Sunday, June 23, 2019

Sunday Session: June 23, 2019

Anthony Braxton
Here's this week's roundup of various music-related items of interest:

* Why Captain Beefheart’s ‘Trout Mask Replica’ Still Sounds Like Tomorrow (Rolling Stone)
* JazzTimes 10: Jazz on Film (Jazz Times)
* Django Bates: Miniature worlds (Innerviews.org)
* Germantown’s finest: Take a trip down Philly jazz’s memory lane with renowned artist Leroy Butler (Philadelphia Weekly)
* Behind the unique, family-powered career of Keb' Mo' (Nashville Tennessean)
* New Orleans Jazz Orchestra is Charting a Path Forward (DownBeat)
* Cornwall music festival at the centre of international email fraud (CornwallLive.com)
* This Is Why Uber Drivers Play Such Bad Music (Medium.com)
* Are the Major Record Companies Signing Too Many Artists? (Rolling Stone)
* Avant-Garde Legend Anthony Braxton on His ‘Trans-Idiomatic’ Improv Odyssey (Rolling Stone)
* Chris Potter: Master of Paradox (Jazz Times)
* Blue Note Celebrates 80th Anniversary with Vinyl Reissues (DownBeat)
* Threats, Quid Pro Quo Harassment, & Obscene Messages: Abuse on an Operatic Scale (TwinCitiesArts.com)
* Tony Kofi: now’s his time (Jazz Journal)
* Jazz musician Kassa Overall ready to take the lead (San Francisco Chronicle)
* “Satchmo” Summer Jazz Camp to Celebrate 25 Years (Jazz Times)
* Photos: The 24th Vision Festival in Brooklyn (Jazz Times)
* Give me that good old progressive jazz (Jazz Journal)
* The Eclectic Sensibility of Anat Cohen (DownBeat)
* Rock Riff Rip-Off: The Legal Loophole That May Leave Some of Rock's Greatest Riffs Up For Grabs (Bloomberg.com)
* Jeff Coffin, Howard Levy Jam with Flecktones at Red Rocks (DownBeat)
* A Frog, a Banjo, and an Indelible Message: Making “The Rainbow Connection” (Vanity Fair)

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