So What: Local News, Notes & Links

Here's StLJN's weekly wrap-up of assorted links and short news items of local interest:

* Lauren Parks, president of the House of Miles in East St. Louis, was interviewed for a Belleville News Democrat article about local culture in ESL.

* Asleep at the Wheel's concert last Friday at the Fox Theatre was reviewed by Dan Durchholz for the Post-Dispatch. The Post also published a gallery of photos from the gig.

* Also in the Post-Dispatch, Kevin Johnson reports on bassist Jahmal Nichols scoring a documentary that aired on PBS. There's also a brief video accompanying the story.

* Still in the Post, Kevin Johnson interviewed singer Robert Nelson about this Saturday's Juneteenth show at Blue Strawberry, and there's a video with that story, too.

* The Riverfront Times reports that the Way Out Club, a fixture of south city nightlife and alternative music for 27 years, will close permanently next month.

* A 1976 interview of saxophonist Julius Hemphill on the public radio program "Fresh Air" was resurfaced this week by pianist Ethan Iverson, who offered his commentary on the talk via Twitter.

* Marcus Baylor and Jean Baylor of the Baylor Project (pictured) were the featured guests this week on radio station WBGO's online video talk show "The Pulse."

So What: Local News, Notes & Links

Ulysses Owens, Jr

Here's StLJN's weekly wrap-up of assorted links and short news items of local interest:

* The Kranzberg Arts Foundation this week announced that they'll be taking applications for their 2021-22 artist-in-residency program starting Tuesday, June 15. The program is open to all individual artists - visual arts, writers, filmmakers, etc - as well as musicians. The deadline to apply is August 1; for more information or to submit an application, go to https://www.kranzbergartsfoundation.org/residencies/.

* The Sheldon's Peter Palermo discusses the hall's immediate post-pandemic plans and next season in an interview with the St. Louis American's Danielle Brown..

* Drummer and educator Henry Ettman will be teaching a jazz course online next month via the Washington University Osher Lifelong Learning Institute. "New Sounds, New Artists, New Scenes: Jazz in the 21st Century" will explore "new and evolving artists and groups, changing jazz styles from mainstream to avant-garde, and the impact of external forces such as technology, political/cultural turbulence and the pandemic." The course will meet (online) from 1:00 p.m. to 3:00 p.m. Wednesdays starting July 7, continuing through July 28. To register, go to https://osher.wustl.edu/course-registration-2/ or call (314) 935-4237.

* The connections between Miles Davis' late-period electric music and "punk jazz" are elucidated in a review of the trumpeter's album Dark Magus newly published on the swesite PunkNews.org.

* Asleep at the Wheel's Ray Benson was interviewed by Daniel Durchholz for the Post-Dispatch in advance of the band's gig tonight at the Fox Theatre.

* Pianist Peter Martin's company Open Studio is introducing another weekly webcast, this one starring drummer Ulysses Owens Jr. in "a journey through all things #DRUMS with various guest drummers, musicians, artists, and music industry professionals." The program will air live at 5:00 p.m. Wednesdays on the company's Facebook page, starting next week with drummer Lewis Nash as the featured guest/interviewee.

Sunday Session: November 24, 2019

Hazel Scott

Here's this week's roundup of various music-related items of interest:

* Who’s Fighting for Racial Equity in Classical Music? (21cm.org)
* Asleep at the Wheel Plot 50th Anniversary Album, Reunion Shows (Rolling Stone)
* Pat Metheny back with epic new album From This Place - Track Preview (Jazzwise)
* Above the World: Manhattan in June with Lee (AzureMilesRecords.com)
* Flying teapots and electric Camembert: the story of Gong, prog's trippiest band (The Guardian)
* Why You’ve Never Heard of One Of the Jazz Industry’s Royalty — Hazel Scott (Medium.com)
* Roy DeCarava: The Sounds He Saw (Jazz Times)
* In Praise of the Greatest Trombone Part in Broadway History (Slate)
* Guimarães Jazz Fest Doesn’t Play It Safe (DownBeat)
* A Deluxe Reissue of the Band’s Cozy Self-Titled LP (Has Surely Come) (Rolling Stone)
* Bossa Nova for the World - Sergio Mendes interview (SFJazz.com)
* Is there a Blackout at WBGO? (NJ.com)
* Grammy Awards Nominations: The Complete List (Variety)
* Artist in Residence (GuernicaMag.com)
* Dave Douglas Refines His Political Message with ‘ENGAGE’ (DownBeat)
* Learning from greats, teaching others, Kenny Barron is a guardian of jazz (Charleston Post and Courier)
* What happens to the brain when jazz musicians improvise? (Futurity.org)
* Why I Didn’t Give My Music to the Oxford American (Oxford American)
* The Flute In Jazz: Window On World Music (Jazz Journal)
* Leonard Cohen And Harry Nilsson Are Releasing New Albums, Whether They Like It Or Not (NPR)
* A Toast To 'My Way,' America's Anthem Of Self-Determination (NPR)
* The True Story of Erroll Garner, the First Artist to Sue a Major Label and Win (Variety)
* Gregg Rolie Looks Back on His Days With Santana, Journey, and Ringo Starr (Rolling Stone)

Jazz this week: Peter Martin, Bobby Watson & Angela Hagenbach, Rhys Chatham, and more

This week's lineup of jazz and creative music performances in St. Louis includes a rare nightclub appearance by a favorite hometown pianist, several noteworthy touring performers, and a rather eclectic selection of tribute shows.

Let's go to the highlights....

Wednesday, May 18
Pianist Peter Martin will lead his trio for the first of two nights at Jazz at the Bistro, the first time he's played the room since it was expanded and renovated in 2014.

Martin (pictured, top left) will be joined by bassist Reuben Rogers and drummer Gregory Hutchinson, both first-rate players who contributed to his most recent album What Lies Ahead and have been working with him on some touring dates as well, so they should be primed and ready from the first downbeat. Given Martin's local popularity - he grew up in U City, and continues to live in St. Louis while touring internationally as music director for singer Dianne Reeves - tickets may be hard to get, so advance reservations are recommended.

Also tonight, the experimental noise-rock duo Ahleuchatistas return to headline a four-band bill at 2720 Cherokee, and Cabaret Project St. Louis will celebrate the fourth anniversary of their "Open Mic Night" at the Tavern of Fine Arts

Thursday, May 19
The New Orleans-based band Nutrio makes their St. Louis debut at Evangeline's. The group, which includes saxophonist and clarinetist Byron Asher, bassist Trey Boudreaux, and drummer Shawn Myers, is touring the Midwest in support of their self-titled debut EP.

Also on Thursday, singer Feyza Eren and friends will perform at Nathalie’s

Friday, May 20
The Jazz Edge Orchestra will present a concert paying tribute to Kansas City jazz at the Touhill Performing Arts Center, featuring as special guests the veteran alto saxophonist Bobby Watson (pictured, center left), who once was a key part of Art Blakey's Jazz Messengers and now co-leads the jazz program at UMKC's conservatory of music; and vocalist and KC native Angela Hagenbach.

Elsewhere on Friday, the funk/jazz quartet Good 4 the Soul will join forces with keyboardist Reggie Thomas for the first of two nights of a tribute to the late keyboardists Joe Sample and George Duke at Jazz at the Bistro; Western swing favorites Asleep At The Wheel will be in town to perform at the Old Rock House, and guitarist Eric Slaughter and bassist Glen Smith will play duets at Tavern of Fine Arts.

Saturday, May 21
Saxquest continues their series of free performances and workshops with a matinee from the New Horizon Saxophone Quartet, which features faculty members from the University of Cincinnati, Drake University, and Colorado State University and "combines the rhythmic and improvisatory language of jazz with elements of modern chamber composition."

Then on Saturday night, trumpeter Kasimu Taylor leads a quintet playing the music of Miles Davis at Kranzberg Arts Center, while the Funky Butt Brass Band will turn their monthly show at Broadway Oyster Bar into a tribute to Prince. Also on Saturday, trumpeter Jim Manley and guitarist Randy Bahr's All-Star Band returns to Nathalie's, and Wack-A-Doo plays swing, vintage pop and Americana at Evangeline's.

Sunday, May 22
On Sunday afternoon, the St. Louis Jazz Club presents Cornet Chop Suey in a matinee performance of traditional jazz and swing at the Doubletree Hotel St. Louis at Westport.

Sunday night, composer and multi-instrumentalist Rhys Chatham will be visiting for a rare solo performance at The Luminary, with St. Louis' Vernacular String Trio as opening act.

A seminal figure in NYC's experimental music scene of the 1970s and '80s, Chatham (pictured, bottom left) has lived in France for the past 30 years, and his appearances stateside are infrequent and often confined to the coasts. For more about Chatham and some video samples of his music, see this post from last Saturday. 

Also on Sunday night, the Dave Dickey Big Band will play their regular monthly show at Jazz at the Bistro, with an intermission performance from the Sperring Middle School Jazz Ensemble.

Monday, May 23
Dizzy Atmosphere plays swing and Gypsy jazz at The Shaved Duck.

Tuesday, May 24
Two groups associated with improvising pianist Greg Mills, the Mount Everest Trio and the Perihelion Ensemble, will share an evening at the Tavern of Fine Arts.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at http://twitter.com/StLJazzNotes or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)