StLJN Saturday Video Showcase: Memories of Oliver Nelson

The nearly ubiquitous Miles Davis notwithstanding, which jazz musician from the St. Louis area has been heard by the most people throughout the world? It's probably impossible to measure something like that with any degree of exactitude, but one certainly can make an informed guess.

Any short list would have to include trumpeter Clark Terry, famed for nearly seven decades as a high-profile jazz soloist and recording artist, member of the Ellington and Basie big bands, and veteran of television and session work; and saxophonist David Sanborn, who has had a very popular career as a solo artist, as well as being one of the most recorded session players of his era and the host of various radio and television programs.

Another, more unexpected contender for the title would have to be saxophonist, arranger and composer Oliver Nelson, who packed a lot of music into his all-too-brief 43 years on planet Earth. Born in St. Louis on June 4, 1932, Nelson was working with local bands by age 15 and joined saxophonist Louis Jordan's big band at 18, playing alto sax and arranging.

After serving in the Marine Corps and attending Washington University in St. Louis and Lincoln University in Jefferson City, Nelson moved to New York, where he established himself as a soloist, bandleader and arranger/composer. His big breakthrough came with the album The Blues and the Abstract Truth, which featured his tune "Stolen Moments," now a standard played by musicians everywhere.

Nelson went on to record many big-band albums and to work as an arranger for a number of well-known jazz musicians, including Cannonball Adderley, Sonny Rollins, Johnny Hodges, Wes Montgomery, Buddy Rich, and Jimmy Smith. In 1967, he moved to Los Angeles, where, along with his old pal Quincy Jones, he became one of the first African-American composers to get significant amounts of work scoring television and films.

Nelson wrote music for hugely popular TV shows such as Ironside, Night Gallery, Columbo, The Six Million Dollar Man, and The Bionic Woman, reaching tens of millions of people every week. He also wrote the score for the film Death of a Gunfighter, arranged Gato Barbieri's music for the movie Last Tango in Paris, and produced and arranged popular music for singers including Nancy Wilson, James Brown, the Temptations, and Diana Ross.

Tragically, Nelson died of a heart attack on October 28, 1975. Given the vast quantity and generally high quality of the music he wrote during his short life, one can't help but wonder how much more he could have accomplished had he lived longer.

Even so, Nelson's legacy is quite impressive - his recordings still hold up well today; his film and TV music remains emblematic of its era; and "Stolen Moments" likely will continue to be played forever. Moreover, the path he helped to pave in Hollywood has been well-utilized by subsequent generations of musicians; for example, it's hard to imagine someone like Terence Blanchard getting the chance to write all those film scores absent the pioneering work of Nelson and Jones.

Today, as a tribute to this under-appreciated St. Louis jazz great, we've got what seem to be the only videos online of Nelson in live performance. The first three videos show of Nelson performing and conducting the multi-national Berlin Dream Band playing his arrangements for a TV program recorded in 1970 in Berlin.

The first video, "Black Brown and Beautiful," is a Nelson original that also features him as the soloist, while the second, "Milestones" has solos by Leo Wright and Klaus Marmulla on altos and Rolf Roemer on tenor. The third video shows the band playing Nelson's arrangement of the gospel standard "Down By The Riverside."

Those clips are followed by two short excerpts of a performance of Nelson's composition "Swiss Suite," recorded in 1971 at the Montreux Jazz Festival. The existence of these excerpts suggests there might be more video out there, but until and unless something else surfaces, these clips would seem to be the only film or video recordings of any Nelson performances.

(This is an edited version of a post originally published in June 2009.)

You can see the rest of today's videos after the jump...