After an extended hiatus, yr. StLJN editor is pleased to once again be able to offer a wrap-up of the week's assorted links and short news items of local interest:
* Trumpeter Nate Wooley talked with the St. Louis Post-Dispatch's Calvin Wilson about his performance with electronic musician Ikue Mori tomorrow night at The Luminary.
* Abdul Hamid Royal, pianist and music director for the production of Lady Day at Emerson's Bar and Grill playing through March 4 at the Kranzberg Arts Center, was interviewed by the St. Louis American's Kenya Vaughn.
The play-with-music by Lanie Robertson recounts the story of singer Billie Holiday using one of her nightclub performances as a framing device, and stars Alexis J. Roston (pictured) as Holiday. Roston and Royal also spoke with St. Louis magazine's Rosalind Early for a brief feature story, which you can read here.
* The Dark Room's new space at the Grandel Theatre, which opens for business next week, was the subject of a feature by the Post-Dispatch's Kevin Johnson
* The website St. Louis Musicians Unite has compiled Spotify playlists of local music by genre, including a playlist for St. Louis jazz artists. You can see all the lists here.
* Organizers of the Hermann Wine and Jazz Festival have announced their date and lineup for this year. The 2017 event will be held on Saturday, August 19 at the Clara Eitmann Messmer Ampitheater in Hermann, and will feature music from Funky Butt Brass Band, Bach to the Future, The People's Key, singer/songwriter Sean Coray, and the Nick Savage Quintet.
* Speaking of the Funky Butt Brass Band, they have just recorded a version of "St. Louis Blues" and posted it to BandCamp, with the proceeds from downloads of the song going to support "Blues For Kids," the charity organization of the St. Louis Blues hockey team. You can get a copy and support the cause here.
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