Showing posts with label Thomas Dorsey. Show all posts
Showing posts with label Thomas Dorsey. Show all posts

Sunday, May 27, 2018

Sunday Session: May 27, 2018

Bennie Maupin
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Bird's just a word but if you own a jazz bar it can land you in strife (The Age)
* How the Music Industry Messed Up Legal Streaming the First Time Around (Vice.com)
* It’s OK To Like Free Jazz (UDiscoverMusic.com)
* Flow is Everything: Composer Henry Threadgill Dishes the 'Dirt' and More on The Checkout (WBGO)
* 'We Kept The Music Going': Bernard Purdie On Drumming For Aretha And More (NPR)
* ‘There will be a number one song that’s 100% AI-written’ (Musically.com)
* Carla Bley Extravaganza (EthanIverson.com)
* Frank Vignola: Given the Gift of Life (Jazz Times)
* Bennie Maupin Said No to Miles Davis and Survived in Jazz (Westword)
* Reggie Lucas, Guitarist And Producer Of Madonna's Debut, Has Died (WBGO)
* How did music become so unimportant? (GetIntoThis.co.uk)
* Jazz musician Wynton Marsalis says rap and hip-hop are ‘more damaging than a statue of Robert E. Lee’ (Washington Post)
* Jazz Musician Wynton Marsalis Claims Hip Hop Is "More Damaging Than A Statue Of Robert E. Lee" (HipHopDX.com)
* The Beatles' Esher Demos: The Lost Basement Tapes That Became the White Album (Rolling Stone)
* The 50 Best Jazz Bassists Of All Time (UDiscoverMusic.com)
* Sony in $2.3 billion deal for EMI, becomes world's biggest music publisher (Reuters.com)
* Dissonant Intervals & Bittersweet Symphonies: Music’s Past, Present & Future (Medium.com)
* Guitars Are Getting More Popular. So Why Do We Think They’re Dying? (Rolling Stone)
* Looking Back, and Now Forward, As Delmark Records Faces a Crossroads (WBGO)
* Why Are Pop Stars Trying to Be Performance Artists? (The New Yorker)
* Recording Academy CEO Neil Portnow Accused by Fired Staffer of Funneling Funds From MusiCares Charity (Billboard)
* Bach at the Burger King (Los Angeles Review of Books)
* The Father of Gospel Music Wanted to Be a Secular Star (Christianity Today)
* What's That Building? The Sunset Cafe Mural (WBEZ)
* Letter From Saint Petersburg - In 2018, International Jazz Day brings the beyond-politics cultural diplomacy of the U.N. to Russia (Jazz Times)

Sunday, March 20, 2016

Sunday Session: March 20, 2016

Marquis Hill
For your Sunday reading, some interesting music-related items that have turned up recently in StLJN's inbox:

* Jimmy Heath Stuns with 90th Birthday Celebration at New York’s Blue Note (DownBeat)
* Afterword: George Martin (Pitchfork)
* A Song-by-Song Look at What Made George Martin the Fifth Beatle (New York Times)
* The Most Played Piano in the World? (Keyboard)
* Finding a new voice: how throat singers are making music for a new generation (CBC)
* Marquis Hill still trumpets the Chicago sound (Chicago Tribune)
* ‘Sync’ Revenues Quietly Earning Millions for Indie Artists (DigitalMusicNews.com)
* Are the Sounds of Regional Hip-Hop Going Extinct? (New York Observer)
* Sonny Rollins Dips Into Archive for New Road Shows Album (DownBeat)
* Frank Sinatra Jr. Dies at 72 (DownBeat)
* Last of the Bohemian (Washington City Paper)
* The Studio that made Rock and Roll History is Rotting Away on a Caribbean Island (MessyNessyChic.com)
* Bowie producer offers bleak vision of music future (USA Today)
* Pat Metheny to Release Two New Albums May 6 - “The Unity Sessions” and “Cuong Vu Trio Meets Pat Metheny” (Jazz Times)
* Brian Wilson Takes 'Pet Sounds' on Tour: Embracing an Unexpected Career as a Live Artist (Billboard)
* Why Vinyl Records and Other ‘Old’ Technologies Die Hard (New York Times)
* What's Behind the Surge in U.K. Brick-and-Mortar Stores Selling Music? (Billboard)
* Exclusive: Patents Filed for ‘High Definition Vinyl’ Technology (DigitalMusicNews.com)
* Lead Me Home (Oxford American)
* Q&A: Guitar great Mundell Lowe on jazz (San Diego Union-Tribune)