Here's StLJN's latest wrap-up of assorted links and short news items of local interest:
* Italian guitarist and composer Filippo Cosentino will present a free, public lecture and discussion at 4:30 p.m. next Wednesday, October 18 in the Grand Room at the Washington University Alumni House (located behind the music department on Forsyth). Cosentino (pictured) will perform the following night (Thursday, October 19) for the Jazz at Holmes series at Wash U.
* Having wrapped up his duties as artistic director of the 2017 Sopot Jazz Festival in Poland, saxophonist and St. Louis native Greg Osby will be back in the USA for a Thanksgiving week tribute to the electric music of Miles Davis at the NYC club Iridium. Other members of the tribute ensemble include trumpeter Randy Brecker, drummer Steve Smith (of Journey and Vital Information), and bassist Lonnie Plaxico.
* If you've ever wondered whether the arts are a moneymaker for the local economy, a study released this month by Americans for the Arts shows that in 2015, the not-for-profit arts and culture industry in the St. Louis area generated $591 million in annual economic activity, supporting 19,129 full-time equivalent jobs and yielding $57.7 million in local and state government revenue.
(Note that this figure doesn't include for-profit ventures in theater, visual arts, or the music industry - ranging from big arena shows and concert clubs, to one-person gigs at neighborhood venues, to support services like music stores and recording studios - so if anything, it probably understates the total economic impact of arts-related businesses.)
* St. Louis-based publishers Worship Jazz have released two new "jazz nativity" scripts for the holiday season, "What Child is This?" and "Angels from the Realms." Both include full staging instructions and music suggestions from the company's book Jazz Christmas Carols, Volume 2. For details, samples from the scripts, and pricing information, see the Worship Jazz website.
* Missouri student composers in grades K-12 can win awards and cash prizes for their original music in a variety of genres, via the University of Missouri School of Music's Creating Original Music Project (COMP). Entries for the 2018 competition are being accepted now; for more information, visit the COMP website.
Friday, October 13, 2017
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