Sunday Session: October 20, 2019

Nat "King" Cole

Here's this week's roundup of various music-related items of interest:

* Remembering the Weirdest Album Launch Stunts of the 2010s (Pitchfork.com)
* Frank Zappa Marks 50th Anniversary of ‘Hot Rats’ With Massive Reissue (Rolling Stone)
* Jazz legend John Surman on a well-travelled career and why he's angry about Brexit (Irish Examiner)
* “It Was Beyond My Wildest Dreams” Pianist Ahmad Jamal Recalls ‘At The Pershing’ (UDiscoverMusic.com)
* Percussionist Adam Rudolph Crafts a Tapestry of Sounds (DownBeat)
* Diverse Curation Sustains Belgrade Jazz Festival (DownBeat)
* Art Blakey: Praise the Messenger (Jazz Times)
* Rock & Roll Hall of Fame Reveals 2020 Nominees: Soundgarden, Whitney Houston & More (Billboard)
* Steve Miller cracked the code of 1970s radio. But he’s still raging against the music industry (Washington Post)
* Why Everything Is Getting Louder (The Atlantic)
* What will a music company look like in 2025? (MusicBusinessWorldwide.com)
* INTERVIEW: Morton Subotnick And Lillevan (TheQuietus.com)
* Finalists Announced in 8th Annual Sarah Vaughan International Vocal Competition (DownBeat)
* Why MLK Believed Jazz Was the Perfect Soundtrack for Civil Rights (JStor.org)
* Before & After: Leon Parker (Jazz Times)
* Oscar nom, opera at the Met, a move to L.A.: New Orleans trumpeter Terence Blanchard's big year (NOLA.com)
* What lost photos of Blue Notes say about South Africa’s jazz history (TheConversation.com)
* How ‘Almost Famous’ Foretold the Future of Music Journalism (TheRinger.com)
* The Transformative Power of Nat ‘King’ Cole (DownBeat)
* An actual bear broke into a woman’s house and started playing piano (ClassicFM.com)
* Matana Roberts’s Memphis (ThisIsEarhart.com)
* The Tragic Story of America’s First Black Music Star (Smithsonian)
* ECM Records: Curating A New World Of Music (SFJAZZ.org)
* Ronnie Scott’s at 60 (TheBlueMoment.com)
* Humanity is Not an Algorithm: What We Lose with WNYC’s Cancellation of New Sounds (ICareIfYouListen.com)
* How Liverpool’s first girl band dubbed ‘the female Beatles’ had run-in with John Lennon (Express.co.uk)

Sunday Session: April 29, 2018

Charles Neville

Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Revisit the Historic Night When Dizzy Gillespie Opened for Ray Charles in 1970 (Paste)
* Council’s measures present two paths for American Jazz Museum (Kansas City Business Journal)
* Terence Blanchard Talks New Album 'Live,' Gun Violence & Working With Spike Lee (Billboard)
* NEA Jazz Masters Concert Honors Titans (DownBeat)
* The unit structures of Cecil Taylor (The Wire)
* Photographer Spends 10 Years Tracking Down The Original Locations Of Vinyl Covers (Demilked.com)
* Entertainment lawyer Jay B. Ross fought for the people who made the music he loved (Chicago Reader)
* The Quest to Teach AI to Write Pop Songs (Gizmodo)
* Entire music album to be stored on DNA (ETHZ.ch)
* Steve Miller talks back (Offbeat)
* 'We're on Life Support': Is Streaming Music the Final Note for Professional Songwriters? (Pacific Standard)
* Portland Label Unearths Lost Sun Ra Concert (OPB.org)
* Jazz Foundation Honors Greats, Calls for Assistance (DownBeat)
* Live Review: 2018 NEA Jazz Masters Tribute Concert (Jazz Times)
* “Now That’s What I Call Music!” will be mankind's greatest relic (QZ.com)
* This amazing ring allows people to play instruments using hand gestures (BT.com)
* The Fifth Era of Recorded Music (CopyrightAndTechnology.com)
* The 7 people you see at Jazz Fest in New Orleans (NOLA.com)
* My Country Needs Me: on Sons Of Kemet’s Your Queen Is A Reptile (TheQuietus.com)
* Why Terence Blanchard’s “Live” Matters (Village Voice)
* Music Modernization Act Passes U.S. House Unanimously (Hypebot.com)
* Neville Brothers saxophonist Charles Neville has died at age 79 (New Orleans Advocate)
* Charles Neville Of The Neville Brothers Dies At 79 (NPR)
* Four radical and radically original pieces of music that blew up the modernist status quo in 1968 (Los Angeles Times)
* Professor Longhair at 100: New Orleans Jazz Fest, new DVD celebrate piano legend's legacy (New Orleans Advocate)
* State and Mainstream: The Jazz Ambassadors and the U.S. State Department (AllAboutJazz.com)

Sunday Session: April 17, 2016

Cecil Taylor

Some interesting music-related items that have landed in StLJN's inbox over the past week:

* Steve Miller with Jimmie Vaughan: Live at JALC - Blues, roots and "Blue Skies" (Jazz Times)
* Tony Conrad: 1940–2016 (Frieze.com)
* Tony Conrad: 10 Essential Recordings From the Drone Pioneer (Rolling Stone)
* This Is How Much Summer Festival Players Earn -- From VIP Experience Valets to Main-Stage Bookers (Billboard)
* See Newly Discovered Photos Of Jazz Legends Playing In Portland (Oregon Public Broadcasting)
* Bill Evans Studio Album Unearthed (DownBeat)
* John Cage composition hidden for 38 years makes its debut in Los Angeles (The Guardian UK)
* Clarksdale Mississippi’s Juke Joint Festival Is Revitalizing the Birthplace of the Blues (AmericanBluesScene.com)
* Here’s why the music labels are furious at YouTube. Again. (Recode.net)
* What Are The Odds Of Landing A Pop Hit? (TheFader.com)
* Jazz Fest Producer Quint Davis on Surviving Katrina, the 'Economics of Creativity' and Making an Eclectic Lineup Work (Billboard)
* The Cleanest Recordings of 1920s Louis Armstrong Songs You’ll Ever Hear (OpenCulture.com)
* Moog’s DIY Kit Is a Fantastic Crash Course for Synth Noobs (Wired)
* Free, Open Spaces: Brian Eno's Favourite Records (The Quietus)
* Gordon Presents Original Film Score at Savannah Music Fest (DownBeat)
* Omnivore To Release Singer-Songwriter Box Set by Beat Poet Allen Ginsberg (DownBeat)
* Despite health problems, jazz legend Sonny Rollins, 85, vows to return to form (South China Morning Post)
* Even Superlungs has to pay the pawn shop (Washington Post)
* The Unoriginal Originality of Led Zeppelin (The New Yorker)
* The 28 best jazz films (The Telegraph UK)
* Sounds of the Future: A Historical Primer on Synths in Sci-Fi Movies (Soundfly.com)
* The Untold History of Aretha Franklin's Irrevocable "Respect" (Elle)
* Review: Cecil Taylor at the Whitney Museum - Episodic and reactive, a series of unfolding events (Jazz Times)
* Cecil Taylor review – double helping of magic from free jazz pioneer (The Guardian UK)
* Q&A With Stefon Harris: A Manifestation of Artistry (DownBeat)
* Tom Waits Makes a List of His Top 20 Favorite Albums of All Time (OpenCulture.com)