a live improvised musical soundtrack at the St. Louis Art Mueseum Auditorium.

Then on Sunday afternoon, the St. Louis Jazz Club presents pianist Jean Kittrell and the St. Louis Rivermen in a concert of traditional jazz at the Moolah Shrine Center in Maryland Heights.

Those are just some of the highlights of a very busy weekend; to see more local jazz-related events, please visit the St. Louis Jazz Notes Calendar.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

StLJN Saturday at the Movies: Stefon Harris, plus Lavay Smith and her Red Hot Skillet Lickers

This week, we've got more "coming attractions" previews, starting with a clip of mallet percussionist Stefon Harris, who comes to Jazz at the Bistro for a four-night stand beginning on Halloween. Perhaps on opening night Harris will have some suitably eerie/spooky/monstrous material appropriate to the occasion, but here you can see seven minutes worth of his composition "And This Too Shall Pass," recorded live at a soundcheck last year. That's St. Louis native Greg Osby on saxophone, and the pianist is Jason Moran, who will headline his own gig at the Bistro next year from January 30 - February 2.

The second video features the traditional jazz and swing sounds of singer Lavay Smith and Her Red Hot Skillet Lickers, who will be in St. Louis on Saturday, November 10 to perform at the Sheldon Concert Hall. The nine minute clip was recorded just last month, and shows them doing "I Want A Little Boy" and "Walk Right In".

Sheldon single tickets on sale August 11

Single ticket for events in the Sheldon Concert Hall's various 2007-08 series will go on sale at 10 a.m., Saturday, August 11. The Sheldon's 2007-08 jazz series will include concerts by guitarist and singer John Pizzarelli, pianist Ahmad Jamal, singer Carla Cook, pianist Michael Wolff, and Lavay Smith and the Red Hot Skillet Lickers.

Tickets can be purchased via Metrotix or in person at the Fox Theatre box office at 534 N. Grand Blvd.

Sheldon Concert Hall announces 2007-08 season

The Sheldon Concert Hall has announced its 2007-08 season, and the hall's jazz series for next year includes a number of familiar names.

Three of the announced shows confirm information previously revealed by Pollstar (and StLJN): guitarist/singer John Pizzarelli (Saturday, October 6), Lavay Smith and Her Red Hot Skillet Lickers (Saturday, November 10) and pianist Ahmad Jamal (Friday, January 26, 2008).

In addition, the Sheldon also will present pianist Michael Wolff (pictured), best known as the former bandleader for talk show host Arsenio Hall, on Friday, February 23, 2008, and singer Carla Cook, who's recorded for the local MAXJAZZ label, on Friday, April 26, 2008. Subscriptions for the 2007-08 jazz series are $175-$195.

The Sheldon's Coffee Concerts, Saturday Matinee and Special Concerts series will also feature some musicians of interest to jazz listeners. The Coffee Concerts will include appearances from Anita Rosamond (October 9 & 10), the St. Louis Stompers (November 12 & 13), Sherry Drake and Carolbeth True (December 4 & 5), and the St. Louis Ragtimers (March 4 and 5, 2008). In addition, Jean Kittrell and the St. Louis Rivermen will do a special concert on Sunday, September 23 and trombonist Brett Stamps will do a Saturday matinee on April 12, 2008.

To yr. humble editor, this lineup of touring performers, while comparatively safe from a box-office standpoint, seems rather uninspired. Pizzarelli, Cook and Jamal are all well-known to local audiences, with each having several recent St. Louis gigs to their credit; their appearances here once again serve as yet another example of recycling by a local presenter, a practice I've criticized on numerous prior occasions. Meanwhile, Smith and Wolff, while no doubt competent and entertaining, are musicians of minor importance at best. And while the lineup of local bands and musicians consists of proven performers, it appears to offer no particular surprises, either.

Although there's always the possibility that an interesting show or two may be added to the schedule somewhere down the line, as happened this year with the Pat Metheny/Brad Mehldau concert, overall it feels like the Sheldon is just treading water here. Given the vast universe of exciting artistic possibilities available for a jazz series at a high-quality concert venue, it's hard not to see this mostly recycled lineup of musical moderates as something of a disappointment, a case of pandering to audience tastes rather than expanding or challenging them.

You can find out more about the rest of the Sheldon's 2007-08 series in this article, written by Post-Dispatch pop critic Kevin Johnson and published in today's paper.