This week, let's take a look at
Rashad Becker and
Eli Keszler, two musicians who will be sharing a bill playing separate sets in a concert presented by
New Music Circle on Saturday, November 8 at
The Luminary.
The German-born Becker is known in the music industry as a mastering and cutting engineer with more than 1,200 albums to his credit. His own music uses real-time synthesis and sampling to realize what Becker calls "traditional music Of notional species."
You can hear an example of one of his solo sets in the first video window up above, recorded in April of this year in Turin, Italy. After the jump, there are two more shows by Becker, from June 2013 at the PAN ACT Festival in Boston, and February 2012 in Bristol, England.
Below that are three videos featuring Keszler, a percussionist who also does sound installations. The first, of a work called "Archway," documents a collaboration between Keszler and So Percussion to create a piece of music using the Manhattan Bridge as both the setting and, by running piano wires from the bridge to the ground, an instrument.
Next, there's another of Keszler's works created for a specific location - in this case, the Helm V&A Museum in London - that combines live performance with electronic manipulation of sound. The final video is a clip of a Keszler solo percussion set recorded in 2012 at the Bruismelk Festival in Antwerp, Belgium.
For more about Rashad Becker, read
this interview in BOMB magazine; this
review of volume 1 of his
Traditional Music of Notional Species; and
this interview with him about his engineering and mastering work. You also can hear more of Becker's music
on SoundCloud.
For more about Eli Keszler, see this
2012 interview at Tiny Mix Tapes;
this review of his 2012 two-disc set
Catching Net; and
his SoundCloud page.
You can see the rest of today's videos after the jump...
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