Showing posts with label Hal Blaine. Show all posts
Showing posts with label Hal Blaine. Show all posts

Sunday, March 17, 2019

Sunday Session: March 17, 2019

Tomeka Reid
Here's a roundup of various music-related items of interest that have shown up in one of StLJN's various inboxes or feeds over the past week:

* Lennie Tristano at 100 — Scenario for a Jazz Legend (Town Topics)
* First Listen: The Comet Is Coming, 'Trust In The Lifeforce Of The Deep Mystery' (NPR)
* Separated by 50 Years, Israels, Diehl Find Common Ground (DownBeat)
* More evidence of sound waves carrying mass (Phys.org)
* In Focus: Joe McPhee (NTS.live)
* Deep Dive: Odds 'n' Ends About Duke Ellington, Thelonious Monk, Lester Young and "Jazz" Itself (WBGO)
* Makaya McCraven: The Brain Behind The Mind-Bending Beats (NPR)
* Hal Blaine, Drummer Behind the Ronettes’ “Be My Baby,” Dead at 90 (Pitchfork.com)
* Delfeayo Marsalis bringing everything from New Orleans but the cuisine to Lied Center (Lincoln Journal Star)
* How we made Booker T and the MGs' Green Onions (The Guardian)
* Fort Apache: The Good, the Bad, and the Beautiful (Jazz Times)
* On the Road with Cellist Tomeka Reid (DownBeat)
* Blue Note Launches Vinyl Reissue Series (Keyboard)
* Joe Lovano: The intimate moment of now (SFJAZZ.org)
* Lambert, Hendricks & Ross: Four Classic Albums (Jazz Journal)
* Sidewinder: The Murder of Lee Morgan (PleaseKillMe.com)
* Rebuilding the ARC: America’s Largest Music Collection Needs Your Help (Rolling Stone)
* No Man's Band: All-Female Jazz Orchestras Then and Now (NPR)
* A Short History of… The Legend of Buddy Bolden (Jazziz)
* Wearing headphones at a concert isn’t as weird as I thought it would be (Engadget.com)
* Welcome to Birdpunk: A Subculture of a Subculture (Audubon)
* A brief history of why artists are no longer making a living making music (RootsMusic.ca)
* How the 45 RPM Single Changed Music Forever (Rolling Stone)

Sunday, June 18, 2017

Sunday Session: June 18, 2017

Ornette Coleman
Here are some interesting music-related items that have landed in StLJN's inbox over the past week:

* Trombone Shorty: Living for the Crescent City (Jazz Times)
* 10 Musicians Look Back on the Albums They Don’t Remember Recording (SPIN)
* Web Exclusive: Hal Blaine (Modern Drummer)
* Tom Oberheim On The Art Of Synthesizer Design (Synthtopia.com)
* After 7 Decades, Sonny Rollins Can't Get Music Off His Mind (NPR)
* Charlie Parker's Yardbird review – beauty, anger and poetry, but the jazz great's genius eludes us (The Guardian)
* Do Androids Dream of Electric Guitars? Exploring the Future of Musical A.I. (Pitchfork.com)
* Interview: Airto Moreira (RedBullMusicAcademy.com)
* National Endowment for the Arts Announces 2018 Class of NEA Jazz Masters (Arts.gov)
* Gregg Allman: The Wild Times, Lost Years and Rebirth of a Southern-Rock Legend (Rolling Stone)
* Transcending genre labels, Vijay Iyer leads the Ojai Music Festival toward bold new territory (Los Angeles Times)
* Go-Go Forever - The rise, fall, and afterlife of Washington, D.C.’s ultimate rhythm (MTV.com)
* Steve Earle: 'My wife left me for a younger, skinnier, less talented singer' (The Guardian)
* This interracial couple endured discrimination and bullying — but loved each other until the end (Washington Post)
* All That Jazz: The Business Of Over 35 Years At The Blue Note Jazz Club (Forbes)
* Guest Editorial: Why Musicians Don’t Get Paid—A New Orleans Musician’s View (Offbeat)
* A new generation of jazz comes to the fore at Tokyo Lab (Japan Times)
* Who killed the contemporary Christian music industry? (The Week)
* 2 guitars returned to Muddy Waters' heirs in ongoing estate battle (Chicago Tribune)
* Gibson Brands transforms guitar-making into diverse 'music lifestyle' firm (Los Angeles Times)
* Celebrate Ornette Coleman: Artists pay homage to the legendary avant-garde saxophonist (TheVinylFactory.com)