Showing posts with label Hank Mobley. Show all posts
Showing posts with label Hank Mobley. Show all posts

Sunday, October 11, 2020

Sunday Session: October 11, 2020

Cécile McLorin Salvant
Here's this week's roundup of various music-related items of interest:

* Javon Jackson: Finding Uplift in the Guiding Tradition of Sonny Rollins and John Coltrane (AllAboutJazz.com)
* The Etymology of "Jazz": A Cautionary Word About Digital Sources (HNN.us)
* Lost In The Vaults: The Joys Of Collecting Jazz Records (TheLondonEconomic.com)
* Jazz Musician Lettering (ReaganRay.com)
* Azar Lawrence Has Paid His Dues...Two Times (AllAboutJazz.com)
* Hank Mobley's 'Soul Station' At 60: How The Tenor Saxophonist's Mellow Masterpiece Inspires Jazz Musicians In 2020 (Grammy.com)
* 19 things I’d tell people contemplating starting a record label (after running one for 19 years) (TheCreativeIndependent.com)
* Ambrose Akinmusire: Blues for 2020 (Jazz Times)
* Pay-for-Play Was Banned From Radio - But Texts Reveal It May Still Be Thriving (Rolling Stone)
* Cecile McLorin Salvant Earns a Prestigious New Accolade: the 2020 MacArthur "Genius Grant" (WBGO)
* ‘How Does It Feel To Be Free?’ (DownBeat)
* Chaos, cash and Caligulan excess: How Emerson, Lake & Palmer made Brain Salad Surgery (LouderSound.com)
* The Keystone Connections Of Fabian Almazan (DownBeat)
* Cindy Blackman Santana, a drum dynamo in jazz and rock, riffs on music, her all-star new album and famous husband (Columbus Dispatch)
* 'You're left to rot if you speak up': the abuse faced by female roadies (The Guardian)
* Melissa Aldana’s Expansive Playing Leads Trio Through Central Park Gig (DownBeat)
* A Guide to Sun Ra on Film (Pitchfork.com)
* Joe Satriani Talks How Guitar Teacher Treated Him When He Was a Kid: 'He Was Completely Blind & He Wore Only Leotards' (Ultimate Guitar)
* Lakecia Benjamin’s Boundless Sensibility On Display (DownBeat)
* Willie Nelson, Interpreter of the Great American Songbook (Texas Monthly)
* 100 Reasons We Love Yusef Lateef for His 100th Birthday (Discogs.com)
* From Bandstand to Social Justice: How Jazz Remains 'America's Classical Music' (KCET)
* A Multicultural Tribute to Yusef Lateef on His Centennial (VIDEO) (Jazz Times)
* Ella Fitzgerald, Come Harvest Time: Jazz United Fondly Reappraises the First Lady of Song (WBGO)
* Denver’s Ron Miles debuts on Blue Note label with “Rainbow Sign” (Denver Post)
* Sun Ra Arkestra's Knoel Scott On New Album 'Swirling,' Sun Ra's Legacy & Music As A Healing Force (Grammy.com)

Sunday, March 29, 2020

Sunday Session: March 29, 2020

Hank Mobley
Here's this week's roundup of various music-related items of interest:

* Remembering two Sun Ra disciples: Danny Ray Thompson and Leroy Butler (XPN.com)
* Musicians Across the World Face Daunting Situations (DownBeat)
* Ray Mantilla, Percussionist Who Blazed a Trail in Both Jazz and Latin Music, Is Dead at 85 (WBGO)
* ‘I’m selling my cello to keep my family afloat’ – coronavirus realities for musicians (ClassicFM.com)
* Overdue Ovation: Hank Roberts Is Back in the Game (Jazz Times)
* Mike Longo, Prominent Jazz Pianist Known For His Tenure with Dizzy Gillespie, Dies at 83 (WBGO)
* Mr. Bungle Re-Recording First Demo: Exclusive Studio Report, Part 1 (RevolverMag.com)
* Lee Is Free: An Interview With Lee Ranaldo And Raül Refree (TheQuietus.com)
* Manu Dibango: African saxophone legend dies of Covid-19 (BBC)
* As Americans Increasingly are Asked To Stay Home, Rudresh Mahanthappa Explores his Kitchen (DownBeat)
* The Archive of Contemporary Music (AllAboutJazz.com)
* Richard Thompson on Songwriting, Capturing Butterflies, Picasso & More (American Songwriter)
* For Sale: The Wooden Stage From The Beatles’ First Concert (Atlas Obscura)
* A History of Jazz Fusion in 30 Essential Albums (TrebleZine.com)
* ‘History needs to be set alight’: Shabaka Hutchings on the radical power of jazz (The Guardian)
* Legendary producer Larry Klein: my 12 career-defining records (MusicRadar.com)
* National Recording Registry Class Produces Ultimate 'Stay at Home' Playlist (LOC.gov)
* Bass legend Carol Kaye: “98% of bass parts cut in Hollywood in the '60s were done with a pick on flatwound strings” (Guitar World)
* The Haunted Jazz of Hank Mobley (The New Yorker)
* Lensing the Newport Mob: 60 Years Later, A Deep Dive Into 'Jazz on a Summer's Day' (WBGO)
* Marshall Allen Looks Back on Five Decades of Sun Ra Arkestra (Miami New Times)
* How Coronavirus Will Reshape The Concert Business (Billboard)
* Alice Coltrane: where to start in her back catalogue (The Guardian)
* Bob Dylan Releases 17-Minute Song About JFK Assassination (Variety)
* Montreux Jazz Festival Releases Free Streams Of Iconic Marvin Gaye, Nina Simone Performances (UDiscoverMusic.com)
* Radio, Don’t Blow Your Chance to Matter Again (Guest Column) (Variety)
* Gregory Porter Moves Past the ‘Gates of Genres’ (DownBeat)
* Ranky Tanky: Celebrating the Spirituality & Rhythms of Gullah Culture (Jazz Times)

Sunday, December 01, 2019

Sunday Session: December 1, 2019

Azar Lawrence
Here's this week's roundup of various music-related items of interest:

* 63 years after jazz great Louis Armstrong played at Muhlenberg, long lost concert set for release (The Morning Call)
* Sun Ra and Me | “It’s After the End of the World, Don’t You Know That Yet?” (The Metropolitan)
* Meet the man who restores old music to its original glory (Popular Science)
* Samara McLendon Wins the 2019 Sarah Vaughan International Jazz Vocal Competition (WBGO)
* Paper Trail: Where You Can Find the Historical Documents of Jazz (Jazz Times)
* Cyrille Aimée Is Moving On (Jazz Times)
* Spotify Faces $1 Billion Lawsuit Over Intentional Copyright Infringement, Deceptive Trade Practices (DigitalMusicNews.com)
* Are your favorite Instagram guitarists faking their incredible technique? (Guitar World)
* Dave Holland: “You can improvise in open-form style for as long as you like, but you’ll never improvise ‘Giant Steps’” (Jazzwise)
* The Pristine Empire of ECM Records (The New Yorker)
* The Loneliness of a Highbrow Teenage Songwriting Robot (Bloomberg.com)
* Sun Ra Arkestra’s June Tyson Was the Queen of Afrofuturism (Bandcamp.com)
* The Who by Fire (Rolling Stone)
* A Half-Century Not Out: Art Ensemble Of Chicago Live (TheQuietus.com)
* Jazz Legend Charlie Parker Honored With Global Bird 100 Centennial Celebration (BroadwayWorld.com)
* 12 Erroll Garner Albums Reissued in Octave Remastered Series (DownBeat)
* Hank Mobley, The Master of Contrasts (DownBeat)
* Sheila Jordan, Dee Dee Bridgewater, Veronica Swift: Three Generations of Vocal Jazz (Jazz Times)
* Why New Orleans jazz legend Buddy Bolden's house should be saved (New Orleans Advocate)
* The unlikely tale of 'Do They Know It's Christmas?': An 'OK song that became something much better than it actually was' (Yahoo News)
* “Music Affects Us In A Healing Way”: Azar Lawrence Is On A Mission (UDiscoverMusic.com)
* Anne Midgette - Classical Chronicler Supreme (Perfect Sound Forever)

Sunday, September 16, 2018

Sunday Session: September 16, 2018

Billy Cobham
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* For Chelsea native Chick Corea, one passion, many paths (Boston Globe)
* Pianist Matthew Shipp can make magic with the perfect partner (Chicago Reader)
* Bassist Eric Revis works at the conflux of the mainstream and its far-out tributaries (Chicago Reader)
* Conversation with Billy Cobham, Part 1: The Art of Creation (SomethingElseReviews.com)
* Conversation with Billy Cobham, Part 2: Brian Gruber and Ronnie Scott’s (SomethingElseReviews.com)
* Monterey Jazz Festival celebrates 40 years in Japan – and China could be the next stop (South China Morning Post)
* Hank Mobley, the greatest sax player you never heard (The Spectator)
* Channeling the cosmic imperfections of Sun Ra’s record sleeves (TheVinylFactory.com)
* Israeli music scene jolted by international boycott movement (Associated Press)
* Documentary Offers Intimate Portrait of a Demur Abercrombie (DownBeat)
* Barre Phillips announces his farewell record End To End (The Wire)
* Guantánamo Mixtape: This Would Be the Soundtrack to Hell (LitHub.com)
* Quincy review – portrait of a musical legend fails to sing (The Guardian)
* Musicians, Labels and Festival Programmers Anxious Over Brexit (DownBeat)
* Live Review: 2018 Detroit Jazz Festival (Jazz Times)
* The Untold Stories of Paul McCartney (GQ)
* No Boundaries: The Many Sides of Steven Bernstein (SFJAZZ.org)
* Fifteen Questions Interview with Olivia Block (15questions.net)
* The 200 Best Albums of the 1980s (Pitchfork.com)
* 'I didn’t just fade off the planet.’ Reconnecting with ’70s funk queen Betty Davis (Washington Post)
* No more heroes: how music stopped meaning everything (Irish Times)
* Count Basie Orchestra Knows Pop Music (DownBeat)
* Jazz in the Display Case (Jazz Times)
* With 'Emanon,' legendary saxophonist Wayne Shorter finds a way to marry comic books and jazz (Los Angeles Times)
* In Memoriam: Randy Weston (DownBeat)
* Cuong Vu Keeps it Close to Home for ‘Change In The Air’ (DownBeat)
* Former Bad Plus pianist still 'loves playing in the Midwest' despite rocketing career (Minneapolis Star-Tribune)
* Wilco Guitarist Nels Cline Reclaims Mood Music In The City Of Brotherly Love (NPR)
* Berkeley's Legendary Fantasy Studios to Close Its Doors (KQED)
* Trumpet Colossus Kenny Dorham Towers Alongside the Jazz Gods (Austin Chronicle)
* The World On Six Strings (ArtForum.com)