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| Dorothy Ashby |
* The Stanley Crouch I Knew (New York Review of Books)
* Cecil Taylor and his Mendota Players – Snapshots. By Paul Ruppa (The Wire)
* Captain Beefheart’s ’10 commandments of guitar playing’ (FarOutMagazine.co.uk)
* Deep algebra for deep beats: The beautiful sounds of musical programming (Ars Technica)
* Wire Playlist: Musician-Owned Record Labels In Jazz In The 1970s (The Wire)
* Dorothy Ashby: Pioneering Jazz Harpist (UDiscoverMusic.com)
* The Death and Rebirth of the Rock Saxophone (TrebleZine.com)
* In Mother Mallard’s Portable Masterpiece Company, An Overlooked Institution of Moog Music (Bandcamp.com)
* John Hollenbeck Takes Back Recordings And Forges Ahead (DownBeat)
* What It’s Like to Be Black in Indie Music (Pitchfork.com)
* New Dave Brubeck Releases in Fall Pipeline (Jazz Times)
* ‘The Story I’m Telling’: An Interview with Archie Shepp (New York Review of Books)
* Sharel Cassity Is ‘Fearless’ Amid Recovery (DownBeat)
* North Philly activist, poet, and musician Moor Mother on her free jazz musical, Afrofuturism, and Patti LaBelle (Philadelphia Inquirer)
* Antidote to Isolation - Vijay Iyer On How Music Reconnects Us In A Socially Distant World (Steinway.com)
* “This is more than an annoying blip.” Aaron Liddard’s perspective on the future of the music industry (London Jazz News)
* Arlo Guthrie on His Dad, Protesting, and “Alice’s Restaurant” (UnderTheRadarMag.com)
* Wire Playlist: Tashi Dorji (The Wire)
* The Futility of Rolling Stone’s Best-Albums List (The New Yorker)
* A Deep Dive into John Coltrane's 'A Love Supreme' by His Biographer, Lewis Porter (Pt. 3) (WBGO)
* Harlem of the West: San Francisco's Fillmore District (PleaseKillMe.com)
* Maria Schneider: A Tale Of Two Worlds (Jazz Times)
* The Canterbury Scene: How A Bunch of Bookish Bohemians Became The Monty Pythons of Prog (UDiscoverMusic.com) * JT Video Premiere: The Love Letter Sessions by Jimmy Heath (Jazz Times)
* The True Poet of Jazz (City-Journal.org)
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